Tuesday, November 04, 2003

Is there a personal "feud" between the Washington Post's chief art critic Blake Gopnik and the Corcoran?

Washingtonian magazine usually has very limited visual arts coverage, and it has always been a mystery to me why they do such a good job of reviewing books, music, restaurants and theatre and yet (with some rare exceptions) ignore our museums and galleries and artists.

However, the current November issue has a very interesting article by Henry Jaffe, who writes a column titled Post Watch.

This month's column is titled Too Much Poison in Art Critic’s Pen? and it's all about the "feud" between the Washington Post's chief art critic Blake Gopnik and the Corcoran.

Washingtonian doesn't archive their articles, so go buy the magazine or read it online, as it will be gone next month.

Jaffe writes that “A lot of people are concerned about the state of art criticism at the Post,” says one museum official, echoing the view of others. None would speak on the record. “He [Gopnik] seems to be very personal. It’s always about his perspective rather than a broader, critical look at the subject.”

And Corcoran director Davy Levy is quoted as calling "Gopnik’s review “unethical” and says the critic often displays “immodest immaturity” in his reviews."

Jaffee also writes that "Levy and the Corcoran were especially steamed that Gopnik ended his review with a dig at the museum, whose “reputation has slipped badly over the last few years.”

Says Levy: “A couple of people Blake talks to don’t appreciate what we do.”

Says Gopnik: “I could get 20 quotes off the record and five on from people who agree with me.” The Corcoran has exhibited “a pattern of terrible shows.”


I am curious as to what people think about this issue. Please email me with your thoughts on this subject.




I know it's silly, but it bugs me that this TV movie critic has a news segment titled Arch on the Arts, when it should really be called "Arch on the Movies" or perhaps "Arch on the Performing Arts."

Arch Campbell, whom I've met a couple of times, is a very nice guy and a terrific movie reviewer. But he certainly does not cover the "arts."

Wouldn't it be nice if one of our local TV stations news programs dedicated just thirty seconds a week on a gallery opening, or a museum show?

And don't even get me started on WETA's Around Town, which is by far the best (and really the only) DC-centric cultural TV show around. But AT also has a very strong focus on movies and theatre, and of all the critics on AT's Panel, the visual art critic (Bill Dunlap) certainly gets the least amount of air time.

Maybe the addition of Janis Goodman means that Around Town will attempt to expand its visual arts coverage.

In response to my Oct 31 entry complaining about the lack of visual arts coverage by WAMU's Metro Connection, I've received a very nice email from David Furst, who is the show's host, who promises that he'll "try to make sure our coverage of the arts is as wide ranging as possible in the future."

David also passes that Arts Editor Peter Fay is on the show this week and Fay will be talking about two visual arts events going on right now. Peter will be discussing The Himalayas at the Arthur M Sackler Gallery and Jim Sanborn's "Critical Assembly" at the Corcoran.

My thanks to David for his quick response and we'll be listening.


Monster - copyright Douglas GordonScottish artist Douglas Gordon, winner of the 1996 Turner Prize, and prizewinner at the 1997 Venice Biennale comes to Washington when his first American retrospective makes a stop at the Smithsonian's Hirshhorn Museum and Sculpture Garden beginning Feb. 12, 2004 and continuing through May 9, 2004.

The Hirshhorn is the final venue for this internationally-touring exhibition organized by LA's Museum of Contemporary Art.

Here's a review of the LA show which gives us a preview of what's coming.

Selecting artwork for an American public collection is a fine art in itself, as the artwork has to avoid the appearance of remotely insulting anyone or making any sort of social statement that may be offensive to any segment of the public. Thus we usually end up with a lot of abstract, non representational art in most public venues, and nudity needs not apply - I have called it "airportism" in the past.

The Washington Convention Center will unveil its art collection to the public on Monday, November 10, from 6:00 - 8:00 pm. They will introduce the largest public art collection in Washington, DC. Over 120 works of art, sculpture, paintings, photography, graphics and mixed media. They spent around four million dollars, of which half was allocated to DC area artists.

Location: 801 Mount Vernon Place, NW, Washington, DC. Please use Mount Vernon Place entrance. The Washington Convention Center is accessible by the Mount Vernon Place/7th Street - Convention Center or Gallery Place/Chinatown Metro Stations. Parking is limited in the surrounding areas. R.S.V.P. 202-249-3449.

And for artists who are interested in getting more involved in competing for public art commissions, the Washington Glass School is offering a seminar for artists titled: Public Art: Putting the Art in ARchiTecture - A Seminar for Artists, Architects & Design Professionals - DC and it will be offered on Wednesday, November 12, 2003, 7-9 pm.

This seminar will focus on successfully winning public commissions. Panelists include: Francoise Yohalem - Public Art Consultant and Curator of Eleven Eleven Sculpture Space, Sherry Schwechten -Art in Public Places Manager, DC Commission on the Arts and Humanities, Jennifer Mange - Public Arts Coordinator of the Baltimore Office of Promotion of the Arts and Jennifer Riddell - Public Arts Curator / Arlington County, VA.

Cost: $25 donation in advance/$30 at the door. Where: Washington Glass School, 1338 Half Street SE, Washington, DC 20003 (1 1/2 blocks from Navy Yard Metro stop). Phone: 202-744-8222.


Creative Capital will award grants to individual artists in the fields of Visual Arts and Film/Video in 2004-05. Visual arts may include painting, sculpture, works on paper, installation, photo-based work, contemporary crafts, and interdisciplinary projects. Film/video arts are all forms of film and video, including experimental documentary, animation, experimental media, non-traditional narrative in all formats, and interdisciplinary projects. It;s very simple to apply online: To apply, artists must complete an online inquiry form, which will be available at www.creative-capital.org on February 16, 2004. The deadline for completed inquiry forms is March 15, 2004. Those invited to make a final application will be notified in June 2004.