Thursday, April 08, 2004

Here's an early look at at book that I am working on on the subject of Cuban baseball. Have a couple of publishers interested, but still shopping.

How readable is art writing?

Thanks to Terry Teachout: Golden Rule Jones has run 17 arts blogs through an on-line tool that tests Web sites or WORD documents for "readability."

According to the creator of the tool in question, "The Fog index has been developed by Robert Gunning. Its value is a school grade. The "ideal" Fog Index level is 7 or 8. A level above 12 indicates the writing sample is too hard for most people to read."

DCARTNEWS received a Fog Index of 12. That means that you'd need at least a high school education to read and understand my writing. Just for fun I ran some other area art critics and writers through it and in order of easier readability (from requiring less education to read to requiring more education according to the Fog Index):

Tyler Green in Modern Art Notes: 9.7

Joe Shannon, Art in America DC critic: 9.9

Jessica Dawson's review today: 11.3

Ferdinand Protzman in the Post: 11.9

Michael O'Sullivan review in the Post: 12.2

Paul Richard in the Post: 12.5

Mark Jenkins in the Post Weekend: 13.6

Blake Gopnik's last review in the Post: 13.7

Sidney Lawrence in Artnet.com: 13.7

Louis Jacobson in the City Paper: 14

Claudia Rousseau in the Gazette: 14.3

Joanna Shaw-Eagle in the Washington Times: 14.5

J.W. Mahoney, Art in America DC critic: 15.2

And at a whoopingly unreadable 19.3:

A Glenn Dixon review in the City Paper: 19.3

The Gazette newspaper (which is owned by the Washington Post) has an article on the subject of the tremendous success of the Bethesda Art Walk.

We're described as showing "bold and sometimes bawdy work." Can't recall the last time I've seen a gallery described as "bawdy."

I do share Elyse Harrison's concerns that one problem with the Bethesda Art Walk is that there are a few too many decorative, chain galleries on the "walk" - the type of galleries that sell decorative art and also do exorbitant framing to tack onto their "gyclees on canvas" reproductions of artists well-worth their owner's desperate resell attempts at Ebay.

The next Artwalk is tomorrow, Friday April 9, from 6-9 PM. See you there.

In the Post, Jessica Dawson takes off her gloves and puts artist Leith Eaton in her place. Eaton claims that her work is a new kind of "ism" and Jessica doesn't buy it - I agree with Dawson. This is a very good review that shows that art criticism can and should have teeth - and when intelligently applied, as in this review, it shows passion and opinion! Leith Eaton is at Foxhall Gallery through April 17, 2004.

work by Sheep Jones Dawson also reviews one of my favorite DC area painters: Sheep Jones at Target Gallery. Jones' work at Target Gallery is a significant, if not huge, departure and new direction for Jones, whose work had previously concentrated in giving the viewer a sort of subterranean look at vegetables and roots. The new work opens a new path for this talented painter as we enter a dark and interesting door in her artistic discourse. I also agree with Dawson in Jessica's recommendation that Sheep lose the verbiage in her paintings.

Sheep Jones, is the Friends of the Torpedo Factory 2003 Artist of the Year. Washington printmaker Lou Stovall selected Jones as recipient of the award.