The Power of the Web
We're about to close a major acquisition by a major New York City museum (I just used "major" twice in one sentence) and it has all (well 98%) happened through the Internets.
Other that a phone call or two, most of the questions, answers, images, etc. and transactions have been accomplished through the power of the web.
And a second (fingers crossed) possible major (and multiple) acquisition by a major (geez... "major" again!) Brooklyn museum (did I just give it up?) has so far been coordinated, crafted and negotiated 98% through the Internets and 2% through snail mail.
More on that later.
Thursday, March 23, 2006
The Power of the Web
Those of you who read the Artblogsphere regularly, know that we all read Bailey, because Bailey is simply Bailey, and one of the rules of blogging is that you never piss off Bailey.
Witness Bailey and the art of coercion here, as Mrs. Clinton gets Bailey's attention.
Bailey, Bailey, Bailey...
Wanna go to an opening tomorrow?
"Strong Work Hot Topics" is a show now on exhibit through April 5, 2006 at the Marlboro Gallery of Prince George's Community College.
The exhibition features the work of Marilyn Banner (Bethesda, MD), Tom Block (Silver Spring, MD), Donte’ Hayes (Atlanta, GA), Dylan Scholinski (Wash. DC), and Clarissa Sligh (NYC).
According to the news release, "this exhibit brings together five artists whose work addresses, in powerful and direct ways, peoples’ struggles for survival in the face of violations of human rights and dignity. Evoking issues of anti-Semitism, racism, political imprisonment, and gender identity intolerance, the work asks us to re-consider our own beliefs and assumptions about 'those others,' and to take responsibility for ending scapegoating of all kinds."
The opening is Friday, March 24 from 6-8 pm, with music by Washington Musica Viva.
Another March 30th art event...
Looks like the DC Art Gods have aligned to focus a ton of good stuff to happen on March 30, 2006. In addition to all the great stuff happening on that day that I've already discussed here previously (I'll re-cap later), there's also a good opening at the University of Maryland for those of you who are on the Maryland side and don't feel like trekking to the District.
The University of Maryland's Union Gallery presents "Midpoint: 2nd Year MFA Candidates at the University of Maryland" on display March 30 - April 20, 2006.
The exhibition displays the work of four artists: Peter Gordon, Ben Lock, Brian Sykes, and Adam White. They are all halfway through the University's three-year Masters of Fine Arts program. An opening reception for the exhibition will be held Thursday, March 30th, 6-8 PM.
Also on that day:
Details here for a tour of the new Grant Wood show given by Jane Milosch, the new curator-in-charge.
Details here for After Effects of the Experimental Media Series - Curated by Kathryn Cornelius at the Corcoran.
Details here for Hirshhorn After Hours.
The gallerist as juror
One curious (and welcomed) fact that I've noted about our current exhibition is the relationship to the overall success of a juried exhibition to the background of the juror.
Let me explain.
Since we opened the Fraser Gallery in 1996, as part of our gallery's program, we've had dozens of invited guest curators and jurors over the years tasked with curating and jurying one or two shows a year for us. The idea was and is, to bring some fresh eyes, thoughts and ideas, besides that of the gallery-owners.
These jurors have included multiple curators from the Hirshhorn, from the Corcoran, and other museums, as well as established artists and photographers, and art critics.
They have without a doubt delivered strong, sometimes surprising, shows, and nearly always accomplished the task of offering our public something new and different from what the focus of our gallery has been.
And yet, when one brings the seasoned eye of an experienced gallerist to the juror's task, as it was the case in this exhibition and the many others that my partner has curated for other organizations and art venues, something slightly different happens.
The exhibition has all the strong, aesthetic points that most well-curated shows exhibit in general, but in addition to that, it also sells well!
Fact: the current show has been well received by the critics, but it has also already sold more photographs than all of the previous three photography competitions combined!
This, of course, is a gallerist's dream: to have a show that is well received by the critics and the public, and that also actually sells some work.