Since tonight is Nochebuena, I've been preparing a classic Nochebuena Cuban feast for the in-laws. One of the key ingredients in the 24 hour marinade for Cuban roast pork is orange juice.
When I was looking for the orange juice (I swear we had some) and couldn't find any, my wife suggested that I substitute it with some diet Pineapple soda that we happened to have in the cupboard.
As I dug out some oranges to get the juice out of them the old-fashioned way, I thought to myself that it is no wonder that one doesn't see too many Swedish restaurants around.
The fare for tonight:
Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (Rice and Black Bean Soup)
Cuban Nochebuena Salad
And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2010 to all!
Thursday, December 24, 2009
Cudlin on The Year in Museums
The disconnect comes when one considers the exhibitions that D.C. museums actually offered this year. These mostly reflected the artworld’s fascination with cranky homebodies, curious characters, and misunderstood geniuses—no interactive cafes or love-ins by the balloon tent to be found. 2009 was a year full of retrospectives for artists who stayed home, keeping their distance from the larger discussions that were shaping life and culture around them. These are artists who seem to suggest that art is necessarily a private experience, meant for those who are sensitive to an extraordinary degree.Jeffry Cudlin offers a very interesting article on our area's museums. Read it in the CP here.
On the subject of the City Paper: I have been stunned to see the huge difference in visual arts coverage that happened to the CP in the three years that I was gone from the DC area.
When I left, one could count on the CP to deliver a constant flow of reviews and mini reviews every week; Cudlin and others covered museums and galleries, and Jacobson covered photography shows.
Now Cudlin does 2-3 articles a year on museums, and the rest of the visual arts coverage has been decimated to a trickle. It is sad to see this happen, because the CP once filled the huge void that is the visual arts coverage by the WaPo and the Times.
Maybe I'm being myopic, but I've noticed no less coverage of music, bars, movies and theatre in the CP, so as usual, I wonder why coverage of art galleries and museums has been reduced so much?