Mark your calendar on May 17th for night 2 of Cabaret [re]ReVoltaire!
Washington Project for the Arts and The Pink Line Project present Cabaret [re]ReVoltaire, curated by my good bud Alberto Gaitán. Join them for four evenings of food, drinks, art, poetry and performances.
Cabaret [re]ReVoltaire celebrates the historic Cabaret ReVoltaire series which was presented by WPA in 1992.
Night 2: May 17, 2010
Time: 6:30 - 9:30pm (doors at 6:00pm)
dinner style seating, food and drink available for purchase
ticket price: $20 (50 available tickets)
Emcee: Dody DiSanto
House Band: Bob Boilen
Karin Abromaitis, Kristina Bilonick & Tzveta Kassabova,
and Matthew Pauli
Videos by: Anarchy in the Kitchen, Ayo Okunseinde, Vin Grabill, Champneys Taylor, and original footage of Cabaret Re-Voltaire from 1992 shot by Matt Dibble and edited by him and Linda Lewett
Tickets can be purchased here.
Note: You MUST have a ticket in advance. Tickets will not be sold at the door.
Saturday, May 15, 2010
Ryan Hill opens at Civilian
Opening Reception: Friday, May 21, 2010
Civilian Art Projects artist Ryan Hill continues his process of exploring the contemporary cultural imagination through found images and word associations. The works on paper found in “SuperFacial” play with ideas of the spectacular, the facial and glamour. Drawings based on images of spa treatments, facebook profiles, fashion magazines, and entertainment websites ask the question “how do we look at faces?” “what happens if we are not sure if we are looking at a face at all?” and “what do faces mean to us anyway?”
Ryan was initially inspired to make this series of related works by a friends wedding reception on Halloween’s eve at a New Orleans mansion.
The artist found interacting with the masked wedding guests both confusing and exciting since he couldn’t read the social cues from people’s faces when they spoke or reacted to his responses. Also, the artist wore a range of fake noses and teeth throughout the night, evolving them from smaller to larger prosthesis as it progressed. This social experiment gave the artist both a sense of glamour and invisibility, allowing his face to be read in ways unfamiliar to him. People projected their fantasies on his new features in ways that allowed him to maintain a comforting sense of anonymity. He found parallels to this process of masquerade on social networking sights, celebrity discussion forums and even in the act of how the public interpretation of art is a private act done in public.
Images are drawn onto the paper with some areas blocked out by frisket. Ryan then sprays layers of washes over the drawing and works back into them with ink and brush.
Ryan's textworks are enlarged from copious notes he takes while drawing. Words are often drawings in themselves or overlaid on top of images as a way of complicating meaning.
He presently experimenting with cutting out text and hanging them sculpturally on the walls. Like previous exhibit, "Everything Must Go," the nature of the textwork are based on personal anecdotes and imaginary personas.
The artist will also show his related collages and textworks along with a video collaboration with local DC area experimental filmmaker Rob Parrish.