I had one of the most shocking, unexpected meetings - ever - today. I am still dumbfounded by the news, and the only reason that I am not pulling my hair out is because the person on the other side who told me the shocking news is someone I trust and consider a friend.
Wednesday, January 19, 2011
"Civilian Art Projects presents climate, control, a three-person exhibition curated by Kristina Bilonick and Karyn Miller featuring J.J. McCracken, Jan Razauskas, and Millicent Young. The name climate, control refers to the artists' response to their immediate surroundings, as well as the exacting nature of their practice. The artists in this exhibition work in drastically different materials - from clay and horsehair to drawing and paint - but in each of their works, there is an intense focus on the precision of artistic production, and a sense of significance in the medium they chose to work in. The artists cull the fodder for their work and in some cases their materials from their immediate surroundings. Miller points out though, that, "at the same time there is an openness to chance which gives it a kind of negative tension." The exhibition opens to the public on January 21, 2011 and will be on view through February 19, 2011 at Civilian Art Projects in downtown Washington, DC."Exhibition on view: January 21 - February 19, 2011
Opening Reception for the artists: Friday, January 21, 7-9 p.m.
Artist Talk: Saturday, February 19, 4p.m.
Maura Judkis has a really cool report on the temper-flaring effects of my Che Guevara video drawing at the MIA art fair last week. Read that here.
Judkis also has a really terrific interview/report on the very talented Victoria F. Gaitán, who is easily developing into one of the brightest new stars of the DMV art scene. Read that here.
Bit of a quandary
One of the positive "wake" effects of exhibiting at good art fairs is that one's artwork is not only exposed to a lot of collectors, but also to a lot of other gallerists and curators.
For example, at the just finished Miami International Art Fair, and as I related in this blog in the last few days, my Che Guevara video drawing obtained a lot of attention and a good share of uninformed threats.
An Argentine gallery approached me yesterday, interested in bringing the piece to Buenos Aires for an exhibition on Guevara. This sounds like a terrific opportunity, doesn't it?
However, it also puts me in the difficult position of having to make a decision. And that decision is driven by the point that I'd like to have at least three video drawings ready for the next art fair later this year in New York.
As they are quite expensive to produce (mostly due to the electronics), and because the Che piece has proven to be so wildly successful, I am leaning to declining the invitation so that I can keep it with me and exhibit it later this year in New York alongside two other new video drawings.
The subject of the next video drawing will also be an icon-like figure, and either her open heart (or perhaps her forehead) will be the window into her soul where the video will be playing.
The third subject will also be an icon-like drawing of yet another iconic figure, although this one may not be a "real" person.
But I need at least three for NYC and I don't want to ship away the most controversial one!
What to do?