Church Rock

Is where I got married today! See the Rock here.

Airborne today and heading West to New Mexico. I'll be back Monday night but then leaving immediately for New Hampshire!

I'll try to continue to post, so keep checking!

Gould makes her CP debut and Rousseau nails FeBland

I am in New Mexico... but back in the DC area:

Jessica Gould makes her WCP debut with a really nice piece on the new Wilson Building Art Collection, in Washington, DC making an excellent subtle point on the lack of nudity in American (not just the Wilson's) public art. Read her colum here.

DC's other large public art collection (at the Washington Convention Center), as far as I recall, does not have a single nude in its roster, and precious few figurative works.

This new collection at the Wilson Building is the closest that we now have to a "DC Artists Collection" and curator Sondra Arkin deserves a lot of kudos for her hard work in putting it together.

In the Gazette (which is owned by the Washington Post), Dr. Claudia Rousseau reviews David FeBland's fourth solo at Fraser Gallery.

FeBland's is Fraser's best-selling artist, but that success has not come without a lot of hardwork from FeBland himself. Not only from an enviable work ethic, but also from a very savvy approach to the artworld.

Path of Escape by David FeBland

Gehry for Philly

The Philadelphia Museum of Art today announced its selection of Frank O. Gehry as architect for a 10-year master plan to "dramatically expand the Museum."

According to the news release, "In a departure from the sculptural buildings for which the architect is best known, Gehrys challenge at the Philadelphia Museum of Art will be to create dynamic new spaces for art and visitors alike without disturbing the classic exterior of a building that is already a defining landmark in Philadelphia. The project will add expansive new galleries for contemporary art and special exhibitions by excavating under the Museums east terrace on the hill of Fairmount, and will renovate the Museums existing interiors to create additional space for the display of its renowned collections. A total of 80,000 square feet of new public spacea 60 % increase is anticipated."

At the Board of Trustees meeting today, H. F. "Gerry" Lenfest, Chairman of the Board of Trustees, stated: "We have asked one of the world’s most respected architects to expand this world-class museum, and we look forward to working with Frank and his talented staff to realize a project that began as a dream and that today, in partnership with the city and the state, can begin to move full steam ahead."

A warning note to Anne d’Harnoncourt, Director of the Philadelphia Museum of Art: Corcoran.

What Gives?

I read somewhere the other day that in the last year, the US economy grew at such a healthy pace that its growth alone was like creating a brand new economy the size of China's entire economy. And every day I hear about how the stock market is setting new records. And everyday I hear about how the unemployment rate is the lowest that it has been in ages.

And yet, I've managed to pick the worst time in recent history to try to sell my house in Potomac, MD.

So, I have now reduced it in price by over $175,000 from its initial price and its "comp" value and by almost $200,000 from what HouseValues.com says that it is worth.

Buy the house here.

Opening at Vastu

Another DC area art venue that showcases original art is Vastu, located at 1829 14th Street, NW in DC, and tomorrow they will have an opening from 6-8PM for "Artworks," which is an exhibition by Greg Minah and Yao e. odamtten.

The exhibition goes through Nov. 6, 2006.

Opportunity for Photographers

Deadline: 29 December 2006

The Fraser Gallery (which I used to co-own) is hosting their Annual Bethesda International Photography Competition. Details and entry forms here or call the gallery at 301/718-9651.

Opportunity for Artists

Deadline: December 13, 2006

Washington, DC's Touchstone Gallery has a Call for Artists for its 9th Annual All-Media Exhibition. It will be juried by my good friend Jack Rasmussen, who is the Director and Curator of the American University Museum, in Washington, DC. Details and prospectus here.

Shauna Turnbull Joins Mid Atlantic Art News

When I began splitting my time between PA and DC, I announced that I would be getting help in covering the Mid Atlantic span between Philadelphia and the Greater DC region by a couple of additional writers.

Below is the first contribution by Shauna Turnbull, who will be helping me to cover the Greater DC area's art openings and art events. This piece by Shauna will be hopefully the first of many.

---

Annie Leibovitz: Politics and Prose Bookstore – October 17, 2006

By Shauna Turnbull, Art Addicts

The good folks over at Politics and Prose Bookstore in Northwest DC had us packed in like sweltering sardines and the standing room only crowd gathered for one of the store’s most exciting author events ever. You never knew so many people could fit into such a cramped space without the fire department rushing in, but none of us cared very much.

We were all there (some of us up to three hours early) to stake out our own personal square footage just to see, hear, and be in the same room as American born celebrity photographer and portrait artist Annie Leibovitz.

A popular culturist and a modernist, Ms. Leibovitz (born Anna-Lou), was honored in 1991 with a major exhibition at the National Portrait Gallery. Her work has received major acclaim and criticism largely centered on the fact she’s concentrated on celebrities continuing since her early work with Rolling Stone Magazine.

Ms. Leibovitz read for about a half an hour from her new, highly praised retrospective "A Photographer’s Life."

The retrospective is a collection of work from 1990 – 2005. It is inspired in part, due to the death of Annie’s long time companion, Susan Sontag, and the death of Leibovitz’s father a mere few weeks after Sontag's death. Both black and white and color images span personality novelties of the rich and famous to more personal and intimate relational works on the author’s family. Of particular note is a photograph of Ms. Leibovitz’s mother in her late seventies, one the photographer loves because of its authenticity and its absence of pretension.

Ms. Leibovitz appeared unpretentiously to be in a mixed state of joy over her young children (she gave birth to her first daughter at the age of 51 and was 8 ½ months pregnant during September 11, 2001), while at the same time also fighting the clutches of resigned and unrelenting grieving. She bares her soul and describes her experience as being not primarily that of a photographer, but rather one as an observer of life.

Most interesting were her perspectives on the effect of engaging a subject in conversation prior to taking a photo. Leibovitz says no matter what you say to a person, it changes their face, changes their emotion, and changes the expression in the eyes. This is one of the reasons she most prefers unstaged and unposed photography.

She’s searching for who the person is – what’s their statement. When asked by aspiring photographers what the key to a successful life in photography is, she quips, "stay close to home."

So it seems the retrospective may be asking – who, where and what is home – does the definition of home change as people die – is home within – and can you find your home through Liebovitz’s expression and years of work?

Interns

The new Randall Scott Gallery in Washington, DC is looking for interns. Give him a call at 202/332-0806.

Two New DC Galleries

Meat Market Gallery opened at the end of September with a group show of its gallery artists. The new gallery is located at 1636 17th Street, NW in DC.

Opening this weekend is Dissident Gallery, located at 416 H Street, NE. The grand opening is Oct. 20 at 7PM.

DCing

I'm in and around DC today. Several posts coming later.

Art Review magazine has gone digital and they're offering six free issues.

Sign up here.

The Evolution of Beauty

Watch this video is you want to know (in part) why our perception of a woman's beauty is so fucked up.

Why Blake is Wrong (Again)

When an art critic hangs his or her entire reputation on joining in early on his writing career with a traditional anchoring art criticism agenda, and for years and years pounds this agenda forth as the true (and only) Gospel for contemporary art, it takes either:

(a) A huge amount of professional courage to realize that the times have left your founding ideas (and the foundation of your agenda) behind as a quaint, and once revolutionary concept, or

(b) Ignore the present, and continue to pound your dated agenda and discredited, once collective ideas and communal concepts as if they're still new, and novel and applicable.

Blake Gopnik, the intelligent and erudite chief art critic of the Washington Post, has told his readers time and time again that:

- Painting is Dead

- Video, Installation Art and Photography are the only contemporary genres worth exploring

- There's something "icky" about nudes

- The holy grail of the art market is a non-existing "new" painting art movement

- Being "up to date" and "new" are key things in contemporary art (nevermind that Video, Installation Art and Photography are quite aged in years now and not the "new kids on the art block" that maybe they once were when Gopnik started writing).

- There's nothing "new" that painting can offer that would have looked much out of place over the past five or ten years in any high-end New York gallery.

- Skill is "banal"

- There's something "icky" about nudes (did I mention that already? Well... he harps on this aversion over and over).

See how many of these Gopnikisms you can find in this traditional Gopnik review of a painting show, in this case his review of "Life After Death: New Leipzig Paintings From the Rubell Family Collection" at the American University Museum at the Katzen Arts Center.

2006 DC Gallery Tally

The capital area's gallery sky is not falling!

As far as I know:

DC Area Galleries that have closed (or will close) so far in 2006:

Robert Brown
Fusebox
Fraser Georgetown (moved to Bethesda)
JET Gallery (moved to Chicago)
Numark
Ozmosis

DC Area Art Galleries that have opened (or will open) in 2006:

Galerie Myrtis
Heineman-Myers
Hillyer Art Space
Long View Gallery
Ninth Street Gallery
Nowuno
Project 4
Randall Scott Gallery
Elizabeth Stone
Woman's Story Gallery

If I've missed anyone, please let me know.

Update: See updated info about Nowuno at ArtDC.org

New Alexandria Gallery

After 15 years in Michigan, Elizabeth Stone has recently relocated her art gallery to King Street in Old Town Alexandria.

The Elizabeth Stone Gallery focuses on children's art, and (as far as I know) is the only art gallery in the Greater DC area, maybe even the whole Mid Atlantic to do so. The gallery specializes in original art, signed limited editions, prints, and children's books by more than one hundred internationally known children's book illustrators.

We'll have a review of the current show later today.

The Most Popular Contemporary Political Art in the World

Came from a DC area artist in 2004!

A handful of readers emailed me commenting on yesterday's post on the issue of political art by DC area art venues and artists, reminding me that the most popular (measured by the spectacular and record-setting number of times the image was downloaded from the Internet and from the worldwide news deluge that it received) political artwork from recent times was this painting by the fair Kayti Didriksen:

I wonder who ended up with this wildly popular work? Kayti: Email me!

Sandberg at Conner

Alexandra has a very good visit to Erik Sandberg's show at Conner Contemporary in DC.

Read it here.

Peace Show

For many years now, the Warehouse Galleries on 7th Street in Washington, DC, have been the capital region's bastion for political, activist and progressive art exhibitions focused on themes such as war, peace and how artists view the world around them.

Over in nearby Arlington, John Aaron's Museum of Modern ARF has been pounding out one political show after another (and has been apparently also been in the past the subject of vandalism because of it), and many DC area artists have for many years focused a lot (if not all) of their creativity on political art, people such as Stephen Lewis, Tom Nakashima, Jefferson Pinder, Nekisha Durrett and let's not forget that Lebanese-born artist Chawky Frenn (who teaches at GMU) seldom paints anything that doesn't have a sharp political comment to it (he had a solo scheduled in late 2001 that was cancelled when his then Boston gallerist allegedly told Frenn that he couldn't show his work after 9/11).

But getting back to Warehouse...

Opening on Election Day at 8pm, Molly Ruppert brings us her Fifth Annual Peace Show, and this year's show will offer a worldview of disturbance and destruction and will feature the work of many artists spread throughout the Warehouse's eight distinct galleries.

The exhibition includes Gabriela Bulisova's photographs of the ongoing clusterbomb devastation in Lebanon, paintings by Tom Drymon, a DC artist who moved to New Orleans before Katrina, a house wrap installation for peace by Laura Elkins, and the other artistic peace efforts of many artists.

US Air Force Memorial



The beautiful new US Air Force Memorial (designed after the trails left by the famous Thunderbird bomb-burst formation) will be dedicated in Arlington, Virginia in several formal dedication events that will take place tomorrow, October 14th, 2006 at 1:30 p.m. on the 3-acre promontory adjacent to Arlington National Cemetery and a short walk from the Pentagon.

The Memorial is on the grounds of the Navy Annex.

The USAF has always tried to show a very modern and futuristic views to all their designs (such as the USAF Air Force Academy in Colorado and even in their uniform insignias), almost as if they've never got over being upset that science fiction has always depicted the military ranks of the future as naval ranks, and the space war machinery of the future as "ships" and space "sailing" machines and not flying machines.

After all, it's Captain Kirk, not Colonel Kirk and Admiral Adama (in Battlestar Galactica), not General Adama.

A well-deserved salute to the men and women in blue who have served over the years and who continue to serve. They should be very proud of their very beautiful memorial, and we should be very grateful for their service.

Update: I could have predicted this, but just like the WaPo's Philip Kennicott, I am sure that all the usual leftwing nuts will find something to dislike about the new memorial, or introduce a personal political agenda into the issue, while all the usual rightwing nuts will also find something to dislike in its postmodern look and somewhat abstract design and lack of militaristic "view."

Whenever one designs and builds a public memorial, you can't please everyone, but whenever it is something to do with a military service, you can bet that all the wackjobs from the left and from the right will come out and become negative from some perspective or another, fueled by their extremist and divisive agendas.

I say that as long as it pleases the people and the families of those whom the memorial is supposed to "honor" - even if it is a just spot to take one's picture - then that's good enough for me.