Local coverage of artDC

Yesterday I popped into the press office over at artDC and checked out the wall of press coverage about the fair so far.

It's clear that the fair's PR staff has done a super job getting the word out, and the press has generally responded quite well, especially the art bloggers.

The three major local newspapers have also done quite well, with the Washington Post -- no surprise here -- essentially ignoring the fair in the Style section (Style's editor Deborah Heard just doesn't get that she continues the decline started by her predecessor Eugene Robinson), while covering it nicely in the Weekend section and via online bits here and there.

The Washington Times delivered a spectacular, multi-page, multi color orgy of images in covering the fair (on Saturday), which I also can't find on their sucky website, because although I can find the story, the link is bogus (Update: Here's the valid link).

In the City Paper, my good friend Kriston Capps wrote a piece which curiously questioned the fair's business practices in dealing with non-profits, rather than discussing the art itself (impossible to do ahead of time) or the effect of the fair on the region. In the end (I think) it actually came out in favor of the fair organizers' interest in ensuring that the area's non-profits had a presence (there are 22 of them at artDC) at the fair, which as the article points out, is something most other art fair organizers don't care about.

Gopnik on artDC

I saw Blake Gopnik and his lovely and talented wife (painter Lucy Hogg) at artDC last Friday. Today the Post's Chief Art Critic writes a small blurb about the fair, but it's what he writes about the capital area galleries in today's Sunday Arts (I was unable to find the piece online Update: Here's thelink) that caught my eye:

"It's hard, trying to run a commercial gallery in Washington. Try to get the attention of art lovers and you're competing with the city's great museums, which are better places to see art than any gallery could ever be. Try to get the money of art collectors and you're competing with New York, where there's more art to see. In an attempt to remedy the situation, many local galleries, as well as some from farther off, are participating in this weekend's ArtDC..."

Gopnik goes on discussing the fair, but in this paragraph Blake has shown his first crack in the armor that has essentially protected most of him from being interested in the region's art galleries and artists, and also shows a clear understanding of the difficulty of running the business of an art gallery in the region.

I hereby take back 50% of all the negative things I've written and said about this man's writtings.

Maybe 25%... OK, OK... 50%

ArtDC Quicklook

I've spent the last three days over at artDC, although yesterday was a visit to create a video review of the show which will be posted as soon as Jeanie is done with the editing.

My first impression of the fair as a whole has been very positive, and I will expand on it later. But generally, artDC has brought a breath of fresh air, fresh art, fresh collectors and fresh opportunities for both DC area art galleries and DC area artists.

Almost three solid days at the fair, and interviewing dozens of gallerists, and meeting and chatting with dozens of DC area art collectors and artists, have given me a deep insight into the fair (and its effects on the area), that I think will reveal some surprising (and unexpected) benefits to the region that go past just having the capital region's first international arts fair.

As a dealer, and as a critic, and as an artist, and as an experienced art fair goer (my first art fair visit took place while I was living in Europe in the early 1980s), I think that I bring a set of multilevel experienced eyes that other area writers (so far) have not had time to develop because of age, or lack of fair-going experience, or zero business acumen, and even snarky personal agendas.

If you are an artist, a gallerist, an art collector, or just a person interested in seeing the beginning of something good and positive for our reginal arts scene, go and visit the fair tomorrow, it's last day.

I will have a full review shortly.

Update: Excellent review of the fair by Mark over at Ionarts. Read it here.

Waaaay behind

If you've emailed me in the last couple of days, I'm not ignoring you, it's just that I've been floating between artDC and the Warehouse the last two days and haven't had time for email... have at least 200 in the inbox and a gazillion in the spam checker.

I'll get to them by Monday.

Wanna go to a DC opening tonite?

Right across the street from artDC (which is being held at the DC Convention Center), the Warehouse Gallery is hosting a show of local artists called “No Representation” from April 26 to May 12, 2007. I've already seen it (twice) and it looks great.

The show, curated by Molly Ruppert, Sondra N. Arkin, Ellyn Weiss and Phillipa P.B. Hughes, will include all media and has two rules only: all of the art is by local artists and all the work is abstract. Artists in the show are artists include: Sondra N. Arkin, J. Belmar, Mark Cameron Boyd, Renee Butler, Tory Cowles, Laurel Farrin, Michael Gessner, Janis Goodman, Pat Goslee, Tom Green, Eve Hennessa, Kristin Holder, Brece Honeycutt, Becky Jones, Joanne Kent, Adrian Loving + Ayodamola Okunseinde (Dissident Display), Aubrie Mema, Elizabeth Morisette, Emily Piccirillo, Lynn Putney, Marina Reiter, Nooni Reatig, Chris Tousimis, Dan Treado, Andres Tremols, CC Vess, Gail Vollrath, Anita Walsh, Rex Weil and Ellyn Weiss.

The opening is Saturday, April 28 starting at 6 pm.

Artsy Prepuce

In case you don't know, a prepuce is an old word for foreskin. The most famous prepuce in the world is the Holy Prepuce, and maybe, as of last night, the most famous prepuce (at least in Washington, DC) hanging in an art gallery now hangs at the "Supple" exhibition in the Warehouse Galleries, as last night Adrian Parsons self circumcised himself in front of a rapt audience. He then hung the foreskin on the gallery wall.

Adrian with his foreskin hanging on the wall
At the start... yesterday I attended the gala opening for artDC, and the place was packed with dealers, collectors, press and artsy folks.

I left pretty late and pretty tired (I had risen at 4AM in the morning as I had an early morning appointment in Annapolis).

And so I unfortunately decided to head to bed, rather than head on over to Warehouse across the street.

It was there, at the opening of "Supple," that Parsons may have become the world's first arts mohel.

But tonight, after spending the whole day at artDC, around 10PM I did go to see "Supple" and also "No Representation" at Warehouse, and while there we ran into Parsons, who gave me a walking tour of "Supple" and he described the whole self-circumcision performance for me.

Below is a video of the self-circumcision - all normal warnings apply:

Video of Adrian Parsons' Shrapnel Performance
Update: YouTube has removed the video, but the CP has it here

If you can handle it, check out the photographs of the performance and the self-circumcision here.

Reviews of Supple, No Representation, and artDC coming soon. The men go: Ouch!

Wanna go to a Baltimore opening tonight?

The Maryland Institute College of Art (MICA) highlights eight first-year students in MICA’s graphic design master of fine arts (M.F.A.) program in conjunction with the Graphic Design MFA Thesis Exhibition. First-Year Graphic Design MFA Exhibition provides a glimpse into the work of emerging artists and graduate students in the College’s graduate programs. The exhibition takes place in Bunting Center’s Pinkard Gallery at 1401 Mount Royal Avenue, with an opening reception on Friday, April 27, 5–7 p.m.

The eight students showcasing their works are Kim Bentley, Viviana Cordova, John Corrigan, Hyun Soo Lim, Gregory May, Kelley McIntyre, April Osmanof, and Yue Tuo. The exhibition goes through May 2, 2007.

Wanna go to a Bethesda opening tomorrow?

On Friday, April 27th from 6-9pm, Heineman Myers Gallery in Bethesda, MD has an opening reception for “Colorfieldremix: Saturated.”

This will also be an artist party and Zoe Myers is encouranging colorful attire and she promises that "colorful cocktails will be served."

Numbers

Mid Atlantic Art News is now averaging over 21,000 visits a week. This is a re-affirmation of the interest in the visual arts in the region.

And, according to this map, the visitors are coming from all over the world.

Thank you.

Reliable Sourcing

The WaPo's Amy Argetsinger and Roxanne Roberts, who pen the Reliable Source column for the WaPo, discuss art casualties of Artomatic's 3500-person opening reception.

Read it here.

CBS does Artomatic

DC's Channel 9 went to see Artomatic and this is what they videotaped.

The video includes interviews with artists Dana Ellyn, Matt Seesow, the amazing Frank Warren from PostSecret, George Koch, and Tim Tate.

Is she busy or what?

"Barely emerging" DC area artist Kathryn Cornelius may be in the process of graduating to "emerging."


She has a live performance on the opening night of artDC, this Thursday at 8pm as part of the Curator's Office presence at the fair. Cornelius writes:

I am especially excited about this performance because it involved a lot of participation of multiple parties as a portion of its conceptual underpinnings, which has been an interesting way to work... I am grateful for all those individuals and organizations that have been a part of this piece -- thank you!

Then she has some photographs in a show at the Palazzo delle Arti in Naples, Italy. The exhibition is called Eroi! come noi...? (Heroes! like us ...?) and runs April 5 thru June 27, 2007. Curated by Julia Draganovic of The Chelsea Museum in New York, the exhibition includes artists Charlotte Ginsborg, Marco Giovani, Ilya Kabakov, Tom Sanford, and Hu Yang among others.

Also, this spring she will have a video work displayed in a group video show at Galerie Anita Beckers in Germany.

Buy a Cornelius this weekend - do not wait any longer.

Future of Warehouse Theatre and Galleries Uncertain

Via Wonkette I learned last nigt that the future of the Warehouse Galleries and Theatre in DC is suddenly quite uncertain.

A couple of years ago I curated "Seven" for the WPA/C and it took place in seven of the eight gallery spaces that Warehouse hosts in the buildings built and owned by the Ruppert family for many, many decades. In the process I got to know its owners, Molly and Paul Ruppert, quite well.

Molly Ruppert is an independent, feisty, hardworking person with a kind, open heart that nonetheless is able to integrate business and kindness with a sharp art savvy personality and an indefatigable sense of community. Together with Paul, they are a hands-on business model that make up the main workforce at Warehouse, be it as bar tenders, waiters, gallerist or theatre managers (they do have an excellent chef!). And yet, the Warehouse is not a money-making operation.

But she and Paul and their buildings are an asset and an important part of the cultural tapestry that makes up the Greater Washington, DC area art scene.

While I was curating "Seven," Molly and I discussed the surrounding neighborhood, and the important cultural contribution that I felt Warehouse had added by retaining a little cultural DNA for a neighborhood that was almost swallowed whole by the huge Washington Convention Center.

Not that I think that the Convention Center is a bad thing; in fact it is a great asset economically to Washington and to the neighborhood, but a neighborhood also needs places like Warehouse to remain alive, and not just become another soul-less block of cookie cutter businesses and franchises.

In discussing the surrounding buildings, Molly confided in me that she was bleak about the future of her property, and that she had already turned down several offers from developers to buy her family buildings. However, she suspected that once these developers got the ear of the city administrators, she would be forced out of the neighborhood.

"How can they force you out?", I asked.

She answered by telling me that she suspected that at some point the city would double or triple her property taxes, effectively making it financially impossible for Ruppert to continue her business model or even ownership of the spaces.

And it is brutally ironic that at the same time that we're all congratulating Molly Ruppert's sense of community for stepping up and saving J.T. Kirkland's "Supple" project, we get the news that Warehouse property taxes for next year are increasing over 500%!

A 500% property tax hike is an obscene tax hike no matter who or what for, but especially in a city such as Washington, DC, which owes so much of its revitalization to private industry and to hard-working small businesses like the Warehouse.

I am not sure what "we" can all do, but I have a few ideas, and the first one is for organizations such as the Washington Commission on the Arts and Humanities, and the Cultural Alliance of Greater DC, and other such cultural organizations and entities of the capital region to step up and use whatever contacts or networks they have to make sure that (as I suspect), in the same way that some developer got the "ear" of some city politician, that these organizations in turn get the "ear" of some political allies (or even get Hizzoner's ear) to ensure that this obscene tax hike gets reviewed and reduced or eliminated, and Warehouse afforded a chance to remain in place as one of DC's leading cultural icons.

Update: Jessica Gould of the WCP already had stepped up to the plate and had a great posting on this issue yesterday here.

ArtDC opens tomorrow

The capital's first major international fine arts fair opens tomorrow at the Washington Convention Center. Not that you'd know it by the coverage that our local newspapers have given it so far, but this is the biggest thing that has happened to the visual arts around here in a long time, maybe ever.

The opening night festivities will benefit the Cultural Alliance of Greater Washington. Considering the boost that the Cultural Alliance of Greater Washington is getting from this visual arts event, I sincerely hope that (a) more visual arts organizations and galleries join the CAGW and (b) that CAWG increases what they do to boost the visibility of DC area visual arts.

Thursday, April 26, 2007
Washington Convention Center, Hall E
800 Mount Vernon Place, NW, Washington DC

5:30-7:30, Drinks and Hors d' Oeuvres - Tickets are $100
7:30-9:30, Cash Bar - Tickets are $30
For tickets call 312-587-8124 or email jrabion@dc-artfair.com

On Friday, April 27 the fair is free and open to the public, after that: April 28-30, $12; $5 for seniors and students. 11 a.m.-7 p.m. April 27-29, and 11 a.m.-5 p.m.

Call 866-727-7953 or visit this website for details.

Since on Friday the fair is free, there's absolutely no excuse for not getting into an orgy of art this Friday.

First drop by and spend a couple of hours at artDC, then swing by the Warehouse Gallery across the street, have a beer or a cup of coffee and say hi to Molly Ruppert, then take the Metro over to Crystal City and visit Artomatic, which has a ton of parties and music events going on till 1AM. And ferchristsakes: buy some art somewhere along the line!

See ya there!

Wanna go to a DC opening tonight?

With an exhibition titled "Inside/Out", Washington artist, Raye Leith, unveils a group of portraits of well-known figures grouped with Washington insiders and power players.

Her series, part of a New York project of 100 portraits she recently embarked on, includes larger than life figures such as John Lennon and Albert Einstein as well as such Washington players as Septime Webre (Director of the Washington Ballet), Valerie Plame (exposed CIA operative), President of the United States George W. Bush, and Mayor of Washington, D.C., Adrian Fenty.

Inside/Out opens on April 25th and runs through May 20th, 2007 at Knew Gallery in Georgetown.

JS Adams' Artomatic Top 10 Picks

DC area artist JS Adams writes:

Not being able to participate in this year's Artomatic, it was strangely freeing to view it all from a different perspective as an outsider. As ever, a handful stood out among the roughhewn and ordinary. For me, specifically:

Photographers: Phil Nesmith's ferrotypes, the in-camera collages of Erin Antognoli and selections from the Past Presence series by Joanna Knox

John Adams' sublime site-specific wall drawing; and the conceptual reinterpretations of urban street scenes/movement by Jessi Moore.

Glass artist Tim Tate for his mini/multi-media reliquary, Expectations Denied.

Kudos to the group of eighth floor artists – who through either sweeping grand gesture or intimate engagement – hold your attention amidst an otherwise vast and cold exhibition space: Rob Lindsay – who, forgive the pun, takes printmaking to new levels; amazing anthropologic-inspired ceramics by Novie Trump; Veronica Szalus' skewered newsprint totems; and Keith Stanley's elegant ikebana.

What continues to please me most about Artomatic is the discovery of new artists, plus seeing evocative and innovate, new directions from favorites.

I always knew that he was a dork

DC area uberartist Tim Tate (who just had a record-breaking sales weekend at an art fair this last weekend) will be speaking at Dorkbot DC tonight (Tuesday, April 24, 7-9 PM). This meeting will be held at the Lapis Auditorium of the Artomatic Space (6th Floor, 2121 Crystal Drive, Arlington, VA).

Other speakers will include circuit bending audio artist Peter Blasser, and Second Life virtual world architect Jack Whitsitt.

By the way, if there's one reason to visit AOM, it is the amazing marriage of science and art that the Dorkbot DC artists have at Artomatic.

The WPA\C Experimental Media Series - ColorFieldremix

You just can't catch your breath this month if you love the visual arts and live in the DC region!

As part of the Colorfield.remix events going on around DC, Richard Chartier has curated a show for the WPA/C that has been described to me as "different --- new work, and a lot of sound and media... it is amazing, I previewed it yesterday. Richard has found work that incorporates a fresh look at color and sound."

Done through the WPA\C’s Experimental Media Series, this project challenged artists to reinterpret the Color Field artists with experimental video, sound and performance pieces, and Richard Chartier curated the one opening Wednesday, April 25, 2007 7:00 – 9:00 pm at the Corcoran Gallery of Art's Armand Hammer Auditorium (free and open to the public), and Brandon Morse on Wednesday, May 30, 2007 (same place and times).

Details here

Grants for DC artists

Deadline: Wednesday, May 23, 2007 at 7 pm

The Small Projects Program (SPP) offers grants up to $1,000 to individual artists and arts organizations. The program seeks to make grant funds more accessible for small-scale arts projects. Projects may include but are not limited to:

- Art presentations
- Assistance in fundraising, marketing and management
- Documentation of artistic activities through photography, brochures, portfolios and demo tapes
- Conferences, workshops or seminars that will enhance artistic and professional development.

Details here.