Tuesday, June 19, 2007

Looking for a Curator

The Arlington Arts Center, a leading contemporary visual arts venue in the metropolitan Washington D.C. area, seeks a full-time Director of Exhibitions.

The ideal candidate will have extensive experience curating and coordinating exhibitions, communicating with artists, and developing creative collaborative initiatives. Strong knowledge of contemporary art, particularly in the Mid-Atlantic region, is essential.

Candidate will also have experience drafting contracts and exhibition agreements, coordinating installation and catalogue production, writing exhibition materials, and using contemporary marketing tools. Technical knowledge of new media and software applications are key assets. This person works closely with the Exhibitions Committee, and experience working with Boards will be helpful. Superior grant-writing skills are also extremely desirable.

BA required, MA or MFA preferred. The AAC is a fast-paced environment with a small staff that values flexibility, a team approach, and a sense of adventure. This position includes benefits. Competitive salary.

APPLICATION DEADLINE: Friday, July 13.

Please send resume, cover letter, and salary requirements to:

info@arlingtonartscenter.org, with “Director of Exhibitions” in the subject line, or by mail to:

Search Committee
Arlington Arts Center
3550 Wilson Blvd.
Arlington VA 22201

Bailey Flushes Gopnik


Monday, June 18, 2007

Nude Removed from Pennsylvania show

Now it's time for Pittsburgh to be embarrassed.

From the AP:

An artist's nude depiction of bathing with milk and honey has been removed from a popular Pittsburgh arts festival due to complaints by one of the city's largest businesses.

The video installation by Chilean artist Carolina Loyola-Garcia, titled "The need to wash the self with milk and honey," was covered up and unplugged over the weekend by PPG, which owns the plaza where the multimedia display was exhibited.

The controversial footage portrayed the naked artist bathing with milk and honey in the forest. It was part of the "Best of Pittsburgh 2007" exhibit. PPG found the display inappropriate.

This is within its "rights as a corporate partner to ask us to abide by guidelines they have," said Elizabeth Reiss, executive director of the Three Rivers Arts Festival, currently on display in downtown Pittsburgh.

Reiss told the Pittsburgh Post-Gazette she had not seen the video herself, but was told the display included full frontal nudity.

"Nudity doesn't belong in street-front windows. For several years now, Three Rivers has worked hard to put important good work in galleries and responsible pieces on streets," Reiss said.

Art shown in street booths should have a "more family friendly value," she added.
And Mary Thomas writing in the Pittsburgh Post-Gazette details a few other interesting issues with nudity by the festival (which I did a few years ago). Read her excellent article here.

Shame on you Pittsbugh.

Congrats

To Bailey, whose work "The Disintegration of the American Empire, A Disillusioned Triptych: In Memory of President Thomas Jefferson, In Memory of President Abraham Lincoln, In Memory of President John Fitzgerald Kennedy Kennedy", was just awarded Best in Photography at artReston 2007.

See all the award winners here.

Who says political art is dead?

Public Art Projects for the Nation's Capital

The Public Art Building Communities grant program offers funds to eligible artists and nonprofit organizations for the creation and installation of permanent public art projects with a life span of at least five (5) years.

Projects must be installed in the District of Columbia and should encourage the growth of quality public art throughout the city, support local artists and nonprofit organizations, and make public art accessible to District residents. Projects must provide exposure of public art to the broader community or to persons traditionally underserved or separated from the cultural mainstream due to geographic location, economic constraints, or disability. Eligible, projects include, but are not limited to: sculpture, mosaics, murals, paving patterns, custom benches, stained glass windows, artistic gates and railing, etc. Funding is available for all fees associated with the design, fabrication and installation of the artwork(s) including: artist fees, materials, insurance, engineering, shipping,
installation services, permit fees, and photographic documentation.

Saturday, June 16, 2007

Opportunity for Artists

Deadline: September 20, 2007

Montgomery College – Rockville Art Department is accepting entries for the national juried exhibition: Rhythm & Blue. Artwork can be any medium that incorporates rhythm (visual or otherwise) and/or blue (color or feeling). The entry deadline is September 20, 2007. The exhibition will run November 14 – December 12, 2007. No entry fee. Download prospectus here.

Questions may be directed to Michael Sellmeyer, 240-567-7653, or email him at michael.sellmeyer@montgomerycollege.edu - The jurors are Professor Michael Sellmeyer and Professor Kay McCrohan of the Montgomery College-Rockville Art Department. The Montgomery College – Rockville Campus is located in Rockville Maryland, just north of Washington, D.C.

The Consistent Inconsistency of Beauty

Check out the amazing video below for a gorgeous trail of the West's depiction of beauty.


Grants for Maryland Artists

2008 Individual Artist Awards Deadline: July 26, 2007

The Maryland State Arts Council Individual Artist Awards are grants awarded to Maryland artists through an anonymous, competitive process to encourage and sustain their pursuit of artistic excellence.

2008 Artistic Categories

* Dance: Solo Performance
* Fiction
* Media
* Music: Solo Instrumental Performance
* Music: Solo Vocal Performance
* Theater: Solo Performance
* Visual Arts: Computer Arts
* Visual Arts: Installation and other genre
* Visual Arts: Painting
* Visual Arts: Works on Paper

The MSAC Individual Artist Awards Program is administered by the Mid Atlantic Arts Foundation. IAA applications will no longer be printed and mailed to you, you must read or download them from the Internet. All Individual Artist Award applicants now have the option to use eGRANT, an electronic grant application that allows you to submit your application via the Internet.

For information on the application and workshops, contact Adam Bernstein at the Mid Atlantic Arts Foundation at adam@midatlanticarts.org or call 410-539-6656, ext. 114. TTY Maryland Relay at 711.

New Gallery Blog

DC's Randall Scott Gallery has a new blog! Visit it often here.

Tonight in DC

Wanna go to what has been called "the wildest monthly art event in the DC metro area?"

It's "X at Bebar - A 21st Century Live-Art Happening" from 6 - 10 pm ($5 cover charge).

Bebar is at 1318 9th St NW, Washington, DC. Curated by Andrea Pollan, this month's X will feature live PA performances from Calmer (Brooklyn, Poly Vibe) and Luseq (DC, grafq) as well as work by graphic artists Alex Gold, Amit Kumar and Jon Sexton, a Performance by Belladona, Projections from Peter Parker, fashion by Beth B., and live painting by Sheldon Drake.

Friday, June 15, 2007

Congrats

To Maryland photographer Denee Barr, whose mixed media photograph "Trees and Path, Centennial Lake, Columbia, Maryland" appears in the Washington Post's Best Bets Howard Extra.

The image is part of her mini-retrospective Denee Barr Photographs Columbia, Maryland 1999-2006 at the Columbia Foundation in the American City Building on Lake Kittamaquandi, Columbia, Maryland. The year long exhibit is part of Columbia's 40 Birthday Celebrations and the Columbia Festival of the Arts, and also features Ellicott City, Maryland based artist Alice Webb watercolors and etchings.

Denee's blog Denee Barr Art News and More is also on the blogroll.

Thursday, June 14, 2007

Congratulations

To Baltimore painter Matthew Klos, winner of the $10,000 Bethesda Painting Award. Loads of photos here.

Matthew Klos and Carol Trawick
Above is Matthew Klos with the amazing and generous Carol Trawick, who sponsors the annual painting prize. The 2007 winners are:

Best in Show: Matthew Klos
Second Place: Cara Ober
Third Place: Maggie Michael

I have not seen the show, but the Washington Post's Michael O'Sullivan did and he's written a terrific review of the exhibition which is due to be published tomorrow in the WaPo.

Read it here. O'Sullivan questions some of the award choices while lauding some of the artists and even throwing a pretty good jab at finalist David Krueger's painting.

O'Sullivan pick (I think) is Richmond artist Fiona Ross, and putting on a judge's hat, my pick would have been Baltimore artist Cara Ober. The jurors were Dr. Brandon Brame Fortune, Associate Curator of Painting and Sculpture at the National Portrait Gallery, Professor W.C. Richardson, Professor of Painting and Drawing at the University of Maryland and Professor Tanja Softic’, who is an Associate Professor of Art at the University of Richmond.

Regardless, any good art prize is always full of opinions and surprises, and this major painting prize is a good thing for area painters, for Bethesda, for the District and for art.

New DC Arts Blog

DC gallerina Rebecca Jones, who is the Assistant Director at Project 4, has just recently started a blog featuring both articles exploring the critical discourse of contemporary art, and posts promoting Project 4 events, shows and artists.

Visit Popcorn here.

Wanna go to a DC opening tomorrow?

The WPAC's Site Projects DC curated by Welmoed Laanstra (who just got hired to work for Arlington County's Arts division) and consisting of (con)temporary art installations, performances, and interactions on 14th street between P & V opens tomorrow at the Black Cat in DC in one of many events. 7-9pm with a tour by the curator, Welmoed Laanstra at 8pm.

Participating artists are Linda Hesh, Janis Goodman, Peter Winant, Tom Ashcraft, Kathryn Cornelius, Roberto Bocci, Michael Cataldi, Tom Greaves, Caroline Mayorga, Matthew McGuiness, Eliza Newman Saul, Franz Jantzen, Piero Passacantando, Michael Lease, Mary Coble and Elizabeth Lundberg Morisette.

See them all here.

New Drawing

While I was away in Colorado hiking in Littleton, one night I did a few drawings in my hotel room at night. Below is "Y Chromosome Nude About to Face an Unexpected Light" which is a charcoal on paper with a little conte crayon, about 13 x 9 inches. Drop me a note if you want it.

Sperm man by Campello


"Y Chromosome Nude About to Face an Unexpected Light"
by F. Lennox Campello, Charcoal and Conte on Paper, 13 x 9 inches c. 2007

Another St. Sebastian

A pretty well-known DC area art collector saw my recent St. Sebastian drawing, and he emailed me and reminded me that a few years ago he bought the below pen and ink wash drawing on the same subject. As I recall I think that he bought it at a Sotheby's auction, or maybe at a late 90s gallery show in DC.

Anyway... it's a pretty large drawing, maybe 40 inches long. It is titled "Saint Sebastian in a Desintegrating Gene Davis Landscape." I had forgotten all about it, and had even lost the image (thanks to a close-by lighting strike a few years ago that nuked my computer and with it a few hundred digital images of my work). Click on the image for a larger view.

St. Sebastian in a Desintegrating Gene Davis Landscape by F. Lennox Campello

Transform/Nation

There's something magnetic about the artwork of nations and people who are just beyond the reach of the average gallery and collector - thus the hot interest in Cuban and Iranian art for example.

Transform/Nation: Contemporary Art of Iran and Its Disapora opens June 21st, 2007 at the Ellipse Arts Center in Arlington, Virginia while a simultaneous, sister exhibition will be held at the Nikzad Gallery in Tehran, Iran, which implies (I assume) that the exhibitions have been blessed (no pun intended) by the heavy handed nutcase who rules that amazing and beautiful country.

Curated by Narges Bajoghli, Nikoo Paydar, Maryam Ovissi, and Leyla Pope, the exhibition runs through August 4, 2007 and the exhibiting artists are: Samira Abbassy, USA, Haleh Anvari, Iran, Kaya Behkalam, Germany, Mina Ghaziani, Iran, Pantea Karimi, USA, Bani Khoshnoudi, France, Haleh Niazmand, USA, Amir Rad, Iran, Afarin Rahmanifar, USA, Jairan Sadeghi, USA, Samineh Sarvghad, Iran, Farideh Shahsavarani, Iran, Samira Yamin, USA and Siamak Nasiri Ziba, Iran.

Wednesday, June 13, 2007

WalMarting a museum for Arkansas

Lately, with a rare exception here and there, it has become very fashionable among art writers, bloggers and critics to demonize the efforts of Alice Walton’s no nonsense, robber-baroness approach to give the people of Bentonville, Arkansas a world class collection of art.

Regardless of how one feels about Ms. Walton’s wealth (she's the 20th richest person on the planet) and approach to buying art, Bentonville (population: 29,538) is not a place in which many people live, much less visit, and practically no one in the art world cares about.

But needless to say, flyover states deserve a look at America's art historical tradition, too.

But other than an infectious and personal dislike by these writers for Ms. Walton’s approach, the barely hidden implication in their written words is that metropolitan areas like Seattle, Washington, Forth Worth, Texas, and St. Louis, Missouri - places that people will visit - are more natural and deserving destinations for high art for our public American masses outside of New York.

This is elitist nonsense on a major scale.

There are very few places left in this nation where the reach of internationalism doesn’t touch. Early last year I was gallivanting all around the nation, and one of the places that I visited (for the first time in my case) was Arkansas. It’s rural OK, but it’s not what urbanites visualize.

Bentonville's next door neighbor, Fayetteville (population around 67,000) is the home to the 420-acre campus of the University of Arkansas (the only comprehensive, doctoral degree-granting institution in the state). Their enrollment has more than 14,600 students (more than 12,000 in undergraduate programs) and a diverse student population with 650 international students representing 86 countries.

And this place is rated by Money magazine as one of the top ten most desirable places in the nation in which to live or work.

There are several other towns in the area. Springdale is one where the impact of Wal Mart is amazing to see — luxury retailers and gargantuan homes; a real population and cultural explosion is happening there.

It doesn’t take a futurist to predict that this area will see a major urban growth in the next few decades, and when it does, it will be grateful to the vision of Alice Walton, which is perhaps a throwback to that of the moneyed folks who a century earlier built the collections that she now shops from.

And so I think that I will step aside from the rest of the art lemmings and applaud Ms. Walton’s Soviet-style approach to art politics in her effort to give the folks of Arkansas a world class collection of art.

Not only because she has billions of dollars to do so, but also because I think that she sees the location of this museum as something positive for an America that although politicians (and both leftwing and rightwing nuts) are often quoting as underserved Americans, they all perceive as a backwater populated by people who don’t care about art.

And yet, I hope that no one will disagree in that this coming exposure of the fine arts to this hard-working, modest segment of our population, who haven't generally had the opportunity to have it so close at hand, will be a good thing.

This is something to be applauded.

You go Alice Walton!

Update: Nikolas Schiller reacts to my thoughts with some really good points of his own. Read them here.

Tuesday, June 12, 2007

The Power of the web

Sunday I wrote about ARCO's "Expanded Box" project being curated by Claudia Giannetti, and asked for some of DC's illuminati to contact Ms. Gianetti in order to bring to her attention some of the area artists who are working with technology as part of their art.

Last night, amongst the hundreds of emails that I am still trying to read, there was a new one from Ms. Giannetti, and she's very interested!

I will discuss with her about the area artists that I am familiar with and who work with technology, but if there's other artists out there, from Philly down to Richmond, who are working with technology to deliver works of art, please contact me (hurry!).

Somebody pinch me

Will the aliens who kidnapped WaPo art critic Blake Gopnik and replaced him with an art critic who all of a sudden likes painting, please return him accept our thanks!

Writing from the Venice Biennale, Blake is shocked and surprised to discover that he likes the paintings of Mustafa Hulusi.

Together with other "painting is dead" acolytes, the Gopnikmeister suddenly discovers that disliking an entire form of the fine arts is never a good thing.

Barbara and Aaron Levine, Renée Van Halm and Blake Gopnik: welcome to the real world where minds are open to all art forms, rather than only to slogans and agendas and ideas.

Read his report here.