Friday, April 11, 2008

Opportunity for artists

Deadline: May 5, 2008

Wanna sell your landscape? 4Culture is seeking to acquire wall-mounted landscape works that use color(paintings, prints, photographs, drawings, etc.) for the Harborview Medical Center Collection, part of the King County Public Art Collection in Seattle.

The subject matter for this call must be the essence of landscape, whether represented realistically or abstractly. These works will be on display throughout the public spaces of the new Norm Maleng Building, a multi-story facility that houses operating rooms, acute care, rehabilitation, and clinic facilities, along with their associated waiting areas. An overall budget of $80,000 has been designated to purchase artwork. National artists who would like their work considered for purchase must submit images of existing available artwork for the panel's review. The maximum value of individual works should be $3500. A maximum height or width of 36" and a maximum depth of 3" for the artwork is specified. All artworks will be purchased unframed.

For a complete prospectus, visit this website. For more information: email Greg Bell at greg.bell@4culture.org

Save the Date: Gallery Grand Opening in DC

On Friday, May 9th from 5:30-8PM, the Healing Arts Gallery at Smith Farm Center will have its grand opening at 1632 U Street NW in DC. More on the gallery's mission later...

Thursday, April 10, 2008

Out of Order Picks

By the time I showed up to the Maryland Art Place to drop my piece for "Out of Order" I was number 299, so by 6:22PM there were already almost three hundred pieces on the walls, and as I mentioned yesterday I jotted down a few exceptional pieces.

So from the first 300 artists in this massive open show, my top pick went to number 136 by Gilden Bransky! A close second, or perhaps sharing top spot is Anthony Terranova's amazing steel jacket (#76).

I also quite liked a cool little nude by #199, Jan Friedlander, and also Palma Allen (#100) multiple nude.

Really good work by number 155, Lauren Simonutti.

A really brilliant work by Hadieh Shafie (#42) which reminded me of the Arabic poems that cover most of the walls of the Alhambra pops in as a good challenger for Best in Show.

Balage's (#92) gorgeous painting of Joan of Arc (I think) is one of the best paintings in MAP, as is Patrick Kluga's painting of tomatoes (sorry but I cannot decipher the number from my notes).

Another really well done oil is Zachary Thornton's oil portrait (#111), although Thornton got a little lazy with the hands.

And Rosetta DeBernardinis (#198) is her usual fresh and powerful work, which is the polar opposite of another favorite, David Wilson's airbrush (I think) at #160.

And how could I not pick Alexa Brooks' evocative piece of the subject of Cuba? It is number 294!

The Silent Auction and Gala is at 8PM, this coming Friday, April 11, 2008. Go buy some artwork!

Beyond the Easel

Beyond the Easel: Preparing to Market and Sell Your Art
Date: Saturday, May 3, 2008
Time: 10am-6pm
Location: Warehouse Arts Complex in Washington, DC

Instructor: Rosetta DeBerardinis, School 33 Resident Studio Artist, Liquitex Artist of the Month: 2007, contributor to Daily Campello Art News, former Art Tour Guide, and abstract painter whose work has been exhibited and sold at commercial galleries and art venues in the Washington metro area, Baltimore and Richmond, VA.

This course is designed for professional artists who approach art as a business.
Defining goals, identifying the market, the studio, developing a body of work, marketing tools, promotion, the Internet, galleries and other venues are some of the topics to be discussed. It will provide the basic organizational and marketing skills required to exhibit and sell artwork.

Limit: 45 Students
Students are required to bring notebook and a writing instrument.
Cost: $50

Questions may be directed to: RosettaGallery@aol.com

Wanna go to an opening in Bethesda?

Joan Danziger opens at Bethesda's Osuna Gallery on Saturday, April 12, 2008, from 5-8 pm with an exhibition of recent sculptures.

Wednesday, April 09, 2008

Jury Duty

Tomorrow I will be on art jury duty for VSA arts, looking at entries inspired by the performing arts for “Derivative Composition,” an international juried art exhibition that will be on display at the John F. Kennedy Center for the Performing Arts in Washington, D.C., from May 29 - July 20, 2008.

Two-and three-dimensional art, digital art, installations, video and film, and other media that draw inspiration from music, theater, or dance are to be judged.

More on all of that later...

Deadhead Wading

Earlier tonight, after spending hours on a clogged up I-95 drive from Philly, I arrived in Baltimore, parked for 61 minutes (cost me $13 bucks), then I waded my way through a couple of hundred deadheads hanging around the plaza where the beautiful spaces of the Maryland Art Place is located in Baltimore to drop my piece for "Out of Order," where MAP opens its doors to any artist who wishes to exhibit their work in their gallery. Work must be original and ready to hang. They will accept one piece per artist, with wall dimensions not to exceed 5’x5’. They will be open all night accepting work.

Details here.

I was number 299, so by 6:22PM there were already almost three hundred pieces on the walls, and I jotted down a few exceptional pieces, which I had intended to mention, but which I left in my van, which then some valet in the DC hotel where I am tonight already parked somewhere and thus you will all have to wait until tomorrow to find out who the real good finds in this auction are, and there are some terrific pieces of art being offered.

The Silent Auction and Gala is at 8PM, this coming Friday, April 11, 2008.

Tuesday, April 08, 2008

Out of Order

MAP’s infamous free-hung benefit exhibition is back! For twenty-four hours, the Maryland Art Place in Baltimore will open its doors to any artist who wishes to exhibit their work in their gallery. Work must be original and ready to hang. They will accept one piece per artist, with wall dimensions not to exceed 5’x5’.

Details here.

It keeps on rolling

The year 2008 Tim Tatetahon just keeps rolling... fresh from the Washington Glass School opening at Charlottesville's Migrations Gallery, Tate now opens a solo show and makes his Santa Fe debut with an exhibition at Jane Sauer Gallery titled "The Vague Haze of the Unconscious" and opening on on April 11 and running through May 6, 2008.

Washington Glass School opening in Charlottesville


Opening at Migrations Gallery

Next: Philadelphia.

SF Art Institute halts exhibition

Citing threats of violence by animal rights activists, the San Francisco Art Institute said Saturday that it is canceling a controversial exhibition that included video clips of animals being bludgeoned to death, as well as a public forum it had scheduled to address the controversy.
Read the story here.

A Miami mural of Barack Obama generates some buzz

In a weird way - since we all are supposed to want to be governed and taken care of by big government and its inherent burocracy - this makes sense.

Read the Miami Herald story here.

It's all about the galleries

The current issue of Washingtonian magazine publishes something that it should have done ages ago: a superb article on the Greater DC area galleries by the CP's cappo-di-tutti-criticos Cristiano Cappo.

Read the article by Capps here.

Monday, April 07, 2008

Wanna go to an opening in New Jersey?

Greg Minah, who a few years ago made it to quite a few of the Art-O-Matic Top Ten lists that I ran, is having a solo show at Fusion Gallery in Collingswood, NJ about 10 minutes outside Philly.

The show is open now, and the artist reception is being held on April 12th (Second Saturday) from 6 - 10pm and the show runs through May 4, 2008.

Yay!

This just won a Pulitzer Prize and it is a good read - read it here.

Amy Lin at the Art League

Amy Lin's solo show "Interaction" opens this Thursday, April 10 from 6:30-8pm at the Art League Gallery in Alexandria, Virginia.

"Interaction" involves a blending of arts and sciences, but surprisingly, the blend isn't related to Amy's degree in chemical engineering - it relates to her childhood experiences with her Mom, who was a professor at the university doing research in human genetics. Each of the drawings in the show is inspired by a memory from her childhood in the biology labs. Amy is now represented by Heineman Myers Contemporary Art in Bethesda, MD, but some of us recall that she originally got her start at the Art League Gallery.

In the December 2005 Art League Gallery show, Lin was given an award by Anne Collins Goodyear, from the National Portrait Gallery, and it was there that I first saw her work and mentioned it in a review that I wrote for the Crier Media newspapers.

Since then her career and presence have taken out at an astounding pace, with enviable critical coverage in the press and a very hot sales trail.

Lin's drawings at the Art League appear courtesy of Heineman Myers, as "Interaction" was scheduled two years ago before she had signed with Heineman Myers.

Sacrifice by Amy Lin
"Sacrifice" 45x55 inches, colored pencil c.2008 by Amy Lin

Read DCist's Amy Cavanaugh's interview Lin here.

Buy Amy Lin now.

Sunday, April 06, 2008

It's not a good time to be an art critic

It's not a good time to be an art critic. Much of what's written is pale. It is weak and descriptive to no purpose. Or at the other extreme it is pure jargon, laughable if read aloud to the uninitiated. Junk. In fact, if art critics actually believed that anything we said or wrote mattered, we would probably be shooting ourselves in droves.
Read Morgan Meis' really good article here... and if you don't even want to waste a few seconds to click onto the link... read some more:
Even a knowledge of art history antique and contemporary won't help you much. These days art isn't an insiders game so much as a contest in private languages. The artists are often working in their own heads and they don't feel much compulsion to translate.

This puts the critic and the curator in a hilarious position. Stripped of most of our authority, we fall back on tortured syntax and dubious vocabulary in order merely to say, in essence, that it is tough to talk about art these days. Here's a typical sentence from the Biennial catalog: "Charles Long's interest in opposing formal and metaphysical forces informs a complex sculptural lexicon marked by radical stylistic shifts that are difficult to categorize."

The simple translation of this sentence: "Help, I don't really know what Charles Long is doing or why."
Read it here.

Saturday, April 05, 2008

Adopt a work of art

The Fine Art Adoption Network (FAAN) is an online network of artists, which uses a gift economy to connect artists and potential collectors.

All of the artworks on view on the site are available for adoption. This means acquiring an artwork without purchasing it, through an arrangement between the artist and collector. Their goal is to help increase and diversify the population of art owners and to offer artists new means for engaging their audience.

Visit them here.

Friday, April 04, 2008

Heartworks Online: Let the Bidding Begin

Nearly 100 contemporary artists from throughout the United States, and London and Paris, are now contributing work and performances for “HeartWorks, a unique, week-long Philadelphia event featuring music, video art, performance art and an exhibition of approximately 100 works of art, including painting, sculpture, glass, photography, jewelry, hats and more.

HeartWorks opens on Friday, April 18, 2008 at Johnny Brenda’s, 1201 Frankford Avenue and continues Saturday, April 19 through Saturday, April 26, 2008 in the Ice Box Project Space at the Crane Building, 1400 N. American Street. Tickets ranging from $10 - $125 are available at 215.546.7824; online at www.inliquid.com/heartworks; or at the Wilma Theatre Box Office, 265 South Broad Street. HeartWorks’ closing event on April 26 is a benefit and art auction for the Mazzoni Center, a Philadelphia health agency serving the Lesbian, Gay, Bisexual and Transgender community, specializing in HIV treatment and care.

Curator Christopher Veit (who is from my new hometown of Media, PA) credits the Mazzoni Center with saving his life and is taking the words of his mentor Pierson – “you only get back what you put out in life” – to heart in creating “HeartWorks.”

Veit, whom I met a few weeks ago and is an amazing Rennaissance man, has decided to give the place and people who helped him get well a benefit of works and performances donated by his friends. All proceeds will support the Center. Lifestyle Magazine is a major sponsor for “HeartWorks.”

Some of the artists contributing to “HeartWorks” include painters Elyce Abrams, Dave Bond, Anthony Campuzano, Jeff Elrod, Daniel Gonzalez, Robert Gutierrez, Ian Hokin, Pearl C Hsiung, Jackadandy, Michael Lazarus, Isaac Lin, Jay Schuette, Jeni Spota, Thaddeus Strode, Hiroshi Sunairi and Henry Taylor; sculptors Paul Lee and Jason Meadows; photographers Karl Hahn and Mary Pinto; mixed-media artists Shari Elf, Mark X Farina, Adam Helms, Thom Merrick, Sandeep Mukherjee, Michele O' Marah, Randy Polumbo and John Williams; fashion designers Paul Bernstock, Michael Costiff, Bettina Hubby and Thelma Speirs; jewelry designers Annie Costello Brown and Mikal Winn; video artists and filmmakers Zaina Alwan, who also creates murals, Tom Borgese, Paul Slocum, Jack Sloss and Kim Stringfellow; performance artists David M. Jones, Ann Magnuson, Kelly Marie Martin and Khembra Pfhaler; musician Chad Brown; and Ellie Greenwood, Gia Grosso, Tim Jackson, Daniel McDonald, Ji Shin and Lisa Sitko and yours truly! See all the artists here.

Mazzoni Center focuses on the healthcare needs of Philadelphia’s lesbian, gay, bisexual and transgender communities, and specializes in the treatment and care of HIV / AIDS. For more information regarding Mazzoni Center, go to www.mazzonicenter.org.

You can view the art auction and bid on the artwork here and you can bid on my donation, a charcoal drawing titled "Superman Flying Naked" here. It is a charcoal drawing, 9x13 inches matted and framed to 16x20 inches.

Artists' Talks: Cara Ober

Randall Scott Gallery in DC has special Saturday afternoon discussion featuring Kriston Capps, Brandon Fortune and Cara Ober discussing Cara Ober's new work, and whatever else pops into their heads.

Saturday, April 5th, 5pm to 6:30PM.

Thursday, April 03, 2008

Philly opening tomorrow

Florence Putterman “Noir et Blanc” and Elizabeth Bisbing “People / Places / Paper” open tomorrow in Philadelphia's Projects Gallery.

This is the second solo exhibition of Florence Putterman at Projects. Known for her textural paintings and bold, earthy colors, Noir et Blanc features works in only black and white, focusing the exhibition on Putterman’s keen image-making. In Projects Room they also will present Elizabeth Bisbing in her first Philadelphia solo exhibition entitled "People / Places / Paper."

Both open First Friday, April 4th with an artist reception from 5-8 p.m. and continues through March 26, 2008.