Mitch Cope's Amazing Project

Foreclosed house? No problem! Let an artist deal with it.

Read what Mitch Close is doing here.

Mellema on Imboden

Kevin Mellema reviews Connie Imboden at Heineman-Myers Contemporary. Read the review here.

International Arts Journalism Institute in the Visual Arts

From AU:

What: International Arts Journalism Institute in the Visual Arts sponsored by the National Endowment for the Arts and the U.S. State Department
When: Friday, June 12th through Friday, June 26th
Where: American University, Washington, D.C.
Deadline: April 10th, 2009

American University Museum at the Katzen Art Center is pleased to announce the first National Endowment for the Art’s International Arts Journalism Institute in the Visual Arts. This program will provide mid-career art critics and writers the opportunity to participate in a two-week intensive institute at American University in Washington, DC. The institute, which runs from Friday, June 12th through Friday, June 26th, will consist of writing workshops, lectures, and travel to major East Coast art venues.

Up to twenty-four writers will be selected, twelve from the United States and twelve from the Middle East, Northern Africa, Asia, and other countries to participate in the institute. The selection will be based on the individual’s experience in critiquing or reporting on the visual arts through a recognized media outlet. Applicants should provide a brief cover letter explaining their experience in the arts, a resume, and a published writing sample.

Participants will enjoy a two-week expense-paid trip to Washington, DC, including airfare, lodging, meals, writing workshops and regional travel to museums and galleries. Applications must be received no later than April 10th, 2009.

Please email or mail applications to Attn: Arts Journalism Institute: visualartsinstitute@american.edu

American University Museum
4400 Massachusetts Ave. NW
Washington, D.C. 20016-8031

Contact:

Jack Rasmussen, Director and Curator
American University Museum
4400 Massachusetts Ave., NW
Washington, DC 20016-8031
202-885-2489
visualartsinstitute@american.edu

Is that a great opportunity for art writers or what?

Opportunity for Artists

Deadline: April 11, 2009

The 2009 Rawls Museum Arts Juried Exhibition, open to artists in DC, VA, MD, NC and on view June 4 – July 11, 2009. Juried by John Pollard, who is the founder of Richmond’s ADA Gallery where he has been exhibiting emerging and mid-career artists since 2003.

For an entry form send a SASE to:

Rawls Museum Arts
22376 Linden Street
Courtland, VA 23837

Or download the entry from here.

Opportunity for Artists

Deadline: March 27, 2009 (postmark).

The Fine Arts League of Cary is seeking entries for its 15th Annual Juried Art Exhibition to be held from May 8th to June 27th, 2009 in Cary/Raleigh, NC. Show awards and purchase awards will total over $5,000. Entries can only be mailed via CD. The postmark deadline for the mail-in registration is March 27, 2009. I will be the juror for this show.

Full details and a printable prospectus are available
on the web here or call Kathryn Cook at 919-345-0681.

Billy Bass in the WaPo today

The Washington Post's Reliable Source picks up the story of the new McDonald's commercial and former DC area artist Thomas Edwards.

Read the WaPo story here.

Here's an idea for public art

Musician and composer Frank Zappa (1940-1993) was born in Baltimore, and spent boyhood years in a Park Heights Avenue row house and at nearby Edgewood Arsenal. His family moved to California in 1952, but Charm City plans to honor its native son with a statute from Lithuania, which will be placed somewhere in Fell’s Point.

Licht on "Zappa Returns to Baltimore, Via Vilnius." Read it here.

Mayor's Arts Awards

I'm all hitzed that I couldn't go to the Mayor's Arts Awards last night, but I got a report from someone who did go:

The opening performance was OTT!

Titled "The Drum Unites Us," a West African Dance Company started it going - then the percussion sounds were joined by the steel drum band, the African dancers moved aside as Korean Dance Company danced to the continuing beat, who then stepped aside as Irish Steppers took center stage, who then moved aside for the Balinese Universe dance studio, who moved aside for the Turkish Silk Road Dance Company, who stepped aside for the BeatYa Feet dances, then the City at Peace dancers (both onstage and in the audience aisles) and then the breakdancers and rappers also took stage. A constant building of more and more - all to the drum beat.

Nice jazz performances; The rest was all good - the reception was the Watergate, where one of the Commissioners decried "the lack of pull for the visual artists in DC."

Sounds like a great time and maybe it will motivate all you unmotivated nebish folks to attend next year!

DCist superwoman Heather Goss has a great report and pics here. She also has the damn best review line of the year so far (describing the multi-ethnic dancing: "It was It's A Small World on the best kind of crack, providing an energetic start to the evening."

New Drawings

I've always been fascinated by the New Testament story of The Christ in Gethsemane, and His passion amongst the olives, and His doubt and fear.

That theme has been explored by me through many drawings over the years. Below are three very minimalist intepretations from 2009. There are all very small... about 3 inches wide by six or seven inches tall.

The Christ in Gethsemane, charcoal on paper. Circa 2009
By F. Lennox Campello


The Christ in Gethsemane II, charcoal on paper. Circa 2009
By F. Lennox Campello


The Christ in Gethsemane III, charcoal on paper. Circa 2009
By F. Lennox Campello

At the next art fair cycles in New York, I plan to have a wall full of these tiny drawings... most of them are under a few inches in size (framed). I think that it would be interesting to see 30-40 tiny drawings all crammed in one wall.

I also need to find a gallery interested in showing this small (and more affordable) work, rather than my usual, larger sized, "normal" work.

Wanna go to a DC opening this Friday?

Christian Platt, Paintings, has an Opening Reception Friday, March 27, 6-8:30 pm at Susan Calloway Fine Arts

"Young and new to the art world, Christian Platt focuses on large-scale oil landscapes, often inspired by his time as a wrangler in the Montana and Wyoming wilderness and the countryside surrounding his Virginia home, as well as large-scale still lifes."

Images here.

VFMA acquires new Cecilia Beaux

The Virginia Museum of Fine Arts board of trustees have approved the acquisition of an 1888 oil on canvas portrait by American artist Cecilia Beaux, who was hailed at the turn of the 20th century as the “best woman painter in history.”

She is certainly one of my favorite painters, period.

The painting by Beaux (1855-1942) is a portrait of her fellow Pennsylvania Academy of the Fine Arts alumni Alexander Harrison and measures 26 by 19-3/4 inches. An important transitional work, the portrait dates from Beaux’s formative period of study in Concarneau, an artist’s colony in Brittany, where she first began to lighten her palette and to paint outdoors.

According to Dr. Sylvia Yount, VMFA’s Louise B. and J. Harwood Cochrane Curator of American Art and an expert on Beaux’s work, the Philadelphia native was an internationally acclaimed figure painter and portraitist “who also happened to be the most successful woman artist working in turn-of-the-century America.”

Curators and dealers

As used as we all are to hear the whine from the negative perspective of the art dealer and museum curator symbiotic relationship, it is very refreshing to hear an excellent opinion married to a couple of good examples, but discussing when curators rely on art dealers and then give them zip credit.

Read Regina Hackett here.

Mel Chin lecture at Arlington Arts Center

On Tuesday, March 24 at 7pm the place to be in the Greater DC area is the Arlington Arts Center, which is "honored to welcome internationally-recognized artist Mel Chin to the Arlington Arts Center on Tuesday, March 24. Mr. Chin, whose work is socially and ecologically conscious, will be presenting a free lecture about his current public art project, Operation Paydirt."

The lecture will begin at 7pm.

To ensure adequate seating, please let them know if you will attend by calling 703.248.6800 or emailing information@arlingtonartscenter.org.

Is it me?, or has the Arlington Arts Center made giant strides forward since Claire Huschle took over as Executive Director and Jeffry Cudlin as Curator? You bet they have.

Wanna have a boatload of fun in DC tonight?

Join Mayor Fenty as award recipients are selected from among the finalists and announced live from the stage at the Mayor’s Arts Awards Ceremony tonight Monday, March 23, 2009 at 6:00 PM at the John F. Kennedy Center for the Performing Arts in the Concert Hall.

Admission is free and having been to many of them, it is a boatload of fun, with great live music and entertainment and loads of good food and drinks.

This is a huge event, and every year that I've been to them, I always look around and say to myself, as I see hundreds and hundreds of people in the audience having fun: "where are the usual suspects from the DC visual art world?"

Go for me this year and have fun!

Rousseau on Fiber

My good friend Dr. Claudia Rousseau reviews "BookEnds: The Book as Art" at Pyramid Atlantic in Silver Spring and "A Tribute to Fiber Art" in the Art Gallery at the BlackRock Center in Germantown. Read her Gazette review here.

AIPAD

The Association of International Photography Art Dealers (AIPAD) hosts the world's largest exposition of vintage and contemporary photography and is celebrating 29 years as the world's premiere exposition devoted to fine art photography. It all takes place in NYC March 26 – 29, 2009 at the Park Avenue Armory.

During the month of March artline® is featuring these dealers and selections from their inventories on the artline homepage. Preview hundreds of photographs - all clicking from this link... click on any highlighted name and scroll left to right.

Nudashank Grand Opening in Baltimore

Nudashank is the new independent, artist-run gallery space in Baltimore, Maryland.

Their first exhibition, Wise Guise, is a colossal group show featuring 23 young and emerging artists. Representing a diverse selection of work, ranging from the figurative to the abstract, Wise Guise presents a cross-section of visual themes from contemporary counter-culture. The works in the show include paintings, works on paper, screenprints and zines.

Exhibiting artists are: 6 Baltimore-based artists: Xavier Schipani, Mark Brown, D’Metrius Rice, Walter Carpenter, Noel Freibert, and Molly Colleen O’Connell. Three European artists: Arnaud Loumeau, Thomas Bernard and Miruki Tusko.

And 14 artists from throughout the US: Jason Redwood, Bonner Sale, Jon Clary, Reuben Breslar, Drew Beckmeyer, Edie Fake, Jordan Bernier, Caitlin Cunningham, Emily Nachison, Edward Max Fendley, Matt Lock, Chris Warthen, Andrew St. Lawrence and Kevin Hayden.

The opening is March 27th, with a reception from 7 pm – 9pm and an after-party in the adjacent Whole Gallery. Wise Guise will be on view through April 25th. The 1000 square foot gallery is located at 405 West Franklin Street, on the third floor of the H&H building in downtown Baltimore, which already houses the Whole Gallery, Gallery Four, and Floristree.

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it here.

Opportunity for Artists

As many of you know, my good friend Jesse Cohen and artdc.org has started a new gallery in Hyattsville, MD. The space is about 500 square feet, and has movable walls.

They are going to do their first 12x12 show in May to coincide with the Hyattsville Arts Festival.

Artists can buy a spot for $12, and they hang your art. The way that it works is that a limited number of artists can now pre-register first come first serve; register now or at the day of the hanging, but first come, first served.

Either way, you can register now, or they'll see you at the door for the remaining spaces. It's their goal to hang at least 120 works of art.

The limitations: each work has to be 12"x12" and weight under 10 pounds, and they have a wire on the back suitable to be hung on a hook. Make your work professionally presentable.

To pre-register, check it out here.

All details are listed at the link above. Dates, location, and more. For now, they are going to limit pre-registration to 50 slots and I am told that registrations are coming in already.

Race in America at Widener University

Modern science tells us that the DNA of any two humans is 99.97 percent identical. And starting today the Division of Student Affairs at Widener University in Chester, Pennsylvania explores race in American society through a very interesting interactive exhibit.

The exhibit features informational tools to learn more about biological race and human variation, online activities, documentaries that confront race perceptions and racism, and the very cool Human Race Machine.

The Human Race Machine is an interactive tool that permits users to explore their own racial identity through images of themselves as other races. As one user expressed, "It's weird to see myself as Asian or Black. How would I think of myself differently and how would others see me?"

I'd like to think of the machine as a sort of machinated Linda Hesh.

The exhibit will be open for exploration and inquiry during the hours of 11:00 a.m. to 7:00 p.m. Monday-Friday, March 23-27 and housed in the Lower Level Lounge of University Center.