Thursday, December 17, 2009

The Mera Rubell Picks

“I certainly feel more connected to artists working in DC. These 36 hours were a beautiful, focused and intense time. Please express my thanks to the artists who took this ride with us. How amazing and magical were all the visits! The artists invited us into their studios and gave us a real understanding of their personal creative world. It was truly life altering for me. What an experience! And now, our efforts can only present a small sample of the many brilliant working artists in DC. It's a much larger scene than I ever imagined--how exciting!”
The artists chosen by Ms. Rubell and whose work will be featured in her Auction Exhibition section include: M.G. Barkovic, Holly Bass, Judy Byron, Rafael Cañizares-Yunez, Adam de Boer, Mary Early, Victoria Gaitán, Carol Brown Goldberg, Pat Goslee, Jason Horowitz, Barbara Liotta, Patrick McDonough, Brandon Morse, Dan Steinhilber, Lisa Marie Thalhammer and yours truly!

Mera Rubell by Jenny Yang

Mera Rubell in my studio. Photo by Lisa Gold

Congrats to all the selected artists, and I know that I am not the only one who feels that Ms. Rubell has added a significant new spice to the Greater DC area art scene's soup that will kick it up a hundred notches and perhaps help to crack the apathy that our local curators and media have towards DC artists.

Meanwhile here's a video note to all the Debbie Downer crabs of the Greater DC art scene, who now must focus on something positive for a change:


Tough jury duty

Jurying the Blackrock Center for the Arts coming gallery exhibition season was really, really hard! There were loads of good entry proposals from both artists and groups. Once the gallery director makes the final decisions and computes the voting and announces the selected shows, I'll let all of you know.

Mera Rubell Studio Visit

Background: As announced here:

"the Rubell Family Collection is one of the leading collections of contemporary art in the world. Started in 1964, soon after Don and Mera Rubell were married, the Rubell Family Collection operates as a non-profit organization based in Miami where it presents rotating, curated exhibitions and hosts a variety of educational and community outreach programs.

Mera Rubell will be one of eight esteemed curators selecting works for Cream, the WPA 2010 Art Auction Exhibition. Building upon the popular Experimental Video Series at the Rubells’ Capitol Skyline Hotel, Rubell has determined to see the work of as many DC-area artists as possible and select up to twelve to be included in the WPA exhibition and auction. Her visits to DC are typically 36 hours long, and she has devoted her next trip to this project.

For 36 Studios – Part 1, Mera Rubell and a team of curators and writers will conduct 36 studio visits over the course of 36 straight hours. Each studio visit will last approximately 15-20 minutes and will take place starting at 5:00am on Saturday, December 12 and continuing until 5:00pm on Sunday, December 13."
Got it?

So as all of you should have done, I threw my name in the hat for this spectacular opportunity to show my artwork to one of the world's leading art collectors, and the same person (me) who once missed a 160 million dollar lottery grand prize by one number, hit it this time and I, along with 35 other lucky DC area artists, was selected to be visited by "Mera Rubell and a team of curators and writers."

To say that I was ecstatic is the understatement of the year. I was dumbfounded and left a little speechless for the second time this month. An opportunity like this doesn't happen very often, if ever.

When I returned to Earth, to my horror I realized that... ahhh... I had no work to show Rubell.

All of my work is still in Miami, safely stored awaiting for it to be displayed again at the coming Miami International Art Fair at the Miami Beach Convention Center from 5-10 January 2010.

Best known art collector in the world is coming to my studio and I have zip to show her.

Effing Great...

The Grand Admiral of the Soviet Fleet, Sergei Gorshkov once stated that the "reason that the American Navy is so good in time of war is because war is chaos and the US Navy practices chaos everyday."

Thus, as a former Naval officer I have been well trained in dealing with chaos and once my heart slowed down I sat down to consider my options.

Should I put together a binder full of available work in Miami and pass it to Ms. Rubell in the hope that she would agree to check them out once she returned to Miami?

Should I sit her in front of a large flat screen TV and flash her digital images of my available work?

Or should I lock myself in the studio and create as many new art pieces as possible before her visit on Sunday afternoon?

Usually the hardest and most difficult path to an answer is the solution, and I decided to lock myself in the studio and create new art.

As a new father, this is not easy, and I discussed it with my wife. With her support, I chose the last option.

I spent the rest of Thursday doing and finishing up all of my chores, many of which had piled up while I was in Florida the previous week. I went to bed around midnight on Thursday night, with my head buzzing with ideas.

By 3:30AM on Friday, I was up, essentially unable to sleep and ready to create some artwork. This being the digital age, before I entered the studio I logged onto Facebook and began Facebooking the events about to take place.

Nine hours later, after a dozen sketches and several discarded starts, I had finished my first new drawing, a large portrait of Ernesto "Che" Guevara de la Serna Lynch, known to the world as "Che" and perhaps the most iconic figure in modern history.

Che Guevara by F. Lennox Campello

"Asere, Si o No?" 19"x48" Charcoal on Paper

When I finished I had something special. The appropriated image of Che from a photograph by a Commie photographer somewhere (ironic that Communists always nationalize and appropriate private stuff, so I have no issues appropriating their imagery) is to the left in a very Christ-like pose. Behind him, a slogan or graffiti on the imperfect wall asks the question in Cuban slang: "Asere, Si o No?" which means "Friend, Yes or No? in Cuban street dialect and is meaningless to all other Spanish speaking peoples. The capital letters answer the question by spelling out ASESINO or assassin. This is the second version of this ASESINO concept.

It is now well into Friday. More Facebooking and by now friends and family are encouraging me. Art critic Kevin Mellema advices me that "Sleep is for the weak. 72 artist hours is like a week and a half of work for 9 to 5'ers.... Of course you do want to be awake and coherent when they show up on Sunday..."

The next time that I sit down to draw I hit a groove and deliver five new drawings in about four hours. I'm employing a lot of charcoal dust to cover large areas and create a minimalist drawing concept. "Superman flying naked and close to the ground in order to avoid NORAD radar" is such a drawing. We barely see the naked superhero, but we do see his elongated shadow on the road below. The lane dividers are just erased charcoal, now showing the not so pure white Arches paper underneath. I toy with the idea of rubbing more charcoal dust onto the drawing to create the impression of the car oil stains one always sees in the middle of the lanes. I abandon the idea; it is a pure and clean highway under the Man of Steel.

Superman Flying Naked

"Superman flying naked and close to the ground in order to avoid NORAD radar"" Charcoal on Paper. 20x24 inches.

"True Believer" and "Woman who thinks that the tattoo that she just got on her back reads 'Bring Bush Back'" come out next. Both are very quick drawings and the first one is a highly worked drawing with an almost fanatical message. I'm not satisfied with the charcoal aspect of the dripping blood from the newly finished tattoo and so I bring out colored pencils and apply a subtle sense of color to the piece. This is rare for me.

Now there's red blood dripping down her arm. The second piece is the opposite: a rough almost unfinished drawing with a harsh, funny message. It is inspired by a cartoon I saw once which showed a burly sailor's back. A tattoo on his back reads: "Don't tell this guy what this tattoo says, he thinks he has a battleship."

True Believer, Obama in 2012

"True Believer" 22 x 14 inches. Charcoal and Colored Pencils on Paper.


Make Obama King

"Woman who thinks that the tattoo that she just got reads 'Bring Bush Back'" Charcoal and Conte on Paper. 14"x10"

I had set aside a nice vertical piece of dark paper and "Fallen Angel" materializes on it as I work furiously. It is the most minimalist of the pieces and it is finished in less that 15 minutes from beginning to end.

Fallen Angel

"Fallen Angel." Charcoal on Paper. 21 x 11 inches.

On the radio, the pundits are discussing Obama's speech at Oslo accepting the Nobel Peace Prize. I take a break and do some more Facebooking and I come across Mary Coble's profile picture on Facebook and it triggers an idea in my head. Coble and Nobel seem to align and "Age of Obama - Nobel Peace Prize" is created. This is the second "Age of Obama" drawing that I've done. In the first, done while Obama was a candidate, the figure is canvas to a history of the candidate in the early days of the election. It is now in a private collection in Ireland.

In this second "Age of Obama" drawing, the figure is host to selected portions of the Nobel Peace Prize acceptance speech.

Age of Obama - Nobel Peace Prize

"Age of Obama - Nobel Peace Prize" Charcoal on Paper. 16x12 inches.

I want to have some coherence to the work that I want to show Rubell, and many of these pieces have a seminal beginning in my historical interest in the Picts. And so out comes a Pictish drawing.

Pictish Woman

"Pictish Woman" Charcoal on Paper. 14 x 9 inches.

The Pictish drawing is the one that worries me the most. It is almost fantasy in nature. Will Rubell understand my historical interest in the subject and how it is the seed to the more contemporary work?

I take a break as I am tapped out and on Saturday afternoon we all visit some open studios and drop by the Washington Glass School, Red Dirt and Flux Studios. Rubell has already been to her designated visits there and excited artists tell me about her and her entourage. I sense some disappointment, some hope and certainly a lot of excitement.

I begin to gather another aspect of the impact that this influential person's tiring and superhuman effort (36 studios in 36 hours) is causing on the DC art scene. Even the Washington Post, well-known amongst DC area artists for its apathy and indifference towards the local visual art scene has sent the Post's freelance art critic along, and she has overcome her ennui about the DC artists and galleries that she is tasked with covering and is following Rubell to some of the studio visits, but soon drops out.

I'm angsty about the whole thing and can't wait to get back to my studio and create some more work. I want to make sure that I make an impact.

On the drive home I pass by at least three Vietnamese restaurants and wonder why all the Pho places have a number after it (such as PHO 95, PHO 301, etc.).

My head has been filled by my visit to the studios with a need to be "shocking" in order to stand out. I waste precious hours struggling with a shocking idea. I visualize a man crawling away into the horizon perspective. We see his body clearly from the back, his buttocks clear and white, and his penis dangling between his legs as he crawls away. A tattoo with an arrow points to his anus and letters instruct "Insert Penis Here." Another tattoo on his penis states "Suck This." His butt cheeks sport tattoos that say: "Spank Here."

The tattoo on his back says "Pat here" and the tattoo on his feet soles says "Tickle here."

The title would have been "Man with Directions" but it never came about. It just wasn't me. I'm no Chris Offili, taking a schlocky short cut to shock in order to gather attention. I feel guilty enough as it is about the drawing of the woman with the Obama tattoo on her back.

Instead another Che Guevara drawing begins to emerge. Much smaller, almost the opposite of the first piece. For almost a whole day the drawing looks like this:
Che Guevara
A long-haired Che is to the left of the drawing (where else), with a vast empty space to his right. Long hair years before the Beatles and hippies, aloof and alone as an adventurer in a foreign land so much different than his native Argentina.

That night I can't sleep much between fighting a nagging cough acquired while in Miami and racing ideas about how to finish the drawing.

On Sunday I wake up, calm and ready for the visit. And the last drawing crystallizes suddenly.

Che Guevara's betrayer

Finalmente Denunciamos a el que traiciono al Che (Finally we denounce he who betrayed Che). 4 x 24 inches. Charcoal on paper

The Spanish words announce that "finally we denounce who betrayed Che." The capital letters answer the statement: FIDEL. I now have two of these... the circle is complete and I am ready for Rubell. It is 9:00AM on Sunday and I get a phone call from the WPA's Lisa Gold.

Is it OK if they come around noon instead of the originally scheduled time of 2PM? She asks. I will be either the last studio visited or the penultimate one.

I tell them that I am ready.

Next: What happened during the visit.

Wednesday, December 16, 2009

Look into my eyes...

Anderson Lennox Campello
Anderson Lennox Campello, also known as "Little Junes" while doing some open studio visits last weekend.

Mera Rubell Visit

Part one of the Mera Rubell visit to 36 DC area studios in 36 hours is up tomorrow morning... this was great for the DC art scene if a little chaotic for me.

The Grand Admiral of the now defunct Soviet Fleet, Sergei Gorshkov, once stated that the "reason that the American Navy is so good in time of war is because war is chaos and the US Navy practices chaos everyday."

As a former Naval officer, I'm good at dealing with chaos...

Studio Visiting

In the last few days, between visiting open studios and the terrific show at Gallery Neptune in Bethesda, I've acquired quite a few of the Xmas presents that I intend to give. Problem is that I'd really like to keep the cool Glenn Friedel photograph and/or the great Sean Hennessey sculpture.

And a little secret: both were great deals for excellent art.

Give art for the holidays.

Below is Little Junes in his cool puppy hat that will embarrass him forever on the Internets as we dragged him along studio and gallery visiting.

Anderson Lennox Campello at 3 months

Emerging Artists at Museums

The Guggenheim Museum has Intervals and in 2010:

INTERVALS: KITTY KRAUS
Through January 6, 2010
Berlin-based Kitty Kraus has been invited to exhibit her work for the second installment of Intervals, a new contemporary art series designed to showcase experimental projects by emerging artists and reflect the spirit of today’s most innovative practices. Kraus works in a spare, elegiac vocabulary of monochrome forms and humble materials such as lightbulbs, ice, mirrors, and glass. For Intervals, Kraus has installed two sculptures in the Annex Level 5 gallery of the museum. This exhibition is organized by Nancy Spector, Chief Curator; Joan Young, Associate Curator of Contemporary Art and Manager of Curatorial Affairs; and Katherine Brinson, Assistant Curator.
How come none of our DC area museums offer an exhibition series for "emerging artists"?

The Arlington Arts Center Studios

The Arlington Arts Center is currently accepting applications for a space in the group studio. Applications are due by December 21 and artists will be notified on December 24.

The studio is available as of January 1, 2010. For eligibility requirements, process information, and to download an application, please visit this website.

Tuesday, December 15, 2009

Change in the air

For the last several months the newly appointed director of the Hirshhorn Museum and Sculpture Garden, Richard Koshalek, has been quietly at work on a plan to erect a 145-foot-tall inflatable meeting hall that would swell out of the top of the internal courtyard of the museum, which sits on the Mall midway between the White House and the Capitol.

Designed by the New York firm Diller Scofidio & Renfro, the translucent fabric structure, which would be installed twice a year, for May and October, and be packed away in storage the rest of the time, would transform one of the most somber buildings on the mall into a luminous pop landmark. It could be the most uplifting work of civic architecture built in the capital since I. M. Pei completed his East Building of the National Gallery of Art more than 30 years ago.

But it is what the project is intended to house, and to represent, that has the potential to shake up Washington. For decades government power brokers have dismissed much of contemporary culture as a playground for elites. Mr. Koshalek’s vision would challenge that mentality by using performing arts, film series and conferences to foster a wide-ranging public debate on cultural values.

Mr. Koshalek, who is known for his bubbly enthusiasm, has been a champion of architectural causes since his days as the director of the Museum of Contemporary Art, Los Angeles, in the late 1990s, when he helped lead the drive to build the Walt Disney Concert Hall. Later he worked behind the scenes with the city’s government agencies and cultural institutions to hire respected architects for their new buildings rather than the kind of politically connected firms that were then the norm.

He arrived at the Hirshhorn last April with a dual agenda: to raise the museum’s national profile and to put Washington in closer touch with creative life around it.
Read the NYT report here.

Lawrence on Wiley

During the 1970s in New York, artists working in the West Coast and Chicago—including H.C. Westermann, Robert Arneson, Robert Colescott and Peter Saul—raised hackles and gained fans for their cartoonish, jittery and emotionally direct works loaded with offbeat materials and associations. The earnest ethos of East Coast art was not in their DNA; minimalist purity and the high-minded musings of conceptual art were anathema.

Among this group was a slightly younger artist from northern California, William T. Wiley, who was being noticed for his skillfully drawn, pun-loaded and casually enigmatic work, often subverting modernism's language of geometric abstraction and assemblage with a glut of personal meaning. Already credentialed by exhibitions in his home state, as well as Chicago, Paris, Milan, the Netherlands and Germany, this "Huckleberry Duchamp," as an Art News reviewer called him in 1974, soon emerged as a national figure.
Read the Wall Street Journal review by Sidney Lawrence here.

Rocco Landesman on the line

The DC Commission on the Arts and Humanities is hosting an Art Works roundtable discussion with National Endowment for the Arts Chairman Rocco Landesman on Wednesday, December 16 from 9:30 – 11:30 AM. The location is Busboys & Poets at 2012 14th St. NW.

DCCAH Executive Director Gloria Nauden and Chairman Landesman will be joined by Busboys & Poets founder and owner Andy Shallal and DC Office of Planning Director Harriet Tregoning in a conversation before an invited audience of DC arts leaders.

That conversation will focus on, “How do the arts work in DC?,” the central question behind Art Works, Mr. Landesman’s leitmotif for his tenure as chairman of the National Endowment for the Arts. Art Works is a triple entendre incorporating the Art Works created by artists such as paintings, dances, and music; the arts as part of the economy with art workers having real jobs, paying taxes, and spending money; and how Art Works on us as human beings with its capacity to inspire people and change lives. Chairman Landesman is spending the next six months visiting neighborhoods and towns all across America, seeing and spotlighting all the ways that art works.
After initial comments from the panel, the session will turn to the guests for their observations on how the arts do or don’t work in the District.

When: Wednesday, December 16, 2009 from 9:30 – 11:00 AM

Where: Busboys & Poets, 2120 14th St. NW

Contact: Marquis Perkins, DC Commission on the Arts and Humanities (202)286-5797

Go See This Show

Monday, December 14, 2009

Jury Duty

BlackrockAt the BlackRock Center for the Arts to select the exhibits for the gallery for September 2010 through August 2011.

The jury panel is comprised of my good friend and gallerist Elyse Harrison, Jodi Walsh, and yours truly.

Sunday, December 13, 2009

Mera Rubell Studio Visit

Later today, Ms. Mera Rubell, one of the world's best-known art collectors, and whose Miami space, The Rubell Family Collection, features her and her husband's well-known art collection, will be making a studio visit to my studio in Potomac.

This is of course, both an honor and a spectacular opportunity to expose my work to one of the world's premier art collectors.

One fly in the ointment.

When I discovered this on Thursday afternoon, I was ecstatic. Then I realized that all of my work is in storage in Miami as it will be featured by Philadelphia's Projects Gallery in the Miami International Art Fair in January.

I had no current work to show Mera Rubell.

So from 3:30 AM on Friday to 9:00 AM this morning (with the exception of a Xmas shopping visit to the Gateway Arts District Open Studios yesterday), I locked myself in my studio and produced the below drawings to show Rubell later this Sunday.

Che Guevara by F. Lennox Campello


"Asere, Si o No?" 19"x48" Charcoal on Paper

This is a huge charcoal drawing of Ernesto "Che" Guevara de la Serna Lynch. Che is to the left in a very Christ-like pose. behind him, a slogan or graffiti on the wall asks the question in Cuban slang: "Asere, Si o No?" which means "Friend, Yes or No? The capital letters answer the question by spelling out ASESINO or assasin. This is the second version of this concept.

Che Guevara's betrayer

Finalmente Denunciamos a el que traiciono al Che (Finally we denounce he who betrayed Che). 4 x 24 inches. Charcoal on paper

The Spanish words announce that "finally we denounce who betrayed Che." The capital letters answer the statement: FIDEL.

Age of Obama - Nobel Peace Prize

"Age of Obama - Nobel Peace Prize" Charcoal on Paper. 16x12 inches.

In this piece, the figure is tattooed with the text of Pres. Obama's acceptance speech for the Nobel Peace Prize. Selected parts of the speech tell a story.

Make Obama King

"Woman who thinks that the tattoo that she just got reads 'Bring Bush Back'" Charcoal and Conte on Paper. 14"x10"

I couldn't resist doing a humorous piece. That's just the way that I am.

True Believer, Obama in 2012

"True Believer" 22 x 14 inches. Charcoal and Colored Pencils on Paper.

Click on the image for more detail, but the tattoo in her arm, the updated part still bleeding, tells the whole story.

Superman Flying Naked

"Superman flying naked and close to the ground in order to avoid NORAD radar." Charcoal on Paper. 20x24 inches.

So I couldn't resist another touch of humor. This is from my series of naked superheroes.

Fallen Angel

"Fallen Angel." Charcoal on Paper. 21 x 11 inches.


Pictish Woman

"Pictish Woman" Charcoal on Paper. 14 x 9 inches.

That's it! I'm exhausted but happy. Wish me luck!

Join me today over at Neptune

Some join me today starting at 2 PM at the gorgeous Neptune Gallery in Bethesda.

The event starts with a presentation and tasting with Cacao, fine European Chocolates, immediately followed by "A Conversation with Lenny Campello" in which I will answer any and all questions about anything dealing with art: framing, approaching galleries, collectors, collecting, etc. or even about the art fairs and how to get your gallery to do them, or even some guerrilla tactics on the subject.

Open forum, any and all questions answered if I know the answer.

See ya there!

Saturday, December 12, 2009

Question Pho You

As I drove back home from the Gateway Arts District's open studios, on University Avenue alone we drove by several Vietnamese Pho restaurants (I love Pho and I love the taste that Plum sauce gives to the soup).

They all have names such as PHO 75, PHO 95, PHO 301, etc. Does anyone know what the number after the "Pho" stands for?

Baker Awards for Baltimore Artists

This is one spectacular opportunity for Baltimore artists as it returns for its second year.

The Baker Awards, funded by The Baker Foundation, in conjunction with the Baltimore City Department of Promotion and the Arts, is awarding three (yes three!) $20,000 prizes to Baltimore artists annually.

Although only Baltimore artists are eligible, anyone can sign up and vote.

Do it!

Details here.

I've decided this year to vote for someone whose work is new to me... this year my vote will either go to Rachel Bone or to Nicole Buckingham.

Friday, December 11, 2009

That's telling them...

"The service and sacrifice of our men and women in uniform has promoted peace and prosperity from Germany to Korea, and enabled democracy to take hold in places like the Balkans. We have borne this burden not because we seek to impose our will. We have done so out of enlightened self-interest – because we seek a better future for our children and grandchildren, and we believe that their lives will be better if other peoples’ children and grandchildren can live in freedom and prosperity.

So yes, the instruments of war do have a role to play in preserving the peace. And yet this truth must coexist with another – that no matter how justified, war promises human tragedy. The soldier’s courage and sacrifice is full of glory, expressing devotion to country, to cause and to comrades in arms. But war itself is never glorious, and we must never trumpet it as such."

President Obama
Nobel Peace Prize Acceptance speech
You go Mr. O!

Civilian Art Projects' The Shop

Join Civilian Art Projects for the grand re-opening of The Shop, their store of artist-made goods. The Shop has been in boxes since their second move but it is now time to break out the goods for the holidays.

Tomorrow - Saturday, Dec. 12th, the sale starts at 1pm and goes until 6pm and continues during all of their public hours through Dec. 19th.

With prices ranging from $5 to $200, you are sure to find a unique something for that special person for the holidays. Avoid the over-crowded stores full of junk made by people you don't know and buy some artist-made work, where your shopping will not only benefit your special person receiving the gift, but it will also benefit artists and a great and hardworking gallery.

If you come by this Saturday, Dec. 12th you will see the incredibly talented Chereya Esters and Jeremy Tidd installing their gorgeous "Twenty First Century Ghosts" hemlock tree sculpture in the window at Civilian.

Tomorrow: Gateway Open Studios and more

There are a ton of events happening in the Gateway Arts District this Saturday - Check it all out here.

ArtDC has their opening during their event - 43 works of art in addition to work in their flat files and print bins. Check that out here.

They will also have four bands, a lecture by John Mason on Art Law, and 15 vendors sponsored by the DC Conspiracy.

And of course, the various artists around the Washington Glass School will also have all kinds of events, open studios, food, art sales, etc. See all about that here.

Get down to Gateway tomorrow and buy some art! I'll be there spending my hard-earned sheckels.