Wanna go to a DC opening this week?

Project 4 has THE FANTASTICAL. Work by Justin Gibbens, Julie Hughes, Mel Kadel, Jordan Kasey and Sophie Ruspoli. Opening reception: Saturday, March 13, 2010 - 6:30 - 8:30PM.

"Project 4 presents a group exhibition of works that express scenes, realities and spaces peculiarly situated away from our familiar, everyday visual experience. Artists participating in The Fantastical exhibition present works where, either by revealing idiosyncrasies of the artist’s mind or by altering commonplace appearances to create new perspectives, fantastical realms arise in conjunction with existing curiosities and tension.

While each of these artists takes inspiration from natural, experiential reality, their imagination and emotional self bends the linearity of this reality. Northwest-based draftsman Justin Gibbens takes inspiration from thickets, undergrowth and odd fauna to create brilliantly imaginative Audubon reminiscent watercolors and collages. His treatment of the paper causes these pieces to appear as if they themselves come from a distant and strange domain. Also working on paper, Los Angeles based artist Mel Kadel’s enigmatic characters traverse transcendent and cerebral spaces while encountering curious challenges of the mind and body.

Expanding on the genre of landscape, Baltimore artist Jordan Kasey and Washington DC based photographer Sophie Ruspoli both create stages where mystifying phenomena can occur. Kasey’s immersive painting, “Sunrise” depicts a serene and extraordinary land, where existence seems eerily suspended. Ruspoli, using the factual medium of the camera lens, manipulates the architectural functions of a 4 x 5 camera to capture surreal views of nature, different from what the human eye is capable of naturally perceiving. A second floor sculptural installation by Los Angeles based artist Julie Hughes physically represents an other-worldly environment inspired by such terrestrial and complex structures such as human bone and mold, adding further dimension to this exhibit’s exploration of the fantastical space that exists just beyond rational thought."

Congrats!

To Washington Post art critic Michael O'Sullivan, who will get a very well-deserved Special Recognition Award as part of the 25th Annual Mayor’s Arts Awards on Monday, March 22, 2009 at 6:00 p.m. at the Historical Society of Washington. 

The Washington Project for the Arts will host Vjera Brozan, the third visiting curator in Information Exchange, a professional development program for artists organized by WPA with the International Studio and Curatorial Program in Brooklyn, NY.

In this ongoing series, WPA brings international curators to Washington to discuss ideas and projects in a public forum, followed by a day of one-on-one critiques or portfolio reviews with WPA member artists. The goal of the program is to expose artists and curators to each other's work, spurring new and continuing conversations, ideas, relationships, and projects which will carry on long after the initial exchange.

Vjera Brozan (Prague, Czech Republic) is a curator and art historian. She is currently a Ph.D. candidate at the Charles University, Prague, and fellow at tranzit, a network of autonomous initiatives in contemporary art in Austria, the Czech Republic, Hungary and Slovakia. Brozan was a curator at The National Gallery Prague (2003-2004) and was a research fellow at The Academy of Fine Arts in Prague (2000-2002). She taught at the Faculty of Fine Arts in Brno (2003-2007) and now is teaching Contemporary Art at the Academy of Arts, Architecture and Design in Prague.

As an independent curator she has curated exhibitions and artist projects in Prague and elsewhere. Recent exhibitions include : Harun Farocki at tranzitdisplay, Prague (2009); Metaphysical - Ontological - Supertemporal- Absolut - Transcendence at JS Studio Gallery, Prague, (2008); and Invisible Thingsat Trafó gallery, Budapest (2007).

Please join the WPA for a presentation of past and current projects given by Vjera Brozan, followed by an open discussion on March 18, 2010 at 6:00pm at WPA (free and open to the public). Continue the discussion and mix and mingle with the other attendees at the post-talk reception at Darlington House, 1610 20th St. NW (appetizers and cash bar).

RSVP is required for the talk and reception. email to: kbilonick@wpadc.org

Trawick Prize Artists' Call

Deadline: Friday, April 9, 2010

The Bethesda Arts & Entertainment District is accepting submissions for The Trawick Prize: Bethesda Contemporary Art Awards. The annual juried contemporary art competition awards $14,000 in prize monies to four selected artists. Deadline for submissions is Friday, April 9, 2010 and up to 12 artists will be selected for a group exhibition during the month of September.

The competition will be juried by Harry Cooper, Curator of Modern and Contemporary Art at the National Gallery of Art in Washington, D.C.; Robert Haywood, Deputy Director at the Contemporary Museum in Baltimore, MD and Emily Smith, Curatorial Fellow in Modern and Contemporary Art at the Virginia Museum of Fine Arts in Richmond, VA.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after April 10, 1978 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. Original painting, drawing, photography, sculpture, fiber art, digital, mixed media and video are accepted. The maximum dimension should not exceed 96 inches in any direction. No reproductions. Selected artists must deliver artwork to exhibit site in Bethesda, MD. All works on paper must be framed to full conservation standards. Each artist must submit five slides or five images on CD, application and a non-refundable entry fee of $25.

The Human Rights Art Festival

The first ever Amnesty International Human Rights Art Festival, a multi-media event that fuses the passion of artists with the values of Amnesty International, will take place April 23-25, 2010 in Silver Spring, MD.

Details here.

And my own particular interest in the area of human rights; Click on the image for more details...

Peep & Strip Show - This Thursday

Join Rosemary Feit Covey
this Thursday for the opening reception of Peep and Strip Show at The Art League Gallery (in Old Town Alexandria) on March 11th at 6:30pm and enjoy a Cabaret Dance performance.

Feit Covey is easily one of the most talented print makers in our region, although the term prin tmaker is beginning to not be enough when discussing this artist, as her amazing installation a while back at the Arlington Arts Center proved; and this show will debut some "light boxes" that I'm really stoked to go and see.

From the press release:

When peering through a keyhole, we consciously know we’re viewing something that wasn’t meant for our eyes, and therefore it becomes exciting and forbidden. Rosemary Feit Covey’s provocative images forces the viewer into the role of voyeur, either by demanding the viewer to observe her engravings through a peep show box, or on a photographer’s light box. Suggestive rather than overtly explicit, her wood engravings subtly deal with obsession on many levels. Peep and Strip Show will be featured at The Art League Gallery at the Torpedo Factory March 11–April 5, 2010.

The “Strip” series focuses on obsession. The images Covey created are based on the relationship between an actual couple. Tantalizing and a little naughty, the viewer is left wondering what the story is behind these characters. The engravings are printed on Japanese papers and phone book pages, and then the vertical strips are encased in encaustic medium. The strips are presented on a light box like a photographer would use to dry negatives and prints and to view his/her work. When displayed in groups horizontally, the effect is akin to a dark comic book or graphic novel.

In Covey’s “Peep Show” series, she combines the secret, sexual world associated with the modern definition of “Peep Show” with the innocent world of Victorian-era peep show boxes. In order to view the engravings, the viewer must bend uncomfortably to glimpse through the peephole, which forces them into the role of voyeur. The prints in this series are evocative and suggestive rather than blatantly sexual. The boxes themselves are custom designed and beautifully handcrafted by a master cabinetmaker. These peep boxes are replicated and inspired by the elegant peep show boxes circa 1820.

Peep Show boxes date back as far as 500 years ago, designed by artists and scientists to portray a variety of subject matter. During the 18th and 19th Centuries, peep show viewing was a popular and innocent form of street entertainment. By using lenses and mirrors, a private, interior world was created by peering into a mysterious box. The term Peep Show ultimately came to be most closely associated with viewing pornographic films and live sex shows.

Casablanca

Claude Rains (Louis): What in heaven's name brought you to Casablanca?

Humphrey Bogart (Rick): My health. I came to Casablanca for the waters.

Claude Rains (Louis): The waters? What waters? We're in the desert.

Humphrey Bogart (Rick): I was misinformed.

Campello reviewed

Not me but my daughter Elise in The Wedding Singer:

The uber stand out was Elise Campello as Julia Sullivan. She is such a full package of talent. She brings everything to the show and makes it a tour-de-force every time the lights come on the stage.

Read the review here.

Contemporary Art Projects to Debut

Remember that I told you that the former Numark space was about to be re-used as a gallery space?

Amy Morton of Morton Fine Art introduces a pop-up project, a series of innovative, curated art exhibitions and events that “pop-up” at various locations throughout Washington, DC.

The concept for a pop-up project evolved from Morton’s desire to introduce strong and relevant contemporary artists to the Washington, DC area in a fresh and exciting format. The project emphasizes the development and exposure of high-quality contemporary artworks in innovative settings and locations. a pop-up project aims to develop and promote local DC talent alongside national talent.

a pop-up project will host pop-up group exhibitions, lectures and events at venues throughout the DC area. For its inaugural exhibition a pop-up project will open I Dream Awake from March 18 to May 28, 2010 in the former Numark Gallery space located in Penn Quarter at 625-627 E St NW.

I Dream Awake is a curated selection of works that presents original artist expressions which explore the link between awakened realities and unconscious dreams. The exhibition includes artwork in various media by New York artists, Mikel Glass, Kenichi Hoshine and Margaret Bowland; Los Angeles artists Vonn Sumner and Susan Burnstine; and local artists Rosemary Feit Covey, Laurel Hausler, Lizzie Newton and Tim Tate.

The formal opening reception with the artists in attendance will be held on Friday, March 26th from 6 - 9pm.

Congrats!

To the 32 finalists for the Mayor's Arts Awards! Congrats especially to the WPA, Margery Goldberg, Transformer and Andrew Wodzianski on their respective noms!

Finalists for the 25th Annual Mayor’s Arts Awards

EXCELLENCE IN AN ARTISTIC DISCIPLINE

· Cathedral Choral Society

· Ira Blount

· Lawrence Bradford

· Pan American Symphony Orchestra

· Peter Waddell

· Step Afrika!

· The Suzanne Farrell Ballet

· Theater Alliance of Washington, DC

· Transformer

EXCELLENCE IN SERVICE TO THE ARTS

· Dance/Metro DC

· Kim Roberts

· Margery E. Goldberg

· Washington Project for the Arts

INNOVATION IN THE ARTS

· Daniel Phoenix Singh

· FOTOWEEK DC

· GALA Hispanic Theatre

· Miriam’s Kitchen

· Taffety Punk Theatre Company

· The Theatre Lab School of the Dramatic Arts

· VelocityDC Dance Festival

OUTSTANDING CONTRIBUTION TO ARTS EDUCATION

· CityDance Ensemble, Inc.

· Duke Ellington School of the Arts

· The Shakespeare Theatre Company

· The John F. Kennedy Center for the Performing Arts/Education Department

· The Washington Ballet

· Washington Performing Arts Society

OUTSTANDING EMERGING ARTIST

· Andrew Wodzianski

· Brian W. Grundstrom

· Sarah Elizabeth Koss

· Helanius J. Wilkins

· Luciana Stecconi

· Michelle Herman

Finalists for the Mayor’s Award for Arts Teaching

PERFORMING ARTS

· Gregory E. Lewis

· Premila Mistry

· Thomas Kingston Pierre, Jr.

· Rebecca Stump

· Benjamin Whelan-Morin

LANGUAGE ARTS

· Kathy Echave

· Mark A. Williams

VISUAL ARTS

· Stephanie Basralian

· Daniel A. Foley

· Eric Michael Ginsburg

· Bill Harris

· Charles Jean-Pierre

· Vinson Irby

· Andrea Perll

· Lindy Russell-Heymann

Cudlin on the Armory Show

My good bud Jeffry Cudlin has his take on last weekend's Armory show in NYC. Read it here.

What is it with visual art critics who are always yearning for the "new"? - that dangling carrot of the art world... I mean the "visual art world" - that doesn't seem to apply to any of the other genres and forms of art as universally speaking as to what critics want from visual artists.

I refer them all to the lyrics of The Beatles' All You Need is Love.

Got to go and find my Janson's for some ideas for some new drawings...

Wanna go to a Georgetown Opening this week

"Kinetics" is the latest solo show by the DC area's superbly talented artist Amy Lin.

The opening reception is on Saturday, March 13, 5-7pm at Addison/Ripley Fine Art, 1670 Wisconsin Avenue, NW Washington, DC 20007. The exhibition dates: March 13-April 24, 2010.

Buy Amy Lin now.

Cream at the Katzen

Last night's Cream auction on at the Katzen Museum appeared to be a resounding success and the place was once again packed by the DMV's top notch art collectors and assorted A-listers of the art scene.

My piece in the auction did quite well, with many bids and finally going for three bids over the high estimate (I think). Check out the artwork here and check out some images below.

Pink Line Project's Philippa P.B. Hughes and Little June's Mom

Mera Rubell (in the Warhol wig) and artist m. gert barkovic

That's me and Mera Rubell

Artists Victoria F. Gaitán and Judy Byron

Artist Andrew Wodzianski, Curator's Office Andrea Pollan and artist Jeff Spaulding

Artists' Interview: Amy Lin

For a couple of years now I've been advising readers who are art collectors to buy Amy Lin. Coming from a dude who gets paid to advise three major art collectors on what to buy, that should count for something. Lin is a very talented and exceptional young artist; but there are loads of those around. So what makes this young DC area artist so special? She has received tremendous critical accolades from the press in nearly all her shows and her past exhibitions have almost all sold out. In that spirit we asked her a few of our standard questions:

DC: Who or what has been your biggest influence as an artist?

The drawings for my upcoming show "Kinetics" [at Addison/Ripley in Georgetown] have connections to scientific concepts including energy, motion, and genetics. But on another level they have a human quality and can be seen as people or societies.

DC: What are some of the challenges or mistakes that you have experienced as an artist and what did you learn from it?

One of the challenges I’ve had was that I didn’t go to art school so I didn’t have any formal training or know very many people in the art world to ask for advice. I’ve been trying to learn as much as possible along the way and am very thankful to everyone who has curated me into a show, written about my work, or come to see a show!

DC: What key event, or person, if any, has attributed the most to your success or progress as an artist so far?

My first solo show was a big milestone. I had been in several group shows before, but this was the first time I had created a cohesive body of work and concept for the drawings.

DC: What advice would you give to emerging artists?

I would tell other emerging artists to believe in their art and stay true to it regardless of whether other people like it or not. It’s normal to get lots of rejections.

DC: Who is your favorite DC area artist?

Mary Coble is one of my favorites. When I first moved to the DC area she was one of the first artists I learned about...Her work is smart and interesting.

DC: Anything coming up in the near future for you?

My next solo show “Kinetics” opens on Saturday March 13, 5-7pm at Addison/Ripley Fine Art. And I’m in a group show “On/Off the Grid” that is at Irvine Contemporary through March 20.

Amy Lin Synthesis

You can visit Amy's website here or become one of her fans on Facebook here.

Wanna go to an opening in Alexandria tomorrow?

During her tenure as a figure model for The Art League School, Fierce Sonia quietly acquired a top-notch visual arts education. Motivated by the artwork she saw, she became eager to create her own work. She cabled her camera to her TV and released the shutter with an infrared remote. Sonia used herself as her own model, learning more about composition and technique based on what she saw on the screen.

Her figurative photography has evolved to a new and exciting place. The focus is on process. In Sonia’s latest series “Paper Dolls,” the same images reoccur with confident changes to the surface. Her work is no longer straight photography. With the integration of painting and collage into her images, Sonia’s work has reached a new level.

The black and white images of herself are often printed on paper that has been painted white, which creates a rich texture. Each piece is created in a unique way. Previous prints may be collaged to create depth. Multiple runs of the same print may be made on the same piece. More painting, layering might be necessary to create the desired effect. These alterations to the surface blur the identity of the original image, and make the series of work about the medium and the process, and not about the subject matter.

Sonia’s work has been exhibited and won accolades nationally. She is a professional art model and muse for artists and photographers and has worked with nationally and internationally known artists.

“Paper Dolls” will be at The Art League Gallery in Old Town Alexandria from April 8 – May 3, 2010.

The Opening Reception and Meet the Artist function is Thursday, April 8, 6:30-8:00 pm. Joe Chiocca, Old Town’s favorite band, will play during the Opening Reception and reunite with special guest singer Kim Kenny. Free and open to the public.

The Irascible 18

A few days ago, when discussing the Mera Rubell talk at the Katzen, and her selection of 16 DC area artists being dubbed by the Washington Post as the "Sweet 16", I suggested that it would be a good idea for a DC glossy, like DC Modern Luxury for example, to hire a sharp photographer to assemble us 16 and re-do a modern version of the pose in Life Magazine's famous "Irascibles" photograph.


The photograph was taken by Nina Leen (January 15, 1951), and appeared in Life magazine. This very famous photo, known as the photo of "The Irascibles " shows 15 of the 18 Abstract Expressionist painters:

Jackson Pollock (1912-1956)
Barnett Newman (1905-1970)
Willem De Kooning (1904-1997)
Clyfford Still ( 1904-1980)
Adolph Gottlieb (1903-1974)
Ad Reinhardt (1913-1967)
Robert Motherwell (1915-1991)
Mark Rothko ( 1903-1970)
William Baziotes (1912-1963)
James Brooks (1906-1992)
Jimmy Ernst (1920-1984)
Theodoros Stamos (1922-1997)
Bradley Walker Tomlin (1899-1953)
Richard Poussette-Dart (1916-1992)
Hedda Sterne (1910)

The photograph caption reads:

IRASCIBLE GROUP OF ADVANCED ARTISTS LED FIGHT AGAINST SHOW

The solemn people above, along with three others, made up the group of “irascible” artists who raised the biggest fuss about the Metropolitan’s competition (following pages). All representatives of advanced art, they paint in styles which vary from the dribblings of Pollock (LIFE, Aug. 8, 1949) to the Cyclopean phantoms of Baziotes, and all have distrusted the museum since its director likened them to “flat-chested” pelicans “strutting upon the intellectual wastelands.” From left, rear, they are: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; (next row) Richard Pousette-Dart, William Baziotes, Jimmy Ernst (with bow tie), Jackson Pollock (in striped jacket), James Brooks, Clyfford Still (leaning on knee), Robert Motherwell, Bradley Walker Tomlin; (in foreground) Theodoros Stamos (on bench), Barnett Newman (on stool), Mark Rothko (with glasses). Their revolt and subsequent boycott of the show was in keeping with an old tradition among avant-garde artists. French painters in 1874 rebelled against their official juries and held the first impressionist exhibition. U.S. artists in 1908 broke with the National Academy jury to launch the famous Ashcan School. The effect of the revolt of the “irascible” remains to be seen, but it did appear to have needled the Metropolitan’s juries into turning more than half the show into a free-for-all of modern art.

Someone once told me that originally there were only men in the group, and the photographer (I think) insisted on having a woman as well, and Hedda Sterne, who throughout her career maintained a stubborn independence from styles and trends, was brought in for the photo shoot, even though she wasn't one of the signers of the letter to the Met.

Thus my brilliant marketing idea of the "Sweet 16" recreating the above photo for a DC magazine. I got dibs on Richard Pousette-Dart's cool pose on the second row from the back.

Gopnik on the Whitney Biennial

"I see hints, at least, that we're a country that just spent something like a trillion dollars and more than 3,000 lives so that a foreign nation's sects can once again be free to bash each other. And I see a country that is still hemorrhaging blood and funds in the fond hope that another foreign nation, dysfunctional and misogynist, can be kept from fully imploding.

Here at home, I see the richest nation in history being so obsessed with getting back to still more growth -- so that the rich among us can have a yet bigger house or plasma screen -- that it won't spend money to rescue a neighbor's health, a crumbling bridge or our children's planet. Most important -- if not in the details of this biennial, then in the overriding spirit of so much of its art -- I also see a country that recognizes that all this is some kind of a problem but feels as though it's powerless to do anything about it -- except take solace in that bigger home or screen."

Not all of it sounds like a Keith Olberman rant; read the rest of the review by the Washington Post's Chief Art Critic here.

DCist Exposed is tonight!


This year's opening reception for this top photography show will be bigger and better than ever, and will be held on Saturday, March 6, 2010 from 6 to 10 p.m. At the bar, mixologist Scott Palmer from Dino will have a special punch, Leopold Brothers will host a liquor tasting, Downey Selections has some wine for attendees, and Pabst Blue Ribbon will hold down the fort with plenty of beer. Nage will provide hor'dourves, while DJs v:shal kanwar and Sequoia spin tunes. Reception is $5 per guest at the door.

Long View Gallery is located at 1234 9th St. NW, just a few blocks from the Mt. Vernon/Convention Center Metro.

At the Lee Arts Center

I've been hearing some good things about the Kevin Mellema solo show, consisting of eight of his large scale figure drawings, at the Lee Arts Center on Lee Highway in Arlington.

They will have a closing reception from 6:30 to 8:30 pm on Wednesday, March 24, 2010. I will try to check it out.

Lee Arts Center
5722 Lee Highway Arlington, VA 22207
Phone: 703-228-0560
Fax: 703-228-0559
email: leearts@arlingtonva.us

Lee Center Hours:
Monday & Friday: 9:30 am - 6 pm
Tuesday - Thursday: 9:30 am - 9 pm
Saturday: 9:30 am - 5 pm
Sunday: Closed

Opportunity for Photographers

Deadline: Tuesday, March 30, 2010 at 7PM



Click here for details, and if you've shot pics of DC, then you've got no excuse not to enter this!

Like the Census, they seek portraits representing people of all ages, all four races, and the many ethnic groups in each quadrant of the city.

Fifty-one portraits will be selected and exhibited.