Tuesday, April 20, 2010

Light at the end of the tunnel?

I think that the brutal dictatorship of the Castro brothers is beginning to show the secondary signs of the end of their world as they know it.

Cuba's Roman Catholic cardinal says the country is in one of its worst crises in recent times, with its people demanding political and economic changes sooner rather than later.
More evidence here.

Meanwhile the Damas de Blanco keep marching in Havana and keep getting beaten up by Castro's thugs; but they do not give up. Other than the local news in Miami, you'd never know what's going on in Cuba from the US main stream media.

How Linn Meyers draws



Also, on Friday April 30th at 12:30PM, Meyers will be giving a talk at the Hirshhorn Museum with Carlene Stephens, Curator of Time at the Smithsonian Museum of American History, and Ryan Hill, Curatorial Research Associate at the Hirshhorn. The talk is part of a series called "In Conversation".

MFA Thesis Shows

The MFA Thesis III and First-Year Shows at MICA will open next Friday, April 23. This preesents an opportunity to start keeping an eye on Katie Miller's work. She will have a new painting in the First-Year Show, located in the Pinkard Gallery on the first floor of MICA's Bunting Center, at 1401 West Mount Royal Avenue.

The graduating second-year MFA candidates are showing in the Fox Building next door. Both shows feature work from all of the graduate programs, generally encompassing painting, sculpture, photography, video, interdisciplinary, and installation.

Miller will be at the opening reception on April 23 from 5 - 7 pm. The opening involves both the Pinkard Gallery in the Bunting Center, and the Meyerhoff, Decker, and Fox 3 galleries in the Fox building.

MFA Thesis III
Friday, April 23-Sunday, May 2
A public reception with the artists takes place Friday, April 23, 5-7 p.m.
Gallery Talks: Tuesday, April 27, 3-5 p.m. and Wednesday, April 28, 1-3 p.m.
Fox Building: Decker, Meyerhoff, and Fox 3 galleries (1303 W. Mount Royal Ave.)

For a slideshow of Thesis (second-year) work, please visit this website.

See Katie Miller's work here.

Open Studios

April 24 & 25th - click on image for more info.

At George Washington University: More Photographs Than Bricks

By Bruce McKaig

There is only a couple of weeks left (through April 20) to catch an exhibition in DC at GW's Luther W. Brady Art Gallery that pushes the envelope about what a photograph can be. More Photographs Than Bricks (exhibition title and part of a quote from John Szarkowski) has assembled a myriad of works that explore the medium and act of photography in surprising ways, including photographs that are not pictures and a few works that are not photographs.

The artists chosen include emerging and world famous artists: Nancy Breslin, Edward Burtynsky, Chuck Close, Kim Keever, Ana Labastida, Amy Lamb, Bruce McKaig, Megan Marrin, Abelardo Morell, Yasumasa Morimura, Martin d’Orgeval, Sean Scully, Jeffrey Smith, and JeongMee Yoon.

Emily and her pink things


Jeongmee Yoon, "Emily and her pink things" (2005)

Jeongmee Yoon was born in Seoul, South Korea and moved to New York in 2004. Her work, inspired by life experiences with her own children, examines cultural codes and gender-subjective consumerism. In Emily and her Pink Things, Yoon constructs then photographs a Pepto-Bismol world cute enough to make anyone sick to his or her stomach. This work does not stop at examining the way gender is used to market products. It is thoroughly personal – Emily is Yoon’s daughter, who “loves pink, like my son [Donghu and his Blue Things] loves blue” – so it is also a confession about having acquiesced, to being engulfed in the marketing strategy.

Martin d'Orgeval (French, b. 1973) lives and works in Paris. His work is an impressive use of space, history, and imagery. Touched by Fire blends tragedy and beauty with images from the entomology and taxidermy store Deyrolle, devastated by fire in 2008. These constructed still lifes have a temporal reference, depicting the passage of time less like a voyeur and more like a detective, or even an archivist trying to put the pieces back together.

Kim Keever (American) lives and works in New York City. Keever’s “landscapes” are studio productions, still lifes in fact. Keever constructs underwater scenes then photographs them, hence the moody weight to his images. Heavy atmosphere aside, the nature of the work requires Keever to capture the scene under a sense of urgency as the materials are in fact more fleeting than stable.

Ana Labastida (Mexican) lives in San Francisco. Her installations are composed of bugs and baskets, moths in this case, made from fabric and photographs printed on glass. From a distance, the installation wants to be playful – and it is – but on closer inspection, the urban imagery on the giant insect wings becomes somewhat disturbing.

According to Lenore Miller, Gallery Director, and Olivia Kohler, Assistant Director, the exhibit started by searching for works that could be academically classified as “new history” or “new landscape” and so forth, but months of conscientious and creative detective work uncovered photographic explorations that would not conveniently fit into “categories that had served to structure art from the 16th to the 19th century.” This discovery prompted the selection process to include some non-photographic works.

The exhibition catalogue has an essay written by Virginia K laying out some of the historical context for the visual dialogue between photography and painting. Many artists and authors have commented on the interaction between photography and painting, and some have examined the resurgence of 19th century techniques in contemporary art.

David Hockney makes a comparison between photography and painting with his assertion that “photography is really good for making pictures of drawings.” (Hockney on Art, 1999). Hockney insists that the lack of “hands on” in photography explains why paintings are better at depicting reality. However, in the same book, he also says that because society is increasingly less certainty that photography is ideally suited to depict reality, photography “has been brought back into the area that painting has always dealt with.” What would Hockney have to say about this exhibition? Another prominent figure in the art world, John Szarkowski, once said, “A photograph is essentially a picture. Not everything that is sensitive to light produces a photograph. A sunburn is not a photograph.” (Looking at Photographs, 1973) Where would Mr. Szarkowski place these works? Perhaps the curator, author and historian Jean-Claude Lemagny (French, b. 1931) best describes where to place these artists by asserting that some artists are photographers, some bump up against photography.

Nineteenth century photo techniques never entirely disappeared from the art world, but the last decades have seen a significant resurgence of these dated processes used to produce contemporary works. Photography’s Antiquarian Avant-Garde (Lyle Rexer, Abrams 2002) lays out an historical timeline to situate these processes, then proposes a number of contemporary artists’ twists on how they are used today (Chuck Close - also in this exhibit, Susan Rankaitis, Jin Lee, Ilan Wolff, Mark Kessell, Bruce McKaig, to site a few). In Rexer’s words, these artists “[work] in both mystical and material ways, letting the chemistry of the emulsion register chance and time, turning Talbot's ‘pencil of nature’ into a paintbrush."

More Photographs Than Bricks is the second of three exhibitions supported by Clarice Smith with a focus on creating a dialogue by bringing the highest quality art for display in the Luther W. Brady Art Gallery. Ms. Smith is a local patron of the arts who has supported numerous large-scale projects to help bring art and people together, and personally explores the arts through her paintings.

More Photographs Than Bricks

March 24-April 30, 2010
Luther W. Brady Art Gallery
The George Washington University
Media & Public Affairs Building, 2nd Floor
805 21st Street, N.W.
Washington, D.C. 20052
Gallery Hours: Tuesday - Friday, 10 a.m. - 5 p.m.

For more information about the Exhibition and the Luther W. Brady Gallery: Click here. For more information about the author: click here.

Monday, April 19, 2010

American Contemporary Art magazine

The April/May issue is out and there are several reviews of DC galleries as well as a DC-centric article by yours truly in pages 22-23.

You can also read it online here.

Calling all Artists: Win This House Essay Contest


The lead says it all. Details here.

Little Junes Update

Anderson Campello


Anderson Lennox Franklin Lars Timothy Angus Pict Eric Florencio Brude James Tiberius Campello Anderson Cruzata Jaspersen Alonso Zaar Marrero Karling Comba Noren Dalke Hartsell y Lennox.
Circa April 16, 2010. Flesh and Blood. 24 inches by 24lbs 2 oz. NFS

Fierce Sonia at the Art League

The review is coming.

Meanwhile, if you didn't go to the opening (as around 400 people did), see the video below and check out what an immense happening you missed. Seldom has a new artist's solo debut gathered this sort of response around here, especially at the Art League.




The show is "Paper Dolls" and it is on through May 3rd at the Art League, inside the Torpedo Factory in Old Town Alexandria. Don't miss it.

Sunday, April 18, 2010

Going Postal in London

Deadline: June 7th, 2010

On 16th June, the Chelsea College of Art and Design is having an auction of postcards and postcard-sized artworks created by international artists and designers. This event will be called 'Going Postal' and any monies raised by this auction will go towards funding their final MA show in September 2010. They tell me that they "would be delighted if you would be willing to contribute a piece to this auction."

If any of you want to participate, either work on the postcard they can send you upon request or produce another piece of an approximately commensurate size (A6 or 105 × 148 mm) in any materials you want. Please return all work for the attention of Brian Chalkley to the address below before June 7th.

The auction will be held at the ICA, Central London and looks set to be an interesting night with a range of international artists, collectors, gallerists in attendance and compered by artist and head of MA Fine Art at Chelsea, Brian Dawn Chalkley

Contact
Attn: Brian Chalkley
Chelsea College of Art and Design
16 John Islip Street
London SW1P 4JU

Some online contact info here.

Saturday, April 17, 2010

Congrats!

To DC area artist Amy Lin, who was just awarded a Strauss Grant!

Lin's current exhibition, "Kinetics", is at Addison/Ripley Fine Art, 1670 Wisconsin Avenue, NW Washington, DC 20007 through April 24, 2010. The artist will be in the gallery today from 4-6pm.

Buy Amy Lin now.

Friday, April 16, 2010

Open House This Saturday - Meet The Artists

Pyramid Atlantic and the Washington Printmakers Gallery will be hosting an Open House on Saturday, April 17 from 1 pm to 4 pm at Pyramid Atlantic Arts Center, 8230 Georgia Avenue.

City Gallery

A new cooperative gallery on the H Street corridor NE
By Bruce McKaig

Last month, a group of artists formed a new cooperative gallery on the second floor at 804 H Street NE. City Gallery, with approximately 20 member artists, opened March 6th, 2010 with a members group show and will cycle through the membership hosting solo exhibits for most of the year ahead. Members work in diverse media; painting, drawing, photography, sculpture etc.

The gallery’s principals, Philip Hutinet, Geoff Ault, and Ellen Cornett make the decisions about membership and exhibition scheduling, but all members can participate in meetings as part of the decision making process. Membership exists at two levels: full membership and associate membership. Each category has different terms and perks.

When the trio decided to open a gallery, they took a look at how other cooperatives work to assess strengths and weaknesses. One thing they felt important: do not require members to take on gallery responsibilities. As a new facility, they are still forging some of the policies and practices they will eventually establish and hope to develop relationships with other art groups in the area and eventually beyond to bring member art to other venues and perhaps host nonmember work in their space. As well as hosting exhibitions, City Gallery also provides gallery space rental and catering, art advisory and curatorial services, art installation and new collector consultations.

The current exhibition, Magical Realism, displays watercolors and collages by local artist Gina Clapp.

A long-term personality in the Capitol Hill arts scene, Gina’s works demonstrate a rigorous understanding and control of her medium though the subject matter sometimes sits shallow. Gina’s meticulous control of the medium stands out in the gallery, despite the diversity in sizes, eclectic framing and assorted subjects.

Song of late summer. Watercolor by Gina Clapp

The exhibition also includes recently made collages. These collages also demonstrate Gina’s firm grip on visual composition, but with surprising material choices, including sequined cloth. Whereas her mastering of materials is part of what holds the watercolors together, somehow it seems a bit unresolved in the collages. With the more adventurous, want-to-be playful choice of materials, perhaps the collages are waiting for a looser, more playful gesture in their construction.

In Gina’s words:
My watercolor work often takes weeks/months to paint. Collage takes less time and is relaxing and more cerebral. I like to arrange the shapes and colors to depict a mood without having to do the intense realistic studies beforehand. The other aspect of collage that I enjoy is collecting and using odd bits of Japanese papers, exotic or florid fabrics, and papers with unique textures. Combining these scraps with some watercolor, I create collages that are more symbolic of a mood, time of day, landscape, or place. They are rather abstract, the watercolors more realistic. Yet in both I strive to suggest the motion, life, and magic of living things, and their relationships with objects that surround them.
City Gallery’s presence on the H Street corridor brings the number of galleries in the area to seven. The various galleries are pursuing possible ways to collaboratively work to bring more artists and art aficionados to the area.

The next exhibition at City Gallery will be Light and Allusion, showcasing works by Nancy Donnelly (glass) and Jill Finsen (painting) May 1-29. The opening is May 1st, 6-9pm.

City Gallery
804 H Street NE Washington, DC 20002
202.468.5277
Hours: Friday 1-5, Saturday 1-5 and by appointment
For more information about City Gallery:
www.citygallerydc.com
For more information about the author: www.brucemckaig.com

Wanna go to an artist's talk tomorrow?

Our own Rosetta DeBerardinis is giving an Artist Talk on Sat. April 17th at 7pm in conjunction with her solo exhibit, "Coming Home: A Collection of Works by Rosetta DeBerardinis" at the Corner Store.

The Corner Store is at 900 South Carolina Ave., S.E. @ 9th Street near the Eastern Market. The band Gessford Court to follow. Contact Kris Swanson @202-544-5807 for additional info.

Thursday, April 15, 2010

19th Annual Northern Virginia Fine Arts Festival

Check out the artists juried into the 19th Annual Northern Virginia Fine Arts Festival. This is one of the best outdoor art festivals in the nation. It takes place on the streets of the Reston Town Center — Reston, Virginia, May 15 & 16, 2010. 10am — 6pm daily.

Pencil it into your schedule and drop by and say hi at Booth 204.

Tax Day

According to the Tax Policy Center, a Washington research organization, about 47 percent of Americans will pay no federal income taxes for 2009.

Having paid income tax since my very first job ever at age 13 (after school vacuum cleaning several stores along Pitkin Avenue in Brooklyn and also cleaning their bathrooms after they closed), I've managed to pay income taxes every year since that year and this past year was the most brutal tax year ever for me.

It has also always escaped me the fairness of having about 1% of US households pay about 40% of all taxes collected in this nation and the other top 9% of US households combine to pay almost 75% of all taxes collected.

The reason that most European nations and especially the new democracies from the former Soviet empire adopted either a flat tax system or a Value Added Tax (VAT) system is simple: "It's simple!"

Every nation in Europe that I've lived in had a flat tax, except for the UK, which has a VAT (17.5%).

But here, the tax laws are so complex, and the tax load so disparate and so huge, that we need an army of IRS folks to enforce them and an even bigger army of accountants and lawyers to interpret them.

Makes my head hurt; check's on the way.

Wednesday, April 14, 2010

LottoHEART

CAMP Rehoboth in Delaware is an awesome GBLT advocacy group has grown up from a grassroots effort reacting to a health epidemic to a powerhouse fighting for human equality. This year they celebrate their 20th year anniversary.

Their annual fund raising art event has evolved to a week-long exhibition that culminates with a boisterous Game Show Event and Live Auction at the Rehoboth Beach Convention Center on Saturday, July 3rd. Last year was a great success – thanks to everyone, they raised over $35,000 for the CAMP Rehoboth Community Center.

How to Participate:

This year they’d like 200+ artists to each create one original, unframed, 5" x 7" (exactly) work in any medium — it should not be matted or framed. All works are donations and will be sold for $100 — the catch is that your identity will not be known by the buyer until after the purchase. Also, the order in which a buyer gets to select their art is random (hence "lotto") and will be pulled off as part of the LottoHEART Game Show on July 3rd.

Here is one great success story: DeMarquis Johnson, a participating artist from Mississippi, was contacted by the person who got his work, who in turn suggested his work for a show in DC! Look for DeMarquis Johnson’s work hanging in Vastu on 14th Street NW in DC June 14 – August 19, 2010.

Register Online Today — Number of participants limited so sign up today here.

DEADLINE TO SIGN UP – May 7TH
ARTWORK DELIVERY – JUNE 20TH
PREVIEW RECEPTION AT CAMP REHOBOTH – JUNE 26TH
LOTTOHEART GAME SHOW – JULY 3RD

While the deadline for registration is May 7th — the number of participants is limited. Over 100 artists are already signed up. Join them today. I registered yesterday - take a peek at who is participating here.

Tuesday, April 13, 2010

100 DC Artists

I have been retained by Schiffer Publishing to edit and create a coffee table size book titled “100 Washington, DC Artists” as part of their series on national artists.

This was based on a proposal that I sent to them a while back, and I am happy to report that they have approved it for publication in the spring of 2011. The book will cover 100 key artists working in the Greater Washington, DC area which encompasses the District and surrounding suburban areas of Maryland and Virginia.

Like all Schiffer art books, this will be a high quality book which will be available nationally and online, as well as available locally at museum gift shops and local area bookstores. Each artist will have a two page spread, with 3-4 images of their work, a small head shot, and a 300 word essay about their work.

I've got most key DC area artists already selected and I've been in contact with them with details, etc. I'm aiming to include all the major DC area visual art names from William Christenberry on down the list, as well as key emerging artists.

Speaking of key, two artists that I'd like to include in the book, but which I have been unable to contact either through their dealers or directly via email are Iona Rozeal Brown and Yuriko Yamaguchi. If anyone who reads this blog knows them personally, please tell them to contact me at my email address even if it to say that they're not interested. I'd hate to skip these two important DC artists because they're not reading their email!

Still speaking of key, I've also asked several key DC area art dealers and collectors and even art critics for their input, just to make sure that I'm not forgetting a key name in our visual arts community.

I'm quite stoked about this project, although one of the drawbacks can be that I'd have 100 happy artists and 1,000 bummed out ones.

For the latter I've only one thing to say: a book titled "Another 100 DC Artists" is already in my mind.

Special Seminar: Social Networking and Marketing Your Art

Saturday April 24, from 1-3PM. All the details are here.

Monday, April 12, 2010

The Muckin' O Geordie's Byre

Just in case you think that Old Scots is English... here's one of my favorite Andy Stewart tunes:





Noo whan Ah-want-ta lauchin Ah think of the scene
Whan aa'body roon cam ower tae clean,
An claarted themsel's richt up-ta the e'en
At the muckin o Geordie's byre.
Wi Robbie the Rochie an Willie the Doo,
The officer fell fur Jeannie McGrew;
And aa'body else that hud hud a capoo
At the muckin' o' Geordie's byre.
Och! siccan a sotter wis aa'body in,
Five mile awa ye cud hear the din;
Even the verra-coo hud to grin
At the muckin o Geordie's byre.

Noo the bobby cam roon tae quell the fowks doon
The cratur gat loast whaur the ricks hud thur foon
He fell in the midden, wis like tae droon
At the muckin o Geordie's byre.
The wecht o him syne sends the barrow in bits,
The wheel cairries oan an the officer hits;
Losh ye shud hiv seen hoo she did the splits
At the muckin o Geordie's byre.
Och! siccan a sotter wis aa'body in,
Five mile awa ye cud hear the din;
Even the verra-coo hud to grin
At the muckin o Geordie's byre.

Oh the whisky gaed roon, Tammy's fleein the doo
An aye as they drank, the mair they gat fou
The only yins sober, the calf an the coo
At the muckin o Geordie's byre.
Tammy roared oot, "Ring the bell fur mair"
Syne he tuggit the coo's tail, an pult oot a hair;
She kickit oot an gaes up in the air
At the muckin o Geordie's byre.
Och! siccan a sotter wis aa'body in,
Five mile awa ye cud hear the din;
Even the verra-coo hud to grin
At the muckin o Geordie's byre.