Monday, November 28, 2011

Manon Cleary

I first met Manon Cleary's artwork sometime around 1993 or 1994. It was at an exhibition at Addison Ripley's old space behind the Phillips Collection. Back then there were several galleries in that space and I was making the rounds for some art magazine long since gone, and literally walked into the show without knowing anything about Manon Cleary.

I was hypnotized by what I saw. It was clear to the most casual observer that here was an artist who not only had the most enviable set of technical skills that I had ever seen, but also an equally enviable ability to grab a slice of energy out of her subject matter and deposit it into the artwork itself.

I was so envious of this belligerent dual skill, so powerfully individual in a DC art scene back them that eschewed any sort of confrontational realism and loved acre after acre of abstraction of all hues and shapes.

Some time after that I met her for the first time, and soon after I co-opened the first Fraser Gallery in Georgetown in 1996, and then I became good friends with her and spent many a good time in her splendid apartment in Adams Morgan, including a quite memorable New Year's in either 1996 or 1997.

My next memory comes when she had an exhibition of her ex-boyfriend's penis. Multiple paintings of that particular gent's penis were the talk of Washington in those days, and for quite a long time, there always seemed to be a Manon Cleary penis in every MOCA group show.

Then I recall the disturbing scenes in her rape paintings, which I think were first exhibited at MAP's old space in Baltimore. Here was the artist at her most powerful: taking the ultimate assault on a person and disseminating it to a powerful and beautifully painted series of images on canvas. Here was Cleary exerting the power of realism over all the other "isms" in a manner and form which only years of concentrated and meticulous work can deliver - the same span of years which eventually delivered the death prescription to this master.

Over the years that followed, we saw the quality of her spirit, as she continued to be a key part of the DC art scene, even as her health deteriorated.

I last saw her at the book release party for 100 Artists of Washington, DC, in which she is - of course - included. She thanked me for including her in the book and I told her how honored I was that she was part of it.

I used to call her "Manoncita" or Little Manon, and it is a bit unsettling, as I spent some time last night looking at the digital footprint of old emails between Manon and I, to see that term of endearment applied to such a giant of an artist.

I will miss you Manoncita.

Capps on Cleary

Kriston Capps has a good piece in the CP on Manon Cleary - read it here.

Sunday, November 27, 2011

Bad boy, bad boy...

Anderson Campello in Hollywood, Florida

Saturday, November 26, 2011

Manon Cleary (1942-2011)

Just heard a few hours ago that my good friend Manon Cleary, by far one of the DMV's top artists, passed away today. More on this amazing artist later; meanwhile that's her last August, in a great photo by Rebecca D'Angelo.

MANON CLEARY


Manon Cleary

The Nude in DC Book

The Nude in DC: The Figurative Art Scene in the Greater Washington Metropolitan Area is a new book and it features:

Over 50 institutions that deal with the nude in art - not just names and address, but descriptions, including history of some, website, logo - a full 28 pages on this feature alone.

Full text of The Art of Modeling, used for Model Training Program for Figure Models Guild.

A narrative on the nude in art, as well as society in general. Insightful information presented as an argument to counter conservative bias against nudity in general.

Includes a DVD with photos covering the Figure Models Guild since its inception in 2002 as well as many art exhibits and special events.

Also includes over 20 articles in Washington Post, Washington City Paper, Montgomery Advocate and other print media. Also video by Reuters News Service and numerous online publications including The Greatnude.tv, New York Arts Magazine, Artists-Perspectives, Artdc.org and too many to name. Includes several video clips, including Richard Takeuchi painting nude model in July 2004 exhibit - well over 2,000 images - worth the price alone.
The package is $20, including book and disc; or $15 individually. Payment may be by check made out to David R. Quammen, or PayPal - account mocadc01@comcast.net. Free Delivery - or pick up at gallery with prior notification. Proceeds will go to help fund MOCA DC.

Allow 10 days for delivery

David R. Quammen
MOCA DC
1054 31st St NW
Washington, DC 20007
202.342.6230

In Eff-el-Lay

In Miami, getting ready to do some family-visiting before heading out to Miami Beach to check out the Aqua Hotel and tomorrow begin the unloading and set up for the fair.

Artnet has a good preview of the fairs here.

Friday, November 25, 2011

Airborne

Heading to Miami in the evening to participate in a couple of art fairs, but the one where I will be is the Aqua Art Fair in Miami Beach - almost right across the street from ABMB.

Anybody who will be in Miami for the art fairs and wants a free pass to Aqua, please drop me an email.

Xenophilia: Biomorphic Sculpture by Liz Lescault

Liz Lescault is an accomplished ceramic artist. Her sculptures reflect her mastery and exploration of organic forms daring the viewer to recognize where their inspiration originated.

The sculptures in her upcoming show Xenophilia at the Arts/Harmony Hall Regional Center (through Saturday, Dec. 24), according to her, 'is purposefully not identifiable as either animal, vegetable or mineral but encompasses many possibilities." Lescault’s work can be both beautiful and repelling in the same moment. Her sculpture is visually inviting, the surface may be velvety and smooth, the color deep and rich, often contradicting the viewer’s response to the form itself.

There's a sonic adjunct to the exhibition: "Recently I started playing with the idea of creating complimentary environments for my works to exist in, environments integral to the object that engage but never distract the viewer," she says. "My sculptures conjure objects of nature and natural objects exist in nature in an environment, a biosphere, as part of their surroundings. I decided to make sound my first venture into creating surroundings to envelope my work. The concept of the 'sound environment' is to bring a richer focus to the sculptural objects and a new dimension to the viewer’s experience where the environment is subtly and elegantly responsive to the viewer."

Arts/Harmony Hall Regional Center
10701 Livingston Rd.
Fort Washington, Maryland 30744

Thursday, November 24, 2011

Happy Thanksgiving

I hope that you all have the luck to spend today with your families and that we all think a thought for all those who can't, especially our men and women in uniform stationed all over the world and our sailors at sea.

Below is how pumpkin pies are made, source unknown, but clever!

Wednesday, November 23, 2011

Silverpoint at McLean


For a look at how a contemporary artist handles the difficult Renaissance technique of drawing with sterling silver, check out a show titled "Imaginary Botanicals" at the McLean Project for the Arts.

Elizabeth Whiteley's solo exhibition of silverpoints runs from December 1 to January 7.  The reception is on Thursday, December 1 from 7:00 to 9:00 in the Atrium Gallery.  She will also be at the Gallery from 2:00 to 4:00 on Saturday, December 3 and Sunday, December 4.  Whiteley's website is here

New DC Gallery to open

CHARLES KRAUSE/REPORTING FINE ART is located in the heart of downtown Washington at 1300 13th Street NW, Suite 105, Washington, DC. 20005. Ph: 202-638-3612. To find out when each show is open to the public or to make an appointment, go to: www.charleskrausereporting.com

The gallery’s mission reflects the background and professional experiences of its founding director, Charles Krause, whose career as a foreign correspondent afforded him the opportunity to witness many of the wars, revolutions and social and political upheavals of the last two decades of the 20th Century. On assignment for The Washington Post, CBS News and The NewsHour with Jim Lehrer, he saw the profound influence that art and visual images often have on the dynamics of change, and discovered the extraordinary work that has emerged---and continues to emerge---from the great social and political conflicts of our time.

“By showing the work of artists who have sought to influence, or who have been influenced by, the great social and political upheavals of the 20th and 21stcenturies, I hope to influence the way their art is viewed, understood and valued by museum curators, art historians, art critics and collectors throughout the world.

“I will exhibit and sell fine art I admire for its quality and originality as well as its social and political significance. I will also show work by artists I admire for the risks they have taken to defend their artistic freedom and/or the political and human rights of others. The work shown in my gallery will be selected on the basis of its artistic merit and its impact, both visual and political, irrespective of the artists’ political views --- or my own.

---Charles Krause

Campello for Christmas

This past week, for those of you who don't already know, my daughter Elise has been busy recording a Christmas Album by Sony Masterworks and Steinway Artist Andrew T. Miller.

Elise, along with a few other very talented artists, are featured on this album and you should pre-order yours today since it will be out this coming weekend!

Go to www.andrewtmiller.org for more info!

Major Talent, Part II

Lida Moser, Chawky Frenn, Tim Tate, Lenny Campello, Pat Goslee
In the foreground that's the legendary Lida Moser with GMU Art School Top Gun, Prof. Chawky Frenn. In the background that's Tim Tate talking to the multi-talented Andrew Wodzianski, Pat Goslee, The Lenster and Victor Ekpuk's arm.

Tuesday, November 22, 2011

Opportunities for Artists

Deadline: December 2, 2011

Call for Submissions: Capitol Hill Arts Workshop's 6th Annual Contemporary Photography Exhibition

Exhibition dates: January 6th - February 2nd 2012. Looking for any and all types of contemporary photography: traditional, alternative, black and white, color, photojournalism, fine art, time based, performance, installation... if you think it involves photography, please submit! Over $2000.00 in purchase awards, and the selected photographers will become part of a permanent public installation in Washington, DC. One of the participating artists will be invited for a solo exhibition in 2012, including a press release, opening reception, printed invitation, and an artist honorarium. All submissions online, deadline for entries: December 2nd 2011. For details and submission guidelines, please visit www.chaw.org

Fun art

Lucy, Desi and Fidel Castro
This is an early view on a potential masterpiece... art can be fun sometimes, right?

In the developing drawing, Ricky has just returned home a little early and finds Lucy in a compromising situation with fellow Oriente Cuban Fidel Castro.

Lucy... you got some 'splaining to do!

And now...

Possibly Al Gore's Internets world's coolest art website? Check it out here after you get a sample below.

Girl with Ice Cream Cone remake by Stephanie Gonot


“Girl with Ice Cream Cone” remake by Stephanie Gonot


Girl with Ice Cream Cone by Wayne Thiebaud

“Girl with Ice Cream Cone” by Wayne Thiebaud

Monday, November 21, 2011

Job in the Arts

UrbanArt Commission is currently accepting applications for the position of Executive Director for the organization. Interested individuals should view the job description and responsibilities outlined in their website below.

For more information please visit their website at www.urbanartcommission.org or contact them at searchcommittee@urbanartcommission.org.

Sunday, November 20, 2011

Free passes to the Miami art fairs?

Anybody need some free passes to some of the art fairs in Miami during ABMB week? Drop me an email if you'd like some.

I've noted with some sadness that the DMV is barely represented this year in Miami - as far as I can tell, only three DMV area galleries (one just an online gallery) and one non profit, are heading to Miami this year plus one Baltimore gallery, one Richmond gallery and one Norfolk gallery.

It's pretty tough being an artist in 2011 and not having a footprint in Miami during ABMB week.

What I don't get - having lived there recently - is how come there are over half a dozen Philadelphia galleries in various art fairs in Miami - twice the number over DMV.

A load of talent


Some of the great talent in my 100 Artists of Washington, DC book - photo taken at a recent book signing event at the home of a a major DMV art collector.

Lenny Campello and Lida Moser
That's me with the legendary Lida Moser.

Saturday, November 19, 2011

At Strathmore
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Simultaneous exhibitions in the Mansion at Strathmore represent the largest three dimensional installation pieces ever shown at the arts center in From Forge to Form: Modern Ironwork, alongside some of the smallest, in the legacy exhibition, The 78th Annual International Exhibition of Fine Art in Miniature.

Both exhibitions are on view through December 30, 2011. From Forge to Form will illustrate the evolution of blacksmithing from a utilitarian trade to a growing artistic medium, featuring 32 pieces of ironwork, totaling 3,500 pounds, by Virginia-based artists Frederic Crist and Nol Putnam.

The juried Fine Art in Miniature exhibition features 667 meticulously painted, sculpted, carved and crafted micro-works from 252 artists. Works in the exhibitions are available for purchase. For more information, call (301) 581-5100 or visit www.strathmore.org.