Scrapping the artists

Here's the story: There's a 1.6-acre property adjacent to the National Institutes of Health Open Space in Bethesda. The initial proposal by developer Patrinely Group of Houston, Texas included 25 percent "moderately priced dwelling units and about 2,000 square feet within the main building for an arts incubator, which would have offered studio and exhibit space for emerging artists." That all went away when the condo market collapsed in Bethesda and now StonebridgeCarras, which purchased the site about a year ago, has a new proposal:

The vacant Trillium lot could be home to 360 luxury appartments and a grocery, if plans are approved by the Montgomery County Planning Board on Thursday.

And first thing to go in the StonebridgeCarras proposal: The arts incubator.

How does the Greater Bethesda-Chevy Chase Chamber of Commerce feel about that?

 “We really support that,” said Ginanne Italiano, executive director of the Greater Bethesda-Chevy Chase Chamber of Commerce. “It’s not the whole concept that the other organization had, but I think this is going to be an even better concept.”

Yeah Ginanne, another grocery store is an even better concept than an arts incubator. After all, there are only about a dozen or more grocery stores in Bethesda and ahhh... zero affordable space for artists and nothing even remotely close to an arts incubator, and most Bethesda area art galleries have closed in the last couple of years; thank you for your moral support.

Good move StonebridgeCarras (nice artsy name!) and let DC Art News be the first to welcome to Bethesda, yet another Safeway, or yet another Giant, or considering the artsy name of the developer, perhaps another Whole Foods.

Makes my head hurt.

Read the Gazette story by Jessica Ablamsky here and read the developer's news release here.

Around Town

That busload of San Francisco art collectors visiting the DMV is out and about town today. They started with a pep talk this morning (at the home of a most gracious Chevy Chase art collector) and then headed out to the District to visit art studios, artists' homes and galleries.

They were last seen visiting Flux, Red Dirt and the WGS and all of those artists' studios in that area.

Collatz Conjecture and Art

I'm probably only one of a handful of people on the planet who has an Undergraduate degree in Art as well as a degree in Mathematics and a Master's in Artificial Intelligence.

As such, I'm always thinking about ways to explore Math in Art... Hidden in the shadows of most of my drawings (shadows cast by bodies as well as shadows in the bodies themselves) are often to be found other figures and clues, and just as often mathematical equations, progressions, theorems, conjectures, etc.

One recurring and fascinating issue to me, buried in the shadows of a drawing that I sold last week in New York is the Collatz Conjecture:

Take any natural number and let's call it n.

If n is even, then we divide it by 2 to get n / 2.

If n is odd, then we multiply it by 3 and add 1 to obtain 3n + 1.

Repeat this division/multiplication indefinitely (and this is where "indefinitely" becomes an issue, as the British say).

The Collatz Conjecture is that no matter what number you start with, you will always and no matter what the starting number is, eventually reach 1.

This conjecture property has also been called "oneness."

Can art help represent this? I don't know - that's why I bury them in the shadows of the drawings and not try to solve them per say; but often it is the drawings themselves that trigger the specific mathematical clue/issue being associated with the piece.

At Morrison House on Tuesday

WHAT:  “The story behind the 100 Artists of Washington, DC book” - Morrison House Presents: F. Lennox Campello, Author

DESCRIPTION:  Author F. Lennox Campello discusses his controversial book, 100 Artists of Washington, DC, and provides insights into the selection process, the publication of the book and the subsequent eruption of controversy in the Greater DC area art scene.

WHEN: Tuesday, May 1, 6 to 8pm

WHERE: Morrison House, 116 South Alfred Street, Alexandria, VA 22314

INFO: Morrison House: www.morrisonhouse.com / Phone: 703-838-8000

ADMISSION: Free admission (Food and drink available for purchase)

Roberto Rodriguez and the Cuban Jewish All Stars

The Jewish Music Festival is featuring a very special act this year:  

Roberto Rodriguez is a true innovator whose artistic vision synthesizes Cuban and Jewish music into an entirely new creation that breathes joy and melancholy. Born in Havana and raised in Miami, the percussionist and composer’s groundbreaking music explores his cross-cultural roots and influences, melding his native Cuban music with contemporary genres of world, Sephardic, pop, jazz, electronic and classical music.

 Details here.

Opportunity for Artists

Deadline: July 8, 2012

A national juried exhibition of emerging artists, ages 16-25, with disabilities. Sustaining / Creating asks emerging artists to showcase work that illuminates innovative viewpoints on sustainability and contemporary creativity. Beyond its scientific definition, sustainability references notions of responsibility and stewardship of our natural world in all facets of human interaction–from the environmental to the cultural. Sustainability indicates the capacity to endure.

Submitted artwork should illustrate these thematic ideas, which may be achieved through broad, abstracted references or detailed personal creations. Your submission might also reflect your experience of living with a disability and its role in shaping or transforming your art.

This exhibition is presented by the Kennedy Center for the Performing Arts’ VSA & Accessibility Office and Volkswagen Group of America, Inc.

Details here

The Scream

The frenzy around the imminent auction on May 2 of Edvard Munch’s The Scream at Sotheby’s in New York is reaching a peak here in Europe, where predictions abound that it will break the record price paid for a work of art at auction: $106.5 millions two years ago for Pablo Picasso’s “Nude green leaves and bust.”

Read the story here.

You knew this was coming...

 Minnesotan Dan Lacey is most famous for his paintings of celebrities and politicians with pancakes on their heads (or with pancake breasts, or pancake eyeglasses, or pancake anything else). But a wad of money, not a stack of pancakes, is the centerpiece of his latest work: A portrait of Mitt Romney, mostly naked and in the process of getting nakeder. The 8-by-10-inch acrylic painting, which Lacey recently completed over the course of four hours in the passenger seat of a PT Cruiser while he and his wife ran errands, is currently up for auction on eBay

Read the whole story here.

Not the first time that taking the clothes off a politician is a fun thing for an artist to do... eight years ago Kayti Didricksen's nude portrait of President Bush became the most downloaded image in the internets and my own Obama Agonistes now sits in a private collection in Miami Beach.

About to hit the DMV

A couple of busloads of art collectors from all over the US is about to fly to DC (next week) and do some guided (not by me) studio and gallery visits.

One thing in common? A copy of "100 Artists of Washington, DC."

More later...

Celebrity Sighting

Actress Lucy Liu came by my booth at the Affordable Art Fair earlier today. She was with an assistant and they asked for a card.

Later the assistant returned (a really nice lady) and bought one of my drawings.

Saturday at AAFNYC

The constant crowds continue as the good weather stays in NYC and based on what I saw today, it looked like many galleries were moving artwork.

Jeannette Herrera continues to have a brilliant NYC debut as today she sold another four paintings! Also closed the deal and sold Judith Peck's largest piece in the show... and also sold two of my pieces, including the very cool second version of "Eve Sees Her Face for the First Time" - a digital-embedded piece.

Friday Report

Today the Affordable Art Fair was once again well-attended. I sold six of my drawings, including the first sale of the "new" series of digital-embedded components (I sold "A Woman Refusing to See Men").

After the show closed at 9PM, I walked to the parking garage on 32nd Street, drove back to 35th and started trolling for a parking spot near the loading dock. This is so that on Sunday I could have an easier time taking all the artwork down from the 11th floor to the street without having to compete for the two loading dock spots with a hundred vans and trucks. After a while I got a Doris Day parking spot right next to the dock and headed back to the hotel, exhausted but mission accomplished!

Thursday at the AAFNYC

Noon started with some sort of HGTV function, which was catered by Monterone and thus we all got to eat some pretty good food to start the day.

Excellent crowds again and by the end of the night we sold four more Jeannette Herrera's paintings and three more of my drawings.

AAFNYC Preview Night

Let's just say that I thought all the bad juju had gone...

I finished hanging, labeling and prepping the booth today, then wandered around 7th Avenue until I ended up with a very cool Ermenegildo Zegna (cough, cough) blazer.

Back to the booth at 5PM and the fair opened at 6PM and was packed right away, and I was told there were huge lines for the free booze. Meanwhile back at the farm, a few seconds after the show opened I sold one of Jeannette L. Herrera's paintings (by the time the night was over the buyers had returned and bought a couple more paintings).

Then someone puts their glass of champagne on my desk... seconds later a person bumps it with their purse and sends bubbly flying all over my computer, paperwork and two copies of my 100 Artists of Washington, DC book.

Later on I got an offer on Judith Peck's largest piece in the show ("this offer is good until Friday," said gravely the gent making the offer) .... let's see.

Suddenly a feeding frenzy starts and six of my drawings sell within five minutes; that's what I'm talking about!

The show opens to the public tomorrow.

Ready for Stacy

As you know from yesterday's post, I left all my dress clothes back home, and thus today - after finishing setting up the booth - I walked down Seventh Ave and got a heck of a good deal on an Zegna summer blazer.

Let's see if Stacy London notices...

This is how I roll

Heck of a day: Drove to NYC for the Affordable Art Fair, then I was issued my usual $115 ticket while unloading for the art fair; then realized that somehow I left three major new video drawing pieces back at home (more on that later); and then sliced my finger open while opening a box, dripping torrents of blood onto the artwork in the process (try cleaning that up while bleeding profusely at the same time).

Later on, when I got to the hotel, I also realized that I had left all my dress clothes in the living room back at home.

Did that I mention that at about the same time that I was realizing this, my wife called and my poor Alida had earlier tripped on a tree stump while running and fractured her knee cap.

Tonight I decided that I better stay all night in my hotel room, lest some poor New Yorker gets his ass kicked. It was while pondering this avoided trouble, that I discovered (well Russ McIntosh did) that two of the "missing pieces" are still hanging on the wall at Montgomery College.

Here's the odd part: in my brain, I can picture driving to MCC and picking up those pieces at the end of the show a few days ago; wrapping them up, and boxing them for the fair. Helluva brain fart, ain't it?

Is there anyone reading this blog who is driving or coming to NYC in the next day or two and can pick up those pieces and bring them over? There's a free Campello original in the deal for you.

The AAFNYC opens tomorrow night with a VIP and press preview; more later.

Kennicott nominated as a finalist for a Pulitzer Prize in criticism

Internal WaPo email:

To the Staff:

Please join us in congratulating Philip Kennicott for being a finalist for a Pulitzer Prize in criticism.

As our culture critic, Phil ranges widely in his subject matter but never strays from the lucid, cerebral approach he brings to every piece. Last year, he found ways to illuminate and explain nearly every major news event, from the revolutions on the Arab Street and in American city parks, to the nuclear disaster in Japan, and the death of Osama bin Laden. In a highly semiotic world, he described the meaning of those events, just as he did, week in and week out, in more traditional cultural realms. His ease in writing about architecture and arts is matched by a clarity of reasoning that makes his work compelling. Phil’s work is extraordinary, and we’re pleased the Pulitzer jury recognized it in making him a finalist.

Congrats to the Kennicottmeister...

E. Brady Robinson

Wanna see a really cool art project? Check it out here.

Campello original

Anderson Campello painting "Ship Wakes as Seen from Space", shaving cream on plastic tablecloth. 30 x 72 inches. Circa 2012.

Bettie Page

C'mon... I know that all of youse knew that sooner or later someone like me, who addresses the theme of icons in his artwork, would get to the first true supermodel in planetary history. Below is a trial drawing for a much larger (eventually) video drawing of the breathtaking Bettie Page.

"Notorium Bettie Paginas Ex", charcoal and conte on paper, 6x5 inches, 2012.