The S&R Washington Award

Deadline: October 15, 2016

The S&R Washington Award recognizes talented artists working in a broad range of disciplines including painting, photography, sculpture, music, dance, dramatic arts, film, digital, and interdisciplinary arts.

Winners receive a cash prize of $5,000 to support their career development. 
An additional $5,000 may be awarded to a Grand Prize-winning artist of outstanding ability.

Award winners become part of the S&R Foundation network of artists, scientists, and social entrepreneurs. Award winners are eligible for performances or exhibitions supported by S&R Foundation.

The application period is open from now until October 15, 2016.

Winners will be announced at the end of January 2017. 

To learn more and apply online visit http://sandrfoundation.org/programs/washington-award

Contact Molly Turner at artsprogram@sandr.org with any questions.

#Blacklivesmatter ???

Black boys heading to the beach are interrogated by police and forced to prove they have fare for the ride home..

Read the dark side of the Rio Olympics and the disturbing reality of Latin American racism here. Puts our American issues on a whole different perspective... doesn't it?

It is ironic that the Olympic opening ceremonies seemed to focus on Brazil's significant African heritage, while at the same time black Brazilians are being kept away from the beaches, from the tourists, and from the games... and in May alone 84 of them were killed by the police.

Do you know what the silence means?

Abysmal cultural ignorance (North of the border) of what it means to be black in Latin America.

Carol Highsmith Sues Getty for $1 Billion But Can She Win?

If you are a member of the art community, you have probably heard about famed photographer Carol M. Highsmith suing Getty Images for $1 billion dollars. The internet exploded with comments and reactions from Getty supporters (“$1 billion? . . . this woman must be out of her mind!”) to the growing number of those angry with Getty aggressive copyright infringement tactics (“It’s about time Getty gets what’s coming to them.”).  In either case, both camps agree on one thing; $1 billion is an astounding number for a copyright claim. But, is it really crazy? Does Highsmith have a real claim worth that kind of money? Does Highsmith have a case? 

Read the whole article in Art Law Journal here. 

Tune in to Rosetta

Please tune-in to hear DMV artist Rosetta DeBerardinis' interview with Brooke Musterman on the podcast “http://letstalkartwithbrooke.com” on Wednesday, August 17th @3pm.

Heading to this opening tonite

Tonight: Opening reception for three exhibitions in one place at Artists & Makers Studios!

DMV area artist and epic model Fierce Sonia, and my Cuban-American peeps, the painter-printmaker Ric Garcia have a show titled “Power: Words and Deeds” which "examines gender, power, struggle, whimsy and heroism" - I'm heading there tonight for the opening.

At the same time, if you join me, we can all check out also Teresa Jarzynski’s “Head in the Clouds: The Landscape of My Imagination.” She explores landscapes with a focus on clouds - cloudscapes!

And we can also enjoy Mark Howe’s “Elemental Perspectives: Visions in Gold”, which is work inspired by Rothko and Klimt.

Reception tonight 6-9 p.m. Exhibition on display through Aug. 25.

Artists & Makers Studios
Suite 210
11810 Parklawn Dr.
Rockville, Soviet Republic of Maryland
240-437-9573.
www.artistsandmakersstudios.com
Free.

Call for Entry: MAP’s 35th ANNIVERSARY EXHIBITION

Application Deadline: August 27, 2016 @ 4pm

Maryland Art Place (MAP) is now accepting applications for it’s 35 Year Anniversary Show, opening October 6, 2016. Each year, MAP serves over 400 artists through exhibition opportunities in its gallery.  To celebrate 35 years, MAP is going back to its roots.  This exhibition will feature contemporary artists that have exhibited with MAP throughout the organization’s history.

Have you ever exhibited with MAP? This call to exhibit is open to all artists that have shown work at Maryland Art Place that are currently residing in the state of Maryland.  Artists must have exhibited work at MAP in any show from 1981 - 2016.  All MAP exhibitors from 1981 - 2016 are encouraged to apply, including artists from exhibitions such as Out of Order, Young Blood, UNDER 500, IMPACT, IMPRINT and any juried or solo exhibitions.To view the full prospectus, click here!


GENERAL TIMELINE

• Call to Artists: August 4, 2016
• Application Deadline: Saturday August 27, 2016 @ 4pm
• Announce selected artist/artist team: September 1, 2016
• Public Announcement: Released the week of September 1, 2016
• Artwork Drop-off: Saturday, September 24, 10 am - 4pm
• Installation: September 26 – October 4, 2016
• Opening Reception: Thursday, October 6
• Open House: Saturday, October 15, noon – 4pm
• Exhibition Closing: Thursday, October 27
• Artwork Pick up: Saturday, October 29

APPLICATION REQUIREMENTS (Required) NOTE: Proposals must be sent electronically & by 4pm August 27, 2016. Incomplete submissions WILL NOT be reviewed. Proposals must be received by 4pm, August 27, 2016. Only emailed applications will be accepted, please do not send CDs or hard copies of the application. Artists will be notified of their acceptance by September 1 | Fee: $10 to submit, free for MAP Members. *Please note that work should be appropriate for viewers of all ages.


1. ARTIST RESUMÉ & SHORT BIO, ARTIST STATEMENT
2. IMAGES - Please submit up to 10 images for this exhibition
3. IMAGE LIST - Include dimensions, media and year created (please be specific)


Questions? Contact Naomi Davidoff @ Naomi@mdartplace.org


Please send your proposal to assistant@mdartplace.org by 4pm, Saturday August 27, 2016.


The 35th YEAR ANNIVERSARY EXHBITION will run from October 6-27. An ‘Open House’ celebration of 35 years will be held on Saturday, October 15 from noon - 4pm with a reception for Donors in MAP’s Gallery at 5pm that same day. Please mark your calendars. All exhibiting artists are invited to the reception!

Asshole of the Week: Bolivia's National Museum of Ethnography and Folklore

When a museum is part of a "proud" exhibition that honors a murdering, racist dictator (who now holds the record for the longest living dictator on the planet), then that museum is not only an easy "Asshole of the Week" winner, but also an almost certain "Asshole of the Year" award and an early favorite for "Asshole of the Decade" award.

Read about these dictator-loving mutants here.

Juan Villanueva (representative of the Museum of Ethnography and Folklore), you should pray that the disaster that has consumed the unfortunate island of Cuba never visits your beautiful nation.

Raye Leith in “Blueprints”

The Rachel M. Schlesinger Concert Hall and Arts Center will open a solo exhibit the works of artist Raye Leith in her show, Blueprints, on display in the Forum and Passage galleries from Friday, July 29 to Sunday, Sept. 11.

An artist’s reception is scheduled for 6 p.m. to 8 p.m. Saturday, Aug. 6.
Leith has been painting and drawing the human figure for five decades. She is fueled by a basic desire for connection and communication. Leith is an eclectic artist who also has experience in theatre design.

“In these drawings I call ‘Blueprints,’ I’ve interwoven larger-than-life portraits with miniature cityscapes and expansive landscapes,” Leith explained. “I’ve skewed the portraits to express a sense of gravitational disorientation, and I’ve juxtaposed them with soaring expanses and apocalyptic disasters. Minute detailing in the pocket spaces between human forms creates unexpected shifts of spatial perspective.”

Leith’s individual portraits that will be on display in the Passage Gallery are developed from her weekly model studies. “I do the drawings on Lanaquarelle 300lb paper using indigo- and ivory-colored NuPastels. I’ve favored these pastels for three years for the unique way the crystalline dust absorbs and refracts light to create an especially rich and deep blue,” she said. “For me this blue is soulful — spiritual and expansive. It also brings to mind an earlier age of architectural blueprints and cyanotype photography, two media with which I feel a kinship.”

The Forum Gallery is on the first level of the Schlesinger Center, and the Passage Gallery is on the second floor outside of the Margaret W. & Joseph L. Fisher Art Gallery. The galleries are open from 10 a.m. to 4 p.m. Monday-Friday and during events in the concert hall.

The Franz and Virginia Bader Fund

Deadline is September 15, 2016 (postmark date)


Call for grant applications. The Franz and Virginia Bader Fund invites grant applications from visual artists who are aged 40 years and over and who live within 150 miles of Washington, DC. Artists working in performance, video, and film are not eligible for Bader Fund grants.


To download an application form, visit the Bader Fund website. In 2015, the Bader Fund awarded nine grants totaling $135,000.


Details: 202-288-4608 or http://www.baderfund.org or grants@baderfund.org.

Pink a Cherry Blossom Fantasy

DMV artist Liliane Bloom is working on a joyous installation entitled "Pink a Cherry Blossom Fantasy" that is opening Dec 2nd in Rockville.

Check it out at the link

http://www.lilianeblom.com/pink-a-cherry-blossom-fantasy/

Art as Politics at Touchstone

Touchstone Gallery’s timely exhibition, Art as Politics, puts together something that is such a Washingtonian art genre: political art! Artists from across the nation who want their visual arts opinion to be heard along with the current two rather unlikable characters running in the 2016 election cycle.


"The fact that there is a lot riding on this election is the understatement of the century,” says juror and hard-working DC gallerist Jayme McLellan, “And the pressing--perhaps crushing--social problems plaguing the United States are brought to the forefront by the artists in this national juried exhibition at Touchstone called ART AS POLITICS. Gun violence, immigration, border walls, climate change, homelessness, racism, #BlackLivesMatter, rape, women’s rights, net neutrality, the psychology of candidates and elected leaders including Hillary, The Donald, Bernie, Obama, and more– it’s all in here.“ 


McLellan selected 127 works from the several hundred submitted. It’s an all media show including wall pieces, video installations and sculpture. Artwork for the exhibition will be traveling to D.C. from California, Texas, Arkansas, Illinois, Missouri, Michigan, Maine, Ohio, Iowa and many other states.

“Art represents the time and epoch in which it was created,” McLellan continues, “and if artists are the antenna of the masses, this exhibition reveals much about our present moment.  It contains a broad swath of talent and reflects a collective social consciousness that is telling and sometimes hard to endure.  As a whole, the exhibition can produce anxiety, some is downright hard to look at, but there is also beauty in there, and hope.  The show paints a picture of what it means to be in this melting pot of America right now.  For better or worse, this is our shared reality.  And as art gatherings build community, it is our chance to dialogue together as we move into the future.”


Touchstone’s August exhibits include both Art as Politics in the main gallery and Touchstone Member’s Summer Sampler Summer Sampler works in the Annex gallery. At the Opening Reception on August 5, 6 - 8:30pm prizes will be awarded to three of the participating artists.


The artists selected by McLellan are:


MARY ELLEN (M'EL) ABRECHT, MICHAEL AUGER, BE/CAUSE - COLLABORATION BETWEEN ROSSANA JERAN AND MARTIN DIGGS,GINNY BAUGHMAN, RON BECKHAM, MARY BISHOP, STEPHEN BORKO, JILL BRANTLEY, KELLY BURKE, TAYLOR CALLERY, AUGUSTINE CHAVEZ, CHRISTOPHER CHINN, KATHRYN CIRINCIONE, JOHN H. CLARKE, MISTY M. COLE, K. M. COPHAM, JIM DESSICINO, EILEEN DOUGHTY, JULIA DZIKIEWICZ, JOHN FIGURA, MICHAEL FISCHERKELLER, CONSTANCE FLERES, FUENTES, RIC GARCIA, KEVIN GRASS, TRISHA GUPTA, AMANDA MARIE HARNER, KRISTEN VICTORIA HARNER, E. SHERMAN HAYMAN, DAN HILDT, ERIN HOFFMAN, MICHAEL PATRICK HOLT, LORRI HONEYCUTT, MARCUS HOWELL, ROBERT S. HUNTER, ED HUTCHINS, JINNY ISSEROW, JUDY JASHINSKY, R. JAY  JAY JOHNSON, TIMOTHY JOHNSON, ERIC JOHNSTON, GLEN KESSLER, SALOMON KHAMMI, HALLIE KROST, MICHAEL LANG, JEFF LASSAHN, AMANI LEWIS, ASHLEY LLANES, GEORGE LORIO, SHELLEY LOWENSTEIN, PATRICK A. LUBER, ROSEMARY LUCKETT, BONNIE MACALLISTER, CATHERINE C. MARTIN, PENNY MATEER, PETE MCCUTCHEN, IAN MCDERMOTT, MARLA MCLEAN, REBECCA MCNEELY, MIKE MCSORLEY, CHARLES MENDEZ, RAM - RASHAD ALI MUHAMMAD, DAVID NELSON, KASEY OBOYLE, MARY OTT, SANDI PARKER, GAIL PEAN, JAMES PENFIELD, JOHN PUNSALAN, MICHAEL RICHISON, FEDERICO A. RUIZ, CINDY SACKS, MEG SCHAAP, STEPHEN SCHIFF, JENNIFER L. SCHMIDT, DAVE SEILER, TOM SEMMES, ALI ONUR SENGUL, JANATHEL SHAW, ANNE H. SHIELDS, JAMES SHUMATE, JANOS SOMOGYI, MAUREEN SQUIRES, ANN STODDARD, BYRON TAYLOR, DORRI THYDEN, PATRICIA TURNER, SHAUN VAN STEYN, ANDRE VELOUX, RUBÉN ALEJANDRO LEBRÓN VILLEGAS, NAOMI VOGELS, CATHY WILKIN, CLARE WINSLOW, JENNY WU.


Touchstone Gallery

901 New York Ave NW

Washington, DC 20001

(202) 347-2787

The Veterans Administration and art spending

“Yet, in the midst of these horrific failings the VA managed to spend $20 million on high-end art over the last ten years—with $16 million spent during the Obama years,” Andrzejewski said.

Sigh... bully the artsy kid when the VA sucks from top to bottom... Read the piece here. 

Pittsburgh visuals

We're in Pittsbugh, which surprisingly enough, at least to me, seems to be quite a cool city, in fact a small city with an enviable big town feel, and bridges everywhere.

We're here because the Professor is presenting some paper on the Arts in Special Education at a conference here... but since our hotel is next to the Convention Center, and since we saw some cool costumed geeks walking around the area, Little Junes and I sniffed it out and discovered that the ReplayFX Convention is going on at the Center.

Also going on at the joint was a Hillary Clinton rally, and by noon all the Clintonites, and all the protesters were already lining up. It occurred to me that there might develop some interesting photographic visuals once all the Bernistas, Clintonistas, and assorted protest-everything left wingnuts mixed it up with light saber wielding Star Warriors, Trekkies, and Mario characters... cough, cough.

Review in the WaPo

The WaPo's Mark Jenkins reviews the current shows at The Katzen Museum at American University, including The Looking Glass: Artist Immigrants of Washington, in which I am honored to participate.

Read the review here.

Airborne

Heading to Pittsburgh for the weekend...  DCA flight delayed for three hours!

Call for Artists

UNITED in Passion and Pride.

September 10 - October 22, 2016

 

39th Street Gallery/Gateway Arts Center, 3901 Rhode Island Ave. Brentwood, MD 20722 (Second floor, 39th Street entrance)

This call for visual art is in response to the mass shooting that took the lives of 49 people at the Pulse Night Club, a gay bar in Orlando Florida, in the early morning hours of June 12, 2016.  We are deeply saddened by this attack on the LGBTQ Community and our thoughts are with the family and friends of the people we lost. This tragedy is multi-layered and as such, this call is open to your interpretation of the title and theme. All artists are encouraged to enter work.

The 39th Street Gallery is located in Brentwood Maryland, a quarter mile from the Washington DC Line, in the heart of the Gateway Arts District. The Gateway Arts District strives to be a diverse community that is inclusive to all.

 

Please submit up to 3 pieces (both 2-D and 3-D works will be considered),

Entry Requirements:

1.) All submissions must be sent electronically to be considered.

2.) Images should be submitted in JPEG format, ideally 4" x 6"image size

3.) Any selected work MUST BE READY to Hang, Any pieces selected that arrives not ready to hang will be returned to artist upon delivery

4.) Work should not exceed 60" in any one dimension.

5.) Number and Label all images with the artist's last name and title in the JPEG file (Example: 01_Jones_Untitled.jpeg

6.) Include a corresponding image list with JPEG file name, artwork title, medium, year, size, and price.

 

All work needs to be hand delivered or shipped at the artists expense including prepaid return shipping.  

 

The gallery will not take any commission on sales from this exhibition.

 

EXHIBITION SCHEDULE - Important Dates:

September 10 - October 22, 2016 -- exhibition dates

August  12-- deadline to apply

August 19 -- notifications of acceptance

August 20-27-- shipped artwork to arrive at the gallery
August 27, from 12-3PM -- hand delivered artwork to arrive at the gallery (or by appointment)

September 10, 5 pm - 8 pm -- opening reception

October 22 -- last day of the show

October 23- 27- artwork pick up and shipping (pick up at gallery by appointment)

 

Jurors:

1. John Paradiso, Artist, Curator of Programs, 39th Street Gallery

2. Margaret Boozer, Artist, Founder of Red Dirt Studio

3. Tom Hill, Artist, Senior Advisor, Substance Abuse and Mental Health Administration

For more information please write or call John Paradiso, 202-487-8458. Email: artprograms@gatewaycdc.org

John Paradiso

39th Street Gallery

Gateway Arts Center/CDC

Curator of Programming 

202-487-8458

Lori Katz at the AAFNYC

Lori Katz
Wall of Squares
55” x 45” x 2.5"

Stoneware with slips, underglaze, glaze, and mixed media including high-temperature wire,
oil paint, cold wax, metal leaf

You will be able to see this piece and many others works by Katz in New York at the coming Affordable Art Fair.

This Friday: Arts and Humanities Fellowship Program Visual Arts Exhibition

 

Opening Reception

Friday, July 29, 6:00 pm - 8:00 pm

RSVP here.

DC Commission on Arts and Humanities
200 I (Eye) Street, SE
Main Gallery
Washington, DC 20003

Exhibition closes August 31

Gallery hours are Monday through Friday, 9:00 am - 5:00 pm

200 I (Eye) Street SE, Washington DC

The DC Commission on the Arts and Humanities presents a  visual arts exhibition featuring some of the District's finest visual artists applying for the FY 2017 Arts and Humanities Fellowship Program (AHFP). Each artist has submitted a piece that represents their body of work and artistic perspective. This exhibition captures the broad scope of the District's dynamic art scene and provides an opportunity for the artists to express their visions directly to the panel of peer reviewers evaluating their applications and to the public

Opportunities for Artists

Non-DCCAH Calls for Artists (lifted from the DCCAH website:

• Center for Fine Art Photography, Deadline is July 27, 2016

• BWI Marshall Art and Exhibits, Deadline is July 29, 2016

• Anacostia Arts Center, Deadline is August 1, 2016

• Events DC, Deadline is August 1, 2016

• Linus Galleries, Deadline is August 3, 2016

• Annmarie Sculpture Garden & Arts Center, Deadline is August 10, 2016

• Hera Gallery, Deadline is August 12, 2016

• City of Las Vegas Office of Cultural Affairs, Deadline is August 14, 2016

• Linus Galleries, Deadline is August 17, 2016

• Annmarie Sculpture Garden & Arts Center, Deadline is August 18, 2016

• National Opera Center America, Deadline is August 31, 2016

• Digital Fabrication Residency, Deadline is September 1, 2016

• Greater Denton Arts Council, Deadline is September 30, 2016

• Strathmore, Deadline is September 30, 2016

Washington Area Visual Artists Registry

From Bill Roseberry:

Dear D.C. Artists,

I am in the very initial stages of compiling an historical comprehensive registry of Washington Area Visual Artists from pre-1800's to the present.

Besides names and dates, I wish to focus particularly on studio locations in and around the D.C. Metropolitan area, the neighborhoods they lived and worked, and other cultural and educational affiliations artists had or participated in.

I understand that this will be a very large project. But it is my wish that with enough individual responses and support I can demonstrate the need for institution support and funding in desire to create a larger centrally-located, interactive database with links to individual artists archives.

It simply seems to me that we need a shift in the balance the focus of research and funding in the arts from the end-product (objects on display and in collections) to the artist and his or her active community and primary means of moral and creative support.

To this end I have created this short survey to fill out and return:
https://docs.google.com/…/1FAIpQLSdQBHw5oMN8wNmxn…/viewform…

Please feel free to copy and share the form to as many D.C area artists (including former and current art students) you know and have contact with and ask them to return it. The more responses there are the better likelihood we can revive and reinvigorate the culture of artists in D.C. to fill the cracks and holes in the shared legacy that we've all contributed to create.

If you have ideas and suggestions please email me at bill.roseberry@gmail.com

I would very much appreciate your feedback.

If you know of a deceased artist and can enter the following information please feel free to do so on a separate form.

Also visit and invite artist friends to visit https://www.facebook.com/WashingtonDCAreaArtistsHistorical…/ for updates.

Thank you.