Wednesday, November 30, 2005

Whitney Biennial List

According to their press release, the 2006 Biennial is the "signature survey measuring the mood of contemporary American art." It is however, loaded with European artists.

Nonetheless, congratulations to all the artists in the Biennial!

Jennifer Allora and Guillermo Calzadilla
Dawolu Jabari Anderson
Kenneth Anger
Dominic Angerame
Anonymous Collection
Christina Battle
James Benning
Bernadette Corporation
Amy Blakemore
Louise Bourque
Mark Bradford
Troy Brauntuch
Anthony Burdin
George Butler
Carter
Carolina Caycedo
The Center for Land Use Interpretation
Paul Chan
Lori Cheatle and Daisy Wright
Ira Cohen
Martha Colburn
Dan Colen
Anne Collier
Tony Conrad
Critical Art Ensemble
Jamal Cyrus
Deep Dish Television
Lucas DeGiulio
Mark di Suvero and Rirkrit Tiravanija
Peter Doig
Trisha Donnelly
Jimmie Durham
Kenya Evans
Urs Fischer
David Gatten
Joe Gibbons
Robert Gober
Deva Graf
Rodney Graham
Hannah Greely
Mark Grotjahn
Jay Heikes
Doug Henry
Pierre Huyghe
Dorothy Iannone
Matthew Day Jackson
Cameron Jamie
Natalie Jeremijenko
Daniel Johnston
Lewis Klahr
Jutta Koether
Andrew Lampert
Lisa Lapinski
Liz Larner
Hanna Liden
Jeanne Liotta
Marie Losier
Florian Maier-Aichen
Monica Majoli
Yuri Masnyj
T. Kelly Mason and Diana Thater
Adam McEwen
Taylor Mead
Josephine Meckseper
Marilyn Minter
Momus
Matthew Monahan
JP Munro
Jesús "Bubu" Negrón
Kori Newkirk
Todd Norsten
Jim O’Rourke
Otabenga Jones & Associates
Tony Oursler and Dan Graham with Rodney Graham, Laurent Berger, and Japanther
Steven Parrino
Ed Paschke
Mathias Poledna
Robert A. Pruitt
Jennifer Reeves
Richard Serra
Gedi Sibony
Jennie Smith
Dash Snow
Michael Snow
Reena Spaulings
Rudolf Stingel
Angela Strassheim
Zoe Strauss
Studio Film Club
Sturtevant
Billy Sullivan
Spencer Sweeney
Ryan Trecartin
Chris Vasell
Francesco Vezzoli
Kelley Walker
Nari Ward
Christopher Williams
Jordan Wolfson
The Wrong Gallery
Aaron Young

Read about the Biennial here.

New Corcoran Director

I promised my source that I wouldn't reveal the name, which the Corcoran will announce on Friday Thursday.

But here's a hint: England.

New

Thinking About Art has a great discussion going on about the relative merit (if any) of the "new" in art.

Read it here.

Rising Voices Update

DCAC

Giovanni Battista

I have been sort of having an artist's block lately when it comes to my own drawings, which is a bad thing, since I have a show opening December 16 at Fraser Gallery Georgetown.

I'd like to have about 25 new drawings, and so far... ahhh...

So whenever I am stuck, one of the subjects that I tend to return to are the recurring images in my artwork, such as images of Frida Kahlo, which I have been drawing, painting and sculpting since 1977, when I first saw her amazing work, or Che Guevara, whose iconic face and figure keeps reappearing in my art throughout the years.

Or in this case, the image of John The Baptist. The below piece is a new drawing (charcoal on 300 weight paper, about 3 x 9 inches):
drawing of St. John the Baptist by Campello

Opportunities for Artists

Deadline: January 15, 2006

New Contemporary Gallery in Denver, Colorado is now accepting submissions for its 2006 exhibition schedule. Open to national artists with an emphasis on contemporary works. Email inquiries to Remmifineart@aol.com or please send resume, bio, SASE and 15 images of work on slides or CD to:
Remmi Fine Art
776 Santa Fe Dr.
Denver, CO 80204



Deadline: January 27, 2006

The 2006 Bethesda International Photography Competition. Open to all photographers 18 years and older. All photography not previously exhibited at the Fraser Gallery. The maximum dimension (including frame) should not exceed 40 inches in any direction. $950 in cash prizes. Details and entry forms here or email the Gallery for an entry form or send a SASE to:
Fraser Gallery
7700 Wisconsin Avenue
Suite E
Bethesda, MD 20814
301/718-9651
info@thefrasergallery.com


Deadline: March 1, 2006

The Second Chance Foundation Gallery is located on Martha's Vineyard, and they are accepting artist submissions for exhibition opportunities. Qualifications: emerging and professional artists with regional/national experience and exposure. Note: only submissions with a bio, resume and a minimum of five color slides will be considered. Send SASE to:
The Second Chance Foundation
c/o Artist Submission
P.O. Box 727
Vineyard Haven, MA 02568

Tuesday, November 29, 2005

Tate on TV

Around Town has a piece on Tim Tate currently running on WETA TV. See it online here.

It will also be on TV tomorrow (Wednesday evening) at 10:52PM.

The Vlogging Revolution

DMV artist Rob Parrish is a Vlogger and Hopper Video is his Vlog.

Vlogging (aka video podcasting) should be of interest not only to video artists but to all artists and art venues in general. The key event that has made posting video so attractive is that there are now several sites that will host your video for free. This eliminates worries regarding bandwidth issues. If you're interested check out FreeVlog. It is a very well done guide to vlogging.

And I agree with Rob Parrish in that Vlogging has some potential for artist self-promotion, especially since it can be done for free!

Anyway... Vlogs are essentially blogs that have video content in addition to text. And like podcasts, you can subscribe to a vlog and have the videos downloaded to your computer via iTunes or via specialty vlog aggregators (Check out MeFeedia.com and also GetFireAnt.com).

Mefeedia has some interesting tools to search for vlogs. FireAnt comes with about thirty or so vlogs pre-loaded.

Another fun way to find vlogs, if you've got some time on your hands, is to go to vlogmap.org. There you will find a satellite picture of the world via Google Earth. On the picture are flags, and each flag represents a vlog's physical location and contains a link to the vlog. So, you can trot around the world checking out vlogs.

Soon, perhaps we will have all of our artists discussing their shows through an online video, and perhaps even sooner, we'll have online art bloggers doing our art criticism thing through a terrific marriage of words and video and imagery.

Can anyone else hear the end of the printed newspaper creep a little closer?

Monday, November 28, 2005

Lawrence on DC art round-up

Sidney Lawrence writes a really good round-up of our area's visual arts goings-ons published at Art Net Magazine and in the process mentions DC Art News!

Thank you Sidney! Read the Capital Roundup here.

For all the new art devotees checking in: come back often.

Smithsonian debuts art blog!

Kriston has been keeping all of us in check about announcing Eye Level, the new art blog by the Smithsonian, but today it's official!

So what's this new important art blog about?

Here's the short version: Eye Level investigates American art—its history, evolution, and currents. The hope is that this blog hosts a vital conversation among artists, curators, collectors, and enthusiasts on a broad range of subjects related to American art. It's the kind of conversation you have in a museum—that unique social space that a museum provides—that Eye Level would like to bring to the blogosphere.
More about what Eye Level is about here. Visit often: Eyelevel is here.

When are the openings?

This is the most common question emailed to me, as new readers and new people interested in the DC area visual art scene discover DC Art News and our area's visual art scene itself.

DC area art galleries are generally now centered on six loosely gathered gallery concentrations: Dupont Circle, Bethesda, 14th Street area, Georgetown, 7th Street corridor, and Old Town Alexandria.

First Fridays: With 21 member galleries and art venues, the Dupont Circle galleries has the largest number of galleries roughly concentrated around the Dupont Circle area of DC. Many of these galleries host openings and extended hours (generally 6-8PM) on the First Friday of each month.

Second Thursdays: Seven galleries in and around King Street in Old Town Alexandria host openings and extended hours on the Second Thursday of each month. Other galleries in the area, as well as the 83 artists studios inside the Torpedo Factory host different openings ad hoc.

Second Fridays: With 12 member galleries and art venues, the Bethesda Art Walk also has a good number of participating visual art spaces offering openings and extended hours (6-9PM) as well as a free guided tour on the Second Friday of each month.

Third Thursdays: A handful of art galleries and venues are within walking distance of each other around the 7th Street, NW corridor and still host (I think) joint 3rd Thursday extended hours and openings.

Third Fridays: The five galleries inside the Canal Square (31st and M Street, NW in Georgetown) host joint openings or extended hours from 6-9PM each and every 3rd Friday of the month. The other half dozen or so Georgetown galleries within walking distance host their openings ad hoc.

14th Street: Initially anchored by Fusebox Gallery, a handful of very good art galleries and art venues now congregate around the 14th Street, NW area and host openings at various times throughout the month.

Saturday, November 26, 2005

Georgetown Openings

Next Friday, December 2, from 6-8PM, two of the Canal Square galleries are having openings from 6-8PM.

On the second floor, the Anne C. Fisher Gallery hosts a reception in honor of their well-received, current exhibition, South American Holiday. This lively exhibition by several South American artists is a feast for the eyes! It includes mixed media collages by Joan Belmar, paintings in acrylic on canvas and acrylic on paper by Patricia Secco, and monoprints, hanging paper constructions and the video Zapatos Blancos by artist Helga Thomson.

Under the Anne C. Fisher Gallery, our neighbor Parish Gallery opens a new group show with work by Floyd Coleman, Victor Ekpuk, Ron Flemmings, Liani Foster, Naza McFarren, Roberto Morassi, Deanna Schwartzberg, Stephanie Parish Taylor, and Yvette Watson.

Congratulations

The Smithsonian American Art Museum has awarded the 2005 Charles C. Eldredge Prize for Distinguished Scholarship in American Art to Elizabeth Johns, professor emerita of the history of art at the University of Pennsylvania.

Her recent book, Winslow Homer: The Nature of Observation, is recognized for its complex and sympathetic portrait of the artist. She has written several influential books on American art, and curated a number of exhibitions.

Johns will be giving a lecture on Thursday, December 8 starting at 3:30 p.m. with a reception to follow.

Friday, November 25, 2005

Gallery Talk

This Saturday, Nov. 26th at 1 pm Tim Tate will be giving a gallery talk about his new work at our Fraser Gallery in Bethesda. Plenty of validated parking underneath the gallery, and one block north of the Bethesda Metro stop on the red line.

What : Tim Tate's new solo sculpture show: "Caged By History" - Gallery Talk
Where :
Fraser Gallery
7700 Wisconsin Ave
Bethesda Plaza, Suite E
Bethesda, MD 20814
301-718-9651

When : Saturday, Nov. 26th at 1pm
Show runs thru Dec. 7th, 2005

Thursday, November 24, 2005

Art Bill Passes in the Senate

Last March, I asked everyone to write their congressperson in support of H.R. 1120 "ARTISTS' CONTRIBUTION TO AMERICAN HERITAGE ACT" Introduced by Congressmen Jim Ramstad (R-MN) and Ben Cardin (D-MD) and Senate Bill S. 372 "ARTIST-MUSEUM PARTNERSHIP ACT" Introduced by Senators Patrick Leahy (D-VT) and Robert Bennett (R-UT).

The artists' bill is making it possible once again for artists to receive a fair market value deduction for donated works and has been making its way through the legislative process. The bills had been reintroduced in both the House and the Senate and the wording of the bill was approved Friday as an amendment to a broader $59.6 billion tax relief bill passed by the Senate.

It now goes to a House-Senate conference committee. Unfortunately, the House version of the tax relief bill does not currently include the arts provision, but the senators who introduced the amendment - Charlie Schumer, Democrat of New York, and Pete Domenici, Republican from New Mexico, both have apparently stated that they are hopeful that the House committee would support it.

So... contact your House Representative ASAP! If you do not know how to contact your legislator, visit this website. A sample letter is available here.

Currently, when an artist donates a work of art, the artist can deduct the cost of the materials; however, if anyone else (but the artist) donates the work, they can deduct the actual fair market value of the work. This law would allow the artist to deduct the fair appraised value of the donated work, if donated within a certain period of time.

Wednesday, November 23, 2005

New DC Arts Blog

Painterly Visions is a new arts blog by DC area artist Anne Marchand.

And she already comes up with a scoop by revealing that CuDC no longer hosting the 3rd Thursdays gallery crawls in the Penn Quarter.

I invite CuDC to respond, but I hope that this is not true, as we need to continue to grow, not scale back, our gallery scene.

Read Painterly Visions here.

Silverthorne on current shows

Alexandra Silverthorne reviews Gilliam, Warhol and Scully at various venues around town.

Read them here.

Tim Tate Review

Dr. Claudia Rousseau reviews Tim Tate in The Gazette; she writes:

In his third solo exhibit at Fraser Gallery in Bethesda, artist Tim Tate shows new work with exciting explorations of subject matter and materials. "Caged by History" is tightly themed with a marked unity of form and content. The show’s title refers to the myriad ways our histories direct our futures, the carrying of memory and the persistent effects of choices and events of the past.

Tales of Magnetism by Tim TateTate’s work also references the great unseen forces of nature that inexorably shape and direct our lives. The latter is especially well represented in works that include iron filings held captive by earth magnets. A fine example is the formally elegant "Sacred Cone of Magnetism," with its echoing shapes and etched formulas for magnetic forces.

The brilliance of Tate’s work is in the way it fuses expression of ideas such as these with a deeply personal iconography about taking control of fate, healing and the will to live. "Positive Reliquaries, No. 1-3" are three blown-glass spheres topped with large red cast-glass crosses. They are also plus signs. Inside each is a cast glass nest, each with three spotted glass eggs. All around the exterior of the spheres the artist has etched a handwritten narrative relating his reaction to being diagnosed HIV-positive 20 years ago, and of the process this fact provoked. It was then that he decided to become an artist and then that the whole array of life affirming, healing imagery he uses began to come into focus.

Much of this imagery has a distinctly Catholic feeling. For example, the spheres topped by crosses unavoidably look like the orbs often held by Christ in medieval and renaissance art. The hot-glass flaming hearts – here in strong reds and blues, traditionally colors of divine and human love — are distinctly reminiscent of votive objects. Nevertheless, these works have a fascinating polyvalence, a sense of layered history that draws the viewer close and rewards attention with a rich variety of allusive meaning.

Tate has long used steel as a corollary to fragile glass in his work, which also frequently contains found objects. Recently, he has experimented with concrete as a sculptural medium with varied results. One of the most powerful works in this exhibit, however, is "Heart of St. Sebastian," a concrete heart with a neck, like a vessel, topped with a dark red cast-glass flame. By shaking the concrete in the rubber mold, Tate caused a skin to separate from the heart form into which he has cut a large plus sign — an equal armed cross. In the neck is a tiny biohazard symbol. The work explores a number of iconographies including an identification with St. Sebastian, martyred by arrows, and the sense of being targeted as a biohazard when one is HIV-positive. A consciousness of death produces no pathos here, rather life-affirming strength, hard and resistant as the Sacrete Concrete mix with which the work is made.
Tate will be discussing his work at an artist's talk at Fraser Gallery Bethesda this coming Saturday, November 26, starting at 1PM.

Arthelps 5th Annual Silent Art Auction Benefit and Reception

Click her for more info

JAM Communications is the sponsor for this year's Arthelps 5th Annual Silent Art Auction Benefit and Reception to raise money for Food & Friends and the DC Arts Center (DCAC) – two organizations are in their own way are key components of our area's social and cultural tapestry.

Support from artists and art donors is integral in making this night a success and that is why they are asking for your help. They welcome a variety of art donations–from original and limited edition paintings and prints, to photographs, glasswork, jewelry and sculpture.

I have donated to this auction and really encourage galleries (my kudos to Irvine Contemporary for donating several pieces) and artists to do as well!

See donated artwork (so far) here, and see my donation here.

For more information on how you can donate art, and for additional details on the Arthelps event, please go to www.arthelps.org – where you can download a PDF art donation form.

To arrange for a pickup of your artistic donation call: 202.986.4750 and talk to Ambre Bosko (ext 19) or Alex George (ext 13) or email: ambre@jamagency.com or alex@jamagency.com

You can also drop off or mail your donation to the JAM offices located at:

1638 R Street NW, Suite 400, Washington, DC, 20009,
between the hours of 10 am and 6 pm (Monday – Friday).

Please RSVP for the event at www.arthelps.org.


bethesda painting awards


No excuses! Get your slides ready!

The deadline for the inaugural Bethesda Painting Awards is rapidly approaching, and painters from the DC, Maryland and Virginia region have until Tuesday, January 31, 2006 to submit their applications. With $14,000 in cash prizes, this is one of the largest painting awards in the country, thanks to the incredible generosity of Ms. Carol Trawick, who also sponsors The Trawick Prize.

Once the jurors have selected the finalists, we will exhibit them in our Bethesda gallery, where the final four will be awarded $14,000 in cash prizes based on the actual work. $10,000 will be awarded to the top prize winner, $2,000 to the second place winner, $1,000 to the third place winner. Additionally, a "Young Artist" award of $1,000 (artists born after March 11, 1975) will also be given.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. The maximum dimension should not exceed 60 inches in width. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibition. Each artist must submit five slides, application and a non-refundable entry fee of $25. Submissions must be received by January 31, 2006. To request an application, please send a self-addressed stamped envelope to:

Bethesda Painting Awards
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814

Or call 301/215-6660 or visit www.bethesda.org

For more info:
Bethesda Arts and Entertainment District
Heather Blum
7700 Old Georgetown Road
Bethesda, MD 20814
t: 301.215.6660 x.17 or f: 301.215.6664 or hblum@bethesda.org or www.bethesda.org

Congratulations

Congrats to the award winners from the Unlocked: Open Exhibition selected by Andrea Pollan.

Congrats also to Andrea and the Fairfax Arts Council for putting on a great show in Annandale last Thursday.

First Place - Ian Jehle
Second Place - Saul Becker
Third Place - Linda Hesh
Honorable Mention - Naomi Chung
Honorable Mention - Heidi Fowler

Artist Participation in Online Published Interviews

Deadline: Saturday, December 31, 2005

Black Cat Bone, an art blog edited by artist/photographer firebrand James W. Bailey, has an opportunity for the metro D.C. area artist community to participate in a unique artist interview project titled "The Six of One, Half a Dozen of the Other Modern Art Questions."

Artists may freely participate in this project by emailing their answers to the six project questions posted here.

If you are interested in participating in this project, simply email your answers to the six questions to Bailey.

Also, include up to four jpeg images of your representative work - be sure to name your image files with the proper titles and provide the media for each work.

Artists are also encouraged to include a brief (1-2 paragraphs), bio, and artist's website URL for publication.

For more info:
League of Reston Artists
James W. Bailey
11196 Silentwood Lane
Reston, Virginia 20191
t: 504.669.8650 or jameswbailey@comcast.net or blackcatbone.blogspot.com

Tuesday, November 22, 2005

Wanna lecture abroad?

Fulbright Grants are available for artists for 2-6 week lecturing and research abroad. There's no application fee, and stipends are available.

Contact:
Fulbright Senior Specialist Program
Council for International Exchange of Scholars
3007 Tilden St NW, Suite 5L
Washington, DC 20008-3009

Phone: 202/686-7877; email: apprequest@cies.iie.org; website: www.cies.org

Is there anything new out there?

A lot, really, a lot, of art critics are stuck in the quagmire that art has to be "new" in order to be good.

"The secret to creativity, is knowing how to hide your sources."
-Albert Einstein
This interesting article in the Pittsburgh Post-Gazette (thanks AJ) discussses the myth of the "new" and submits that there's even a sprinking of the "new" going on out there in the various genres of the arts.

Is that a boy or a girl?

I walked through Warehouse Gallery a couple of Sundays ago to look through "Hey, is that a boy or a girl?" Artists look at gender, an exhibition curated by Ruth Trevarrow and Richard Kightlinger featuring a variety of artists looking at the way that we are all looked at by each other.

Perhaps the most interesting piece in the entire show was the curator's (Ruth Trevarrow) own fascinating "Boy or Girl," which is an interactive piece that details about forty faces or parts of faces in a portrait grid on the cafe gallery's main floor. The idea is to study the faces and then (using a printed form that comes with the piece), to take a "test" to see who you think is a boy or a girl.

After taking the test, to my surprise I had at least ten of them wrong! I really like art that delivers not only visual pleasure, but also educates us or reveals a little about ourselves or our world.

I also found Kelley A. Donelly's "Skin Deep" to be quite engrossing. It is a painting full of controlled rage highlighted by a frenetic brushstroke that reminds me of the potential danger of barbed wire and anger mixed together.

On the top floor gallery, Abby Freeman's "Hell # 3" deliver three interesting panels completely woven and made from thousands of matches sewn together. Freeman adds this interesting work to the ever-growing canon of DC artists working art from disposable materials or easily accessible materials; anything and everything can be art.

A couple of paintings nearby the incediary tapestry stand out: one is Isabel Bigelow's "Birthday," a gorgeous dark painting floating up from a dark palette, but whose relationship to the theme escapes me. More in tune with the show was Scott Brooks' "The Resurrection of Miss Rita Fyne," as was a clever sculpture titled "Inter-Sexed Valet" by Ruth Trevarrow.

Photography is best represented by an odd piece by John Borstel titled "Stillborn" that features a somewhat spooky (and oddly attractive) figure hugging a tombstone. Somewhere there's an X-file about this subject.

"Paper Roses" features what we used to call in Art School "fanny prints," cleverly created in this show by Matthew Rose as portraits of an amazingly diverse set of tushes and vaginas from the art and entertainment world. If you want to know how Rose visualizes Thelma Houston, Camille Paglia, and others' bottoms, then this is your destination.

Finally, Allison Miner has a series of nice drawings from a series titled "They told me to work bigger" that steal this show and are a steal at $400 each. Collectors of DC area artists have an excellent opportunity to add a really nice Miner to their collection. Go get one!

The exhibition hangs through December 4, 2005.

Monday, November 21, 2005

Opportunity for Artists

Deadline: Dec 1, 2005

Deja Vu: A New View, at the Arlington Arts Center, Jan 24 - March 18, 2006. NO FEE.

This all-media show is open to all artists who exhibited at any time in AAC's old space (before 2003).

Send three slides or three images on CD and one work will be selected for exhibition. Arlington Arts Center, 3550 Wilson Blvd, Arlington, VA 22201. Prospectus/entry form on website www.arlingtonartscenter.org.

10 Tips for Collectors

I should be back to DC by tomorrow night (I hope)... In case you missed Artnet's 10 Tips for Collectors, read them here.

Number one on the list is the most important.

Congratulations

To Lisa Bertnick, whose work was included in a book released last week titled Exotique.

According to the publisher, Exotique is the

"leading book title devoted to showcasing the finest character creations from digital artists worldwide. Exotique presents 228 examples of exceptional character artwork by 113 artists from 37 countries presented over 192 pages of the highest quality production. In addition to exhilarating character artwork, Exotique features the profiles of eight prominent character artists working within the digital arts community.
More about Exotique here.

Friday, November 18, 2005

Northbound

I'm heading North for the next few days for some unexpected reasons... more later.

Student Art Sale

On November 23rd, Montgomery College will have its Annual Student Art Sale. Free and open to the public.

At the Art building, Montgomery College Rockville. Info at 301-279-5245.

New Gallery

By the time that you add up all the independent commercial fine arts galleries, all the non profit art galleries and spaces, all the cultural art centers, all the alternative art venues and (what most people usually forget about) all the embassy galleries, our area's gallery scene is one of the largest concentrations of art galleries in the nation, especially for our relative small geographical size, with over 200 visual art spaces distributed all over the Greater Washington, DC region.

That's more galleries than any other major metropolitan area in the United States other than perhaps New York, LA and the Bay area.

And a new gallery is opening!

Rossdhu Gallery hosts its inaugural show this weekend, featuring Cindy Brandt, Rona Eisner, Adele Morris, Christopher Rich and Estelle Vernon.

Rossdhu Gallery is located at 7608 Rossdhu Ct., Chevy Chase, Maryland. Call them ahead for hours at 301-951-4443.

Big Opportunity for Artists

Deadline Dec 15, 2005

Downtown Bethesda will host the Third Annual Bethesda Fine Arts Festival. The Bethesda Arts & Entertainment District announces the third annual Bethesda Fine Arts Festival, a two-day event showcasing 130 contemporary artists who will sell their original fine art and fine crafts on the closed streets of Bethesda. The festival, scheduled for Sat., May 13 and Sun., May 14, 2006, will be held in downtown Bethesda's Woodmont Triangle along Norfolk and Auburn Avenues. Last year about 30,000 people attended the event and sales were quite brisk, including one sculptor who was across from me and who sold out on the first day.

Local, regional and national artists are encouraged to apply. All original fine art and fine crafts, including but not limited to painting, sculpture, photography, jewelry, and furniture are eligible. Applicants must submit a completed application form, non-refundable $25 application fee, five slides of their work and one slide of their booth display.

Selected artists must supply their own tent and display. Artists will be juried and selected by the Bethesda Arts & Entertainment District advisory committee. Participating artists are eligible to win more than $2,000 in prize money, including a $1,000 prize for best in show. A three-member panel of jurors will select award winners from an on-site evaluation during the festival.

Applications must be received by Thurs., Dec. 15, 2005. Please visit www.bethesda.org for an application or send SASE to:
Bethesda Fine Arts Festival
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814.

For more information, please contact Catriona Fraser at 301-718-9651 or cfraser@bethesda.org.

Amazing

The LA Weekly has an amazing story about Hollywood art collector Michael Ovitz.

Read it here (thanks AJ).

Videopaintings

Hutchison at Fraser
This is what the Scott Hutchison show looks like after almost finished being installed. The piece being projected onto the gallery window is called "Chatter."

The small oils are accompanied by a small LCD screen where the finished video, which assembles the paintings into a videopainting, is shown.

Opening is tonight from 6-9PM.
Chatter by Scott Hutchison

Thursday, November 17, 2005

Hutchison on Friday

Come by the Canal Square tomorrow night for the openings of the five Georgetown galleries located inside the Canal (MOCA, Parish, Anne C. Fisher, Alla Rogers and us). The openings are from 6-9PM and catered by the Sea Catch.

We'll have a simply amazing show by Scott Hutchison.

Wanna work in the arts?

The arts industry is one of the largest employers and income producing magnets in our area.

And a new blog (new to me anyway) is DC Art Jobs, a superb resource if you're looking for a job in the arts.

Visit often!

On the air

Black Cat Bone is breaking some new ground in our area's art blog scene by bringing audio into the game.

Here you can listen to the first of a five part interview with eroticaphotogmistress Samantha Wolov.

Out and About

Around Annapolis today... more later.

Wednesday, November 16, 2005

Art Tour Guides Wanted

The Bethesda Arts & Entertainment District is seeking an outgoing and knowledgeable individual with an arts background to lead guided tours for the Bethesda Art Walk.

The Bethesda Art Walk takes place on the second Friday of every month and features 12 downtown Bethesda galleries and studios that open their doors from 6-9 pm. Tour guides will lead a group to seven participating galleries, speak about the galleries' current exhibitions, and introduce the gallery directors.

Tour guides must visit each gallery before the Art Walk and view current shows. Tour guides will receive a stipend. Please contact Heather Blum at 301/215-6660, Ext. 17 or hblum@bethesda.org.

Opportunity for Artists

Deadline: December 9, 2005

The Museum of the Living Artist is holding its premier international digital fine art exhibition. This exhibition is sponsored by SONY with cash awards totalling $6,000.

The gallery space is 10,000 sq.ft. and is located in the heart of Balboa Park, San Diego. I am very familiar with the area, which attracts more than 12 million visitors annually. While the contest requires online submission, the actual show will consist of prints up to 8ft by 8ft.

The juror is Marilyn Kushner, Curator of Prints and Drawings at the Brooklyn Museum since 1994.

Over $6000 in awards. Contact is Tim Field at this email address or download the prospectus here.

Congratulations

To Jiha Moon, who has been invited to exhibit next September in an important exhibition of contemporary Asian artists at the Asia Society and Museum in New York. The exhibition will be curated by Dr. Melissa Chiu, Director of the Museum.

Contemporary Landscape

Sorry for the last minute post, but I just received this notice!

Tonight, starting at 5PM, the University of Maryland's Stamp Student Union Gallery has a panel discussion entitled "Contemporary Landscape: Apathy + Allegory."

The discussion is moderated by the City Paper's Jeffry Cudlin, and takes place at the Prince George's Room, on the first floor of the Stamp Student Union.

Reprint

The below is from a couple of years ago, but recently someone asked me about it, so here it is again:



One of the more eye-opening things in attending an art fair is seeing the dynamics that go onto the decision to buy a piece of art.

Put together a few thousand people, paying an entry fee to enter the fair, an assortment of dealers, and a huge diverse variety of offerings and it's an education in people watching.

The married couple:
"Do you like it?"
"Yeah, I like it- it's just what we've been looking for."
"Where would we put it?"
"We have a couple of spots that it'd fit."
"Do you really like it."
"Yeah, how about you?"
"Yeah, I kinda of like it."
"Should we get it?"
"If you want it."

(five minutes later)
"Let's think about it."
"OK"
[To me] "Do you have a business card?"

The couple (not married):
Her: "Do you like it?"
Him: "Sssoright"
Her: "Where would we put it?"
Him: "Dunno."
Her: "Do you really like it."
Him: "So'OK.. Yeah, how about you?"
Her: "Yeah, I kinda, sorta, really like it."
Him: "Dunno though"
Her: "What? You don't like it?"
Him: "If you want it."
(five minutes later)
Him: "Let's think about it."
Her or Him: "OK" [To me] "Do you have a business card?"

The Single Woman (SW) with a Woman Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... it's nice"
SW: "It's exactly what I've been looking for!"
Friend: "I have a friend who does work just like this..."
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "Yeah... it's OK"
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "There's a few more booths we haven't seen."
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Woman (SW) with a Man Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... Cool"
SW: "It's exactly what I've been looking for!"
Friend: "I think it's a lithograph" [it's actually a charcoal]
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "I have something like it... I got it cheaper though..."
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "You like lithographs?"
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Focus Dream Buyer:
[Walks straight up to one piece, never looks at the rest of the work in your booth]
"I'll take this"
[Me] "Thank you... it's a very striking charcoal drawing - will be that be a check or charge?"
"Charge"
[Me] "I can send you more information on this artist..."
"That will be great - I love this work - it's exactly what I'm interested in!"
[Me] "I have a few more pieces here, would you like to see them?"
"No, thanks..."

The "I'm glad you're here guy (IGYHG)":
IGYHG: "Hey! I've been looking for you!"
[Me]: "Hi, how are you?"
IGYHG: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
IGYHG: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
IGYHG: "Well, let me look at what you've got!"
[three minutes later]
IGYHG: "Well... I'm glad you're here... see ya next year!"


The "I Shudda Bought It Last Year Guy (Shudda)":
Shudda: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
Shudda: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
Shudda: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
Shudda: "Well, let me look at what you've got!"
[three minutes later]
Shudda: "Where's that really good watercolor of the fill-in-the-blank?"
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
Shudda: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
Shudda: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
Shudda: "I shudda bought it last year"
[Walks away]
Shudda: "You gonna be here next year?"

The "Where's That Piece Guy (WTP)":
WTP: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
WTP: "... been walking this whole fair specifically looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
WTP: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
WTP: "OK... last year I saw this piece... it was a fill-in-the-bank and I should have bought it then! "
[Me]: "Yeah... that is a nice piece."
WTP: "I've been thinking about it for a whole year"
[Looks around the booth and doesn't see it]
WTP: "Do you still have it?"
[From here there are two paths...]
Path One -
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
WTP: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
WTP: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
WTP: "I shudda bought it last year"
[Walks away]
WTP: "You gonna be here next year?"
Path Two
[Me]: "Let me get it for you... I have it in the back!"
WTP: "Great"
[I bring it out and give to WTP]
WTP: "Yeah this is it! It's great!"
[Me]: "This artist has done really well this last year and ---"
WTP: [Handing it back] "Excellent! I'm glad you still have it... until what time are you going to be here?"

Top 10

The FBI has unveiled its top 10 art crimes list yesterday to "call attention to a problem that Interpol ranks third among property crimes worldwide and costs an estimated $6 billion a year."

See the WaPo/AP article (and its unfortunate article title) here.

Re-inventing painting

Videopainter.... videopaintism... videopaintist...

Scott Hutchison's I Dont Know

That's what I have dubbed Scott Hutchison: a videopainter.

And just when some of you and Blake thought that the ancient medium had nothing left to give, along comes Arlington-based Scott Hutchison and delivers something so "new" that I am sure that were Scott showing in NYC or LA, curators from the Corcoran or the Hirshhorn would be descending on this show like bugs on your porch light (the last time Scott showed with us, he created something of a controversy because of this).

Typical video art: Film something boring, or something artsy, or something sexy, or an old classic movie a frame-at-a-time, and then sell photographic stills from the video.

The new videopainting: Spend months and months creating a set of small paintings; superbly painted works, each and every one of them, and then marry then (through technology and video) into a singularly unique and new idea: like this one.

Click here or here if you want to see what one of the future(s) of painting looks like.

Come to the opening at our Fraser Gallery Georgetown on Friday, November 18, from 6-9PM if you want to see a gallery full of something "new."

Not a Whisper by Scott Hutchison

Tuesday, November 15, 2005

Richard on Newman

The WaPo's former Chief Art Critic delivers a rare and welcomed thing: an unexpected review.

Paul Richard reviews William Newman at Adamson.

More please...

P.S. And the current WaPo Chief Art Critic, Blake Gopnik, last Sunday delivered a really good review of Alice Neel at the NMWA.

Openings this week

On Thursday, November 17, Susan Calloway Fine Arts has Alison Hall Cooley: Recent Works – Abstract Oil Paintings opening from 5-8PM. Cooley has exhibited in Washington, DC, Virginia, and Massachusetts. She is the winner of several awards, including the Charles C. McDougall Award for Promising New Artist. Cooley attended the Corcoran School of Art in Washington, DC, and Sarah Lawrence University.

Also on Thursday, The League of Reston Artists has the opening for their Annual Juried Theme Exhibition: "Edges". The awards reception is at Walker & Company from 6-8PM.

On Friday, being the third Friday of the month, the Georgetown Canal Square Galleries have their extended hours and openings.

We will have an amazing show by Scott Hutchison, perhaps one of our area's most innovative and talented videopainters; more on that later.

Opportunity for Artists

Deadline: December 9, 2005

Stretched Tight is an exhibition that is open to all artists in the United States and abroad working in the ancient medium that refuses to die: painting.

Artists are encouraged to submit work that challenges conventional notions. Work may represent a broad range of subjects, genres, concepts and/or processes.

Juror: My good friend Jack Rasmussen, Director and Curator of the Katzen Arts Center at American University, Washington D.C.

Jack has also served as the Executive Director of the di Rosa Preserve: Art & Nature, Napa, CA and the Maryland Art Place (MAP) in Baltimore.

Deadline December 9, 2005. Show dates February 24 - March 26, 2006. Entry fee $30.00 for three images (slide or CD). $500.00 in award money.

For a prospectus send a SASE to the:
Target Gallery
Torpedo Factory Art Center
105 North Union St
Alexandria VA 22314

Or call 703-838-4565 x 4, or E-mail: targetgallery@torpedofactory.org

This looks like fun

Deadline: November 30, 2005

The Masters Mystery Art Show 2005 is an international exhibition that will coincide with Art Basel Miami Beach 2005.

Artists are invited to donate original work in any medium in a 6 x 9 postcard format to be sold for the affordable price of $50. All artists names will be published at the time of the exhibition but the works will be displayed anonymously and the identity of the artist will only be revealed to the purchaser after the completion of the sale.

The event is organized for the sole benefit of the prestigious Master of Fine Arts in Visual Arts (MFA) program at Florida International University, Miami. In its remarkably successful 2004 inaugural edition, which took place at the Ritz Carlton South Beach, over 1000 artworks by more than 500 artists and celebrities from art related fields were featured and over $20,000 was raised for the MFA program.

It's so easy to participate! Just download the Entry Form and the Artist Info Form from this website.

Wanna go to an opening?

Salve Regina Gallery at the Catholic University of America presents: Hollow Work with an opening reception on Wednesday, November 16 2005 from 6-9PM.

Artists include: Joan Ganzevoort, Lancelot Coar, Mary Frank and Phoebe Esmon.

The Salve Regina Gallery
Catholic University of America
620 Michigan Ave NE
Washington, DC 20009
202.319.5282