Gimp
If you see me limping around, it is not from having worn my knee out from giving someone that once promised and well-deserved ass kicking.
This story is nothing compared to Tentacles but...
Today as I was getting dressed, I was barefooted, and as I have hardwood floors, managed to pick up a huge sliver in my left foot.
Luckily, I was standing next to my bed, and so I collapsed on top of it while holding my foot aloft, as one of the key things to do in the event of a sliver attack, is to isolate the attacked limb, lest we break the sliver and have to resort to emergency needle surgery.
So I managed to preserve the sliver intact on the bottom of my foot.
Next, what is needed is good light, and good vision, in order to extract the attacking sliver.
So, holding my foot aloft, I hopped over to the bathroom, and turned the lights on.
I then lifted my left leg, in order to do the acrobatic act of remaining balanced while exposing the sole of my left foot.
I however, failed to account for the bathroom door handle, and smashed my kneecap on the handle as I lifted the leg up, while attmepting to balance on the other foot.
Now I am really hopping on one leg and screaming bloody murder, as my knee complains bitterly at the unwarranted smash-up.
Eventually I manage to settle down, and to my relief the splinter is still whole and sticking out of my foot. Luckily, in a paradoxical way, it is a massive splinter, which is bad for the pain that it is delivering to my foot, but good for the fact that I can just grab it with my fingers and not spend several hours looking for the tweezers.
And so I grab it out, and I think that I performed a clean extraction.
Pheeew!
However, this is a massive rain-forest sized chunk of wood, and some blood begins to seep out. Since I do not know what sort of postmodern germs are now ferociously attempting entry into my blood stream, I decided to put some first aid cream on the wound.
Half an hour later and I still haven't found the cream, so I decide to use that bottle of iodine that has somehow managed to stay with me since it came with my first aid kit in Navy bootcamp eons ago.
Do they even make iodine anymore?
So I open the small bottle of iodine, and this bottle is so old, that the little plastic tip that dips into the iodine just falls off as I open it, landing squarely on top of my pants, after caressing my suit jacket on its downward spiral.
So now I have an iodine track on my jacket and on my pants; and a ruined suit, as iodine (as far as I know) does not come off.
I eventually put some of this prehistoric stuff on my wound, and as everyone knows, iodine stings like a M@#$%^&*^er.
I pretend it is the pain from all those germs being killed by whatever uberchemical makes up iodine (isn't iodine an element by itself?).
I think that I got all the wood out, but now my foot still hurts like crazy.
A day in the life of a gallerist.
If you see me limping around, it is not from having worn my knee out from giving someone that once promised and well-deserved ass kicking.
This story is nothing compared to Tentacles but...
Today as I was getting dressed, I was barefooted, and as I have hardwood floors, managed to pick up a huge sliver in my left foot.
Luckily, I was standing next to my bed, and so I collapsed on top of it while holding my foot aloft, as one of the key things to do in the event of a sliver attack, is to isolate the attacked limb, lest we break the sliver and have to resort to emergency needle surgery.
So I managed to preserve the sliver intact on the bottom of my foot.
Next, what is needed is good light, and good vision, in order to extract the attacking sliver.
So, holding my foot aloft, I hopped over to the bathroom, and turned the lights on.
I then lifted my left leg, in order to do the acrobatic act of remaining balanced while exposing the sole of my left foot.
I however, failed to account for the bathroom door handle, and smashed my kneecap on the handle as I lifted the leg up, while attmepting to balance on the other foot.
Now I am really hopping on one leg and screaming bloody murder, as my knee complains bitterly at the unwarranted smash-up.
Eventually I manage to settle down, and to my relief the splinter is still whole and sticking out of my foot. Luckily, in a paradoxical way, it is a massive splinter, which is bad for the pain that it is delivering to my foot, but good for the fact that I can just grab it with my fingers and not spend several hours looking for the tweezers.
And so I grab it out, and I think that I performed a clean extraction.
Pheeew!
However, this is a massive rain-forest sized chunk of wood, and some blood begins to seep out. Since I do not know what sort of postmodern germs are now ferociously attempting entry into my blood stream, I decided to put some first aid cream on the wound.
Half an hour later and I still haven't found the cream, so I decide to use that bottle of iodine that has somehow managed to stay with me since it came with my first aid kit in Navy bootcamp eons ago.
Do they even make iodine anymore?
So I open the small bottle of iodine, and this bottle is so old, that the little plastic tip that dips into the iodine just falls off as I open it, landing squarely on top of my pants, after caressing my suit jacket on its downward spiral.
So now I have an iodine track on my jacket and on my pants; and a ruined suit, as iodine (as far as I know) does not come off.
I eventually put some of this prehistoric stuff on my wound, and as everyone knows, iodine stings like a M@#$%^&*^er.
I pretend it is the pain from all those germs being killed by whatever uberchemical makes up iodine (isn't iodine an element by itself?).
I think that I got all the wood out, but now my foot still hurts like crazy.
A day in the life of a gallerist.
Opening at the Katzen Tonight!
Body Languages: Mary Coble and Robert Flynt at the Katzen Center of the American University Museum.
Opens tonight, February 14th from 6-9pm. The exhibition runs through March 12, 2006.
See ya there!
Body Languages: Mary Coble and Robert Flynt at the Katzen Center of the American University Museum.
Opens tonight, February 14th from 6-9pm. The exhibition runs through March 12, 2006.
See ya there!
Manon Cleary
From: F. Lennox Campello
To: All Washington, DC Museum Curators
Subj: Manon Cleary
Question: Now that one of you gave Sam Gilliam his well-overdue and richly deserved retrospective at the Corcoran, when is one of you going to step up and give Manon Cleary a museum show in her own hometown?
Does she have to die first?
Sincerely,
Me
P.S. From 2004.
From: F. Lennox CampelloTo: All Washington, DC Museum Curators
Subj: Manon Cleary
Question: Now that one of you gave Sam Gilliam his well-overdue and richly deserved retrospective at the Corcoran, when is one of you going to step up and give Manon Cleary a museum show in her own hometown?
Does she have to die first?
Sincerely,
Me
P.S. From 2004.
Stripes
Osuna Gallery in Bethesda opens a new exhibition this coming Saturday, February 18, 2006, 2-6:30pm showcasing the opening of major works by Washington Color School artists Gene Davis, Tom Downing and Howard Mehring. The show runs through April 1, 2006.
Osuna Gallery in Bethesda opens a new exhibition this coming Saturday, February 18, 2006, 2-6:30pm showcasing the opening of major works by Washington Color School artists Gene Davis, Tom Downing and Howard Mehring. The show runs through April 1, 2006.
Grants anyone?
The College Art Association assists artists financially in completion of MFA and Ph.D. programs. Grants of up to $5,000 are awarded to individual artists. Deadline is ongoing. For information, contact:
The College Art Association
Fellowship Program
275 7th Ave.
New York, NY 10001
Phone: (212) 691-1051
Website: www.collegeart.org
The College Art Association assists artists financially in completion of MFA and Ph.D. programs. Grants of up to $5,000 are awarded to individual artists. Deadline is ongoing. For information, contact:
The College Art Association
Fellowship Program
275 7th Ave.
New York, NY 10001
Phone: (212) 691-1051
Website: www.collegeart.org
Bethesda Artists Markets
The Bethesda Arts & Entertainment District is currently accepting applications for the June 10 and July 8, 2006 Bethesda Artist Markets.
Bethesda Artist Markets are one-day events featuring 30 local and regional artists in the Bethesda Place Plaza. Applications can be downloaded from their website.
To request a hardcopy, please send a self-addressed stamped envelope to:
Bethesda Artist Market
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814
The Bethesda Artist Market will be held from 10am – 5pm in the Bethesda Place Plaza located at 7700 Wisconsin Avenue in downtown Bethesda. The Bethesda Artist Market is produced by the Bethesda Arts & Entertainment District and is free to the public.
Artists must be 18 years of age or older. All fine art and fine craft are accepted including, but not limited to: painting, drawing, photography, sculpture, fiber art, digital, mixed media, clay, wearable fiber, furniture, glass, jewelry, leather, metal, paper, ceramics and wood are accepted. Reproductions are accepted. All booth space are 10’x10’ and all artists must provide their own white 10’X10’ tent. No staking is allowed and artists must bring their own weights.
Each artist must submit five slides of their work and one slide of their booth, application, a non-refundable entry fee of $10 and a separate check of $50 for the booth fee. Please call 301/215-6660, Ext. 17 with any questions.
The Bethesda Arts & Entertainment District is currently accepting applications for the June 10 and July 8, 2006 Bethesda Artist Markets.
Bethesda Artist Markets are one-day events featuring 30 local and regional artists in the Bethesda Place Plaza. Applications can be downloaded from their website.
To request a hardcopy, please send a self-addressed stamped envelope to:
Bethesda Artist Market
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814
The Bethesda Artist Market will be held from 10am – 5pm in the Bethesda Place Plaza located at 7700 Wisconsin Avenue in downtown Bethesda. The Bethesda Artist Market is produced by the Bethesda Arts & Entertainment District and is free to the public.
Artists must be 18 years of age or older. All fine art and fine craft are accepted including, but not limited to: painting, drawing, photography, sculpture, fiber art, digital, mixed media, clay, wearable fiber, furniture, glass, jewelry, leather, metal, paper, ceramics and wood are accepted. Reproductions are accepted. All booth space are 10’x10’ and all artists must provide their own white 10’X10’ tent. No staking is allowed and artists must bring their own weights.
Each artist must submit five slides of their work and one slide of their booth, application, a non-refundable entry fee of $10 and a separate check of $50 for the booth fee. Please call 301/215-6660, Ext. 17 with any questions.
Wanna go to an opening tonight?
The Physicality of Ballet is the MFA Thesis Exhibition by Pamela Nabholz, on exhibition from February 14 - 26, 2006, and the artist's reception is today, February 14, from 4 - 7pm at the Dimock Gallery, Lower Lisner Auditorium, George Washington University.
The Physicality of Ballet is the MFA Thesis Exhibition by Pamela Nabholz, on exhibition from February 14 - 26, 2006, and the artist's reception is today, February 14, from 4 - 7pm at the Dimock Gallery, Lower Lisner Auditorium, George Washington University.
The WPA\C Experimental Media Series
Deadline: March 1, 2006
The WPA/C is calling all video, performance, and sound artists for their Experiemental Media Series - No membership in the WPA/C is required to enter.
Works from this open call will be selected by Kathryn Cornelius & Djakarta, and will be viewed on May 24th from 7:00 - 9:00 pm. This is the final night of a three-night WPA\C experimental media series held in the Corcoran Gallery of Art's Armand Hammer Auditorium.
Download calls here.
The WPA\C Experimental Media Series:
7:00 - 9:00 pm at the Corcoran Gallery of Art's Auditorium
Night One - March 30th - Curated by Kathryn Cornelius
Night Two - April 26th - Curated by Djakarta
Night Three - May 24th - Juried submissions from Open Call by Kathryn
Cornelius & Djakarta
Deadline: March 1, 2006
The WPA/C is calling all video, performance, and sound artists for their Experiemental Media Series - No membership in the WPA/C is required to enter.
Works from this open call will be selected by Kathryn Cornelius & Djakarta, and will be viewed on May 24th from 7:00 - 9:00 pm. This is the final night of a three-night WPA\C experimental media series held in the Corcoran Gallery of Art's Armand Hammer Auditorium.
Download calls here.
The WPA\C Experimental Media Series:
7:00 - 9:00 pm at the Corcoran Gallery of Art's Auditorium
Night One - March 30th - Curated by Kathryn Cornelius
Night Two - April 26th - Curated by Djakarta
Night Three - May 24th - Juried submissions from Open Call by Kathryn
Cornelius & Djakarta
Richard on Muhammad's Pics
The WaPo's former (and now semi-retired) Chief Art Critic discusses a little art history of images of the Islamic prophet that exist in our area and in many Islamic nations.
Read the WaPo article here.
The WaPo's former (and now semi-retired) Chief Art Critic discusses a little art history of images of the Islamic prophet that exist in our area and in many Islamic nations.
Read the WaPo article here.