Wanna go to a C'ville opening tonight?
Charlottesville's Migration: A Gallery has Edwin White's metal sculpture and mobiles opening tonight in a show titled “Line to Volume.”
The exhibition goes through November 2, 2007 and the opening is from 5:30 – 8pm as part of C'ville's own First Friday openings.
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Friday, October 05, 2007
New WPA website
The new WPA website is now online and their new online artfile, which will be ready for prime time on October 29, 2007 rocks!
The new WPA website is now online and their new online artfile, which will be ready for prime time on October 29, 2007 rocks!
New editor at WaPo
Tracy Grant is the new editor for the Washington Post's Weekend section.
Our congratulations to Grant on the new job!
The WaPo's Weekend section has its own separate presence from the rest of the paper, and as far as the visual arts, in my opinion Michael O'Sullivan has the best presence, connectivity and corporate knowledge on the Greater DC area's region visual art scene in the entire newspaper. By far...
O'Sullivan does a great job for the readers of the Post, who are usually proportionally shortchanged in the visual arts (and have been for years, but accelerated by the disastrous Style editorship of Eugene Robinson and perpetuated by the current editor) by the paper's newish Arts section.
But I hope that Tracy Grant has an open mind, because the Weekend section can use a lot of refurbishing and modernizing and parts of it need to realize that it's 2007 and not 1977.
I am not an objective critic, not by far, but here are some suggestions for Tracy Grant, and I sincerely hope that Grant will take them as constructive suggestions rather than burying her head in the sand like her predecessor.
1. The Listings: No section of Weekend is a bigger waste of newsprint than the 80% static listings - especially the museum listings. But, let us assume that some people still refer solely to a printed paper, rather than the Internet, to find out what's showing where. The way that listings are managed, the way that they must be submitted, and the way that they are updated is a joke in 2007. Example: while I understand that in 1977 a reader may want a constant reference of what's on exhibit at the Navy Museum - a static permanent installation museum - why is that listing (and dozens like it) there Friday after Friday for years and years? The listings need to be more dynamic, like the Washington City Paper's listings are, where galleries and museums, etc. can email their listings in (or mail it or fax them). Suggestion one: Provide an online entry point where galleries and museums can electronically submit listings. And for the readers' sake, reduce the space allotted to static listings that never change and use the newsprint space to list more gallery listings, which do change on a monthly basis!
2. The Mini Reviews: The Weekend section used to employ an small army of freelance writers and critics to provide mini reviews of movies, theatre, performance, etc. These voices augmented their regular writers and critics and really made the Weekend section a must read for anyone interested in the arts. They never did that for the visual arts. Why did Weekend do this for all genres of the arts except the visual arts? Suggestion two: Budget for 2-3 freelance writers to submit a few mini DC area gallery reviews each Friday - just like you once did for the other art genres.
3. The Big Review: More please; O'Sullivan does a great job, but the hungry visual art masses want more! Here's an idea (unless it is an union thing that forbids this from happening): The WaPo owns a couple of other printed newspapers out there... such as the Gazette. Why not augment O'Sullivan once in a while with one of the art critics who already writes for one of those newspapers, already is on the WaPo's payroll database, and easy to tap into, to supplement and augment O'Sullivan's voice (or replace him when he's away on vacation or recuperating from a medical issue as he is now) when he's gone. Suggestion Three: Augment Michael O'Sullivan's visual art criticism with Dr. Claudia Rousseau's art criticism - she's the art critic for the Gazette newspapers - owned by the Post.
Tracy Grant is the new editor for the Washington Post's Weekend section.
Our congratulations to Grant on the new job!
The WaPo's Weekend section has its own separate presence from the rest of the paper, and as far as the visual arts, in my opinion Michael O'Sullivan has the best presence, connectivity and corporate knowledge on the Greater DC area's region visual art scene in the entire newspaper. By far...
O'Sullivan does a great job for the readers of the Post, who are usually proportionally shortchanged in the visual arts (and have been for years, but accelerated by the disastrous Style editorship of Eugene Robinson and perpetuated by the current editor) by the paper's newish Arts section.
But I hope that Tracy Grant has an open mind, because the Weekend section can use a lot of refurbishing and modernizing and parts of it need to realize that it's 2007 and not 1977.
I am not an objective critic, not by far, but here are some suggestions for Tracy Grant, and I sincerely hope that Grant will take them as constructive suggestions rather than burying her head in the sand like her predecessor.
1. The Listings: No section of Weekend is a bigger waste of newsprint than the 80% static listings - especially the museum listings. But, let us assume that some people still refer solely to a printed paper, rather than the Internet, to find out what's showing where. The way that listings are managed, the way that they must be submitted, and the way that they are updated is a joke in 2007. Example: while I understand that in 1977 a reader may want a constant reference of what's on exhibit at the Navy Museum - a static permanent installation museum - why is that listing (and dozens like it) there Friday after Friday for years and years? The listings need to be more dynamic, like the Washington City Paper's listings are, where galleries and museums, etc. can email their listings in (or mail it or fax them). Suggestion one: Provide an online entry point where galleries and museums can electronically submit listings. And for the readers' sake, reduce the space allotted to static listings that never change and use the newsprint space to list more gallery listings, which do change on a monthly basis!
2. The Mini Reviews: The Weekend section used to employ an small army of freelance writers and critics to provide mini reviews of movies, theatre, performance, etc. These voices augmented their regular writers and critics and really made the Weekend section a must read for anyone interested in the arts. They never did that for the visual arts. Why did Weekend do this for all genres of the arts except the visual arts? Suggestion two: Budget for 2-3 freelance writers to submit a few mini DC area gallery reviews each Friday - just like you once did for the other art genres.
3. The Big Review: More please; O'Sullivan does a great job, but the hungry visual art masses want more! Here's an idea (unless it is an union thing that forbids this from happening): The WaPo owns a couple of other printed newspapers out there... such as the Gazette. Why not augment O'Sullivan once in a while with one of the art critics who already writes for one of those newspapers, already is on the WaPo's payroll database, and easy to tap into, to supplement and augment O'Sullivan's voice (or replace him when he's away on vacation or recuperating from a medical issue as he is now) when he's gone. Suggestion Three: Augment Michael O'Sullivan's visual art criticism with Dr. Claudia Rousseau's art criticism - she's the art critic for the Gazette newspapers - owned by the Post.
Wanna go for a pretty drive?
If you are a fan of children's illustrations and a really beautiful countryside setting, then this weekend you should take a drive to the Brandywine River Museum in beautiful Chadds Ford, PA and check our their current "Flights into Fantasy: The Kendra and Allan Daniel Collection of Children's Illustration" on display through November 18, 2007.
On exhibit you'll discover fantasy in children's illustrations by some of the most famous illustrators of the 19th and 20th centuries such as Arthur Rackham, Edmund Dulac, Kay Neilsen, Jessie Willcox Smith, W.W. Denslow, Ernest Shepard, Ludwig Bemelmans, Dorothy Lathrop and E. Boyd Smith. Nearly 100 superb works selected from the remarkable collection of Kendra and Allan Daniel.
If you are a fan of children's illustrations and a really beautiful countryside setting, then this weekend you should take a drive to the Brandywine River Museum in beautiful Chadds Ford, PA and check our their current "Flights into Fantasy: The Kendra and Allan Daniel Collection of Children's Illustration" on display through November 18, 2007.
On exhibit you'll discover fantasy in children's illustrations by some of the most famous illustrators of the 19th and 20th centuries such as Arthur Rackham, Edmund Dulac, Kay Neilsen, Jessie Willcox Smith, W.W. Denslow, Ernest Shepard, Ludwig Bemelmans, Dorothy Lathrop and E. Boyd Smith. Nearly 100 superb works selected from the remarkable collection of Kendra and Allan Daniel.
Tapedude in the CP
The DC area's Mark Jenkins is probably one of the region's most visible invisible artists, both around here and abroad.
And the current issue of the WCP has an excellent profile on Jenkins by the CP's Jessica Gould. Read it here.
The DC area's Mark Jenkins is probably one of the region's most visible invisible artists, both around here and abroad.
And the current issue of the WCP has an excellent profile on Jenkins by the CP's Jessica Gould. Read it here.
First Fridays
If you wanna do openings and gallery crawls, first Fridays is your key day.
There are a lot of gallery openings tonight in Philadelphia, a city known for "legendary stinginess toward the arts" according to the Daily News' Tom DiNardo.
Details on the gallery openings "here.
In DC, Heather Goss details some key openings around the nation's capital, and I will say it again, DC can also be accused of wanting to save a dinar here and there at the expense of the arts. Check out DCist here.
If you wanna do openings and gallery crawls, first Fridays is your key day.
There are a lot of gallery openings tonight in Philadelphia, a city known for "legendary stinginess toward the arts" according to the Daily News' Tom DiNardo.
Details on the gallery openings "here.
In DC, Heather Goss details some key openings around the nation's capital, and I will say it again, DC can also be accused of wanting to save a dinar here and there at the expense of the arts. Check out DCist here.