But is it archival?
As part of Hamiltonian Artists' Artist Speaker Series, the Smithsonian Institution's Nora Lockshin will lend her incredible expertise and present a slide talk and open discussion about methods, materials and preservation of art in any media form, from creation, through exhibition, to acquisition and conservation.
This is something that all artists should know and which is seldom discussed or taught in art schools.
On Wednesday, March 10, 2010, 7pm at Hamiltonian Gallery. Please RSVP to Gallery Director Jacqueline Ionita at 202.332.1116.
DeBerardinis returns to DC
"Coming Home: A Collection of Works by Rosetta DeBerardinis" opens at The Corner Store, 900 South Carolina Avenue, S.E. @ 9th Street near the Eastern Market.
Reception: Friday, March 19th from 6 to 8 pm.
"Coming Home: A Collection of Works by Rosetta DeBerardinis" marks the artist's return to the D.C. market upon the completion of a three-year artistic residency at School 33 Art Center in Baltimore, Maryland. The work demonstrates her expansion from color field painting to abstract expressionism to urbanscapes, monoprints, sculpture and to drawings while retaining her signature energy and strong use of color.
DeBerardinis has exhibited at commercial galleries and art venues throughout the Washington metro area, Richmond, Dallas, New York City, Houston, New Jersey, Delaware, Michigan and internationally in Croatia, Madrid, Beijing, India and France. She has shown at the Dallas Women's Museum, The Corcoran Gallery of Art, the Woman's National Democratic Club, The African-American Museum in Dallas, the City Museum of Varazdin in Croatia and the Yaroslavl Art Museum in Russia. Her work and words have been published in Washington Spaces magazine, the Virginia-Pilot Ledger Star, SoBo Voice, Radar Redux magazine and u-tube, Thinking About Art:The One Word Project, the Hill Rag, Voice of the Hill and in catalogues with comments by art aficionados like Doreen Bolger, Director of the Baltimore Museum of Art. A recent work is part of the Art on Call public art project in the Trinidad neighborhood in the District of Columbia.
During the residency, DeBardinis began to meld her ceramics with objects found on the streets of Baltimore and drove the finished sculptures back to DC for exhibition at Zenith Gallery last year. Her responses to Charm City's rawness and grit are reflected in much of her studio work. While there, she temporarily abandoned painting 9 ft. canvases to create work suitable for tiny Baltimore row houses. After downsizing in response to the architectual limits of the city, she began to exhibit surfaces as small as 2 1/2 inches, or the size of trading cards. She found compressing her energy into tiny space took practice and amazing focus and welcomed the challenge.
The former Washington, D.C. and Bethesda art tour guide, Liquitex Artist of the Month and frequent contributor to DC Art News is busy reinventing herself. An artist with academic credits and/or degrees from the following institutions: Vassar College, The University of Baltimore School of Law, Rice University, London School for Social Research and the Fashion Institute of Technology. It is appropriate that Rosetta DeBerardinis begin her artistic revival on Capitol Hill where she resided for more than a decade and maintains close ties with former neighbors and friends.
Don't miss this show!
"Coming Home: A Collection of Works by Rosetta DeBerardinis" opens at The Corner Store, 900 South Carolina Avenue, S.E. @ 9th Street near the Eastern Market.
Reception: Friday, March 19th from 6 to 8 pm.
"Coming Home: A Collection of Works by Rosetta DeBerardinis" marks the artist's return to the D.C. market upon the completion of a three-year artistic residency at School 33 Art Center in Baltimore, Maryland. The work demonstrates her expansion from color field painting to abstract expressionism to urbanscapes, monoprints, sculpture and to drawings while retaining her signature energy and strong use of color.
DeBerardinis has exhibited at commercial galleries and art venues throughout the Washington metro area, Richmond, Dallas, New York City, Houston, New Jersey, Delaware, Michigan and internationally in Croatia, Madrid, Beijing, India and France. She has shown at the Dallas Women's Museum, The Corcoran Gallery of Art, the Woman's National Democratic Club, The African-American Museum in Dallas, the City Museum of Varazdin in Croatia and the Yaroslavl Art Museum in Russia. Her work and words have been published in Washington Spaces magazine, the Virginia-Pilot Ledger Star, SoBo Voice, Radar Redux magazine and u-tube, Thinking About Art:The One Word Project, the Hill Rag, Voice of the Hill and in catalogues with comments by art aficionados like Doreen Bolger, Director of the Baltimore Museum of Art. A recent work is part of the Art on Call public art project in the Trinidad neighborhood in the District of Columbia.
During the residency, DeBardinis began to meld her ceramics with objects found on the streets of Baltimore and drove the finished sculptures back to DC for exhibition at Zenith Gallery last year. Her responses to Charm City's rawness and grit are reflected in much of her studio work. While there, she temporarily abandoned painting 9 ft. canvases to create work suitable for tiny Baltimore row houses. After downsizing in response to the architectual limits of the city, she began to exhibit surfaces as small as 2 1/2 inches, or the size of trading cards. She found compressing her energy into tiny space took practice and amazing focus and welcomed the challenge.
The former Washington, D.C. and Bethesda art tour guide, Liquitex Artist of the Month and frequent contributor to DC Art News is busy reinventing herself. An artist with academic credits and/or degrees from the following institutions: Vassar College, The University of Baltimore School of Law, Rice University, London School for Social Research and the Fashion Institute of Technology. It is appropriate that Rosetta DeBerardinis begin her artistic revival on Capitol Hill where she resided for more than a decade and maintains close ties with former neighbors and friends.
Don't miss this show!
Drawing from the model
In the otherwise empty center of the studio, Mary Anne Tom slams down the egg timer she had been trying to set to go off in two minutes. For the first thirty minutes or so of tonight's session, that is how often she is supposed to switch poses.Read the cool article by Alex Thompson in AU's American Observer by clicking here.
"I never have any luck with that thing," Tom says, slightly frustrated.
She then disrobes and takes her spot, completely naked, in front of a room scattered with friends, acquaintances and strangers. It's all in a day's work for a figure model.
Classical music plays quietly in the background as a half-dozen pairs of eyes dart between her nude form in the center of the room and the not-long-to-be-naked sheets before them.
Mike Peccini's pencil begins to move along his pad like the pen on a seismograph mid-earthquake. The rapid strokes he makes now will become the shading on his depiction of the model's body.
Tacked to one of the room's walls, two posters illustrate both the body's skeletal and muscular systems.
Drawing the human body has been a staple of artists for centuries. Instructor Oscar Fairly says that learning to draw the human form is a challenge for both novice and experienced artists.
Wanna go to an opening in Laurel this weekend?
The 41st Annual Laurel Art Guild Open Juried Exhibition at the Montpelier Arts Center was juried by my good friend Michael Janis. The reception and his talk about the artwork is on Sunday, March 7th, from 2 - 4 pm. He will also announce the various awards then.
Michael says that "the artwork (up to two submissions from each of the 160 artists that submitted work) was in all styles and media, and there were many hard decisions on what would be selected. The resulting show is a strong survey of the area's painters, sculptors, photographers and mixed media artists. Many of the artists selected are familiar names - some are faculty at some of the area universities and colleges of art."
The 41st Annual Laurel Art Guild Open Juried Exhibition at the Montpelier Arts Center was juried by my good friend Michael Janis. The reception and his talk about the artwork is on Sunday, March 7th, from 2 - 4 pm. He will also announce the various awards then.
Michael says that "the artwork (up to two submissions from each of the 160 artists that submitted work) was in all styles and media, and there were many hard decisions on what would be selected. The resulting show is a strong survey of the area's painters, sculptors, photographers and mixed media artists. Many of the artists selected are familiar names - some are faculty at some of the area universities and colleges of art."