Ever since his debut at the old Fraser Gallery in Georgetown, for years we have been following Tim Tate’s work, its extremely distinctive and unique look: Victorian bell jars hiding mysterious videos…each one very thoughtful and complex and full of clues, meanings and arcane paths.
Then suddenly this year, Tate’s work veered.
Fewer domes, larger works, almost "sweet" in theme. There were certainly commercially successful, but so different in feel to the older, edgier work. When asked about his new work, Tate would change the topic or say “I have a soft side too, ya know.”
Perhaps the DMV's best-known artist claimed to be working on "secret projects"... And he would not talk about them.
Well, maybe he does have a "soft side", but I've never hidden the fact that I love and admire those deeply thoughtful and complex pieces that he has become so well-known for; that was my favorite Tate and several of those pieces hang in my home.
Well….this week Tate will unveil what he has been working on under wraps for the last six months…..and it was worth the wait!
Expanding on his video fascination and leaving the domes behind, Tate
offers an innovative and revolutionary new format to showcase his video work. The first of these new pieces, the first of many to come, will be shown at the upcoming Artomatic show to give it a test run.
Here is what's coming: Tate takes a 42” flat screen TV, and then frames it with an ornate Empire frame….and then, as if that wasn't enough, he paints the frame with a Charles Rennie Mackintosh satin black.
This gives the TV a slightly Gothic / Steampunk look, while at the same time also making
it look as fresh and contemporary as any shown at ArtBasel.
Tate’s
video work has also been refined completely. Now working in high definition (HD),
and in color, his richly textured and multi-layered video has morphed more into the
vein of a surrealist dialogue of contemporary realism than his older work; but
abstract enough to be compelling and mysterious.
The title of the first seminal piece is “Reforged Each Morning, My Fate My Own.”
It is a collaborative work with Tate’s long time photographer (and a very gifted one at that) and
friend Pete Duvall. This initial piece highlights the skills of both artist and
technician. As it unfolds, seduces and hypnotizes the viewer, you can’t take your eyes off of it.
Why? It references early Maxfield Parrish in a way….with the deep rolling clouds that deliver the ever shifting texture. Add inverted glass objects coming into the frame; smashing and reconfiguring over and over: You cant take your eyes off of it!
Why? It references early Maxfield Parrish in a way….with the deep rolling clouds that deliver the ever shifting texture. Add inverted glass objects coming into the frame; smashing and reconfiguring over and over: You cant take your eyes off of it!
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| Still from “Reforged Each Morning, My Fate My Own" by Tim Tate and Pete Duvall |
Let me repeat: Height by Length by Time: Welcome to the 21st century of art.
Because it was Artomatic a decade ago who gave Tate his artistic wings, Tate is using Artomatic as a test audience for his newer style, complete with a comment book on the pedestal in front. A "test run" before releasing the new works in the broader contemporary art world.
Let him know how you feel about it…..I think that this may be his best and most sophisticated work yet.
Artomatic opens on Friday, May 18 at 6PM with a massive art party.
