Bethesda Fine Arts Festival this weekend!

Join a lot of art lovers at the 15th annual Bethesda Fine Arts Festival this Saturday, May 12 from 10am-6pm and Sunday, May 13 from 10am-5pm.

Artists from across the country will showcase and sell their original painting, drawing, photography, furniture, jewelry, woodwork, ceramics and more in Bethesda’s Woodmont Triangle, along Norfolk and Auburn Avenues.

The two-day event will feature fine art, live music and local restaurants.

Admission is FREE and there's plenty of free parking as well!.

Details here.

Double Art Scam Alert!

Stay away from these rip off artists!. If you want to know how the scam works, then type "art scam" in quotes in the blog search box...

From: Patricia Williams -  lbrookes9797@gmail.com

Good Day,

How is work and family? I picked interest in your artwork and decided

to write you. I will like to know if your artwork can be purchased and

shipped internationally?. I can email the artwork of interest and

payment will be completed in full once you confirm my purchase order

with a quotation. Kindly let me know when you are in office and ready

to take my artwork order also let me know if you accept either Visa

Card / Master Card or PayPal for payment

Best Regards

Patricia Williams 

And also this one: 

From: Barbara Cummins  - czalett@gmail.com

Subject: Art Purchase

Reply-To: brc779@outlook.com

Good Day,

How is work and family? I picked interest in your artwork and decided

to write you. I will like to know if your artwork can be purchased and

shipped internationally?. I can email the artwork of interest and

payment will be completed in full once you confirm my purchase order

with a quotation. Kindly let me know when you are in office and ready

to take my artwork order also let me know if you accept either Visa

Card / Master Card or PayPal for payment

Best Regards

Barbara Cummins

Henrietta Lacks at NPG

The Smithsonian’s National Portrait Gallery recognizes the life of Henrietta Lacks with the installation of a 2017 portrait by Kadir Nelson. The painting will be installed on the museum’s presentation wall on the first floor Tuesday, May 15. The portrait was jointly acquired by the National Portrait Gallery and the Smithsonian’s National Museum of African American History and Culture as a gift from Nelson and the JKBN Group LLC, and will be shared by the two museums. The artwork will be on view at the Portrait Gallery through Nov. 4. 

“It is fitting that Henrietta Lacks be honored at two Smithsonian museums, as each approaches American history from unique and complementary perspectives,” said Kim Sajet, director of the National Portrait Gallery. “Lacks’ story presents moral and philosophical questions around issues of consent, racial inequalities, the role of women, medical research and privacy laws, providing rich platforms for historical understanding and public dialogue.”

“Henrietta Lacks (HeLa): The Mother of Modern Medicine” by Kadir Nelson, oil on linen, 2017.

“The National Museum of African American History and Culture has always felt that the story of Henrietta Lacks is a significant and important moment that deserved greater recognition,” said Lonnie Bunch, director of the museum.

Lacks (1920 – 1951) lost her life to cervical cancer at age 31. During her treatment, doctors took cells from her body and discovered they lived long lives and reproduced indefinitely in test tubes. These “immortal” HeLa cells have since contributed to over 10,000 medical patents, aiding research and benefiting patients with polio, AIDS, Parkinson’s disease and other conditions. Considering the history of medical testing on African Americans without their permission, the fate of Lacks raises questions about ethics, privacy and race. 

Addressing those issues forthrightly, Rebecca Skloot’s 2010 book, The Immortal Life of Henrietta Lacks, prompted Oprah Winfrey and HBO to explore her story on film. Commissioned by HBO, Nelson used visual elements to convey Lacks’ legacy. The wallpaper features the “Flower of Life,” a symbol of immortality; the flowers on her dress recall images of cell structures; and two missing buttons allude to the cells taken from her body without permission.