Workhouse Arts Foundation | 9518 Workhouse Way, Lorton, VA 22079
VMFA: Futures
Group Exhibition
On View through October 6
Reception: Saturday, August 10, 6-8pm
McGuireWoods Gallery, 2nd Floor
Workhouse Arts Center is pleased to present VMFA: Futures showcasing a select group of artists joining the 2019-2020 Fellowship Program at the Virginia Museum of Fine Arts in Richmond, Virginia. This lucid presentation is comprised of a broad selection of humanizing works of ingenuity which liven the art landscape through sculpture, videography, painting, photography and new media.
VMFA: Futures highlights emerging talent but also explores commonalities amongst the artists’ work each sharing visual, woven poems referencing subjects such as the acceleration of environmental destruction, the grasp of fading moments, the provocation of word play, the resonance of family belongings and the ritual of preservation. Exploring forms of personal documentation, this exhibition examines the artists’ response and dealings with traces of past and present and interacting perspectives.
Featured artists include Soomin Ham, Rebecca Silberman, David Franusich and Sarah Phillips.
(Im)Permanence Continued
Solo Exhibition, Cynthia Myron
On View through October 6
Reception: Saturday, August 10, 6-8pm
McGuireWoods Gallery, 2nd Floor
Clay International
Juried Exhibition
On View through October 13
Reception: Saturday, August 10, 6-8pm
Vulcan Gallery, 1st Floor
Clay International represents the depth and breadth of contemporary functional and sculptural ceramic artworks being created throughout the country. Ceramic Artist and Educator – Peter Beasecker juried over 300 images to select 52 pieces of art which incorporate a contemporary spirit as well as a technical mastery of the material. The show is a rare opportunity to see a variety of styles and techniques which encompass the field of contemporary ceramic arts.
Juror’s Statement – It was an honor to be asked this year to jury the 2019 Workhouse Clay International. With over a few hundred entries, it was exhilarating as it was exhausting. As a juror, I found myself exercising my imaginative abilities to envision the three-dimensionality of the objects, filling the absence of intimacy experienced only by close inspection and touch. I was most drawn to the pieces that ignited my curiosity and left me wanting more: works that both challenged and reaffirmed my own sensibilities. Though I was impressed with the range of entries, I did not select pieces for diversity’s sake. Rather, I chose objects that expressed a sense of confidence in what they were or the conviction of their message. While some pieces clearly embraced risks and were a part of a more contemporary conversation, that did not dim the light of those pieces quietly celebrating the rich history of the functional vessel.