The Power of the Web
A while back I showed you the below drawing ("Woman on the Moon About to be Swept Off Her Feet by a Flying Bald Man"). The drawing itself was sold at my last Washington, DC solo.
Opportunity for Latino and/or Hispanic and Latin American Artists
Teresa Diaz is a curator searching for DC Area Latino/Latin American Artists as she currently has several curatorial endeavors in the DC Area and is trying to expand to other cities.
Interested artists should send her an email to terediaz@yahoo.com with your website, or four samples of web resolution images of your work.
In the near future you may take a look at my website (currently under construction) at www.latinovisualsource.com
Art Job
Deadline Sept. 17, 2007
Carnegie Mellon University is currently looking for a gallery director for the Regina Gouger Miller Gallery at the College of Fine Arts of Carnegie Mellon University in Pittsburgh.
The College of Fine Arts at Carnegie Mellon University is comprised of the five Schools of Architecture, Art, Design, Drama and Music; the Studio for Creative Inquiry; and the Regina Gouger Miller Gallery. They are presently searching for a Gallery Director to be responsible for the stewardship, management and curatorial programming of the 9,000-square-foot Regina Gouger Miller Gallery in the Purnell Center for the Arts.
Salary: Negotiable
Application Deadline: September 17, 2007
Submit applications online via this website Position #3324
Heard online
"The new [Washington Post Style & Arts] section will indeed have coverage of local artists and local galleries. Check out the Studio feature. We're going to run one like that every week and we hope to get lots of submissions from local professional artists. Contact style@washingtonpost.com or art critic Blake Gopnik or arts editor John Pancake or arts editorial aide Rachel Beckman."The bold accent is mine. Read the whole online exchange here. This means that Blake Gopnik's boss, under the new focus of the revamped Washington Post Arts & Style section, has directed him to begin "coverage of local artists and local galleries."
Deborah Heard
Washington Post
Asst. Managing Editor for Style
Wynn is Winning
A couple of weeks ago I pointed you towards the work of DC area painter and new blogger Wynn Creasy.
The CP's Joe Eaton has a really good article in the current issue of the CP discussing Wynn's take the bull by the horns attitude towards her artwork. She makes some good points and also makes one erroneous generalization about art galleries and dealers' commissions - but it's a common misconception by emerging artists - but hey! this lady is charging forward!
Read it here.
Job in the Arts
The WPA/C is looking for a new Membership Director; this is a full time staff position. The Membership Director is primarily responsible for maintaining the Membership and Patron and ArtFile Online databases, processing membership renewals, editing and distributing the weekly WPA\C newsletter and bi-annual Artist Directory, and maintaining the organization’s website. In addition to these regular duties, the Membership Director will assist other staff members on an as-needed basis to help complete projects and mount exhibitions.
Please send a cover letter, resume, and several writing samples to:
Human Resources
Corcoran Gallery of Art
500 17th Street, N.W.
Washington, DC 20006-4804
Everything but Art
The Washington Post's new "Style & Arts" section debuted yesterday.
Here it is, and ahem... I couldn't find any art reviews in it.
Where's the art?
Deborah E. Heard, assistant managing editor for Style, will be online today, Monday, Aug. 27 at 2 p.m. ET to field your questions and comments about the new Style & Arts section.
Submit your questions here.
This is a good opportunity for anyone so inclined to contact Ms. Heard and express the dismay that we all feel about the Washington Post's spectacular apathy towards the DC area visual arts scene outside of our great DC area museums. Please be courteous.
Fact: When Ms. Heard predecessor, Eugene Robinson took over as editor of Style, he inherited a section that had a weekly column dedicated to art galleries (the "Galleries" column) and a second weekly column (the Arts Beat column) which was focused mostly on the visual arts and on arts news. Under Mr. Robinson, the Arts Beat column was reduced to twice a month, and refocused on all the arts (most of which already get decent coverage in Style.
Fact: Eugene Robinson also began the process to let Blake Gopnik get away with only reviewing (with one or two very rare exceptions) museums, thus having the nation's only art critic too good to review his city's artists and art galleries.
Fact: On July 6, 2006, Steve Reiss (the Style section's Asst. Editor) stated online: "As for Blake Gopnik, he is a prolific writer and I find it hard to argue that we should be giving up reviews of major museum shows so he can write more about galleries that have a much smaller audience."
Fact: When Robinson left, under Deborah Heard, the coverage got even worse, with "Galleries" being reduced to twice a month. That adds up to around 25 columns a year to review the thousand or so gallery shows that the DC area gallery art scene has to offer.
Fact: On March 15, 2005, Deborah Heard was online and someone asked her:
Washington, D.C.: When are gallery reviews going to start running every week again? Are you currently seeking a new freelance galleries critic?Memo to Ms. Heard: It has been two years. When are you going to reassess the new section's gallery coverage so that it is at least on a par with the new section's coverage of theatre, music, dance, opera, etc.?
Deborah E. Heard: Reassessing our coverage of art galleries is on my list of things to do. I've already heard from quite a few folks about this so I know it's a pressing issue for some. But give me some time; I've only been in the job for a few months.
While I was gone...
Capps & Andrews steal hottie online vote!
She's incandescent; when bearded he's a Cuban-lookalike... so that helps!
The usually weird details here, and here and here and a ton of comments here.
A beardless Capps and Catherine yak about it here.
I see a future in the Louisiana or Chicago Democratic Machines for these two.
Lorton Arts Center
The WaPo's Annie Gowen has a big two-page spread with 7 images about the new Lorton Arts Center in Virginia right off I-95.
Read it here.
"The arts center will likely be one of the most high-profile amenities in Laurel Hill, where organizers envision not just studio spaces for artists but also two restaurants, a theater, an event center, music programming in a nearby barn, a museum and lofts where artists can live and work."
Fundraising Auction
On November 3, 2007, Equality Maryland, together with students from the University of Maryland Pride Alliance, will be hosting "Equality Beats," a benefit to support Equality Maryland's efforts to secure full marriage equality for same-sex couples in the State of Maryland. The benefit will bring together cultural activities with activism, complete with music, a silent auction of donated artwork, a raffle, and activism campaigns targeting state legislators from the home districts of the people attending. The event will feature a number of high-profile local LGBT and allied musical and comedy acts, DJ's, and low-cost food and drink.
I am donating a piece of my own work and any other artists wishing to donate artwork as prizes for their raffle or silent auction, or if you have any questions about Equality Maryland or this event, please contact Patrick Wojahn at 240-988-7763 or plwojahn@gmail.com or send to:
Equality Beats Silent Auction
Equality Maryland
1319 Apple Ave.
Silver Spring, MD 20910
New arts blog
Studio Frido, based partially in Manchester, MD that has developed a unique process for generating art from small natural and man-made objects. They use "a patent-pending process to transform microscopic computed tomography (CT) scans of natural and man-made objects into works of art. Studio Frido is dedicated to furthering cancer research, children’s education, and general appreciation for the inner beauty of all things."
They also have a blog here and have created a unique print series for the cancer benefit auction at the Scott Carter's Heroes Golf Classic in Tulsa, Oklahoma on August 27, 2007.
Gold
By Shauna Lee Lange
A little over two years ago, Irene Winter, Professor of Fine Arts at Harvard University, gave a talk on the ancient Assyrian site Nimrud and the Queen's ornate crown at the National Gallery. Winter spoke in exacting detail about the aesthetics of radiance, Summarian burial practices, the politics of acquisition, and practices stemming out of antiquities legislation all in connection with her life's work in art and archaeology.
I am not certain why, but what stuck with me was the gold and its immutable nature. I remember viewing slides of gold used over ivory, gold clustered stars, gold appearing as textiles, gold earrings and armlets worn by men, gold bracelets inlaid with turquoise and lapis, gold rosettes, Christian ornamentation and halos, and yes - gold Buddahs.
When you think about it, gold has a certain aura, a living vitality, a shimmering light. It's power, heat, shine, and luster. It's the golden calf, the representation of the sun, the great dome in Jerusalem. Gold is radiance, luminosity, emanating, strong, and durable. It's a strong cultural response. It's a visual and neurobiological reaction that grabs the eye and stimulates pleasure. Gold manifests outwardly, reflecting inner nature.
A high-end experience, gold is - and that's why I love it. It's vitality, auspiciousness, allure, and beauty. It's seductive, compelling, lovely, splendorous, and glorious. This malleable mineral, while today being expensive, also denoted money and wealth in its own accord all those years ago. It can be considered somewhat controversial. A thinking man has to ask what's the morality of luxurious acquisition and excess in a world of demise and suffering?
But to the artist, gold is greed and need. Who among us is satiated with only one hit of Klimt's gold foil, leaf, and paint? No. No. No. We need gold's lift again and again. Give us hearts of gold. Let us hold ourselves to the gold standard. Award us all the gold medal for courage in creating. Let us all live on the gold coast or by the golden rule (if we so choose). Please protect us all from the gold diggers and let us each come across our very own golden opportunity. The luxury of a luminous lift.
Airborne Today
Heading back home... this post from St. Louis Airport, where the gate display says that my flight is departing on time (at 6:50PM). As it is now 6:49PM, I asked the nice AA gate attendant if the flight is going to be late. She says "we're waiting on the pilot to let us know if we're going to be late."
At 7:00PM the multimillion dollar airport display system still has the flight departing at 6:50PM. Someone notices and it goes black.
At 7:12PM the announcement is made that the flight will depart at 9:30PM. The reason: "We're waiting for the captain."
Usual translation: the crew for this flight was re-scheduled on the go to another flight whose crew didn't show up on time, but has a higher priority to depart on time because of arrival time restrictions, and as there are no back-ups in today's austere flying environment, which somehow manages to lose money in spite of filling every seat on the flight, the airlines now has to gather a "new" crew from those on break, or re-assign another crew as the arrival time domino effect begins to take place.
Overdue Recognition
A Master Works Challenge and Artist Reception will be held Saturday, August 25, 2007, 6:00 - 9:00 p.m at the Overdue Recognition Art Gallery, 6816 RaceTrack Road, Bowie, Maryland.
The event culminates an opportunity for both new and established artists to show their works and compete for a private reception. The challenge ran from June 23 - July 28, 2007 and each artist produced works within the time constraints.
Participants include: Pamela Hilliard; Karen Y. Buster; Larry "Poncho" Brown; James Redd; Deborah A. Shedrick; James Murphy; Yolanda Redd; and Larry O. Brown.
Overdue Recognition owners, Jackie and Derrick Thompson, along with Authentic Art Consulting curator Sharon Burton, will jury the show and decide which of the talented artists will receive a gallery showcasing at Overdue Recognition Art Gallery this late fall.
Ms. Thompson stated, "I'm very excited about the show. It has always been a goal of ours to give new artists a venue to show their work, and we're hoping to make this an annual event."
For more information, contact Overdue Recognition Gallery at 1-866-726-8642, or (301) 805-8812 or e-mail: jackie.thompson@overduerecognition.com
Multiplicity
Three artists from New Jersey, Don Simon, Luke Weichmann, and Charles Katzenbach, will be exhibiting their art work at StrataSphere, an exhibition space in Philadelphia.
The exhibition is entitled Multiplicity, which refers to the idea of repetition and duplication. The show, curated by Carol Taylor-Kearney, will be at StrataSphere from August 25th through September 29th. An opening reception for the show is from 2pm until 5pm on Saturday, August 25th.
Job in the Arts
The Honfleur Gallery, a project of the ARCH Development Corporation, is
seeking a very self motivated individual who is capable of working in a team
based environment reporting to the Gallery Director, Creative Director and at
times the CEO. Applicant must bring a sense of enthusiasm to the 2008 season
and be able to speak clearly and knowledgably to clients & potential funders.
Fundraising and Development responsibilities are as follows:
• Creation of Corporate Giving Plans & Exhibition Sponsorships
• Gallery Membership Maintenance and Development
• Outreach including government, community and individuals
• List Creation and Maintenance
• At times, Exhibition Support and Press Announcements
• Representation Follow Up and Assistance
• General Research & Development pertaining to both funding and artist support
• Occasional support with grant proposals and meetings
Individual must be able to identify and prioritize the needs of the gallery. Honfleur is seeking increases in the following areas; Individual buyers,
Corporate buyers/sponsors and Grant assistance.
Salary commensurate with experience.
Requirements:
Bachelors Degree
At least 3 years Development Experience
Some type of artistic background ie visual, music, film etc…
Microsoft Suite
Deadline for applications is September 7th 2007. Please submit a current
resume/CV with references and a one page writing sample to: arts@archdc.org.
Hollywooding
After the usual nightmare that is guaranteed to occur when one flies from Philadelphia Airport, arrived in San Diego, which had the also usual perfect day, and drove to Hollywood to see my daughter and some friends.
Windy streets overlooking Universal City and the whole valley below afforded a spectacular sunset view from every room in the house, and also discovered that a few doors down was William Shatner's home.
It got me to think how Captain Kirk is a living example not only to actors but artists of all sorts.
If anyone could have been typecast by early success it was Shatner. The cult status of Star Trek gave Shatner and Nimoy and others worldwide fame and also could have trapped Shatner into a typecast (like it did for Adam West for example) role.
Shatner grabbed the typecast noose and instead of succumbing to the temptation to give up, he used it to rope us all in and kept re-inventing himself and coming back generation after generation, be it via TJ Hooker or Boston Legal or even that forgettable recording of that Elton John song that shall remain nameless.
This is a lesson for visual artists as well. Witness the typecasting of Piet Mondrian's work once he discovered the success formula for his best-known body of works.
Picasso once said "God is really only another artist. He invented the giraffe, the elephant, and the ant. He has no real style. He just goes on trying other things."
That's what Shatner did and there's a lesson in there for young visual artists.
Bravo Captain!
Opportunity for Artists
Deadline: January 8, 2008
Sarasota, FL - "Embracing Our Differences" invites artists, photographers, professionals, amateurs, teachers and students to participate in its 5th annual visual art exhibit celebrating diversity. National and international submissions are encouraged. 39 artists will be selected for the exhibit.
"The Embracing Our Differences exhibit will be displayed throughout the month of April 2008 at Island Park along Sarasota's beautiful bayfront. The exhibit will also be displayed throughout the month of May 2008 in North Port, Florida. Since 2004, the exhibit has been viewed by more than 400,000 visitors. The exhibit will contain 39 billboard-sized (16 feet wide by 12 1/2 feet high) images of the selected artworks. Final selections will be chosen based on artistic excellence in reflection of the theme "Embracing Our Differences". The art-work will also be evaluated on how effectively it will read outdoors when enlarged to billboard size - 16 feet wide by 12 1/2 feet high. Artists are encouraged to use bold saturated colors and strong lines. Final selections will be made by a 3-judge panel of professional artists, curators and art professionals. A total of $2,500.00 in awards will be presented.
For more information please visit the "website or email: info@embracingourdifferences.org
Opportunity for Artists of Cuban Heritage
Deadline: January 14, 2008
The Cintas Foundation invites applications in the visual arts including painting, sculpture, installation art, design, video art, photography and filmmaking. The fellowship is awarded annually in the amount of $15,000 and is generously funded by the Emilio Sanchez Foundation.
Eligibility is limited to artists of Cuban citizenship or direct descent (having a Cuban parent or grandparent) living outside of Cuba. The fellowship is not awarded to artists currently pursuing academic studies. The fellowship is not awarded for academic writing, study, or research or to performing artists. The Cintas fellow is free to pursue their artistic activities as they wish according to their application, in the United States or in other countries approved by the Cintas Foundation.
Since 1963, Cintas Fellowships have honored over 300 artists of Cuban ancestry including including Carlos Alfonzo, Teresita Fernández, Anthony Goicolea, photographers Andres Serrano and MarÃa MartÃnez-Cañas, sculptor Maria Elena González, filmmaker Mari RodrÃquez-Ichaso, among others.
The application deadline for the Cintas Foundation Emilio Sanchez Award in the Visual Arts is January 14, 2008. For more information and application forms, please visit the website www.cintasfoundation.org or contact: Ingrid LaFleur Rogers, Cintas Fellows Collection Manager, at ingrid.rogers@fiu.edu.
