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Early Look Peek
Here's another early peek at another student whose work I've selected for the "Early Look" student exhibition at the Long View Gallery in DC next month.
Her name is Lauren Albert and she's a senior at Moore College of Art & Design in Philly. Below is an animated video which will be in the show. See some of her 2D artwork here.
Artists' Talk: DC
Christine Gray's "Spring Thaw" exhibition ends on May 4, but there's a closing reception at Project 4 in DC and an artist's talk this coming Saturday, May 17 at 3:00pm.
DCist on Janis
DCist's pops in with a really good profile of DC area sculptor Michael Janis.
Because of Janis’ strong architectural background, he works with industrial glass, giving it new meaning, context and function. Much of Janis’ work deals with self identification, and how luck and chance have influenced his life, work, and how one views oneself. Drawing with crushed glass powder, he uses static electricity to take away the powder and reveal the desired image
Pat Monk
The WaPo's Christina Ianzito checks in with a really cool profile on DC area artist Pat Monk.
As a young physicist, Pat Monk helped build the atomic bomb. Now, at 87, it's his creativity as an artist that's exploding.Read it here.
Friday in DC: Artomatic Meet The Artists Night
Mix, mingle and meet the artists at Artomatic on Friday, May 16, 7 p.m.–10 p.m
Many Artomatic artists will be throwing mini-gallery openings in their spaces tomorrow night and will be on hand to answer questions about their work.
This year’s Artomatic has more to see than ever before. Ten floors of work, including ceramics, sculptures, installations, paintings, fiber works, murals and photography are on display, and in many cases, the work is for sale.
Visitors on Meet the Artists Night will be able to sample the fun, creative energy that is Artomatic. A full schedule of free events is planned for Friday, including films, dance, poetry, music and even fire dancing. Live music will kick off at 6 p.m. and run through 1 a.m., with performances by James Stephen Terrell, Movimiento, Collider, DJ Sequoia and others.
New Wilmington Gallery
Tonight is the grand opening (between 6-8pm) of a new art gallery in Wilmington, Delaware.
Come celebrate the opening of the new Montage Gallery at WHQR.
RSVP by calling 910-343-1640.
Opportunity for Artists
Deadline: Friday, May 30th, 2008 at 5:30 pm
The DC Commission on the Arts and Humanities (DCCAH), in collaboration with District Department of Transportation (DDOT) and surrounding communities, is seeking an artist or artist team to work with urban designers, transportation and trail planners, landscape architects, civil engineers and District government employees to create a comprehensive and cohesive plan that visually unifies the Metropolitan Branch Trail (MBT) with artistic enhancements.
This artistic driven identity created by the selected artist(s) will be included in a variety of signage and amenities along the trail as well as maps and materials about the trail. This call is open to Mid-Atlantic artists and the Design Budget is $7,550.
To download the Call to Artists please visit the Commission's website.
For more information please email Deirdre Ehlen at Deirdre.Ehlen@dc.gov or call 202-724-5613.
NYT on Hirshhorn
The New York Times takes an interesting look at DC's Hirshhorn Museum.
Gorgeous image of the hangers installation is by DC's own Dan Steinhilber, one of the precious few DC area artists whom the museum has glanced at in recent memory; let's hope that the museum's new refocusing on its identity expands on that area and begins looking more into its own backyard.
Alternative
Those of you who attended my bootcamp for artists' seminars in the past know well that I think that the worst place for art is hidden away in your closet or studio or basement: art should be displayed as much as possible so that an artistic dialogue - and maybe a few sales if that's the aim - can take place.
And I am a big fan of alternative spaces to show artwork. DC is loaded with those and I wanted to alert you that I am hearing good things about such a to a place for DC area artists to get some exposure for their work.
There is a very cool restaurant in the Shaw area of DC called Vegetate. I am told that the food is artful and that they show good local art on the walls.
Currently Judith Peck is showing fifteen of her paintings alongside with Ken Ashton's photographs and they look great. Check it out.
Tomorrow in DC: Int'l Art Affairs
On Thursday the fair opens at 2:00PM with a 4:00PM wine reception at 1209 10th Street (rear). This will be followed by art and video at 903 N Street – The Space-DC.
The following days will be filled with Art talks, social gatherings in the evenings and art browsing time from place to place.
Details
here.
This weekend in Reston
17th Annual Northern Virginia Fine Arts Festival at the Reston Town Center — Reston, Virginia. May 17 & 18, 2008 - 10am — 6pm daily.
Come see 185 juried artists from all over the nation; about 30,000 art lovers will be there as well. Details here and see ya there!
Early Look
As if you didn't know... I've been visiting schools up and down the Mid Atlantic and getting submissions in the mail for "Early Look" which is a show curated by me offering to the DC area some really good undergraduate artwork. The show will be in DC's Long View Gallery and then some work will travel to Norfolk's Mayer Fine Art.
I've looked at work by around 1,000 students and I am now in the process of inviting students. More details later, but as a teaser look at this gorgeous, dark, macabre pastel drawing by GMU's own Tanya Wilson (click on the drawing for a larger image).
Artists' Websites: Andrea Haffner
What the $#%& Happened at the Corcoran?
By Rosetta DeBerardinis
Participating artists and ticket-holders to the Corcoran’s “Art Anonymous” exhibit and fund-raiser were asking that last week when the museum sent out an e-blast canceling the fundraising gala. But, the questions didn’t stop there; the preview for the artists and the sale were just as confusing.
Some events in the art world are more priceless than the art. And, this event had all the ingredients of an art reality show. The high-point of the evening was standing behind Martin Irvine, owner of Irvine Contemporary, whose layered blonde hair swung across the collar of his black jacket as he banged on the massive black Beaux-Arts doors of the Corcoran Gallery of Art.
Priceless, I tell you! Mr. Irvine had volunteered to assist with the event but like the bewildered artists and ticket-holders but found himself locked out.
The Corcoran’s second email to the artists who had donated work for its fundraiser to benefit the College of Art consisted of another apology and a second bite at spin-control. That email invited artists to attend a reception and sneak-preview two hours prior on the day of the sale from 4-5 p.m. on Saturday.
And, I was told that the spin on the other-side was that tickets had suddenly become available for purchase a few hours prior to the sale. Rumor has it that it sold 175 tickets within that time so things were back on track again.
Well, not exactly.
The ticket holders were now entitled to one free painting, instead of paying $100 for it, in lieu of the advertised gala with food and dancing. Should they wish an additional work of art it was available for $100 each.
Upon entering the small gallery adjacent to the school across from the Hammer auditorium one quickly realized that it would have been impossible to hold any gala in there with dancing even if the guests were intimate. The small works with a size limitation of 5” x 7” or 7” x 5” were hung in three tiers around the walls of the white- cube. Since the artists were not identified one could only speculate on its creator. Some were easier to identify than others; although I couldn’t tell Tim Tates’ from Michael Janis, however, I felt certain it was one of them. Many of Washington’s top artists donated their work to be sold for $100. But, they expected to attend a gala and mingle with the patrons and sip wine with each other too. Not happening!
At 5 p.m. artists were politely asked to leave the gallery in preparation for the sale an hour later and not allowed be attend the sale. Outside there was lots of speculation about what happened, but no answers offered. Attendees soon began to arrive forming a line down the marble staircase on New York Avenue and along the sidewalk. Martin Irvine rightfully was at the head of the line continuing to bang on the doors and taking breaks to dial his assistant Laura on his cell phone who was inside the gallery, hoping she would grant him entry.
“The cell phone is in her purse and the purse is not with her,” he repeated several times. Local collector, Veronica Jackson, dashed up the stairs with the hope that Mr. Irvine had some answers. But, he responded by shrugging his shoulders and citing his personal dilemma then started to dial and bang again.
The doors parted at exactly six o’clock. We all insisted that poor Mr. Irvine be the first to enter. A woman stood at the entrance with a printed list of names to avoid the chance of “walk-ins.” Inside there were velvet theatre ropes along the walls.
This must be what they needed time to do. And, they had added Pellegrino to
a clothed table which only had wine an hour ago. Entry was only granted to about ten people at time and they had the confused look of the day. Corcoran staff sat at a table in the center of the floor with forms and Laura stood next to it holding a cordless microphone. Runners were stationed in all four corners holding pages of red dots.
This is what happened. At the start of the exhibit there was a pedestal with a form and pencils. One was to run between the ropes as quickly as possible hastily jotting down their picks. Then you hurried to submit your picks at the table and if it was still available Laura belted out the number and a red dot landed next to it. The room soon began to fill because some people’s choice were scooped-up and they had to quickly run to make another decision then run back to the table for submission. The patrons who were not accustomed to running and rushing around created a bottle-neck at the door spinning around bewildered.
All in all it was a good night. Where else could you get a piece of original art at those prices?
Bethesda Painting Awards Finalists
The 2008 Bethesda Painting Awards finalists have been announced and they are:
Amy Chan, Richmond, VAThe jurors are Timothy App, who teaches at the Maryland Institute College of Art (MICA); Dr. Anne Collins Goodyear who is assistant curator of Prints and Drawings at the National Portrait Gallery and serves on the Board of Directors of the College Art Association; and Reni Gower, who is a Professor in the Painting and Printmaking Department at Virginia Commonwealth University.
Suzanna Fields, Richmond, VA
Janis Goodman, Washington, D.C.
Tom Green, Cabin John, MD
Lillian Bayley Hoover, Baltimore, MD
Sangram Majumdar, Baltimore, MD
Katherine Mann, Baltimore, MD
B.G. Muhn, North Potomac, MD
Bill Schmidt, Baltimore, MD
Art Talk: DC
On Tuesday, May 20, the Jackson Art Center will host ART/TALK, a free community event with noted DC art collector and arts activist Philip Barlow. Doors open at 6:15PM, talk/discussion at 6:30PM. Refreshments served. 3048 1/2 R Street, NW (across from Montrose Park in Georgetown, in DC).
Investing in art
There's no question that the upside of art investing can be way, way up. An untitled Jean-Michel Basquiat painting — purchased by New York collectors Barbara and Eugene Schwartz in 1981 for $3,150 — sold at Sotheby's last year for $14.6 million to benefit a museum. If that original amount had instead appreciated in step with the S&P 500, its value would have been about $36,000 in 2007. But for every Basquiat with breathtaking returns, there are thousands—millions?—of paintings sitting bashfully in attics or boastfully on walls, worth even less than some admiring buyer paid for them years earlier. So is it foolishness for the average boomer with some savings and a little spare time to try to buy beauty with the parallel goal of building wealth for retirement?Read the USNWR article here.
Not if you ask Walter Manninen, a 53-year-old collector and former executive who now is a senior business adviser in the small-business-development center at Salem State College in Massachusetts. Manninen grew up in the nearby artists' magnet of Cape Ann and began buying art with his grocery money in his early 20s. "I grew up with art in my backyard, but I wasn't born with a silver spoon in my mouth," he says. His purchases—each, in the beginning, no more than $2,000 to $3,000 — now are one of his most valuable assets. As investments, his collection has "really outperformed everything," he says, stocks, bonds, and real estate included.
