Tuesday, December 16, 2008

Artomatic 2009

Artomatic, the open art show that traditional art critics hate and that everyone else loves is coming back to the DMV in 2009 and they've got a party for new and returning volunteers.

The party to volunteer for Artomatic 2009 is December 20th, 1-3 pm at Onyx Apartments
(1100 First St, SE, Washington DC 20003).

Details here.

Monday, December 15, 2008

Burrito?

A while back I wrote about my absolute favorite TV show (Showtime's "Dexter") and how it puts me on a private pedantic hell because of the show's spectacularly lousy dialectic writing about Cuban Spanish.

Michael C. Hall as DexterTo recap, in the series, Michael C. Hall is absolutely brilliant as a serial killer who works as a blood expert for the Miami Metro Police while hiding the fact that he is also a serial killer. Dexter goes after bad guys, but he is still a truly disturbing psychopath pretending to be normal while killing bad guys left and right in a very orchestrated manner.

Because it takes place in Miami, there's a lot of Cuban stuff and characters going on, but whoever the writer(s) for the series is, they seem to believe that Cubans in Miami are indistinguishable from the Hollywood area Mexicans and Mexican-Americans that he or she "knows" as Latinos or Hispanics.

As a result some pretty amazing cultural blunders in the spoken language continue to occur in the show, and I discussed some here.

But now an even more egregious culinary blunder took places in the series finale that revealed to me that the writer or writers for this series have zero understanding of the diversity of cultures in their own continent, and now I am firmly convinced that they have never set foot in Miami.

Last night was the series' season finale, and it was very, very good, with Dexter almost being the victim of another serial killer being hunted by Miami police.

Let me set a different background for you. Imagine that you're watching a TV series and the characters walk into a restaurant in South Carolina and inside a big sign announces that the restaurant has the "Best Soul Food in the South." The characters sit down and then they order Egg Foo Young and a couple of egg rolls.

That would not make sense, right? Lousy script writing?

In the Dexter season-ending episode, actress Jennifer Carpenter, who plays Dexter's annoying and foul-mouthed sister and now Detective Debra Morgan, walks up to a food establishment, where a prominent sign displays that it sells "The Best Cuban Food in Miami."

She then orders a burrito.

A burrito?

There is no such food item in any Cuban restaurant in Miami, or Cuba or the entire planet Earth. Outside of a Mexican restaurant environment, you ask any Cuban what a "burrito" is and he will tell you that it is a small donkey. A "burro" is a donkey or ass, and a "burrito" is a small donkey.

Cuban food does not include any dishes called burrito, but Dexter's Hollywood-based writers, never having set foot in Miami or even a Cuban restaurant in la-la land, assume that Cuban food (and by default all Latin American food) consists of burritos, tamales, refried beans, enchiladas, etc.

We had a small "Dexter watching" party last night, and one of the persons in the group was a very good Puerto Rican friend. When Detective Debra Morgan ordered a burrito at a place selling "Miami's Best Cuban Food," we both burst out laughing.

However, inside: Showtime, you're killing me!

Robert Johnson's black art collection coming to DC

Johnson may be known for the low-budget comedy routines and booty-shaking music videos that drove the success of BET, the cable channel he founded and that turned him into America's first black billionaire in 2001. But in his private moments he is moved by art that documents the struggles and achievements of black people in America. Since the early 1980s Johnson, 62, has assembled some 250 pieces by 19th- and 20th-century African-American artists. Though Johnson's collection is probably worth only a couple of million dollars, it includes some of the most famous names of the genre: cubist-inspired collage artist Romare Bearden (1911--88); modernist Harlem painter Jacob Lawrence (1917--2000); and Henry Ossawa Tanner (1859--1937), who studied under Thomas Eakins in the 1880s and was the first black painter to gain international acclaim.
Read the article here, which also states that "Johnson, who plans to stage a Washington, D.C. exhibition of his art this February, believes the works should be displayed separately from those of white Americans."

The piece doesn't say where the exhibition will be, which is a little odd, since it will be in a couple of months.

But as I object to the segregation of artists by race, as Mr. Johnson apparently believes, or by gender (thus my opposition to the National Museum of Women in the Arts concept) or by ethnicity (thus my opposition to the Latino Museum idea).

Art is art.

Perhaps Mr. Johnson intends to add a specialty focus to his DC exhibition, such as "The Impact of African American Art on Contemporary Art," which would then make sense to have a "black Americans show only."

Otherwise I call upon Mr. Johnson to use his considerable influence to make more museums add deserving black American artists to American art museums. Or perhaps to call upon the Obamas to add more deserving black American artists to the White House collection, which only has three such artists in its entire collection, two of which were added by the Bushes.

Segregation doesn't work for art either.

Saturday, December 13, 2008

MOCA Supporters

"About 450 people, including a number of prominent Los Angeles artists, crowded into the Museum of Contemporary Art's Geffen Contemporary space in Little Tokyo on Sunday afternoon, drawn to a hastily arranged rally of sorts in support of MOCA, spurred by recent reports of dire financial problems that threaten the existence of the downtown museum."
Read the LAT story here.

Strauss Fellowships for Individual Artists

Application Deadline: January 19, 2009

Named for Bill Strauss (1947-2007), gifted writer, co-founder of the Capitol Steps and the Cappies, the Strauss Fellowships for Individual Artists support and encourage Fairfax County's finest creative artists in all disciplines and recognize professional working artists' achievements and their demonstrated history of accomplishments; they promote artists' continued pursuit of their creative work.

Grants workshop: January 6, 2009

Grant Application Deadline: January 19, 2009

Download Guidelines and Application in a PDF or in Word at this website.

The Arts Council offers free grant writing workshops to applicants prior to grant application deadlines. All applicants, particularly first time applicants, are strongly encouraged to attend.

The 2008 Strauss Fellowship Recipients were: Jill Banks, Michael Travis Childers, Eileen Doughty, Linda Hesh, Kristin Johnsen-Neshati, Rebecca Kamen, Elizabeth Anne Kendall, Marni Maree, Lilianne Milgrom, Yoshiko Ratliff, Bryan Rojsuontikul and Susan Shields

For more information about the Arts Council's grants, please contact Jeannette Thomas, Grants Administrator, at grants@artsfairfax.org or at (703) 642-0862, ext. 4.

Incredible Art Day in DC area

Today is the day of days if you're into the arts in the greater DC area... not only are there a ton of openings going on later tonight, but also there are dozens and dozens of open artists' studios (such as the Mid City Artists) and the Washington Glass School, which is where I am today and I just got here and let me tell you, there are a lot of really good affordable glass, etchings, and cool art things from the school's faculty and students and a lot of other invited artists. And from there you can also walk to the many artists' studios in the same building complex.

Come see and buy some art somewhere today!

Friday, December 12, 2008

Opening in Richmond today!

All the background about my solo show opening at 6PM today is here, but the bottom line is that if you are anywhere near Richmond, Virgina today Friday, December 12 between 6-9PM, swing by Red Door Gallery where my solo show "The Colors of Wars to Come" is opening and say hola!

Suspension Ribbon for the Second Cuban Pacification Campaign Medal


"Suspension Ribbon for the Second Cuban Pacification Campaign Medal." Oil on canvas. 24x48 inches by F. Lennox Campello, c.2008
The Second Cuban Pacification Campaign Medal was established by Executive Order 13459 signed by the President on 03 May 2011. It may be awarded to American military and naval personnel for participating in prescribed operations, campaigns and task forces ranging in dates from 24 March 2010 to present.

The area of operations for these various campaigns includes the total land area and air space of Cuba (including the Isle of Youth), and the waters and air space of the Caribbean Sea within 12 nautical miles of Cuban coastline.

Personnel must be members of a unit participating in, or be engaged in direct support of, the operation for 30 consecutive days in the area of operations or for 60 non-consecutive days provided this support involves entering the area of operations or meets one of the following criteria:

• Be engaged in actual combat, or duty that is equally as hazardous as combat duty, during the operation with armed opposition, regardless of time in the area of operations;
• While participating in the operation, regardless of time, is wounded or injured and requires medical evacuation from the area of operations;
• While participating as a regularly assigned aircrew member flying sorties into, out of, within, or over the area of operations in direct support of the military operations.

One bronze service star shall be worn on the ribbon for qualifying participation during an established campaigns. However, that if an individual's 30 or 60 days began in one campaign and carried over into another, that person would only qualify for the medal with one service star. The medal is not awarded without at least one service star.

The executive order provides that service members who qualify for either the Armed Forces Expeditionary Medal or the Armed Forces Service Medal for service in Cuba between 24 March 2010 and 01 May 2010, remain qualified for those medals. However, upon application, any such member may be awarded the Cuban Campaign Medal in lieu of the Armed Forces Expeditionary medal or the Armed Forces Service Medal, but no Service member may be awarded more than one of these three medals for the same period of service in Cuba.

The suspension ribbon for the medal's white, and blue colors were suggested by the striking colors of the Caribbean Sea and the stripes of the Cuban flag.

Rousseau on Aquilino

John Aquilino has been one of my favorite DC area painters since he moved from New York to the Maryland suburbs a few years ago. His landscapes are elegant and intelligent, and under the pretext of being an urban landscape, are really all about the handling of light and form, not really the subject matter.

He currently has an exhibition in Bethesda's Neptune Gallery, and like any other Aquilino shows in galleries and art fairs, it is selling out very quickly.

Dr. Claudia Rousseau of the Gazette newspapers reviews that show here and once again I wonder why this very talented bilingual art critic is not writing for the Washington Post (which owns the Gazette chain).

Aquilino is also a master of light, as in a painting like "No Parking" in which the angled sunlight falls sharply on the garage walls. These harsh contrasts of light and shadow are reminiscent of Edward Hopper, or even more of Charles Sheeler in the 1920s and '30s; the two are important 20th century American precedents for Aquilino's style. Like Hopper and Sheeler, realism is tempered with an abstract sensibility to underlying form, and a tendency toward simplification and reduction to emphasize the juxtaposition of shape and color. Hopper often included the human figure, bringing a sense of narrative into his work. Although Sheeler's cityscapes and paintings of factories eliminated the figure, there was always a hidden discourse about progress in them. It is this narrative element Aquilino seems to reject.

Bettie Page is gone

"Page was mystified by her influence on modern popular culture. 'I have no idea why I'm the only model who has had so much fame so long after quitting work,' she said in an interview with The Times in 2006.

Bettie Page
Read the LAT obit and story here on this icon.

The richer they are...

The cheaper they are:

"He is one of the world's richest artists, who defied the credit crunch in September by auctioning a whole collection for £111m. But even Damien Hirst may not be immune to the economic climate - many of the workers who produce his works found themselves out of a job this week, the Guardian has learned.

On Thursday, up to 17 of the 22 people who make the pills for Hirst's drug cabinet series were told their contracts were not being renewed, according to two sources close to Science Ltd, Hirst's main art-producing company. Another three who make his butterfly paintings were also told they were surplus to requirements.

It is thought that amounts to approximately half of the London-based artists who work for Hirst. They are paid about £19,000 a year, sources said. In June 2007, Lullaby Spring, a cabinet filled with hand-painted pills, sold for £9.65m."
Read the Guardian story here.

Thursday, December 11, 2008

I'm opening in Richmond on Friday

You can read the background about the show here, but the bottom line is that if you are anywhere near Richmond, Virgina tomorrow (Friday, December 12) between 6-9PM, the place to be is Red Door Gallery where my solo show "The Colors of Wars to Come" is opening.

Suspension Ribbon for the Alaska Secession Pacification Campaign Medal


Suspension Ribbon for the Alaska Secession Pacification Campaign Medal. Oil on Canvas by F. Lennox Campello. 18x24 inches, c.2008
The Alaska Secession Pacification Campaign Medal was established by Executive Order 14178 signed by the President on 7 December 2014. It may be awarded to mainland and Hawaii American military and naval personnel for participating in prescribed operations, campaigns and task forces ranging in dates from 6 September 2013 to the present.

The area of operations for these various campaigns includes the total land area and air space of Alaska and surrounding islands, and the waters and air space of the Gulf of Alaska, Bering Strait, Pacific Ocean and the Arctic Ocean within 12 nautical miles of the Alaska coastline.

Personnel must be members of a unit participating in, or be engaged in direct support of the operation for 30 consecutive days in the area of operations or for 60 non-consecutive days provided this support involves entering the area of operations or meets one of the following criteria:
• Be engaged in actual combat, or duty that is equally as hazardous as combat duty, during the operation with armed opposition, regardless of time in the area of operations;
• While participating in the operation, regardless of time, is wounded or injured and requires medical evacuation from the area of operations;
• While participating as a regularly assigned aircrew member flying sorties into, out of, within, or over the area of operations in direct support of the military operations.

One bronze service star shall be worn on the ribbon for qualifying participation during an established campaigns. However, that if an individual's 30 or 60 days began in one campaign and carried over into another, that person would only qualify for the medal with one service star. The medal is not awarded without at least one service star.

Additionally, one black service star shall be worn on the ribbon for qualifying participation during oil fields recovery and pacification operations immediately following the defeat of the Alaskan Insurgent Army.

The suspension ribbon for the medal's white and black colors were suggested by the colors of the snow and ice bound views of the Alaskan coastlines and by the color of oil, its main economic force.
See ya there!

Open Studios: Matt Sesow

DC's Matt Sesow is having shows all over the place, but this this Saturday from 12-6PM he has an open studio.

Details here.

Lecturin' at the Museum

Lenny Campello lecturing at Easton Museum

My world famous lecture on collecting contemporary art (a primer for art collectors), which includes a bonus lecture on fun art history.

Email kidnapping

And so I get this email:

Artworks Purchase.‏
From: Lennox Campello (lennox_campello@yahoo.com)
Sent: Thu 12/11/08 12:02 PM
To: lenny@lennycampello.com

Hi ,

I checked you website and i think your artworks sucks....

lennox campello.
And clearly, someone with too much time in their hands and too much evil in their heart has gone through the trouble of creating a fake email account in Yahoo in my name just so that he can send me (and probably others) hate emails in my name.

If you get an email from "lennox_campello@yahoo.com" - it is not me.

But clearly this idiot is not aware that the days when you could do this in total anonimity are gone and that it is illegal to do what they have done and quite punishable by law. And we have busted the following from the fake email:
X-Message-Delivery: Vj0xLjE7dXM9MDtsPTA7YT0wO0Q9MTtTQ0w9Mg==
X-Message-Status: n:0
X-SID-PRA: Lennox Campello
X-Message-Info: JGTYoYF78jHU+hsIIhqBSgZ9LzI/t33wvrR8pu/N0FjUEEwMSzkurxMuOWIFNS55EWkNlfuhXScIr6gSVZwh+Ba9VMEaVjZ/
Received: from mailout04.yourhostingaccount.com ([65.254.254.70]) by bay0-mc6-f21.bay0.hotmail.com with Microsoft SMTPSVC(6.0.3790.2668);
Thu, 11 Dec 2008 04:02:21 -0800
Received: from mailscan12.yourhostingaccount.com ([10.1.15.12] helo=mailscan12.yourhostingaccount.com)
by mailout04.yourhostingaccount.com with esmtp (Exim)
id 1LAkFJ-0002wM-04
for lennycampello@hotmail.com; Thu, 11 Dec 2008 07:02:21 -0500
Received: from impinc03.yourhostingaccount.com ([10.1.13.103] helo=impinc03.yourhostingaccount.com)
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Received: from n2.bullet.mail.gq1.yahoo.com ([67.195.9.85])
by impinc03.yourhostingaccount.com with NO UCE
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X-EN-OrigIP: 67.195.9.85
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b=cJjejjQZB/owCxdEzFGPriAwQ3g2ASadtAQruxNda3Ic5fcrDhBgbwLBA3nvhdw/On1tmMh59tDeXllRLtHyBOyJW+mNYh8m8vzXKzANS7CH23QFVJ7jYUqafiCBwuWACwGxULPtUteL1qOER/yu0oGeFjKXI4bw38+qsmS/uuc=;
X-YMail-OSG: AJ8VyKUVM1mC_GqO7zSM0NtIFZBxDq.3wQeCdhzYDFviM2BN9EhPKXnwG.x.zVDa2L8dYnwgz5XXdH48bBHWCY1OZSecsaeVrVeZnxmvv.QLDX620T.F3pfFPM8E3lPCDE0fhN4kuUestoWvoCtN5qAh9obs
Received: from [41.220.75.3] by web111211.mail.gq1.yahoo.com via HTTP; Thu, 11 Dec 2008 03:56:11 PST
X-Mailer: YahooMailWebService/0.7.260.1
Date: Thu, 11 Dec 2008 03:56:11 -0800 (PST)
From: Lennox Campello
Reply-To: lennox_campello@yahoo.com
Subject: Artworks Purchase.
To: lenny@lennycampello.com
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="0-2120375569-1228996571=:19021"
Message-ID: <969407.19021.qm@web111211.mail.gq1.yahoo.com>
Return-Path: SRS0=K+iieE=4Q=yahoo.com=lennox_campello@lennycampello.com
X-OriginalArrivalTime: 11 Dec 2008 12:02:21.0757 (UTC) FILETIME=[52ADC6D0:01C95B88]

--0-2120375569-1228996571=:19021
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable

Hi ,
=A0
I checked you website and i think your artworks sucks....
=A0
lennox campello.=0A=0A=0A
--0-2120375569-1228996571=:19021
Content-Type: text/html; charset=us-ascii

Hi ,

 

I checked you website and i think your artworks sucks....

 

lennox campello.


--0-2120375569-1228996571=:19021--
You have 24 hours to send me an apology note or you'll be hearing from my lawyer (and from law enforcement) soon.

Wednesday, December 10, 2008

When you have loads of money...

"A few months ago, a mystery began blossoming on the streets of New York. All around town, on hundreds of hoardings, bus shelters, phone kiosks and half a dozen billboards in high-traffic areas, a simple white-on-black phrase teased passersby: "See The World Through Ana's Eyes." What did it mean? The sheer omnipresence of the ads suggested it was the work of a movie studio, but no forthcoming releases seemed related. Workers in offices near the billboards quizzed each other and came up blank. Amateur sleuths went online to share theories, to no avail.

Then, late last month, the stark ads were replaced with reproductions of paintings composed of bursting, wild colours, and a new tag line: "See the world through Ana Tzarev's eyes." Oh, well then: Mystery solved.

Wait - Ana who?

Ana Tzarev is a 72-year-old painter, and though almost nobody has heard of her, she is about to become the first person in New York - indeed, perhaps in the history of the art world - to have her work carry a price tag of a million dollars without first ever having sold a single piece of art."
Read the G&M story here.

Gateway Arts District Open Studios coming up!

The Gateway Arts District Open Studio Event will take place on Saturday, December 13, from 1:00-5:00 p and it is a public self-guided tour of professional studios showcasing a variety of mediums - clay/ceramics, painting, sculpture, glass, photography, mixed media, and printmaking

Participating venues include Flux, Red Dirt, Washington Glass School along with several other artists whose studios are located throughout the municipalities of Mount Rainier, Brentwood, North Brentwood and Hyattsville.

The Arts District, just over the border from DC, is a veritable new and growing hot spot of highly acclaimed artists (and a lot of cool new restaurants) that produce works that are exhibited and collected nationally and internationally. For further information, contact Tonya Jordan at 301-864-3860, ext. 1 or email: tonya@gateway-cdc.org.

Wanna go to an Alexandria opening tomorrow?

The Art League Gallery inside the Torpedo Factory in Alexandria, Virginia will be hosting an opening reception on Thursday, December 11 from 6:30 to 8:00pm for "Virtue, Sin & the Balance Within."

On exhibition are Carlos Beltran Baldiviezo's contemporary fine art sculptures, featuring 14 fascinating sculptures representing his "sometimes controversial interpretation of the Seven Virtues and the Seven Deadly Sins." Through January 5, 2008.

Opportunity for Artists

Deadline: 5:00pm on Friday, January 23, 2009

The Cultural Development Corporation (CuDC) is requesting proposals for the Gallery at Flashpoint's September 2009/August 2010 season. Open to all artists, independent curators and arts organizations presenting contemporary work in any medium. The Request for Proposals can be found at flashpointdc.org. The Gallery at Flashpoint presents cutting-edge contemporary art and provides a springboard for talented artists and curators to enhance their careers. The Gallery seeks to inspire creativity and encourage the creation of new work by emerging and under-represented artists and curators. In addition, the Gallery provides a place for artists and curators to experiment with progressive concepts and participate in an active, multi-disciplinary arts community. The Gallery is a venue for exhibitions that explore new and challenging ideas, free from the traditional constraints of a commercial gallery. CuDC is seeking inventive, original proposals in any media.

Gallery at Flashpoint
916 G Street, NW
Washington, DC 20001.

Tuesday, December 09, 2008

When Gallery Owners Bite

Four years ago I wrote this piece for Blogcritics on the subject of "Vanity Galleries."

And today, some disgruntled gallery owner somewhere, perhaps burned out after the waste of time and money that has been the 2008 art fair season, and maybe in a hotel room somewhere in the South as he/she drives the gallery van full of unsold work back to his gallery in Illinois or some other such state, writes the following in a comment about my post:

What you don't realize is that running a gallery is a BUSINESS, and there are expenses. If you had a full list of patrons and a CONFIRMED sales track, you'd be able to show anywhere in the world free of charge. If you're NOT going to sell paintings, a gallery still needs to pay its operating expenses. Upcoming artist need to gain EXPOSURE before anyone will buy their paintings.

If you are a NOBODY, no gallery will show your work. Show me a list of patrons who regularly BUY your work, and I'd invest into your career. It costs upwards of $40,000 a month to run a commercial gallery. If a gallery only showed UPCOMING artists with no fees, they would go out of business. My gallery shows one established artist a month, and has a few unknown artists.

If I ONLY made $20,000 from the established artist, I'd be $20,000 in the hole EVERY MONTH. Why should I take that burden to promote your art. PLEASE EXPLAIN THE LOGIC BEHIND THAT!

You are DELUSIONAL if you think that I'm going to go broke promoting you for no financial reward!

You folks need to reevaluate the BUSINESS that you have chosen. When I go to Red Dot or Art Miami, I have to pay upwards of $20,000. EVERYONE has to pay to show work! You need to join the real world. A gallery falling in love with your art and selling out of an UNKNOWN's paintings is a fantasy. It doesn't happen. You need to be FAMOUS before you make money as an artist, or you can paint "hotel paintings" and sell them for $1,000 a piece. The choice is yours...
I'll let you folks answer this person; please feel free to comment here or at the Blogcritics post. I'm too tired to deal with this asshole.

Margaret Boozer at Project 4

I visited Margaret Boozer's studio a while back and cheated a little, and have already seen most of her next show (titled "Acumulation"), which opens at the District's Project 4 gallery on Thursday, December 11, with a reception from 6:00-8:30 pm.

Margaret Boozer at Project 4Boozer is truly one of the District's blue chip artists, and as Project 4 sharply describes her, she "approaches ceramics with an eye for painting and a mind for experimentation. She encourages clay’s physical properties to express themselves in unpredictable manifestations of cause and effect. Drying, warping, cracking- small studio processes echo large geologic events as clay reclaims its origin as earth. Boozer disguises her hand underneath clay’s distortions, then claims authorship with carefully orchestrated compositions driven by the randomness of the result. The work is unexpectedly recognizable as a variety of subject matter that crosses genres between representation and abstraction, painting and sculpture."

There's an Artist's talk on Saturday, January 10, 2:00 pm and the exhibition goes through January 17, 2009.