Jessica's Finalist No. 6: Chloe Watson

Great choice! Check it out here.

VARA in action

The news release from artist David Ascalon reads:

"When artist David Ascalon's towering Holocaust memorial, just blocks from the Pennsylvania state capitol, was dedicated in 1994, he could not have imagined that a dozen years later, his name would be stripped away from the sculpture's base. Nor could Ascalon have envisioned that his most cherished creation - one which he designed to honor the millions who perished at the hands of the Nazis - would have been mutilated through drastic modification at the whim of a bunch of Harrisburg bureaucrats. But that is precisely what happened.

Ascalon, however, was unwilling to permit this violation of his moral rights to go unchecked. Through his attorney, Jason B. Schaeffer of Cherry Hill, New Jersey, he has filed suit under Congress' Visual Artists' Rights Act of 1990 (VARA) - a law enacted to protect against such destruction - in Federal District Court for the Middle District of Pennsylvania. Through this action, Ascalon seeks to compel restoration of this important public artwork to its original design."

Here are some before and after pictures, including ones that show the artist's signature completely ground away. A copy of the complaint is here.

I don't know who the artist was, or even the name of the piece was, but does anyone remember that huge piece of shiny, fluttery, metal public art that used to be above the Bethesda Metro stop for years? The thing was massive; then, all of a sudden it was gone!

I wonder if that artist, whoever she or he may be, even knows that his work is no longer there.

The perils of public art... I guess.

Opportunity for Artists

Deadline: September 6, 2010

CoolClimate Art Contest. The purpose of the contest is to engage the creative community on behalf of producing an iconic image that addresses the impact of climate change and spurs participation in the climate change debate. The contest is being judged by notable art experts and celebrities such as Philippe Cousteau, Van Jones, Jackson Browne, Chevy Chase, Agnes Gund, David Ross, and Carrie Mae Weems. Winners will be voted on by the public on Huffington Post. Submissions are due September 6 and can be posted online here.

Hot Foot

I rarely hang my own work in my house, but I have a recent version of Superman Flying Naked temporarily hanging in my house while the art piece that goes there is on loan for an exhibition. The other day I noted that the way the sun was striking the glass made it look as if the Man of Steel had incandescent feet.

Tax Free Bennies

In addition to her $877,000 compensation package, Ellen V. Futter, president of the American Museum of Natural History, lives rent free in a $5 million East Side apartment that the museum bought when she came aboard.

The Metropolitan Museum of Art houses its director, Thomas P. Campbell, in a $4 million co-op that it owns across Fifth Avenue from the museum.

The director of the Museum of Modern Art, Glenn D. Lowry, may have the best deal of all. In addition to the $2 million in salary and benefits he earned last year, he lives in a $6 million condo in the tower atop the museum.

Read the NYT story here.

Cudlin Goes Yard

Sometimes it seems like the only way for D.C. artists to get a little respect is to leave town. Take Dan Steinhilber, an artist who lives and works in the District, and is represented locally by G Fine Art. In his Style section piece this past Sunday, WaPo chief art critic Blake Gopnik praises Steinhilber, noting that his art has “earned him solos from Baltimore to Houston and group shows from Toronto to Siena. This summer, they’ve also earned him a residency at Socrates Sculpture Park, on the waterfront in Queens.”

Yes, Steinhilber has spent the summer making art in New York. He’s been asking passers-by in Queens to lay down in a large sand box and move their arms and legs back and forth, creating what can only be described as sand angels—which the artist then casts in concrete.

But Gopnik doesn’t mention one important detail: This New York residency is actually a D.C.-funded project.

Read how Jeffry Cudlin tells you what the Washington Post should have told you last week. Read it here.

Congrats


Congrats to our own Rosetta DeBerardinis, whose "Erotic Contemplation" is now part of the permanent collection at PNC Bank's regional headquarters.

Letter to City Paper

The current issue of the Washington City Paper has my letter to the editor responding to Kriston Capps deceptive article published in the previous issue. The letter reads:

The errors and journalist lack of integrity of “The C List: Will Lenny Campello’s 100 Washington Artists Serve Its Subjects or Its Author,” are too many to list in this letter; I will concentrate on the three major ones. To start, Capps lies when he writes that in my blog (DC Art News) I have been “writing for years about artists that he admires (and represents).” A simple check of my blog posts will reveal that 95% of those artists have never been represented by me.

Capps then quotes me out of context when he writes that I said “I have zero commercial relationship with them.” He follows that quote by writing “Not wholly true.” I know of no other meaning of “not wholly true” other than “it’s a lie.” What an ethical journalist would have written is: “But I have zero commercial relationship with them,” Campello says referring to the Fraser Gallery and their artists.” I never lied to Capps, and revealed to him all my artists relationships. I am insulted and embarrassed that he made it appear as if I lied and he “discovered” my lie.

The worst offense in this article, and one that should get the attention of the CP’s editors and publishers and all of Capps’ employers, is the fact that Capps purposefully omitted information which would have destroyed his argument about my ethical issues with this book.

Even though he knew that I had placed a disclaimer in the book, and referred all artists to other dealers so that no referral ever came back to me, he never mentioned the steps that I took to eliminate any perception of conflict of interest. That is unethical and malicious.

Considering that in past CP articles (not once, but twice), Capps own journalistic ethics have been questioned, and considering that he was once dismissed from the CP for issues related to one of his articles, he has huge cojones writing about my ethics when his are the ones on the record as lacking integrity.

Pyramid Atlantic gets NEA Big Read award

Pyramid Atlantic, the cool nonprofit arts center in Silver Spring's arts and entertainment district, is one of 75 nonprofits across the U.S. that is receiving a total of $1 million in grants from the National Endowment for the Arts (NEA) in connection with the NEA's fifth annual Big Read project, a yearly effort that spotlights reading as a vital element of American culture.

Each grantee receives an award ranging from $2,500 to $20,000. Pyramid, the only Maryland organization to receive a Big Read award, was awarded $17,050. Founded in 1981, Pyramid is “dedicated to the creation and appreciation of hand papermaking, printmaking, digital arts and the art of the book.”

Cyber influences

Americans who participate in the arts through technology and electronic media – Internet, television, radio, computers and mobile devices – are nearly three times more likely to attend live arts events compared to non-media participants, according to a recent report from the National Endowment for the Arts (NEA).

Audience 2.0: How Technology Influences Arts Participation also showed that media participants also attend twice as many live arts events and attend a greater variety of the events. A multi-media version of the report is on the NEA’s web site.

Airborne

Heading down to Florida for one week of R&R with the family. I am mentally and physically exhausted after putting together the first volume of 100 Washington Artists (and then having to defend it); I haven't done any artwork in months; my hair is too long and my shoulder hurts from where that British Marine broke my clavicle in Palma de Mallorca in 1983. Besides, it is time to expose Little Junes to the warm sea.

Banner year so far!

Campello Pinot Grigio is available practically everywhere, most notably at Trader Joe's in those non fascist states where supermarkets can sell wine.

Reviews and comments here. For around six or seven bucks it has been getting rave reviews!

Keep buying!

Busy, busy...

Former Trawick prizewinner Linn Meyers is not only one of my favorite DC area artists, but also one of the area's hardest working. Her show at the Phillips Collection in Washington, D.C., will end in just over 2 weeks. This means that August 22nd is the last day to see the piece before it is painted over and forever gone! And she's got a full schedule ahead of her:

- This September she will create a wall drawing at Paris Concret for the show titled Touch. The show open in Paris, France on October 3rd.

- Next January, 2011, she will have a solo show at The Katzen Museum at American University in Washington, DC.

- In February 2011 she will have her third solo show with G Fine Art in Washington, DC in their new gallery space at 1350 Florida Ave, NE.

- Linn will be making a wall drawing in NYC at The Museum of Art and Design, in 2011, dates to be announced soon.

Wanna go to an opening tonight?

City Gallery is hosting the opening for their First Annual Regional Juried Competition. The opening reception is tonight from 6-9PM.

Gopnik on Steinhilber

The Washington Post's Blake Gopnik has a really good focus piece on DC area artist Dan Steinhilber in today's WaPo.

His 38th birthday is approaching, but he looks much younger, with wavy shoulder-length hair and a compact build. He's wearing plaid capris, much washed, and a hip green T-shirt with a drawing of a parking lot and the single word "hermetic." He could easily pass for the bassist in some alt-rock band. With his puppy eyes and big, shy smile, he'd be irresistible to groupies.

Read the article here.

This Weekend

Art Scam

I've got another art scam email to share:

From: Samuel Matinez (s.martinez212@gmail.com)
Sent: Wed 8/04/10 4:12 PM
--
Hi Dear,
My name is Samuel Martinez, i will like to order for some piece of your work from your studio as gift for my parent are celebrating their wedding anniversary, so i will be glad to have your reply as soon as possible, i will be glad if you can send me your website address to choose or send me four of your product via email that is available for me to choose.

Waiting to read from you today.so that we can make some progress.

I will be waiting to read from you at you convinet time.

thanks

Samuel Martinez.

This asshole can't even spell his fake name right (Matinez). But as it is the tradition in my dealings with these scam emails, I always send them a hook back. Here's my response:

Dear Samuel,

Thank you for your order and interest. I am very pleased with your interest and desire to own some of my artwork. As you probably already know, recently I've sold a lot of work thanks to all that great publicity that I received! I've never had so much money in the bank in my life before. It is so odd to struggle in making good art for so long, and then suddenly a break happens and people are buying my artwork from all over. Last month alone I deposited over $750,000 in my bank account from art sales. There's well over a million dollars in there now!

I am very picky as to who owns my artwork. Before I sell it to you, I need to know a few things about you. Also, I will need an international money order as payment or I can send you all my bank account details and you can transfer the funds. I will ship the artwork as soon as I receive an International Money Order.

But before that can even be a conversation I need to make sure that my precious, beloved artwork will be loved and in the collection of a deserving collector. Therefore, I need to know a little more about you. Where do you live and what do you do for a living? (Warning: if you are a Kosher or Halal butcher, I will refuse to sell you my art). Also, if you are married, I need to know if you have children. If you do, you must promise in writing that you will protect my artwork from possible damage from the rugrats.

I am also picky as to where you will hang the work. Please send me JPG (not TIFF) images of your walls in your house so that I can select the spot where you'd hang the work.

Please forgive me for being so picky, but my artwork is very important to me, and I know that it will give you years and years of visual pleasure. We can work together to make sure that it works out well.

May Allah, Yaweh, Buddha, Christ and Crom bless your home and may the bluebird of happiness fly all over the house of Martinez

your friend The Lennymeister....

PS - Can I call you Sammy?

Orchard Gallery

This terrific review by Dr. Claudia Rousseau in the Gazette newspapers discusses the paintings of Anamario Hernandez's recent show a year ago or so in Bethesda's Orchard Gallery.

Like most of Rousseau's art criticism, it's an elegant and erudite piece of writing from this well-traveled and experienced art scholar.

But the key issue here and what this review triggered in my mind is an interesting thing that is happening associated with this small, unassuming gallery and frame shop at 7917 Norfolk Avenue in Bethesda.

Most of you have probably never heard of Orchard Gallery because as far as I know it has never been written about in any of the local press. I have written about it a few times, but never in depth.

Part of that is because the owners, a very nice and unassuming Korean couple, don't seem to be too concerned with the press. As far as I know, they don't even send out press releases (at least to me), although they do participate in the monthly Bethesda Art Walks.

But they are doing something right that seems to have escaped most galleries these days: they are selling a lot of artwork.

When I first walked into Orchard a few years ago, I was expecting to find the usual mediocre art that one finds on the walls of most art venues that rely on framing as a business. I was pleasantly surprised not only by the quality of the artwork (at the time they were showing a recent MICA MFA graduate whose name escapes me now), but also by the fact that the framing business does not interfere with the art gallery space at all. It's a clean, minimalist art space.

The owners were very nice and warm, and were genuinely surprised when I identified myself (they had no idea who I was anyway), described what I do, and then told them that I really liked the work. I also noted that there were a lot of red dots.

Over the next couple of years, every time that I find myself around Norfolk Avenue, I drop by into Orchard to check out their shows. I haven't been WOW'd every time, but I've never been disappointed. It is clear that the owners have a particular taste and sensibility that is working for them. And I've always seen a lot of red dots.

So after reading Rousseau's review I reached out and try to gather some info on this gallery and the one constant that comes back is that they're selling artwork. A recent show with a price point of $3,000 - $4,000 a piece sold out and the current show (I am told) is selling well.

What's even more refreshing is that in these times of austere fiscal environments, when galleries are closing all over the nation, and where they turn away new artists by the droves, Orchard's website still says: "We encourage local and emerging artists to contact us for details on our monthly gallery exhibits."

Orchard, my kudos to you. Keep doing whatever you are doing to put original artwork on peoples' walls.

Update: Read Rousseau's review of the most recent show at Orchard here.

Art Dealer Is Sentenced for $120 Million Scheme

The victims took turns standing at a lectern in State Supreme Court in Manhattan and calling for a harsh sentence. And in the end, despite a tearful plea for mercy from the defendant, Justice Michael J. Obus ordered Mr. Salander, 61, to serve 6 to 18 years in prison, the maximum term agreed upon in the plea arrangement. He also ordered Mr. Salander to pay more than $114 million in restitution, but acknowledged that it was unlikely that Mr. Salander would be able to come up with that sum.

Read the NYT story here.

Errors, omissions, etc.

Someone formerly from the Washington Projects for the Arts just pointed out a big error in the CP article by Kriston Capps. In the article Capps compares my 100 Washington Artists book to WPA efforts to expose DC area artists; he writes:

"And the gains may be limited for the artists, whose peers are many, and who compete for a vanishingly small slice of the pie. Half of Campello’s selections appear in the WPA’s Artfile, a browsable archive where member artists upload artists’ statements and images—a lot like what Campello is offering. Until recently, the WPA Artfile was published in print: a guide, not a game-changer."

This is completely incorrect and inaccurate.

The WPA Artfile has never been published in print.

What was published in print in the past was a separate WPA project which had nothing to do with the Artfile, and it was done at a very reasonable cost to the artists ($80 per artist as I recall) and open to anyone who submitted their inclusion fee and WPA membership fee. There are hundreds of artists in these WPA guidebooks, and each artist had one page with contact information and one image.

Also, as far as I know that WPA guidebook was never offered for sale in bookstores or Amazon, etc. as my book will be. And in my book none of the artists pay a cent to be in it.

Thus the comparison (erroneous to start with) is like comparing apples and mangoes.