Little Keithock Farmhouse

Little Keithock Farmhouse, Near Brechin, Angus, Scotland

One of the most influential times of my life were the years that I lived in Scotland (1989-1992). Above is a drawing that I did in 1990 of the farmhouse where I used the live. This haunting (and haunted) place was built in  1681 and there was even an older dovecot right next to it. Its farm fields were adjacent to the Brechin Golf Club, which I think is the second or third oldest golf playing ground in the world.
 
In fact, the dovecot next to it was so much older (built in 1534), that it merited an entry in the Scottish Ordnance Map as an "antiquity," not an easy thing in Europe's most ancient nation.

Anyway, the farmhouse had a beautiful garden, which was surrounded by a tall stone wall. One day, one of the trucks that used the dirt road that ran in front of the house, and led to the nearby potato and turnip fields, lost control, and slammed into the wall, destroying a couple of feet of wall.

A couple of days later, another truck dumped a small pile of new rocks, and soon afterwards an elderly gent showed up, and using nothing but a small hammer, began to rebuild the wall. He re-used the old rocks that had been disturbed by the accident, as well as some of the new ones.

Slowly but surely, over a few days, the wall was rebuilt before my eyes. When it was done, other than the fact that the moss on the stones had been re-arranged, it was impossible to tell that an accident had happened. A year later, the moss was back everywhere and no visual evidence that a chunk of the wall was "new" existed.

Opportunity for Artists

Holy Cross Hospital: Call for Entries

The Community Art Gallery at Holy Cross Hospital seeks local artists to exhibit work-specifically art with strong ties to the Holy Cross mission and community.

The application deadline is August 10, and exhibition period is from September 2012 through August 2013. Four to eight exhibitors will be selected. For additional entry info and specifications, contact Christian Payne at 301-754-7920 or paynec@holycrosshealth.org.

Simon Bolivar's reconstructed 3-D face

 Here's the face of the man named Simón José Antonio de la Santísima Trinidad Bolívar y Palacios Ponte y Blanco (July 24, 1783 – December 17, 1830), known to most of the world as Simón Bolívar, and also as the man who kicked the Spaniards out of most of the Americas and led Venezuela, Colombia, Ecuador, and Bolivia to independence.

Brutish thug Venezuelan strongman Hugo Chavez recently commissioned and just released this 3D portrait of the Bolivar face.

MSAC Awards

REMINDER: DEADLINE TO APPLY FOR A FY2013 INDIVIDUAL ARTIST AWARD IS THIS FRIDAY, JULY 27

The Maryland State Arts Council (MSAC) Individual Artist Awards (IAA) Program awards grants to Maryland artists through an anonymous, competitive process that encourages the pursuit of artistic excellence throughout the state. The Program is administered by the Mid Atlantic Arts Foundation (MAAF) and the deadline to apply is July 27, 2012. Awards will be announced in February of 2013.      The 2013 Individual Artist Award application is open for Maryland individual artists practicing within these disciplines:         Fiction Theater: Solo Performance   Visual Arts: Media/Digital/Electronic Arts  Visual Arts: Painting   Visual Arts: Works on Paper      For detailed eligibility instructions and guidelines, please review the FY 2013 Individual Artist Award Guidelines.   Applications must be submitted through CueRate, the electronic grant application system. To apply, visit the MAAF web site and follow the CueRate instructions.

Robert T. Cole at Zenith

Zenith Galleryest. 1978
Celebrating 34 Years

ZENITH GALLERY at Eleven Eleven Pennsylvania Ave, NW

Presents 
 

MATERIAL POWER: PURE METAL 

Sculpture, Furniture and Wall Reliefs by Robert T. Cole

 

MEET THE ARTIST RECEPTION: Wednesday, July 25, 5:00 - 8:00 PM
At: 1111 Pennsylvania Ave NW, WDC 20004 (12th & Penn NW)

  

 SHOW DATES: JULY 16 - OCTOBER 6, 2012
 

Robert Cole has been a major part of the U Street Renaissance and his sculptures can be seen across the DC Metropolitan area.  Some of his commissioned work includes sculptures for the Washington Area Metro Transit Authority at the Naylor Road Metro stop, the Gaithersburg Maryland Humane Society, Jair Lynch Development Partners & AHD Inc. in Washington DC, Bowie State University, and The Washington Post.

  

Cole's art has earned him recognition not only in our nation's capital but also in Italy where he won the Lorenzo IL Magnifico award for his sculpture at the 2003 Florence Biennale.

  

1111 Pennsylvania Ave NW, Washington DC, 20004 (12th & Penn, NW)
Open Daily 8:00 AM - 7:00 PM
(weekends the entrance is on 12th Street; please knock on the door to be let in.)

press release      view exhibit      read about in Washington Post

Art scammer

Kathryn Delahunty (kattymerchandise@gmail.com) is an art scammer and he/she has been emailing DMV area artists today...

See this link.

Another dissident dies

Leading Cuban dissident Oswaldo Paya Sardinas died in a car accident in Cuba on Sunday. He is the second leading leading Cuban dissident to die in an "accident" this year.

According to a statement about the crash issued by the Cuban government late Sunday, the unidentified driver of the car lost control and struck a tree near the eastern Cuban city of Bayamo.

On Sunday, Paya's daughter, Rosa Maria Paya, told CNN that her family believed a second car had struck the vehicle her father was traveling in, forcing it off the road.

President Obama made the following statement on the subject:

 The President's thoughts and prayers are with the family and friends of Oswaldo Payá, a tireless champion for greater civic and human rights in Cuba.  Payá  gave decades of his life to the nonviolent struggle for freedom and democratic reform in Cuba as the head of the Christian Liberation Movement, the leader of the Varela Project, and through his role as a civil society activist.  He remained optimistic until the end that the country he loved would see a peaceful and democratic transition.  We continue to be inspired by Payá's vision and dedication to a better future for Cuba, and believe that his example and moral leadership will endure.  The United States will continue to support the Cuban people as they seek their fundamental human rights.

 Castro's workers' Paradise claims another courageous life in the island's struggle to free itself from the yoke of dictators.

Wanna be in the (e)merge art fair?

If you are a member of the WPA, then this is a "no-brainer" and a must do; if you're an artist and not yet a member of the WPA, then you've run out of excuses! Join the WPA now and be part of the (e)merge art fair - that alone is worth your membership fee and adds a nice bullet to your artistic CV.

This gets me to thinking about the WPA and art fairs... I do a lot of art fairs and all of them, just like (e)merge, offer special deals, prices and programs for non-profits such as the WPA is... and having the experience of many art fairs, I can tell you right now that the format and program that the WPA will be showcasing at (e)merge is going to be a winner.

This opportunity is a great idea and can grow into a whole new line of opportunities for the WPA's membership.

And not just a winner in the DMV, but this presentation and format will work in New York, Miami and perhaps even LA! So WPA... after (e)merge, why not take your membership to other art fairs around the nation? You've got a winner with this idea...

Call me.

CALL FOR SUBMISSIONS: WPA Members Work on Paper  at the (e)merge art fair

DEADLINE: Friday, August 24, 2012, 5pm
WORK DROP-OFF: September 10 - 14, 2012, 10am-6pm
WORK PICK-UP: October 15 - 19, 2012, 10am-6pm
CONTACT: Blair Murphy, Program Director, 202-234-7103 x 1 or bmurphy@wpadc.org
ONLINE REGISTRATION

VIEW CALL AT WPADC.ORG

Washington Project for the Arts is pleased to announce a call for 8" x 8" works on paper by WPA Member Artists to be on view and for sale in WPA's room at the (e)merge art fair, from October 4 - 7, 2012. All current WPA members are invited to submit one 8" x 8" work on paper. Work submitted MUST be 8" x 8" and must be delivered without a mat, mounting or a frame. If a member artist wishes to submit a work that is smaller than 8" x 8", it must be submitted mounted to an 8" x 8" sheet of paper. WORK THAT IS LARGER THAN 8" X 8" WILL NOT BE ACCEPTED.
            
Each work will be exhibited on the wall of WPA's room in a grid for at least one full day of the fair. Work will be installed on the wall using removable adhesive mounting squares. When not displayed on the wall, work will be stored in a presentation case and must fit into one of the clear display sleeves.
              
Registration, Drop-off and Pick-up
Current WPA member artists who wish to participate must register online by August 24, 2012 at 5pm by submitting their contact info, cv, work details, and one image of the work they would like to include through this online form. 
                
All work must be dropped off at the WPA office at 2023 Massachusetts Avenue between September 10 and 14, from 10am to 6pm. You will be notified via email by October 11 if your work has sold. Unsold work must be picked up at the WPA office between October 15 and 19, from 10am to 6pm.
          

If you are unable to drop your work off in person, but would still like to participate or have any other questions regarding the submissions process, please contact Blair Murphy, Program Director, at 202-234-7103 x 1 or bmurphy@wpadc.org

  

WPA Member Artists who submit must agree to the following artist agreement:
Washington Project for the Arts will take a 30% commission on Member Works on Paper that are sold. Work will be insured by WPA while it is in WPA's possession. Unsold work must be picked up at the WPA office by October 19, 2012. WPA will not be held responsible for the work after that date. I hereby release WPA, its board of directors, employees, and volunteers and agree to indemnify and hold them harmless against all claims arising out of damage to my artwork arising in connection with my participation in the WPA Member Flat File. I understand that acceptance of my work does not guarantee free admission to the fair.

Lunch at Tally Ho

Little Junes and I had lunch in Potomac's Tally Ho Restaurant today, and since they brought the little guy lots of crayons, Dad went to work on the back of the paper napkins while I waited for my yummy Congressional burger and Anderson for his hot dog.

Anderson finishing up his hot dog

Drawing done on back of my napkin - that's Little Junes atop a bull (he chose the subject)

And that's him having a drink with a pig (he selected that subject as well)

Superheroes book out

The True History of the Superheroes book is finally out from Editorial RM.

52 pages with 20 gorgeous photographs by Dulce Pinzon.

Available in both Spanish and English.

Order it here.

The Beginner's Guide to Art Investments

First and foremost, be sure that the art is something that you genuinely enjoy. The price of art is relatively unpredictable and is heavily based on developing trends; there’s no guarantee that it will have appreciated in value (or even maintained its value) over time, so you may be stuck with the piece for the long haul. Another helpful tip is to always learn the artist’s backstory, as it has a fair amount of weight in the resale value of a piece. Those with interesting stories behind their life or how they got into art tend to have higher values on their pieces; knowing the story behind a piece can be a major selling point for collectors.

Read the whole article here.

I kid thee not...

The theft of the painting was first discovered in late 2002, when the Contemporary Art Museum of Caracas was contacted by a Miami gallery owner saying that someone had offered to sell it to him. 

Experts at the museum inspected the likeness and were shocked to find that it was a fake, and not a very good one, at that. Someone had removed the original painting from its frame and put the fake in its place, leaving it to be exhibited as if it were the real thing. And no one noticed.

Read the full article here.

Was the nude too crude for beach?

Here we go again...

HAMPTON — A sand sculpture of a naked woman has some in the Hampton Beach Village Precinct calling on organizers of the popular annual competition to ask master sculptors to use more discretion next year in their artwork.

Resident Tim Jones called the sculpture "pornographic." The event organizer calls it an issue of artistic freedom.

Read the whole article here.

Anderson sez...

"I push it!"

Airborne

The kid is heading to the Left Coast for a week in San Diego... more later!

Airborne

Heading back home today from Montreal and then heading back out tomorrow morning, this time heading out to the Left Coast (San Diego)...

In Atlanta Airport's cool tunnel of colors between terminals...

Bad taste or offensive?

Ad column in Montreal

I think both...but free countries are free countries for a good set of reasons, some good and some not so easy to understand.

From American Airlines

And airlines wonder why people have low opinions of them... this recently received from American Airlines:

In order to streamline our program, we are announcing a change to AAdvantage miles earned before July 1, 1989, also called Miles With No Expiration.

Starting November 1, 2012, these miles will automatically be converted to Miles Subject to Expiration...

(e)merge announces...

News release from the (e)merge art fair:

(e)merge art fair, created to advance emerging art, returns to Washington, DC this fall. (e)merge welcomes back galleries from across the US and Europe including: BROTkunsthalle, Vienna, Austria; Amstel Gallery, Amsterdam, The Netherlands; Aureus Contemporary, Basel, Switzerland and Providence, USA; G Fine Art, Washington, DC, USA; Goya Contemporary, Baltimore, USA; and NOMAD, Brussels, Belgium. Among the galleries newly joining the fair are: Bäckerstrasse 4, Vienna, Austria; Flying Rooster Contemporary Projects, Montreal, Canada; Galería Servando, Havana, Cuba; Trailer Park Proyects, Guyanabo, Puerto Rico; Contemporary Wing, Washington, DC, Mixed Greens, New York, USA; LYNCHTHAM, New York; and Project 4 Gallery, Washington, DC, USA. A complete list of gallery and artist exhibitors will be available soon.

(e)merge is honored to have the support of the members of its inaugural Host Committee: Jane and Calvin Cafritz, Carol Feld and David Levy, Izette and Neal Folger, Janice Kim and Tony Otten, Alexia and Roderick Von Lipsey, Kim and Patrick Nettles, Rose Nosseir and Paul Carter, Frederick Ognibene, Lorie Peters, Robert Shapiro, Sid Stoltz and David Hatfield, and Daren Thomas.

“DC is one of the fastest-growing and most prosperous areas in the country, and Washington’s business, tech and collecting communities have rallied to support (e)merge and its exhibitors. With its entrepreneurial spirit and creative energy, this fair can become a model for promoting emerging art and artists everywhere."
- Robert Shapiro, Chairman of Sonecon, LLC
(e)merge is proud to partner with UBS and excited by the support of our sponsors: ESL Group, LivingSocial, HapstackDemetriou, Kaze Design, Vivid Solutions, the DC Commission on the Arts and Humanities, Exhibit-E, Industry Gallery DC, and Whiteford, Taylor, & Preston; and media sponsors: The Art Dossier, The Art Newspaper, BrightestYoungThings, DC Modern Luxury, Gallerist, and the Pinkline Project.

“As our culture evolves, moment by moment, the emergence of new ideas about architecture, design and art are changing and enhancing our daily lives. Giving an experience to this evolution is what our partnership with (e)merge is all about.”
- Peter Hapstak & Olvia Demetriou, Principals, HapstakDemetriou
This year the fair looks forward to another series of educational events in October with our cultural partners – The Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden, the National Gallery of Art, the Phillips Collection, and the National Museum of Women in the Arts.

(e)merge art fair
Thursday, October 4 through Sunday, October 7, 2012
Washington, DC
www.emergeartfair.com

I used to say neigh

Stories like this one used to spin me up... now I just say: Hey! What the heck... there's plenty of room for all of us in the art world.