Sunday, December 29, 2013

On PBS

PBS Newshour has a very cool interview that features Sebastian Stant, the very young New York-based entrepreneur who is also the owner of Mayer Fine Arts (which represents my artwork); check it out online here.

Jody Mussoff

Jody Mussoff
Legendary DMV artist Jody Mussoff is offering all kinds of terrific vintage artwork (including some brilliant ceramics) at great prices... Check them out here.

Her amazing work was included in the exhibition Graphic Masters III, held at the Smithsonian Institution's American Art Museum in 2010, and has been exhibited at many museums and galleries, including:

Great idea

From Jesse at ardc... another most excellent idea:
I love buying art. It's an exhilarating experience to find a work, learn about the artist, and make an educated decision to purchase a work of art. I find it to be equally exciting to see a work, and make a crazy gut leap of faith and pull out my credit card and buy it! Oh beleive me yes, I do have a list of artists who I need to buy from, that I haven't yet!

So you're asking, are you going to buy my art? If you read these emails, there's a small possibility. If you are involved in the exhibitions and art projects we develop, the possibility gets higher. If you make amazing work, the chances are even higher.  That said, those who know me, understand my volume of art purchases are limited. I buy what I can afford, and I think that's an interesting fact that many of us share in common. Art collection is no longer an "elite only" experience. Everyone can own a work of art.

Before this note runs on into a confession, or another pitch, I'd like to say that I really do think the acquisition of art is a valuable and very important experience.

I've wanted to share this mentality with the world, which is why I started the site www.artacquired.com .  It's time for the site to grow!

I'm looking for people who buy art, small or large, affordable, or expensive. 

No, I don't want to sell art to you. (Well ok, if you see something, in one of our shows, I'll be glad to help). I need to find a few people who buy art, and would like to write about the experience on artacquired.com 

I'm not looking for a scholarly tome, but a few thoughtful paragraphs about the art work that you've recently purchased, and some images of the work. 
 
I'd expect that the writing would be relatively well written. I do think this is a fun and exciting process, or I wouldn't do it. There's something great about sharing the passion about acquiring art.
 
Take a look at my site, and let me know if you are interested, and we can talk further about expectations.  To start, the focus should be on contemporary art, the process of acquisition, who you bought it from, the artists, and links to the gallery and artists.
 
I'd like to see a bit of a track record. That is, email me a bit about your collection.  Take a look at the link above to read more about mine.
 
Drop me an email to talk further about this.  Food for future thought, are owning art and collecting it the same thing? If you have a friend who you think might be into this, please do forward this note.

 Cheers and thanks,
 
Jesse

Saturday, December 28, 2013

Coming down to Miami

Despite the ignorance of others, she knew that inside they were all the same by Elissa Farrow-Savos
"Despite the ignorance of others, she knew that inside they were all the same" by Elissa Farrow-Savos will be at Art Wynwood in February.

Friday, December 27, 2013

Next in the next year...

Getting ready with the preps for Art Wynwood as we return to Miami for yet another art fair!

Thursday, December 26, 2013

A Chihuly for Xmas


The Virginia Museum of Fine Arts board of trustees has voted to acquire the work Red Reeds, by Dale Chihuly which was created for the Anne Cobb Gottwald reflecting pool outside the Best Café. The internationally renowned artist created over 100 red glass reeds as part of the Chihuly at the Virginia Museum of Fine Arts, October 20, 2012- February 10, 2013. Since that time Red Reeds has been on loan to VMFA.

This dynamic, site-specific work by Dale Chihuly was an instant success at the Virginia Museum of Fine Arts,” said Alex Nyerges, director.”It is beautiful in every season, and is a wonderful addition to the Lora Robins Sculpture Garden. I am especially pleased that this is the first site-specific outdoor installation by Chihuly to be acquired by an art museum.”

Red Reeds was purchased with private funds from the Arthur and Margaret Glasgow fund. Private funds are always used for art acquisition, but upon purchase the work becomes the property of the Commonwealth of Virginia for its ongoing care. 
The reeds were blown by team Chihuly at the Nuutäjarvi Glass Factory in Nuutäjarvi, Finland because of the excellent clarity of glass there and to take advantage of their annealing ovens, the largest in the world. The annealing process facilitates the curing of these large-scaled elements, which are as much as 10 feet in height. Also, the red glass in Finland has a particularly brilliant quality, due to the ruby red pigment and the added chemical element neodymium.
 Details here.

Wednesday, December 25, 2013

On this Christmas we demand freedom for this heroine

Today, we remember Sonia Garro, who is currently spending her second Christmas in a political prison and is another example of the targeted repression of the world's longest lasting dictatorship; not only against all of its enslaved people, but also even more venomous against Afro-Cubans.

Sonia Garro, a member of The Ladies in White pro-democracy movement, has been imprisoned by the Castro regime -- without trial or charges -- since March 18th, 2012.

In the wave of repression leading up to Pope Benedict XVI's trip to Cuba, Castro's secret police raided her home, shot her with rubber bullets and imprisoned her.

She has been repeatedly abused and beaten in the infamous Manto Negro women's prison.

Garro's husband, Ramón Muñoz González, was also imprisoned on that day.

He is being held -- without trial or charges -- in the Combinado del Este Prison.

Demand their freedom now.

Merry Christmas!

Campello's 2013 Christmas Card

Tuesday, December 24, 2013

Nochebuena

Since tonight is Nochebuena, I usually prepare the classic Nochebuena Cuban feast for the night.

Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (White Rice and Black Bean Soup)
Cuban Nochebuena Salad

For 2013 I will substitute Ropa Vieja instead of pork... and yeah, I will use a lot of ajo (garlic)...


Ajo (Garlic)
There is a long cultural tradition assigned to the Moros y Cristianos side dish, and even its Cuban Spanish name (Moros y Cristianos or "moors and Christians") tell you something about the dish (rumored to honor the 100th anniversary in 1592 of Queen Isabella's final victory over the Moors in 1492). 

And (at least in Oriente province) Ropa Vieja is a dish attributed to Cuban Jews, so we'll have a cool culinary diversity night encompassing all three major world religions on Nochebuena!

For once, Christians, Jews and Moslems will work together, in this case in my belly... cough, cough...

And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2014 to all!

Monday, December 23, 2013

Funny Faces

I've got this ever growing collection of funny faces that get captured on TV when you press the pause button... heh, heh...





Sunday, December 22, 2013

This proposes legal changes to copyright laws...

OK folks... I need you lawyer types to read, interpret and report the gist of this new report ASAP!

Channeling Pollock Part II

Remember that proposal for a piece of art for a new cruise ship being constructed? It was part of the (e)merge art fair "wake" effect... Details here.

Anyway... seems like we're past the first stage and now they've requested some additional amplification and thus the two rough sketched of what the actual piece would look like.

Sketch for Rock, Paper, Scissors for RCL ship - by Lenny Campello


Saturday, December 21, 2013

Morris Louis (cough, cough) finds a home

In 1980 I did this piece as part of an assignment at the University of Washington School of Art. The assignment (and the class) was to create work in the style of the "masters" which at the U-Dub included modern masters... I did some "easy" ones such as Pollock, most of the Washington Color School stripe painters, Willem de K, etc. plus some really tough ones, such as El Greco.

Preparatory Watercolor for the Frida Kahlo Inside a Morris Louis Assignment by F. Lennox Campello 1980


Anyway... Preparatory Watercolor for the Frida Kahlo Inside a Morris Louis Assignment is an original watercolor painting on 300 weight paper. The painting measures 9.5 x 13.5 inches and it is signed and dated on the verso, and it is now heading to a collector in Crystal Bay, Nevada - 33 years after it was painted!

There is a companion piece to this work somewhere in New York.

Friday, December 20, 2013

An Abbreviated History of Moca DC


MOCA DC as we have known it for 21 years will end this week... There is a farewell party at Art Overnight - at 2328 Ontario Rd in Adams Morgan on Saturday, Dec 21st starting at 6 pm. Be on the lookout for the Grand Opening of Big Moca in the Sky.

Here is a guest post by MOCA's director David R. Quammen:
December 1, 2013
An Abbreviated History of Moca DC
Part One: 1992 to 2004 – The Formative Years
I’ve been sifting through records and media accounts of Moca DC from the time that Michael V. Clark started it in 1992, except he called it Clark & Company. That changed in 1995 after he married Felicity Hogan and they incorporated it as a 501 (c) (3) nonprofit corporation, naming it the Museum of Contemporary Art.
It has always been a gallery, never a museum so over time the name was shortened to MOCA DC, since it’s a bit of a stretch answering the phone or discussing it in any other context. Michael changed his given name to Clark Hogan, later shortening it to Clark when he and Felicity split in 2003. He was going to close the gallery December 31st, 2004, having a tough time keeping it going, what with health issues and the divorce. He now calls himself Clark V. Fox, a name chosen when he was a co-exhibitor at a gallery in Houston.
I started modeling Halloween day 2000, shortly after turning 60; I enjoyed being part of a creative process but there were no directions for a novice and no list of places to model so I accumulated as much information as I could and started publishing a newsletter, Artists & Models, in February, 2002. It was well received but I published only 6 issues, terminating it after finding that it was going to take $300 a month to publish and deliver; I closed it the same month that the Figure Models Guild was formed.
In 2002, Clark let me use the gallery to form the Guild; the first formal meeting was in July of that year, a resounding success with about 50 models and artists in attendance. It continued to grow to the point that most of the colleges, universities, schools and groups from Baltimore to Annapolis and Winchester to Richmond were using it as a guide for their models. I told Clark that I would guarantee the rent and operate the gallery. He owned a condo in New York, so he agreed, moved to New York and on January 1, 2005 my status changed from model to model-gallery operator.
Part Two – 2005 to 2010 – A New Horizon
David R. Quammen

Thursday, December 19, 2013

The end of MOCA DC

MOCA DC as we have known it for 21 years will end later this week... There is a farewell party at Art Overnight - at 2328 Ontario Rd in Adams Morgan on Saturday, Dec 21st starting at 6 pm. Be on the lookout for the Grand Opening of Big Moca in the Sky.

Rosemary Feit Covey's retrospective coming in 2014

In March 2014, a retrospective of the last fifteen years of Rosemary Feit Covey's work will be on display at Johns Hopkins University's Evergreen Museum in Baltimore. Covey is one of the great, master artists of the DMV.

Featured artwork will include engravings, paintings, mixed media and installations. A catalog with commentary by curator James Abbott will accompany this exhibition.

Rosemary Feit Covey will also be a featured artist in MFA's group exhibition Focus Africa which will open at the gallery April 25th, 2014. Included are artworks inspired by the artist's South African heritage.

$37M a day!

Wednesday, December 18, 2013

Five Curators. One Exhibition. No Art. Zero Dollars.

Five Curators. One Exhibition. No Art. Zero Dollars.

Can they Crowdfund a Crowdsourced Exhibition of Crowdfunding Rewards?
Artists, technologists, and business people, tired of stagnation from the
traditional funding models of investment, grants, and representation, have
turned to crowdfunding as a means to supplement or fully support their
ventures.  Today's world of connectivity creates a fluid landscape of
ideas, incentives and, even money. Small ideas and small amounts of money
can amass to a grandiose scale as individuals are united even fleetingly
for common cause. This is unique to our time, and our era.  “Mining the
Crowd” seeks to bring together the audience and the funder for a
discussion of the sustainability of crowdfunding, especially, but not
limited to, how it pertains to the arts.

Currently, “Mining the Crowd” is in the middle of its 30-day make-or-break
fundraising Kickstarter campaign, the sole financial source for a future
Kickstarter and Indiegogo based art exhibition, which will present
materials from artists actively engaged in their own crowdfunding
campaigns. Fiscal sponsorship for this project will be provided by
Maryland Art Place (MAP), allowing donations to Mining the Crowd’s
crowdfunding campaign to be partially tax deductible.

While the culminating exhibition is scheduled for February 2015 in the
Sheila & Richard Riggs and Leidy Galleries in the Graduate Studio center
at MICA (Maryland Institute College of Art), funding must be completed as
soon as possible.  The second phase of this project involved investing in
the artists who will ultimately exhibit.  Not only will the artist need to
be sought out in crowdfunding circles, but they will need to be given time
to create their art.

Through this meta-Kickstarter social experiment, social media, and the
exhibition, the curatorial team aims to educate artists and facilitate
critical discourse about the challenges to financially supporting one’s
artistic practice. Additionally, like most campaigns, the team desires to
build a community of supporters for this project and this conversation.
More information about the project and links the Facebook, Twitter, and Tumbler pages can be found at http://miningthecrowd.org.

The ongoing Kickstarter campaign can be found at
http://www.kickstarter.com/projects/miningthecrowd/mining-the-crowd-artifacts-of-crowdfunding-exhibit

Contrails...

There were like a dozen contrails in the sky at once this evening on the drive on I-95S -- probably all heading to Dulles...


Tuesday, December 17, 2013

You gotta see this...

Click here.

Sigh...