Who pays what in income taxes? With April 15 just around the corner, filers may be curious about where they fit into the system as a whole.
Read this eye-opening WSJ article here.
Since 2003... the 11th highest ranked art blog on the planet! And with over SEVEN million visitors, F. Lennox Campello's art news, information, gallery openings, commentary, criticism, happenings, opportunities, and everything associated with the global visual arts scene with a special focus on the Greater Washington, DC area.
The signs appear to be a riff on a group of supporters calling certain words often used to describe Clinton as sexist. Words such as 'secretive,' 'ambitious,' and 'entitled.'See more pics and read story here Unless the posters are being put up by Native American Senator Elizabeth Warren's supporters, it is quite rare to see the vast right wing conspiracy employ art to drive political points home. The even vaster left wing nuthouse, on the other hand, is quite good at using art for this purpose.
Thomas Boswell (thomasgreatlife@aol.com)
Hello,
I will like to make a purchase to my store in Finland. I will be making payment via my credit card.I will also like to know the type of card you require ? shipment will be handled by my shipper once my payment has been made.
I hope to read from you soon
Warmest Regards.
Thomas Boswell
Lönnrotinkatu 13, 00120 Helsinki, Finland
Construction crane falls on museum, everyone assumes it's a new sculpture.Read the article and check out loads of photos here.
Attention Dallas: The construction crane that is upended, dangerously resting on your Museum of Art is not a sculpture, it is just a crane that fell. Please stop getting so close to it.
Art and commerce have always been two sides of the same coin and to oppose them would be false. Instead, I want to talk about a shift that has taken place during the past ten years in how art objects reach the market, how they're defined and how we read them.Read the whole article here.
"She knew that crying was not the solution" Charcoal |
"She knew that crying was not the solution" (Detail) |
"Eve and The Lilith" Charcoal |
"Fallen Angel" Charcoal |
"Fallen Angel" (Detail) |
"Fallen Angels" Watercolors 40x30 inches |
"Male Nude to the Right" Charcoal |
"The Lifestyle" Charcoal |
"The Lifestyle" (Detail) |
"Woman Being Lowered from The Heavens" Charcoal |
"Woman Being Lowered from The Heavens" (Detail) |
"The Lilith" Watercolor |
"The Lilith" Watercolor |
"The Lilith" Watercolor |
"Young Pict" Charcoal |
"Young Pict" Charcoal |
"The Catcher in the Rye" Charcoal |
"Superman Naked" Charcoal |
"Superman Naked" (Detail) |
"A Man Alone" Charcoal In a private collection in Florida |
"Male Nude to the Right II" Charcoal |
"Superman Flying Naked" Charcoal |
"Superman Flying Naked" (Detail) |
"High heel Shoes" Charcoal |
"The Lilith Plotting" Charcoal |
"Woman Falling from the Sky" Charcoal |
"The Last Copy of The Constitution" Charcoal |
Tiffany & Co. has entered into a long term partnership with the Whitney Museum of American Art, making it the lead sponsor of the museum’s influential survey of contemporary art into the next decade.Details and whole article here.
Asian Uboikpa (Hip Sista) Series #10 Victor Ekpuk 2015, acrylic on canvas, 60"x48" |
"Eve, Running Away from Eden" |
"A Sacrifice for The Lilith" Mixed Media by Jeannette L. Herrera and F. Lennox Campello 8x10 inches, circa 2015. |
"A Sacrifice for The Lilith" (Detail) Mixed Media by Jeannette L. Herrera and F. Lennox Campello 8x10 inches, circa 2015. |
Monday, May 11 | Arts Education Program Deadline |
Wednesday, May 13 | City Arts Projects - Individuals Deadline |
Wednesday, May 13 | City Arts Projects - Organizations Deadline |
Friday, May 15 | Artist Fellowship Program Deadline |
Friday, May 15 | Grants-in-Aid Deadline |
Monday, May 18 | Cultural Facilities Projects Deadline |
Monday, May 18 | East of the River Deadline |
Wednesday, May 20 | Sister Cities International Arts Grant Deadline |
Friday, May 22 | UPSTART Deadline |
Friday, August 21 | Public Art Building Communities Deadline |
Certain narratives, such as those in fairy tales, have existed for millennia and maintain a grip on our collective imagination. They are refreshed and reiterated, showing up in popular culture in both familiar and novel ways; similar themes also emerge across cultures and generations. Using photography, digital photomontage, and found object assemblage, Zofie Lang’s work reconstructs these narratives visually by extracting their key elements. Zofie examines the underlying meaning of narratives, including the fairy tales she remembers her Polish grandmother telling her as a child and literature that has inspired her. Her assemblages creates new layers of meaning, consisting of a mix of nostalgia and contemplation of our present popular culture.The gallery is located at NVCC, Alexandria Campus, in the Schlesinger Center, 915 East Campus Lane, Alexandria, Virginia 22311 (your GPS will tell you it's at 3001 N Beauregard Street. Don't be alarmed: it is the same place, just a different mailing address). There is a campus parking garage just across the street.
Read the whole article here.Love letters from Frida Kahlo to Spanish artist José Bartoli will hit the auction block at Doyle New York on April 15. Kept secretly by Bartoli until his death in 1995, the letters offer new insight into Kahlo's life and career.Many of the letters, which total more 100 pages include keepsakes like photographs, drawings, and pressed flowers. They are estimated to bring between $80,000 and $120,000.
As a retired homicide detective and an artist who is world-traveled, the diversity of Davis Morton's life is reflected in his paintings. When he paints horses, there is always something in each painting of the horse that he owned for 30 years. His landscapes often include fields he rode across or islands where his kayak landed. His city scenes and night-life paintings may be reminiscent of Edward Hopper, but they come from streets that Davis knows. And at the heart of every portrait he paints there is a lifetime of making friends and reading people from every walk of life and many different cultures.
"...Although I still can't find an acceptable label or description for myself, I do have a good idea of what I want my work to be. I have never tried to paint a "charming frozen moment." I want (my work) to be like a living moment, with a past, a present and a future that moves on unresolved saying something indistinct. Rather than trying to paint reality just the way it looks or painting my impression of it, I would like my paintings to say something of its essence. I would like my work to haunt."