Multiple Exposures Gallery’s Photo’16 exhibit

Multiple Exposures Gallery’s Photo’16 exhibit.  II am told that it's up on the walls and looks GREAT!

 The artist reception, award presentations and gallery talk by juror Sam Abell is Saturday, October 29, 2-4pm.

Some interesting facts about the exhibit:

• 33 selected photographers, 15 were from the greater Washington, D.C. Area
• 33 states were represented in the entries; images selected came from 15 states; the greatest distance from Washington was Kodiak, Alaska
• awards announced on Saturday are a $500 Juror’s Award presented by Sam Abell and a $250 Gallery Award presented by MEG President, Eric Johnson

Hedieh Javanshir Ilchi at Hemphill

HEMPHILL will host the exhibition, HEDIEH JAVANSHIR ILCHI: Everything became nearness and all the nearness turned to stone, opening on Friday, November 11, with a reception from 6-8pm. The exhibition will remain on view through December 23, 2016.

It’s as if I’m pushing through massive mountains
through hard veins, like solitary ore;
and I’m so deep that I can see no end
and no distance: everything became nearness
and all the nearness turned to stone.

I’m still a novice in the realm of pain,---
so this enormous darkness makes me small;
But if it’s You--- steel yourself, break in:
that your whole hand will grip me
and my whole scream will seize you.

-Rainer Maria Rilke, The Book of Hours, 1905

The esoteric connotations of Rilke’s poem encapsulate the inherent mysticism found in the work of Hedieh Javanshir Ilchi. Both Rilke’s poetry and Ilchi’s imagery have the power to incite the alchemy of the mind. He implements each word with the fullest intention, however small. Like Rilke’s words, Ilchi’s brush strokes are surgically applied, exquisite in execution and commanding in form. Her Iranian roots inform these patterns, called Tazhib, or the art of illumination, used to adorn the margins of historical books. They reference a culture long-oppressed by internal and external forces and also nurturing of deeply beautiful traditions. These patterns, born of tradition, exist amidst the lyrical chaos of poured paint, which she projects across the surface without control. This kind of “action painting” is distinctly Western, and lays the foundation for each composition. Once the paint dries, a topography forms, at once familiar and strange. It beckons Ilchi to search for herself in the peaks and valleys of paint. This binary sense of identity propels her to articulate a vision that reconciles all the things that define her. She can be everything and nothing at all; nearness and stone.

Hedieh Javanshir Ilchi was born in 1981 in Tehran, Iran and is currently living and working in the Washington DC area. Ilchi received a BFA with honors from the Corcoran College of Art + Design in 2006 and an MFA in Studio Art from the American University in 2011. She is currently an artist in residence at Arlington Arts Center, Arlington VA and has recently been awarded residencies at the Vermont Studio Center, The Jentel Foundation, and the Kimmel Harding Nelson Center for the Arts. She has exhibited in New York, Switzerland, Washington DC and Winston-Salem, NC and her work is included in several private and public collections. Everything became nearness and all the nearness turned to stone is Hedieh Javanshir Ilchi’s debut exhibition at Hemphill Fine Arts.

HEMPHILL was founded in Washington DC in 1993. The exhibition schedule features modern & contemporary art in all media by artists ranging from emerging to mid-career to modern masters.


GALLERY HOURS: Tuesday–Saturday, 10:00am–5:00pm, and by appointment.
For More Information Contact:
Caitlin Berry
HEMPHILL Fine Arts
1515 14th Street NW
Washington, DC 20005
202.234.5601
caitlin@hemphillfinearts.com
www.hemphillfinearts.com

Artsy Broke Down ArtReview’s Power 100 by Race, Gender, Profession, and Place of Birth

The 15th edition of the ArtReview Power 100 was published today, listing the contemporary art world's most influential figures—at least according to the publication’s panel of 20 international judges. Year after year, the list features the curators, collectors, dealers, artists, and even a lonely philosopher providing the mix of the money, institutional support, and ideas that drive the global art world.

Details here. 

Opportunitiy for Artists

Deadline: November 30, 2016.

Indiana University East is now accepting 2-D, 3-D, and video work for consideration for this year's national juried exhibition themed "Histories and Memories." Their juror this year is Joshua Hagler (www.joshuahagler.com). 1st Place: $1000. 2nd Place: $500. 3rd Place: $250. Two Honorable Mention Awards: $150.

Details:  http://www.iue.edu/gallery/documents/IUE-3rd-National-Juried-Exhibition_Histories-and-Memories.pdf

Art Scam Alert

Beware of this scammer trying to rip off artists:

From: Nicole Hicks
Date: October 19, 2016 at 3:56:25 AM EDT

Subject: Artwork

Hello,

My name is James Hicks from Charlotte NC. I was looking for some artwork online and i found your contact while searching. Will like to purchase some of your work for my wife as a surprise gift for our 20th anniversary.Please kindly send pics and prices of some of your art which are ready for immediate sale within price range $300- $1,200, i could be flexible with price. So i will hope to hear a lot more about any available piece in your inventory ready for immediate sale.

Thanks and best regards,

James Hicks.

The way some states are run...

Perhaps the single most time-consuming and frustrating part of doing art fairs is the registration, collection, filing and payment of sales tax.


Not all states, mind you! Both Florida and Illinois make it super easy: fill out a paper form and mail it in with your check for collected taxes.


Texas makes you register to get a certificate, then you must file online (not too easy, but waaay better than the next example)... then you either pay with a credit card or an electronic check.


New York state is a nightmare. I have never, ever been able to file online without calling their help desk... enough said.

Art Scam Alert!!!!

Beware of this mutant!

From: maxarchy7@gmail.com

Greetings!
My name is Maxwell Ore from MA. I actually observed my wife has been viewing your website on my laptop and i guess she likes your piece of work, I'm also impressed and amazed to have seen your various works too, : ) You are doing a great job. I would like to receive further information about your piece of work and what inspires you. However, I would greatly appreciate if you could possibly recommend a few completed piece within my budget $1,500- $10,000 ready for immediate sale, about 3-5 image is enough. Just  need something within that price range for a surprise to my wife. Kindly confirm the availability for immediate sales. 
Thanks and best regards,
Max.

Virginia Museum of Fine Arts Fellowship Program

The Virginia Museum of Fine Arts Fellowship Program is a vital source of funding for the visual arts and art history in Virginia. VMFA is committed to supporting professional artists as well as art and art history students who demonstrate exceptional creative ability in their chosen discipline and, as such, has awarded nearly $5.5 million in Fellowships to Virginians.

VMFA is now accepting online applications for the following fellowships:Professional | $8,000

Individual or collaborative. Professional artists who can clearly demonstrate a history of ongoing collaboration may apply together for one fellowship. Collaborating winners will receive one $8,000 fellowship to divide among themselves.

Graduate | $6,000 Individual only. Includes Art History.
Undergraduate | $4,000 Individual only. Includes College bound high school seniors.
 

Deadline: Fri, Nov 4, 2016 at 5 pm

Apply here

Melissa Ichiuji at AU

Horses in Virginia, c. 1994

Through the wonders of Al Gore's Internets, this old friend's images made their way back to me, thanks to its original owner in Virginia.




Horses in Virginia
Charcoal and Ink on Paper
c. 1994 F. Lennox Campello



Congrats to the Dylanmeister

Congrats to Bob Dylan on his Nobel Prize! Greatest lyricist ever by far, although that boy couldn't sing a lick, but what a writer!


@bobdylan #BobDylan #NobelPrize

2016 Washington Sculptor's Group Annual Members Image Show

2016 WSG ANNUAL MEMBERS IMAGE SHOW


Wednesday, December 7, 2016

7-9 pm

Location: Harvard’s Center for Hellenic Studies – House A 3100 Whitehaven St NW Washington, DC 20008 Free and open to the public.   Call for WSG Member Submissions: Submission Deadline: Monday, November 21, 2016 Email jpegs to Greg Braun: greg.r.braun@gmail.com   Each WSG member may submit up to five (5) jpeg images for the Annual Members Image Show presentation (guidelines below). You must be present at the Image Show while your images are projected. New members are encouraged to take advantage of this opportunity to show their work, and for all members to show new work and receive feedback from the audience. DC area art representatives, gallerists, curators, and reviewers will be invited to attend, so it is important exposure for member’s work. Following the presentation, everyone is invited to stay for drinks, snacks, and discussion. WSG will provide refreshments, and Image Show participants are welcome to bring food to share.   Image preparation: • Resize the dimensions of your images (jpegs) to be no larger than 1000 pixels on the longest side with a resolution of 72 dpi. If you need help with resizing your images, or are unable to resize them yourself, send them to Greg Braun at the above email address, and he will adjust them accordingly. • Please provide images in jpeg (.jpg) format only. • If you would like your website address on your title slide for the presentation, please include it in the body of your email to Greg.   First submitted, first shown. See you there!

Alper Initiative Survey

From the terrific Alper Initiative:

We opened the the Alper Initiative space this past January as a dedicated space within the AU Museum to promote an understanding and appreciation of the art and artists of the Washington Metropolitan Area. Even before celebrating our first anniversary, we've exhibited 65 artists, had 3 opening receptions, 17 salons, gallery talks, panel discussions, even a jam-session, and we're just getting started!

We're looking for new ways to be a resource for local artists through a new program and we're looking to you - artists and community members - for input in shaping this program. We want to provide the space for local artists and art enthusiasts to create social programming that would foster community creativity.

We hope we can have a few minutes of your time to respond to the survey below and send us your ideas. Thanks!

We look forward to hearing from you!

Take the Survey Here 

Opportunity for Photographers

WHAT:

A juried art and photography competition celebrating photography about either:

Food

Fashion

Travel

Health & Exercise

Photos entered compete in the following categories:

• Editorial (including magazine & cookbook photos)
• Commercial
• Personal
• Social Media (eg. Instagram, etc.)

DEADLINE :

All entries to the photo contest must be submitted by October 31, 2016. Entries cannot be accepted afterwards unless the deadline is officially extended. Finalists will be announced in December 2016.

THEME:

The theme of this year's photography awards is "Enticing."

Dictionary definition: Enticing - attractive or tempting; alluring.

THE TASTE AWARDS:

The Annual TASTE AWARDS celebrate the year's best in food, fashion and lifestyle programs on Television, in Film, Online, and on Radio.

GRAND PRIZES INCLUDE:

- Top Photographers receive a TASTE AWARD Medallion to honor their achievement

- An Exhibition at the Red Carpet Reception of the TASTE AWARDS

- 2 Tickets to attend the TASTE AWARDS in California

- Publication on the TASTE AWARDS site, and selected media partner publications

- Authorized use on websites and collateral of the custom "Images of TASTE AWARDS Winners" Logo.

CLICK HERE TO SUBMIT ENTRIES

COMPLETE INFORMATION: http://www.thetasteawards.com/images-of-taste/

After Hours: Social Rituals

Works on Paper by Christina Girardi Curated by Barbara Januszkiewicz

After Hours: Social Rituals

Opening Speakeasy Sat. Oct 22, 6-9 pm Plus Open Art Studios at 34zeo9 Art Studios and Micro Gallery

The urban watering hole is visually comforting and enticing. There exists a constant familiarity of the physical and symbolic bar, through its creation of pockets of intimacy within a fluid public space. 

Girardi explores the visual and social subjects of the bar through drawings made on-site and from photos of bars she has collected from her social encounters. Through these mixed media drawings, she makes an attempt to mimic and recollect setting, sound, color, and taste of the aesthetics surrounding these memories created through the social habits of today’s young urban and suburban populations. By mixing different media such as charcoal, pastel, gouache, and watercolor, this series not only remains fluid and colorful, like the setting’s main subject, but also honors the craft and versatility of modern bar mixology. By combining seemingly juxtaposed or even redundant ingredients (mediums) in an innovative manner, the visuals mimic the works of art created by the bartenders and mixologists to complete this liquid social ritual. 


“ After Hours: Social Rituals”, says Barbara Januszkiewicz, curator, “is seeing more than just original artwork done by Christina Girardi , it is a reflection on today’s sense of community. Sense of place is not a static concept; rather, it evolves and develops over time, reflecting the spectrum of social values within and around the community. Ms. Girardi's art is about this connection that we have with our hangouts, the bar scene. 

It is about socializing today, outside of work, school, or the apartment, a context that spans from the first pubs to the 21st-century, a location now more prolific and diverse than ever, for many social engagements. 

The Speakeasy event Oct 22 6-9 pm offers an art performance that ties in the fine art context with a non-traditional interdisciplinary expression. This Micro Speakeasy offer a live, unscripted performance bartender who will offer dialogues and spontaneity to audience participation.

Landmarks: Washington Sculpture Group

The King Street Gallery presents work from the Washington Sculptors Group in Landmarks. The exhibit opens October 24, with a reception and gallery talk October 27. Dr. Claudia Rousseau, professor of art history at Montgomery College, curated the exhibition. 

Landmarks explores the concept of a landmark in all its possible meanings: from political landmarks to totems to moments of historical change. Montgomery College invited members of the Washington Sculptors Group to submit works that expressed this concept in sculpture. Dr. Rousseau curated the exhibition, choosing works based on a variety of interpretations of landmark. 

The Washington Sculptors Group (WSG) fosters the exchange of ideas among sculptors, collectors, and the public. The organization curates exhibitions in the DC area and beyond. WSG also organizes artists' panels, presentations, workshops, and social gatherings. WSG received the Mayor's Arts Award for Excellence in Service to the Arts in 2004. 

Exhibiting artists include Jan Paul Acton, c.l. bigelow, Alan Binstock, Nizette Brennan, Jacqui Crocett, Alonzo Davis, Joel D’Orazio, Kate Doyle, Jeffery Cooper, Annie Farrar, Martin Feldman, Mary Annella Mimi Frank, Marilyn Geldzahler, Linda Hesh, Penny Jacoby, Craig Kraft, Ruth Lozner, Rosemary Luckett, Gordon Lyon, Joan Mayfield, Kass McGowan, Rob Muir, Iris Posner, Christopher Romer, Mike Shaffer, Diane Szczepaniak, L. S. Watson, Roy Ysla, and Julie Zirlin. 

Landmarks: Washington Sculpture Group runs October 24–November 22 at the King Street Gallery. A gallery talk occurs October 27 from 5–6 p.m. A reception follows from 6–8 p.m. 

The event is located at the Morris and Gwendolyn Cafritz Foundation Arts Center. For more information, visit http://cms.montgomerycollege.edu/arts-tpss/exhibitions/. 

Free and open to the public.

Cuban by Ancestry...

Below is the video that is embedded in my most recent video work...



As I usually do, I've used the "cracks" on the background wall to (employing the Navy's Falcon Codes) double encrypt a background message (also using Ogham)... more on the show later...

"Cuban by Ancestry, But American by the Grace of God."
Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016.

"Cuban by Ancestry, But American by the Grace of God."
Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016.

"Cuban by Ancestry, But American by the Grace of God."
Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016.

"Cuban by Ancestry, But American by the Grace of God."
Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016.

Opportunities for Artists

Deadline: Midnight, November 27, 2016.


Virginia Museum of Contemporary Art’s (MOCA) annual juried exhibition, New Waves 2017. Cash prizes awarded. Juror: Ken Harman is a curator and gallerist based in San Francisco, CA. He is the owner of two galleries, Hashimoto Contemporary and Spoke Art, which have locations in San Francisco and New York City. Previously, Harman was the online editor for Hi-Fructose Magazine where his writings appeared in multiple print and online features. Submissions currently open. 


Website: http://www.virginiamoca.org/new-waves-2017

Life imitating Art... or ripoff?

This is the most recent Lowe's ad on TV.


This is a still from that ad:

And this is a still from DMV artist Kathryn Cornelius' 2005 video "Resolve"

Life imitating art? Or Lowe's imitating Cornelius?


Just sayin'

PHOTO '16 at Multiple Exposures