Spring Break in NYC

By Robin Tierney

Here’s a cure for cabin fever: a recession-priced escape to Manhattan.

Look for a discount fare on the Amtrak Acela (tip: board the no-cellphone “Quiet Car”). Rate-surf for the New Yorker Hotel, an architectural classic one block from Penn Station. It completed a massive renovation in time for the economic bust, so you can get a bargain and colossal views. Next, buy a $74 CityPass that gets you VIP admission at a bunch of iconic venues, and a $7.50 FunPass for 24 hours of unlimited subway riding on days you don’t feel like walking, although walking’s easy from this central location.

Now, some quick takes from my long weekend of art-spotting.

Big venues are scrambling more than ever to lure more visitors. The Metropolitan Museum of Art hit the bell with its new “It’s Time We Met” ad campaign built on photos submitted by museum-goers. Winners got a couple hundred bucks and an annual pass. So if you dream of having work shown at the Met, instead of slaving over a hot canvas just click some whimsical scenes with your cellphone.

So I shouldn’t have been surprised when security sentry Guy Anglade told me that visitors have asked which way to the “We Met at the Met” exhibition. Anglade shook his head: “Forget Carravaggio, where are the Flickr photos?”

"Six-year-old emulating Edward Hopper! His own choice, said his mother."
By Robin Tierney
The supersized images are plastered on billboards, buses and fencing in front of the museum. Evidently in the social media age, there’s an unquenchable thirst for acts of cuteness executed against fine art. Imagine your life’s work functioning as a background for goof-shots.

One special exhibition revisited the debate that won’t die: “is photography art?” “Walker Evans and the Picture Postcard” arrested scores of onlookers during my visit with its documents of Americana arcana culled from the photographer’s collection of 9,000 postcards. For most of the cards, the photographers remain unknown, but several of Walker’s own postcard creations are on view. Through his 1936 experiments, he taught himself to crop for maximum clarity and intensity. Walker then worked decades to free this humble genre from the pigeon-hole of nostalgia and get respect as an art form.


Walker Evans (American, 1903–1975) View of Easton, Pennsylvania (variant), 1935 Postcard format gelatin silver print 8.6 x 13.7 cm (3 3/8 x 5 3/8 in.)
Whatever you call them, their allure overpowers: viewers studied b&w and hand-colored portraits of beach towns, main streets, train depots, river ports, windswept cliffs, hometown jubilees, fan-dancers, sanitarium patients. The alchemy of documentary and lyricism includes original Coney Island amusements (“Atlantis, the Sunken City”), San Francisco’s Valencia Hotel vaulted out into the street by an earthquake, even an electric chair at Sing Sing prison.

The postcard exhibition closes May 25; check out curator Jeff Rosenheim’s terrific catalog.

Across the hall, I caught the final day of “Reality Check: Truth and Illusion in Contemporary Photography.” Interesting selections included faux-to-journalist David Levinthal’s staged battle using toy soldiers, flour and plastic bags shot using a very narrow depth of field. Mark Wyse documents a squirrel ignored in the road after falling to his death in his “Marks of Indifference” series.

Downstairs, “Pierre Bonnard: The Late Interiors” offered an opportunity to observe the graphic shorthand of dots, dashes, loops, spirals and zigzags the modernist used to record images and to compose paintings.

Make time to meander in Central Park.

Just south of the park you can overdose on eccentricities all day at MoMA (AKA the Museum of Modern Art). Sleep-deprived, I lacked the patience to mine for meaning in the temporary exhibitions that left me plagued by an earworm of “You Gotta Have a Gimmick” (from “Gypsy”). Such as Klara Liden’s projects, partly due to the medium designation of “interventions.” And a performance artist’s self-imposed year-long confinement to a cell. “Four Decades of Contemporary Art” felt like a Target commercial on drugs.

The ennui evaporated once I remembered to fetch my MoMA audio tour.

It’s worth scaling the steps for the survey spotlighting Martin Kippenberger, who has lambasted the vagaries of modern culture in nearly every medium. Consider “Psycho buildings” and the sprawling recession-ready installation presenting job interview as sporting event, complete with bleachers and cheerleaders.

MoMA admission gets you a free all-day ticket to use when you wish at P.S.1, the contemporary/indie art haven two subway stops east in Queens.


"Cheerful New York Graffiti in Building near P.S. 1"
By Robin Tierney
Speaking of gimmicks, even art-grumps might crack a smile at the swimming pool that mixes false bottom with false illusions. Darker spectacles play out on dual-sided screens showing Kenneth Anger’s surrealistic brain dumps. His lyrical 40s-style b&w “Faux D’Artifice” held me spellbound while others crowded before flickering frames of Coney Island biker escapades in “Scorpio Rising.”

Jonathan Horowitz commanded a bunch of spaces with jarring works in a range of media. Player piano playing songs from the Who’s “Tommy” paired with disturbing clips from “The Miracle Worker” and other movies. Commentary amusing and sinister about politics and celebrity, the universal appeal of violence and scandal, and imperialism as foreign policy and entertainment from the Roman Empire onward. It’s interesting. Really.

Watching Yael Bartana’s videos of vehicles eerily coming to a stop on a dark highway made me contemplate the narcotic effect of film, especially after I nodded off for an uncertain duration until a lady guard told me it was closing time.

Here comes a mini blockbuster

From the PMA:

Celebrating the extraordinary life and work of Andrew Wyeth (1917-2009), this installation consists of two paintings and seven drawings by the local artist. Among these works are a sequence of studies leading to the creation of Wyeth’s tempera painting Groundhog Day that demonstrate the transformation and distillation of observation that characterizes his finest work. Wyeth and his wife, Betsy, donated these drawings to the Museum in July 2006 during the final weeks of the retrospective exhibition Andrew Wyeth: Memory & Magic.

Born in Chadds Ford, Pa., 30 miles southwest of Philadelphia, Wyeth was educated at home and apprenticed to his celebrated father, the painter and illustrator Newell Convers (N.C.) Wyeth. He made his solo debut at the Philadelphia Art Alliance in 1936, at the age of 18, and was launched on the national scene the following year with a sold-out exhibition at the Macbeth Gallery in New York. Building on that early success, Wyeth proved to be a painter of profound imagination, skill, and staying power across seven turbulent decades. Both admired and criticized for the tenacity of his realist approach and the unabashed emotion in his paintings, he produced some of the most famous and haunting images of the 20th century.

“All I want to do is paint,” said Wyeth, “and I paint the things I know best.” The everyday “things” found in and around his homes in Pennsylvania and Maine resonated with feeling for Wyeth, offering him pathways into memory and fantasy. His paintings of “things” were rarely straightforward, realistic descriptions: usually, the subjects have been simplified in the process of study, manipulated, and layered with personal associations, metaphors, and symbols that express larger themes of loss, death, and the passage of time.

Curator: Michael Taylor, The Muriel and Philip Berman Curator of Modern Art
Location: Gallery 119, first floor

Out of Order at MAP: Drive-by review

Yesterday I got to MAP's Out of Order fundraiser auction art drop off a little earlier than last year, but by the mid afternoon there were already 270 pieces of art hung on MAP's wall.

So it seems that they're well on their way to top last year's numbers of over 600 works of art auctioned off for MAP's benefit, with 50% of the silent auction proceeds going to the artist.

When I got there and was filling out my forms, I had to do a double take on the artist who came after me. He was Michael O'Sullivan's (WaPo art critic) doppleganger, little glasses and all.

On closer examination he was a little older, but whoever this gent was, he really looks like O'Sullivan.

I stopped staring and went back to filling out my paperwork.

"Do you think this piece is too pornographic to hang in this show?" I heard the doppleganger ask the young MAP attendant. I turned and looked.

He had a painting well wrapped; he unwrapped it and showed it to the young girl. She looked a little confused and told him that it was OK. He asked if she was sure.

She then referred him to Julie Ann Cavnor (I think), the young MAP Executive Director, who was sitting behind the gallery's desk.

I couldn't resist, so as he walked to the desk, I stood up and strategically placed myself by the side of the desk, pretending I was studying the piece hung behind it, so that I could steal a look at the potentially offending work of art.

The doppleganger came to Cavnor and asked the same question. She looked at it, and over her shoulder, so did I.

I didn't see her face, but heard her telling the guy that it was OK. She did this in a very nice way.

Former Associate Justice of the United States Supreme Court Potter Stewart once wrote that that "hard-core pornography" was hard to define, but that "I know it when I see it."

I think that Stewart and I, plus all the MAP personnel and I suspect every person on this planet would agree that there was no pornography in the work that the doppleganger was so anxious about.

Puzzling in fact.

The piece appeared to be an oil painting, sort of a naive style mixture of abstract and representational elements, thick paint application and sort of a New Ageish kind of look to the (ahem) finished product.

No naked bodies that I could discern with my quick stolen glance, no erect penises, no penetration of any orifices, no sucking of any kind, no genitalia that was recognizable as such.

No pornography; at least not on planet Earth.

Bypassing this distraction, I hung my work and moved on to look at the work that had preceded it.

Here's what I liked and what should be acquired during the auction:

There's an untitled lovely seascape watercolor by Patrick Klugh (#220) that will go fast. There's also a gorgeous tempting graphite work by photographer Elena Volkova (#59 and titled "Waterlines) almost next to it. This piece is a very minimalist rendition, clearly influenced by Volkova's equally minimalist photography. It is one of the best pieces in the show.

On the opposite end of the drawing spectrum, there's a very strong charcoal drawing by Matt Bergsbauer titled "Distortion #4 (it's work number 94) that reminded me a lot of Uruguayan artist Javier Gil's work. I also liked McKenzie Lefstein's woodcut titled "Trash City." That piece is number 65.

Two interesting nudes, a little too high for me to determine their media (could be drawing or digital), but with a lot of Vargas and Currin in them were next to each other (numbered 171 and 169 respectively) and seemed to come from the same artist's hand, but identified them as Brenda Brookind and David Wilson.

Number 44, "Hold Both Handles," a cool collage by M. Jordan Tierney was also quite good and should get a decent set of bids, as will Melissa Sue Mauro's appropriation of Hello Kitty in her "Distant Childhood Memories" (#72).

Candace Linthicum's pastel of a nude woman, #27 showed powerful skills with that very difficult medium, adn I also liked Diane Burnett's wire sculpture titled "The Eternal Struggle."

Right around the area where the Burnett sculpture is located, the O'Sullivan doppleganger was now engaged in conversation with a tall gent, and had his painting (wrapped again) under his arm.

"Do you think it's too pornographic?" I heard him ask the gent as I passed by.

The last piece that I will mention in this early look is David Herman's oddly titled "Untitled, Ocean." A powerful oil painting of a seascape that will get many bids, but David, is it untitled or is the title "Ocean"?

As I headed out the door, the doppleganger had returned to the receiving desk, and was once again quizzing once of the volunteers about the pornographicity of his work.

Molly, the fair attendant taking care of him, was being very nice, and I restrained my desire to jump in and ahhhh... ask him which part of "no" was fuzzy to him.

The Auction & Gala starts at 8pm, Friday, April 3, 2009. Go buy some artwork!

Things are not always as they seem

This elusive concept haunts the periphery of three distinct artists’ works, and for the month of April, Projects Gallery (which also sells my work) has three simultaneous solo shows of disparate artists who are united under the umbrella concept of Perception : Reality.

Canadian Ross Bonfanti creates his popular "concreatures" (if you've ever been to an art fair anywhere, any art fair... you've seen them) by rescuing cute, stuffed animals from thrift stores and ripping the stuffing out of ‘em.

The empty vessels are then filled with concrete. Once cured, the fur skin is peeled away, leaving a disarming "concreature" in place. Textured with the underside of the fabric, with fur embedded in the exposed seams, these sculptures retain their plush appearance and original features, including button eyes and noses.

The resulting sculpture is a constant juxtaposition between the expected and the actual.

Philadelphian Lauren Lyons is widely regarded for her photography of bands in highly stylized shoots.

She has photographed artist portraits and cheeky scenarios for illustrious clients such as Interscope Records, PETA, HBO, and Philadelphia Magazine. Celebrated for her accentuation of the artifice of her subjects, Lyons’ work exemplifies a contraction; she captures the visual evidence of the veneer.

Her carefully constructed images provide elusive glimpses at the truth, enough to ‘whet the palette’, ultimately creating a composed stylized truth.

Fellow Cuban Alex Queral’s carved phonebooks usually receive the “how’d-he-do-that?” attention wherever they are exhibited. His lushly detailed carvings are created from the soft material of phonebooks. Using classical carving techniques on an unexpected material, Queral brings forth the individual from the faceless masses. Queral crafts recognizable visages, vaguely familiar but elusively foreign, as well as evoking his own cast of characters from the bound sheets of paper.

Projects Gallery presents these three divergent artists from different regions of the continent. Each will be given their own exhibition space to focus on the individual artist, but the thematic thread connects them all. Popular in their own right, Perception : Reality invites the viewer to discover what lays beyond the first impression of these three artists’ works.

Perception : Reality will be on display April 6 - 25, 2009. There will also be an artist reception on First Friday, April 6th from 6 - 9 p.m. The reception is free and open to the public. Projects Gallery is located at 629 N. 2nd St. in Philadelphia’s Northern Liberties section.

Wanna go to an opening in Frederick, MD this weekend?

The Delaplaine Visual Arts Education Center has an openning reception, on Saturday, April 4, 2008, 3-5 pm for married artists William “Skip” Lawrence and Diane Santarella, who have simultaneous shows in April, at the Delaplaine Visual Arts Education Center Center in Frederick, Maryland.

Large canvases with rich layers of color will fill the Delaplaine’s F&M Gallery in “Homecoming”, recent paintings by William “Skip” Lawrence. "States of Mind" , by Diane Santarella, is showing in the Delaplaine’s Gardiner Gallery. Santarella’s paintings explore the graphic, visual experience of meditation, migraines, dreamscapes, and the organization of mental minutiae.

Sandberg at Conner

In Washington, DC, Conner Contemporary celebrates their first decade with concurrent solo exhibitions of new work by three gallery artists: Erik Thor Sandberg, Dean Kessmann and Isaac Maiselman.

I consider Erik Thor Sandberg to be one of the best painters that I have ever met.

His natural skills and his work ethic combine to deliver an artist who is somewhat of a throwback to the great age of painting, but also an artist whose consummate skill is also married to a very contemporary dialogue.

Conner describes Sandberg as an artist who "calls forth the regenerative powers of nature in Cyclical Nature, his third solo exhibition with the Gallery. Viewing the artist's latest series of large oil paintings on canvas elicits as much pleasure as he evidently took in painting them. Freeing figures from interior settings of his previous compositions, Sandberg opened magnificent landscape vistas as sites for the enactment of life, death and regeneration. In his inventive allegories, people and animals negotiate a tenuous balance between knowledge and irrationality. Sandberg reconciled the unsettling eventualities of his protagonists' actions by grounding them in vital elements which assert nature's boundless forces of reclamation and rebirth."

Dean Kessmann furthers his exploration of unusual ways of seeing familiar architectural spaces in Architectural Intersections, his third solo exhibition with the Gallery. In his first solo exhibition with Conner, artist Isaac Maiselman critiques political exploitation of religion in the video installation Entre el Dios, El Diablo.

The openings are on Saturday, April 4 from 6-8PM. If you are a lover of great painting, do not miss this show.

AIPAD report

One dealer, when asked what she’d sold, replied: “Off the record? Nothing. On the record? Nothing.”

Kris Wilton reports in artinfo.com.

Do this tomorrow

Tomorrow, Maryland Art Place (MAP) will be accepting artwork for their annual Out of Order silent auction.

Last year, 425 artists participated in Out of Order and several hundred guests attended, making it one of Baltimore’s most important and memorable art events! Check out my drive-by review of that exhibit here. My Best in Show pick last year was Hadieh Shafie, who won one of the major Baker awards a few days ago! Does the kid have an eye or what?

Proceeds from artwork sales will be split 50/50 between MAP and the artists and will directly support MAP’s exhibitions and programs throughout the year. For submission guidelines, please view the artist prospectus here.

I plan to donate work once again.

Out of Order
Auction & Gala: 8pm, Friday, April 3, 2009

Hanging Dates & Times: 24 non-stop hours beginning 9am, Wednesday, April 1, 2009.

Artists' Websites: Janis Goodman



Janis Goodman is not only an accomplished artist, but also one of the key figures in the Greater Washington, DC art scene. Goodman is a Professor of Fine Art at the Corcoran College of Art + Design, and one of the Arts Reviewer for the PBS/WETA, Channel 26, Around Town program. Visit her website here.

Robin Rose at Hemphill

One of Washington's most influential artists, Robin Rose, opens at Hemphill Fine Arts in DC with a show titled Endeavor. The opening reception is Saturday April 4, 2009 from 6:30 pm - 8:30 pm. The show runs through May 30, 2009.

Wanna do some body painting this Friday in DC?

Here's a party you won't want to miss! The closing of the annual 2009 Erotic Art Show at MOCA DC Gallery will begin at 6 pm on April 3 with very special contests for models and body painting enthusiasts and prizes totaling over $1,000 in value.

Models from Virginia, Maryland, Pennsylvania, West Virginia, the District of Columbia, and as far away as Delaware and New Jersey will be on hand wearing the erotic costume of their choice. A panel of judges will select the top three costumes judged on both originality and erotic flare. First, second and third place winners in the model/costume competition will each be awarded an "in-studio," two-hour portfolio-building photoshoots with one of three of the best known DC-area fashion, glamour, and fine art photographers.

Each of the winners will also be awarded a one-hour make-up session with one of three top-notch professional make-up artists! MOCA DC is fortunate to have Jerry Harke of JR Harke Photography, Inc. (Annandale, VA), Mike Cary of Mike Cary Photography (Fredericksburg, VA), and John Korb from John Korb Photography (Fairfax, VA) donate two-hour photoshoots to the winners. And, the three top notch make-up artists are donating their services to the winners.

Winners of the body painting contests will be awarded a cash prize of $50 for the best body painting artist and $50 for the best human canvas.

MOCA DC is located at 1054 31st St. NW in Canal Square in Georgetown, Washington DC, right next to a few other galleries in the Canal Square complex. For details, email Dave Quammen at mocadc01@comcast.net or call 202.342.6230.

Barbaccia and others at Delaplaine

Joseph Barbaccia's "Resonance" opens Saturday, April 4th at the Delaplaine Visual Arts Education Center's Side Gallery in Frederick, Maryland. The show goes through May 17, 2009.

Included are 12 mixed media sculptures created by Joseph Barbaccia, supported by a portrait of the artist holding one of his works by painter Margaret Dowell. Barbaccia and Dowell set an artistic mirror up to the creative personality by reflecting and revealing the artist through their own work, as well as through another artist’s eyes.

At the Center's Kline Gallery, don't miss Linda Plaisted's "The Arborist: Roots, Resilience and Rebirth" (through April 26). Plaisted "layers her original photographs of the trees of Frederick County with textures from her paintings and collected ephemera. The result is a painterly series of work that share a lucid quality illustrating the natural cycle of birth, growth, death and rebirth."

And at the Gardiner Gallery you must also see "States of Mind" by Diane Santarella (through April 26). This series of paintings explores "the graphic, visual experience of meditation, migraines, dreamscapes, and the organization of mental minutiae. Santerella works in mixed media on paper and canvas with a distinct mark that recalls Zen calligraphy and graffiti. The resulting paintings are quiet, complex and subtly challenging."

The Delaplaine Visual Arts Education Center
40 South Carroll Street
Frederick, Maryland 21701

Reclaimed at Target

Reclaimed, an exhibition at Alexandria's Target Gallery focuses on everyday common objects that are reclaimed, recycled, reinterpreted and transformed into art.

From Marcel Duchamp’s “ready-mades” to Robert Rauschenberg’s “combines”, artists have been for years recycling and reclaiming everyday common objects and transforming them into something new and unique. This exhibition was open to all artists nationally and internationally to submit work that has been reclaimed and transformed into their own personal artistic statement. The jurors for this exhibition are gallery owners and collectors, a husband and wife team, my good friends Steven and Linda Krensky.

The exhibition opens on April 1 and goes through April 26, 2009. The opening reception is April 9, 6-8pm and there will be a gallery talk at 7pm.

Another art scam artist...

Body of her email (just as received) below:

Hello.
My name is faith i saw your profile today at (afonline.artistsspace.org) and i love it also became intrested in you,i will also like to know you more,and i want you to send an email directely to my email address so i can give you my picture for you to know whom i am.Here is my email address (faithmbia53@yahoo.co.uk) i believe we can move from here.my love distance or colour does not matter but love matters alot in life.i waiting to recive your lovely reply soon, Yours Love.
Miss faith

New head of PG County Arts Council

(Via Arts & Real Estate) I had heard that my good friend Lionell Thomas had a new job as the head of the Prince George's County Arts Council, but couldn't get the DC Arts Commission (where Lionell worked for many years) to confirm it, and couldn't find anything on the web until now.

Thomas will not only bring a wealth of expertise (much needed by the way) to that Arts Council, but something that money can't buy: energy and true enthusiasm to the arts and to the new job.

2008

I just handed all my 2008 tax paperwork to my CPA and it doesn't look pretty.

Surprisingly though, sales of my own artwork reached an all time high for me. I had not realized this until this week.

In 2008 I had one solo show (of my paintings) and participated in about half a dozen art fairs and about half a dozen group shows.

I seem to do really well in art fairs, where my work has always and consistently sold well in art fairs (although 2009 started with a bummer art fair).

Bottom line: in 2008 I managed to sell nearly 80 drawings! Nearly a third of these were sold in one New York fair.

Most of these were recent drawings, but I also sold a few older pieces to a collector and even several art school works.

2009 started roughly, but I've got some more art fairs already lined up, have work hanging currently in two shows, but I still need to work on a few gallery shows.

Portraitism

With challenging economic times persisting, people are spending more time at home and are looking for affordable luxuries. Portraiture, especially portraits of children is "The New Status Symbol", according to Boston Home Magazine

Absolutearts.com report here and Boston Home Mag's portraits here.

Blue period

Representatives of the arts industries told the House Education and Labor Committee hearing Thursday that the repercussions of the recession go well beyond musicians having to put down their guitars and get "real" jobs. The nonprofit art and cultural industry alone supports 5.7 million jobs and generates $166 billion in economic activity every year, they said.

Read the AP report by Jim Abrams here.

And your art for free

Forbes estimates the personal wealth of Theodore N. Lerner at $2.5 billion, but why spend your own money on art when the taxpayers will commission it for you? The DC Government dead-panned that the baseball art belongs to DC and is only on loan to the Lerners, an assertion worthy of a Larry Neal Award for fiction. The sculpture is site-specific, so saying the art is on loan is like saying you don’t own the fillings in your teeth, you only rent them.

Read Licht on "DC Buys Bronze Bobbleheads for Billionaires" here.

Openness for everyone else but us....

A federal judge in Manhattan has spoken out about a claimant's decision to keep mum about the details of a recent restitution case involving the Museum of Modern Art and the Solomon R. Guggenheim Museum.

Last month, the two museums agreed to a settlement under which they would continue to own two Picasso paintings in their collections and would pay the heirs of the works' original owner, Paul von Mendelssohn-Bartholdy, to settle the dispute.

The heirs demanded that the terms remain confidential, a decision the judge, Jed S. Rakoff, questioned when the settlement was announced, citing the museums' public roles and the gravity of the case.

Read the artinfo.com report here.

Baker Artist Award Winners

Congrats to all the Baker Award winners, which were announced yesterday evening in Baltimore.

Carl Grubbs, who is the jazz band director at St. Paul's School in Brooklandville, Hadieh Shafie, a multimedia artist who works as director of career services at the Maryland Institute College of Art, and John Ruppert, a sculptor and chairman of the department of art at the University of Maryland, College Park, were the three winners of the Mary Sawyers Baker awards. The winners were selected through a private juried process and will each receive $25,000.

Another seven artists were named winners of $1,000 "Baltimore's Choice" awards, which were selected by public online voting.

You can see all the award winners here.

When countries go bad...

Yale University has gone to court in a preemptive attempt to protect its claim to an 1888 Van Gogh painting in its collection, Business Week reports.

“The Night Café,” which entered the university collection in 1961 through a bequest from alumnus Stephen Carlton Clark, once belonged to the great Russian collector Ivan Morozov. Russia nationalized his holdings during the revolution and later sold the work.

According to Yale’s suit, Pierre Konowaloff, a Paris-based man purporting to be Morozov’s grandson, last year asserted through a lawyer that he owned the painting and sent a draft complaint of a federal suit. Konowaloff argues that the Soviet nationalization of property was illegal and that the painting is the rightful property of his great-grandfather and his estate.

Read the Artinfo.com report here.

Earlier when I discussed that fact that all the nationalized stolen Cuban artwork which has subsequently been sold by the Cuban dictatorship (mostly to French museums) would one day be subject to claims by the rightful owners, I completely forgot about Russia's earlier nationalizing theft of privately owned artwork which was then subsequently sold by the evil empire.

And in this wide open arena where governments left and right are suing institutions for the return of their national patrimonies, the writing is on the wall.

That's the way you do it...

Sotheby’s has cut CEO William F. Ruprecht’s salary for 2009 and eliminated his cash bonus for 2008 after a sharp fall in the house's profits...

Details here.

Mitch Cope's Amazing Project

Foreclosed house? No problem! Let an artist deal with it.

Read what Mitch Close is doing here.

Mellema on Imboden

Kevin Mellema reviews Connie Imboden at Heineman-Myers Contemporary. Read the review here.

International Arts Journalism Institute in the Visual Arts

From AU:

What: International Arts Journalism Institute in the Visual Arts sponsored by the National Endowment for the Arts and the U.S. State Department
When: Friday, June 12th through Friday, June 26th
Where: American University, Washington, D.C.
Deadline: April 10th, 2009

American University Museum at the Katzen Art Center is pleased to announce the first National Endowment for the Art’s International Arts Journalism Institute in the Visual Arts. This program will provide mid-career art critics and writers the opportunity to participate in a two-week intensive institute at American University in Washington, DC. The institute, which runs from Friday, June 12th through Friday, June 26th, will consist of writing workshops, lectures, and travel to major East Coast art venues.

Up to twenty-four writers will be selected, twelve from the United States and twelve from the Middle East, Northern Africa, Asia, and other countries to participate in the institute. The selection will be based on the individual’s experience in critiquing or reporting on the visual arts through a recognized media outlet. Applicants should provide a brief cover letter explaining their experience in the arts, a resume, and a published writing sample.

Participants will enjoy a two-week expense-paid trip to Washington, DC, including airfare, lodging, meals, writing workshops and regional travel to museums and galleries. Applications must be received no later than April 10th, 2009.

Please email or mail applications to Attn: Arts Journalism Institute: visualartsinstitute@american.edu

American University Museum
4400 Massachusetts Ave. NW
Washington, D.C. 20016-8031

Contact:

Jack Rasmussen, Director and Curator
American University Museum
4400 Massachusetts Ave., NW
Washington, DC 20016-8031
202-885-2489
visualartsinstitute@american.edu

Is that a great opportunity for art writers or what?

Opportunity for Artists

Deadline: April 11, 2009

The 2009 Rawls Museum Arts Juried Exhibition, open to artists in DC, VA, MD, NC and on view June 4 – July 11, 2009. Juried by John Pollard, who is the founder of Richmond’s ADA Gallery where he has been exhibiting emerging and mid-career artists since 2003.

For an entry form send a SASE to:

Rawls Museum Arts
22376 Linden Street
Courtland, VA 23837

Or download the entry from here.

Opportunity for Artists

Deadline: March 27, 2009 (postmark).

The Fine Arts League of Cary is seeking entries for its 15th Annual Juried Art Exhibition to be held from May 8th to June 27th, 2009 in Cary/Raleigh, NC. Show awards and purchase awards will total over $5,000. Entries can only be mailed via CD. The postmark deadline for the mail-in registration is March 27, 2009. I will be the juror for this show.

Full details and a printable prospectus are available
on the web here or call Kathryn Cook at 919-345-0681.

Billy Bass in the WaPo today

The Washington Post's Reliable Source picks up the story of the new McDonald's commercial and former DC area artist Thomas Edwards.

Read the WaPo story here.

Here's an idea for public art

Musician and composer Frank Zappa (1940-1993) was born in Baltimore, and spent boyhood years in a Park Heights Avenue row house and at nearby Edgewood Arsenal. His family moved to California in 1952, but Charm City plans to honor its native son with a statute from Lithuania, which will be placed somewhere in Fell’s Point.

Licht on "Zappa Returns to Baltimore, Via Vilnius." Read it here.

Mayor's Arts Awards

I'm all hitzed that I couldn't go to the Mayor's Arts Awards last night, but I got a report from someone who did go:

The opening performance was OTT!

Titled "The Drum Unites Us," a West African Dance Company started it going - then the percussion sounds were joined by the steel drum band, the African dancers moved aside as Korean Dance Company danced to the continuing beat, who then stepped aside as Irish Steppers took center stage, who then moved aside for the Balinese Universe dance studio, who moved aside for the Turkish Silk Road Dance Company, who stepped aside for the BeatYa Feet dances, then the City at Peace dancers (both onstage and in the audience aisles) and then the breakdancers and rappers also took stage. A constant building of more and more - all to the drum beat.

Nice jazz performances; The rest was all good - the reception was the Watergate, where one of the Commissioners decried "the lack of pull for the visual artists in DC."

Sounds like a great time and maybe it will motivate all you unmotivated nebish folks to attend next year!

DCist superwoman Heather Goss has a great report and pics here. She also has the damn best review line of the year so far (describing the multi-ethnic dancing: "It was It's A Small World on the best kind of crack, providing an energetic start to the evening."

New Drawings

I've always been fascinated by the New Testament story of The Christ in Gethsemane, and His passion amongst the olives, and His doubt and fear.

That theme has been explored by me through many drawings over the years. Below are three very minimalist intepretations from 2009. There are all very small... about 3 inches wide by six or seven inches tall.

The Christ in Gethsemane, charcoal on paper. Circa 2009
By F. Lennox Campello


The Christ in Gethsemane II, charcoal on paper. Circa 2009
By F. Lennox Campello


The Christ in Gethsemane III, charcoal on paper. Circa 2009
By F. Lennox Campello

At the next art fair cycles in New York, I plan to have a wall full of these tiny drawings... most of them are under a few inches in size (framed). I think that it would be interesting to see 30-40 tiny drawings all crammed in one wall.

I also need to find a gallery interested in showing this small (and more affordable) work, rather than my usual, larger sized, "normal" work.

Wanna go to a DC opening this Friday?

Christian Platt, Paintings, has an Opening Reception Friday, March 27, 6-8:30 pm at Susan Calloway Fine Arts

"Young and new to the art world, Christian Platt focuses on large-scale oil landscapes, often inspired by his time as a wrangler in the Montana and Wyoming wilderness and the countryside surrounding his Virginia home, as well as large-scale still lifes."

Images here.

VFMA acquires new Cecilia Beaux

The Virginia Museum of Fine Arts board of trustees have approved the acquisition of an 1888 oil on canvas portrait by American artist Cecilia Beaux, who was hailed at the turn of the 20th century as the “best woman painter in history.”

She is certainly one of my favorite painters, period.

The painting by Beaux (1855-1942) is a portrait of her fellow Pennsylvania Academy of the Fine Arts alumni Alexander Harrison and measures 26 by 19-3/4 inches. An important transitional work, the portrait dates from Beaux’s formative period of study in Concarneau, an artist’s colony in Brittany, where she first began to lighten her palette and to paint outdoors.

According to Dr. Sylvia Yount, VMFA’s Louise B. and J. Harwood Cochrane Curator of American Art and an expert on Beaux’s work, the Philadelphia native was an internationally acclaimed figure painter and portraitist “who also happened to be the most successful woman artist working in turn-of-the-century America.”

Curators and dealers

As used as we all are to hear the whine from the negative perspective of the art dealer and museum curator symbiotic relationship, it is very refreshing to hear an excellent opinion married to a couple of good examples, but discussing when curators rely on art dealers and then give them zip credit.

Read Regina Hackett here.

Mel Chin lecture at Arlington Arts Center

On Tuesday, March 24 at 7pm the place to be in the Greater DC area is the Arlington Arts Center, which is "honored to welcome internationally-recognized artist Mel Chin to the Arlington Arts Center on Tuesday, March 24. Mr. Chin, whose work is socially and ecologically conscious, will be presenting a free lecture about his current public art project, Operation Paydirt."

The lecture will begin at 7pm.

To ensure adequate seating, please let them know if you will attend by calling 703.248.6800 or emailing information@arlingtonartscenter.org.

Is it me?, or has the Arlington Arts Center made giant strides forward since Claire Huschle took over as Executive Director and Jeffry Cudlin as Curator? You bet they have.

Wanna have a boatload of fun in DC tonight?

Join Mayor Fenty as award recipients are selected from among the finalists and announced live from the stage at the Mayor’s Arts Awards Ceremony tonight Monday, March 23, 2009 at 6:00 PM at the John F. Kennedy Center for the Performing Arts in the Concert Hall.

Admission is free and having been to many of them, it is a boatload of fun, with great live music and entertainment and loads of good food and drinks.

This is a huge event, and every year that I've been to them, I always look around and say to myself, as I see hundreds and hundreds of people in the audience having fun: "where are the usual suspects from the DC visual art world?"

Go for me this year and have fun!

Rousseau on Fiber

My good friend Dr. Claudia Rousseau reviews "BookEnds: The Book as Art" at Pyramid Atlantic in Silver Spring and "A Tribute to Fiber Art" in the Art Gallery at the BlackRock Center in Germantown. Read her Gazette review here.

AIPAD

The Association of International Photography Art Dealers (AIPAD) hosts the world's largest exposition of vintage and contemporary photography and is celebrating 29 years as the world's premiere exposition devoted to fine art photography. It all takes place in NYC March 26 – 29, 2009 at the Park Avenue Armory.

During the month of March artline® is featuring these dealers and selections from their inventories on the artline homepage. Preview hundreds of photographs - all clicking from this link... click on any highlighted name and scroll left to right.

Nudashank Grand Opening in Baltimore

Nudashank is the new independent, artist-run gallery space in Baltimore, Maryland.

Their first exhibition, Wise Guise, is a colossal group show featuring 23 young and emerging artists. Representing a diverse selection of work, ranging from the figurative to the abstract, Wise Guise presents a cross-section of visual themes from contemporary counter-culture. The works in the show include paintings, works on paper, screenprints and zines.

Exhibiting artists are: 6 Baltimore-based artists: Xavier Schipani, Mark Brown, D’Metrius Rice, Walter Carpenter, Noel Freibert, and Molly Colleen O’Connell. Three European artists: Arnaud Loumeau, Thomas Bernard and Miruki Tusko.

And 14 artists from throughout the US: Jason Redwood, Bonner Sale, Jon Clary, Reuben Breslar, Drew Beckmeyer, Edie Fake, Jordan Bernier, Caitlin Cunningham, Emily Nachison, Edward Max Fendley, Matt Lock, Chris Warthen, Andrew St. Lawrence and Kevin Hayden.

The opening is March 27th, with a reception from 7 pm – 9pm and an after-party in the adjacent Whole Gallery. Wise Guise will be on view through April 25th. The 1000 square foot gallery is located at 405 West Franklin Street, on the third floor of the H&H building in downtown Baltimore, which already houses the Whole Gallery, Gallery Four, and Floristree.

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it here.

Opportunity for Artists

As many of you know, my good friend Jesse Cohen and artdc.org has started a new gallery in Hyattsville, MD. The space is about 500 square feet, and has movable walls.

They are going to do their first 12x12 show in May to coincide with the Hyattsville Arts Festival.

Artists can buy a spot for $12, and they hang your art. The way that it works is that a limited number of artists can now pre-register first come first serve; register now or at the day of the hanging, but first come, first served.

Either way, you can register now, or they'll see you at the door for the remaining spaces. It's their goal to hang at least 120 works of art.

The limitations: each work has to be 12"x12" and weight under 10 pounds, and they have a wire on the back suitable to be hung on a hook. Make your work professionally presentable.

To pre-register, check it out here.

All details are listed at the link above. Dates, location, and more. For now, they are going to limit pre-registration to 50 slots and I am told that registrations are coming in already.

Race in America at Widener University

Modern science tells us that the DNA of any two humans is 99.97 percent identical. And starting today the Division of Student Affairs at Widener University in Chester, Pennsylvania explores race in American society through a very interesting interactive exhibit.

The exhibit features informational tools to learn more about biological race and human variation, online activities, documentaries that confront race perceptions and racism, and the very cool Human Race Machine.

The Human Race Machine is an interactive tool that permits users to explore their own racial identity through images of themselves as other races. As one user expressed, "It's weird to see myself as Asian or Black. How would I think of myself differently and how would others see me?"

I'd like to think of the machine as a sort of machinated Linda Hesh.

The exhibit will be open for exploration and inquiry during the hours of 11:00 a.m. to 7:00 p.m. Monday-Friday, March 23-27 and housed in the Lower Level Lounge of University Center.

Art Auction

There are some great works of art at some very low starting bids at the Habatat for Healing Auction to raise funds for the Leukemia & Lymphoma Society.

It all starts April 1st at 12:00 p.m. and runs through April 7th at 5:00 p.m. but you can view the artwork and start bidding now. Details here.

You can bid on my donation (see below) here.

Woman Jumping into the Void. Charcoal on Paper. 11x14 inches framed.
F. Lennox Campello, c. 2009.

Congrats!

To my good friend Mark Jenkins, DC's own Tapedude, whose solo show opens in New York's Stricola Contemporary today with a solo show titled The Golden Ass.

From the press release:

Documentary photographs of characters, such as The Golden Ass, are extracted from their usual street environment, then montaged with found and altered landscapes. Jenkins sources his background environments from Google, which are then layered to create landscape ‘mashups’. In re-contextualizing his characters and their environments, Jenkins creates 2 dimensional versions of the absurdist visions dramatized in his street work. By sampling and remixing his own work in this way, Jenkins moves from street illusionist to story teller. At the same time, he extends the themes first seen in his 2006 Embed Series, merging his packing tape world and other hybridized figures into a physical-mythological composite.

The Golden Ass, a figure from Lucius Apuleius’ ancient Roman novel of the same name, is one of Jenkins’ reoccurring characters. The book relates the adventures of Lucius, a virile young man whose obsession with magic gets him transformed into an ass. Originally Jenkins’ Golden Ass statue appeared on a street in Barcelona, populated by tourists and living Statues, or people who pretend to be statues in hopes of earning a few euros. The irony of having a real statue competing for tips with false statues becomes completely absurd as pedestrians gather to ogle the Ass (The Golden Ass, Embed Series video, 2009).

This character now appears in Jenkins’ collages, silently watching as giant women perform felatio on a rainbow (Under the Rainblow, 2009). In the ancient novel and in Jenkins’ work, the Ass, like the Artist, stands as witness and commentator to humanities strange machinations.

Jenkins has shown on the streets and in the galleries of Tokyo, London, Sao Paulo, Los Angeles and his native city, Washington DC. His works have been featured in the book Hidden Track: How Visual Culture Is Going Places, Juxtapoz Magazine, and many other publications.

Congrats!

To the Maryland Art Place (MAP), which was recently recognized by the Baltimore City Paper as “Baltimore’s Best Art Gallery” of 2008.

Art of Glass II

Ten years ago, the major arts institutions of the Greater Hampton Roads area in Virginia joined together to put together of the most successful examples of region-wide art partnership events: The Art of Glass.

Across Norfolk and the Greater Tidewater area, through the Art of Glass, they proved that art has the power to be a transcendent force.

In April 2009, the Chrysler Museum of Art, the Contemporary Art Center of Virginia and the Virginia Arts Festival, as well as many of the Norfolk-area art galleries, will once again collaborate to create a landmark event for Hampton Roads: Art of Glass 2.

Anchored by The Art of Glass II, the Chrysler Museum of Art will have Lino Tagliapietra in Retrospect: A Modern Renaissance in Italian Glass. Held at the Chrysler Museum of Art. This is the first exhibition to thoroughly examine the career and art of Lino Tagliapietra. The exhibition presents 155 works from Tagliapietra’s 40-year career, including pivotal works from the artist’s own collection and collections around the world as well as designs made for industry and objects that have never before been exhibited.

The Chrysler Museum will also have Contemporary Glass Among the Classics, which features glass installations from four contemporary artists: Katherine Gray, Stephen Knapp, Karen LaMonte, and Beth Lipman. Focusing on each artist’s approach to the versatile material of glass, this exhibition will present new works inspired by the Chrysler’s collection. Gray, LaMonte, and Lipman’s works will be featured throughout various galleries alongside objects from the Museum’s collection.

The Contenporary Art Center of Virginia has a wide host of events and exhibitions lined up with Hank Murta Adams, Dante Marioni, and others; see them all here.

Several key DC area artists will be involved in the festivities as Mayer Fine Arts hosts Dialogues in Glass with the usual powerhouse names from the DC area. Click on below image for more details.

Thomas on Huddy

The WaPo's Holly E. Thomas writes about The Torpedo Factory and Margaret Huddy.

Elise Campello reviewed again!

"Showing great range as an actor, Campello goes from sexy and brash to tender and vulnerable in the bat of an eye.

She sets the tone for Ariel when, once out of her parent’s sight, she slips out of her modest clothes to reveal tight shorts and an exposed midriff and she then vamps wildly to 'The Girl Gets Around.'"

Read the News Tribune review here.

Is it just me?

Maybe it is just me.

But doesn't the new McDonald's singing fish commercial look, feel and sound like the work of former DC area artist (and now in Los Angeles I think) Thomas Edwards's 2004 Artomatic entry "School of Fish Pain" which was subsequently exhibited at Fraser Gallery's 2005 show?

See Edwards' video of School of Fish Pain here. What Edwards did was to reprogram a whole set of Billy Bass talking fish to complain about being eaten and assorted other things.

Edwards is a superb technological artist; I think that MickeyDees needs to get in touch with him soon. See McD's fish commercial below. What McD's has done is to reprogram a Billy Bass talking fish to complain about being eaten.

Wanna go to a DC closing tomorrow?

Longview Gallery has a closing reception for Anna U. Davis's paintings of her made up "Frocasian" (from Afro and Caucasian) characters. Closing reception: 7-9 p.m. Saturday, March 21.

Hemingway's Cuban son

Details here.

Wanna go to an Alexandria, Virginia opening tomorrow?

"Private Arts: A Designer's Exhibition" is the event... don't miss this massive show of over 150 works by 40 artists. The opening is Saturday at Artery 717 in Alexandria from 7:30-11PM. There will also be Live Blues/Rock music, and of course, like most great gallery events it is all free!


With over 10,000 square feet of gallery and event space, Artery 717 is a world of art all by itself.

Congrats!

To my good friend Adam Griffiths, who is a new commissioner on the Takoma Park Arts and Humanities Commission.

They are having a public photo slideshow event tomorrow night in Takoma Park with live music, poetry, with a Word/Text Mural Workshop tonight that will be installed tomorrow. Click below image for more details.

Wanna go to a Baltimore opening tonight?

Gallery Imperato in Baltimore has Patterns of Obsession, a three-person show that brings into light the visual and behavioral patterns of each individual artist. On display will be Dana Reifler Amato's luminous and three-dimensional drawings, Chris Bathgate's precision made, metal sculptures, and Matthew Kern's mixed media Polaroid collages.

Join them tonight from 7-10pm for an opening reception. Meet the artists, view the work in person, enjoy a glass of wine and sample hors d'oeuvres courtesy of The Wine Market. Opening Reception: Friday, March 20, 7-10pm.

Wanna go to a DC opening tonight?

My good friend Nevin Kelly recently moved his outstanding gallery from its former U Street location to a new location in Columbia Heights (will have to visit soon), and the opening reception for "Atmospheric Conditions" tonight is the way to check out the new space!

Tonight's opening is for works by New Yorker H. Wesley Wheeler and takes place from 6-9PM. Details here.

Wanna go to a DC opening tomorrow?

Call for Artists

Deadline: March 27, 2009 (postmark).

Only a week left to submit your work!

I'm going to be jurying an art show for The Fine Arts League of Cary in North Carolina, and they are seeking entries for its 15th Annual Juried Art Exhibition to be held from May 8th to June 27th, 2009 in Cary/Raleigh, NC. Show awards and purchase awards will total over $5,000. Entries can only be mailed via CD. The postmark deadline for the mail-in registration is March 27, 2009.

Full details and a printable prospectus are available on the web here or call Kathryn Cook at 919-345-0681.

Breaking Through: Women Leading Museums

Breaking Through: Women Leading Museums is panel discussion celebrating Women's History Month 2009.

In celebration of Women's History month, four women who direct museums in Washington, D.C. will candidly explore the role of women in our nation's cultural life in a panel discussion at the National Museum of Women in the Arts at 6:30 p.m. on March 26, 2009.

The program is co-sponsored by ArtTable, the leadership organization for professional women in the visual arts, and the National Museum of Women in the Arts, dedicated to recognizing the contributions of women artists.

At the panel, nationally renowned interviewer and NPR Morning Edition special correspondent Susan Stamberg will moderate a lively conversation with directors whose institutions reflect Washington's broad range of museums:

* Camille Giraud Akeju, Director, Anacostia Community Museum, Smithsonian Institution

* Leslie Buhler, Executive Director, Tudor Place Historic House and Garden

* Dorothy Kosinski, Director, The Phillips Collection

* Susan Fisher Sterling, Director, National Museum of Women in the Arts

"Women are making extraordinary contributions to our nation's cultural life, but still face marked challenges, from the gender pay gap to work-life balance," said Elizabeth Ash, Chair of the D.C. Chapter of ArtTable. "These museum directors will offer their unique perspectives on how to succeed at the highest levels and what they wish they had known sooner."

During the evening, the panelists will share their professional journeys, offer advice to emerging professionals, and communicate their vision for leading museums today and beyond. Admission is $20 for ArtTable members, $25 for non-members, and $10 forstudents (with ID). Tickets are available at this website or 212-343-1735 x 25. For general information about the program, call 703-231-5242.

Opportunity for Artists

Deadline: May 27, 2009

Axis Gallery's 4th National Juried Competition Exhibition has a call for artists. The competition deadline is postmarked May 27, 2009.

The exhibition dates are August 1-30, 2009. This year's juror is Janet Bishop curator of Painting and Sculpture at the San Francisco Museum of Modern Art. This year's competition is open to artists residing in the US. Accepted media includes paintings, prints, drawings, sculpture, original digital images, and photo processes produced in the last two years.

The entry fee is $30 for 3 entries and $5.00 for each additional entry with a limit of 6 total. Entries must arrive in the form of a CD and must be in jpeg format. Please get a prospectus for details. The prospectus is available at www.axisgallery.org. Email: info@axisgallery.org. Phone: 916.443.9900.

Businessing Art

To dig each other out of the current economic morass, a fundamental integration of the arts and business worlds is urgently needed. Instead of segregating each into right- and left-brain domains relegated to work versus leisure time, these two equally important elements must finally be united into one forceful whole.

Artists know how to look at the world — and problem solve — with fresh eyes. If businesses regularly invited photographers, crafters and writers to participate in brainstorming sessions and hold employee workshops, some new solutions and strategies might arise.

Read Andrea K. Hammer at the Bulletin here.

Is this awesome or what?

"Seems like Tyler School of Art is looking to stir something up: We got word this morning that, in an attempt to "end the age of silence," whatever that means, Temple kids have craftily constructed four Trojan Horses out of what looks like cardboard on wheels, and strategically placed them in the lobbies of UArts, PAFA, Moore College of Art & Design, and the Art Institute. How they got them in there without getting caught, no one knows."

Check it out here.

Their typewritten manifesto says:

"Within the tides and ideals of their own foundations, four rivers have been flourishing in the city of Philadelphia. The fifth river had existed within close proximity until now. Its channel has been rerouted to flow abreast the others and encroach on their territory. We, the students of Tyler School of Art, have been rerouted and relocated. However, our waters are as steady and strong as they have ever been.

Four gifts have been constructed ending the age of silence. As Apollo lifts the sun on the morning of March 18, 2009, these four gifts will be illuminated. On this morning we … declare war against thee and stand by our gates at full attention waiting for the battle to begin."

I love this!

Tyler recently (today was the first day I think) opened a brand new gallery in their new relocated spaces. More info and details from the Tylerists here.

See how the horses were constructed below:



Moore's response below!!!

De we have an 'arts czar'?

Late last week, the White House seems to have appointed an arts czar -- but no one seems to have noticed. His name is Kareem Dale, according to a short item in Saturday's New York Times. As of 1 p.m. on Monday, there's no press release on WhiteHouse.gov and no reports of the appointment at the Associated Press or Reuters.

Judith H. Dobrzynski reports here and ArtInfo.com reports here.

Bailey on Fake Twitter Gopnik

Only Bailey could somehow make sense out of not apologizing (yet) to Blake Gopnik over his identity theft over at Twitter.

Read it here.

Also Bailey made a really interesting point separately: it would be interesting to see if the Washington Post reports on this whole issue.

After all, this is a rather interesting development, and I am sure that Twitter does not condone identity theft, and I suspect that the WaPo wouldn't be too happy to see their employees' names and reputation taken in vain.

And why is the site still up? Shouldn't Blake complain and have the site removed? From what I can tell, with 175 followers, there could be 175 folks out there who still think that Blake Gopnik has a Twitter voice.

Update: The fake Twitter account has finally been suspended.

Wanna go to a DC opening tomorrow?



March 20 (Friday), 6-8 p.m. at Capitol Hill Art and Frame, 623 Pennsylvania Ave SE, Washington, DC.

Campello reviewed

In TMP director/choreographer Jon Douglas Rake’s presentation of “Footloose the Musical,” the dancing and singing are spot-on for all the main actors. Elise Campello is particularly impressive as the sassy yet sometimes sweet Ariel, wooing the boys with her cutoff shorts and sweater dresses when her father is not around.

Details here.

Blake Gopnik on Twitter: Did I call it or what?

Questioningly quasidentified by a less than reputable blog which never errs, art bloggers jumped all over the Twittering "Blake Gopnik" in the last few days.

When I first looked at it, it smelled fishy to me right away; and did I call it or what?

I was right! It wasn't Blake Gopnik!

I know Gopnik, and even though I seldom agree with his art viewpoints, sometimes question his art history training, and often vociferously criticize his apathy towards his own hometown artists and art galleries, I do respect him as a person and recognize his intellect and agenda.

The Twitter "Gopnik" falsehood was clear to the most casual observer, but only if you read Gopnik without a prejudiced eye and only if one takes the time to examine the silly Twitterings attributed to a very serious and composed and erudite person.

The good bloggers have already apologized, while the one who's never wrong, just shrugged it off... never mind past lecturing on "confirm before publishing."

That's the difference between a good journalist and someone who's not. When one fucks up, like we all do and like I have done many times in my life, one apologizes. It took me a long time to learn this. Regina and I have age and experience on our side.

To the fake Twitter Gopnik: what you have done has broken the law, and I'm about to loosen Carnivore on your ass; this should be fun.

Georgetown opening this Friday

The galleries at 1054 32st Street, NW in Georgetown in DC will have their usual third Friday openings this March 20, from 6-8PM.

Over at Cross MacKenzie, "Microworlds" looks really interesting. This is an exhibition of ceramic sculpture by renowned Canadian sculptor Neil Forrest paired with photographs by Johns Hopkins University Scientists, Norman Barker & Giraud Foster.

"These artists explore worlds unseen by the naked eye and through their original techniques create intricate representations of these invisible realms."

In the forward of the accompanying book, "Ancient Microworlds," Francis M. Hueber, Curator of Paleobotany at the Smithsonian says, "On film, they have captured the wondrous images they have encountered, presenting their exquisite photographs as stimulants for our own imaginations."

Wanna go to a Philly opening tomorrow?


Grand Opening of Temple Gallery and reception for their MFA Thesis Exhibitions Series, Thursday, March 19, 2008, 6 - 8 PM.

Temple University's Tyler School of Art will host a series of solo Masters of Fine Arts thesis exhibitions, occurring weekly from March 18 to May 9, 2009. The thesis exhibitions are the culmination of each student's two-year career at Tyler and represent, for many, their first professional one-person exhibition. The series includes students from all Tyler departments and an array of media: painting, sculpture, glass, printmaking, metals, graphic design, fibers, photography, ceramics, and more.

Regina Hackett

When I was at art school in Seattle, we used to call the Seattle Post Intelligencer by another name: The Seattle Past Intelligence. It was the arrogance of children, of course. In fact in 1980 or 1981, a whole bunch of us got together and put together a spoof edition of the paper, which we sold on the streets of Seattle. My contribution was a cartoon take-off on Doonesbury, where one of the characters got a cartoon blow job.

That great Seattle newspaper bit the dust after 146 years and is no longer. The PI's loss releases the terrific Regina Hackett to continue her super blogging activities at Another Bouncing Ball.

Visit her often!

Come Again?

By entering, all entrants accept and agree to abide by and be bound by these official rules and the judge's decisions relating to this contest. Artwork entered must be accompanied by an official entry form, signed and dated by the artist and if under legal age, by the parent/guardian on behalf of, the child, and his/her heirs. By signing, all rights of origin and personal property are released to Enclave Silver Spring, Riverstone Management or Stellar Management (“Sponsor”) and its affiliates. Entries and other written correspondence become the property of Sponsor and will not be returned (my italics).

Discussion on this "become the property..." issue at artdc.org.

Copyright Infringement?

Cthulhu knows that I'm as guilty as any artist of "borrowing" more than my shares of images in the creation of art, or even this blog, in the early lawless days of the Internets.

But Bailey thinks that WaPo's Chief Art Critic Blake Gopnik's Twitter site has a case of the copyright infringement blues... Read Bailey here.

I don't know why, and I haven't asked Blake, but I get a nagging feeling that the Blake Gopnik Twitter site may be a spoof of sorts and not Blake's at all. Maybe I'm all wrong, but something doesn't "feel right" about some of the stuff that "Blake" writes in the site.

Any comments?

Jury Duty

Deadline: March 27, 2009 (postmark).

I'm going to be jurying an art show for The Fine Arts League of Cary in North Carolina, and they are seeking entries for its 15th Annual Juried Art Exhibition to be held from May 8th to June 27th, 2009 in Cary/Raleigh, NC. Show awards and purchase awards will total over $5,000. Entries can only be mailed via CD. The postmark deadline for the mail-in registration is March 27, 2009.

Full details and a printable prospectus are available on the web here or call Kathryn Cook at 919-345-0681.

Two DC galleries to close

In the world of art dealers and art galleries, most of them are run through the skin of one's teeth and are usually a labor of love on the part of the dealer. When a gallery "survives" for a few years and then establishes itself as a permanent fixture on a city's art scene, that cultural tapestry gains another member and we all benefit.

Two important and longstanding members of the Washington, DC area art scene will close their physical spaces in the near future. When we lose important galleries, all galleries and the art scene itself suffers.

Kathleen Ewing, considered by many for many years to be the premier photography gallery in the DC region, and whose owner was once dubbed by a national art magazine as one of the top 100 most influential persons in the international world of fine arts photography announces that:

For over 30 years, it has been my privilege to work with a great group of photographers, especially those in the DC area. It has been a community of mutual support and admiration. The aesthetic rewards have been extraordinary, but it has always been a challenge to meet the financial obligations of a public gallery space. For many years, the gallery was supported in part by my important position as Executive Director of the Association of International Photography Art Dealers [AIPAD]. That position ended in December 2007. Since that time, I’ve made every effort to find a new source of income and increase the sales in the gallery. The timing for these efforts could not have been worse.

Tough times unfortunately provoke tough decisions.

After much soul searching and with a serious reality check, I know the best decision for all of us is that the Kathleen Ewing Gallery will give up its public gallery space on P Street in Dupont Circle and move the operation back to my home in Cleveland Park. The Cleveland Park town house is where the gallery began and it will be a positive move to retrench in this location. Back in the mid 70s, Ben Forgey, writing for the Washington Post, reviewed a Mark Power exhibit on view in my private gallery. People came and enjoyed the show. Perhaps, the salon atmosphere of a private gallery will be once again appealing.

The concept in this new location will be to enhance the gallery’s website, work more directly with specific clients and use CD images for clients’ review. The very nature of operating an art gallery, here and everywhere, has changed dramatically in the past few years. From my point of view and from others in the field, the Internet and the proliferation of international art fairs have created a significant decline in gallery attendance. Additionally, maintaining an art gallery in Washington, DC has always been difficult. This move to becoming a gallery “open by appointment” is a reflection of the realities of the current climate.

I sincerely appreciate the support and camaraderie I have received from my photographers/artists, collectors and clients. The spirit of the gallery will continue into the future. Just in a different venue.

Best wishes to all. Kathleen Ewing

Jane Haslem, who has been running a gallery business for 50 years (Chapel Hill NC - Madison WI, & DC) will soon end her gallery operations and concentrate on www.artline.com which is coming up on 15 years old. Haslem was not only a positive fixture of the DC area art scene, but easily one of the first online explorers for the world of art in the new frontiers (back in the early 90s) of the Internet. It was because of her and artline.com that when I first opened our first gallery in Georgetown in 1996 that one of the first things that we did (even before we opened the physical spaces) was to create an online website for the gallery, which back in 1996 was a rather almost unique thing for a DC art gallery.

Back in 1992, when I first re-moved to the DC area, both these giants of art dealers befriended me as I freelanced my way to every newspaper and magazine which would take my gallery reviews (back then as many as 6-7 outlets a month). When four years later I became the co-owner of a tiny Georgetown gallery which eventually became two galleries over the years, it was often through their insight and advice that a novice gallerist moved forward.

We will all miss their physical spaces in the Dupont Circle area, but know that they will continue to do wonders for the DC area art scene in their own ways; Ewing with her private dealer space out of her home and Haslem with her pioneer online site.

Thank you Jane and Kathleen, for the many great years of art.