Gallery plug:

William F. Stapp, who served as the National Portrait Gallery's first curator of photographs (1976-1991) and is now an independent curator and consultant will jury the 2004 Bethesda International Photography Competition. Most recently he curated the traveling exhibition "Portrait of the Art World: A Century of ARTnews Photographs."

The Bethesda International Photography Competition is our worldwide annual call for photographers. Nearly $1500 is cash prizes are awarded as well as a solo exhibition in our Georgetown gallery for the Best of Show winner. The exhibition will take place in our Bethesda Gallery from March 12 through April 7, 2004.

The 2003 juror was Philip Brookman, Curator of Photography and Media Arts at the Corcoran Gallery of Art. The 2003 Best of Show winner was Bay Area photographer Hugh Shurley, who will have a solo exhibit in our Georgetown space in 2004.

Prof. Margarida Kendall Hull, who taught for many years at George Mason University and exhibited locally at Gallery K (now closed), just had a very successful sold out exhibition at Galeria Sao Mamede in Lisbon, Portugal.

And another area artist, Andres Tremols has an ongoing exhibition of his new glass pieces at the America's Collection Gallery in Coral Gables, one of the Greater Miami area's best galleries.

The Gazette newspapers, which are owned by the Washington Post, have a front page story about the "controversy" caused by Scott Hutchison's large paintings of nude women in our Bethesda space.

What goes for "shocking" in art around here is quite different from what goes for shocking in NYC or LA.

Anyone ever heard of Nadin Ospina? Look at his stuff here.

Before you laugh, one of his cute sculptures just sold at Sotheby's for almost $17,000 while surprisingly enough (to me anyway) was the fact that this tiny Frida Kahlo oil came in at $150,000 under its low estimate of $1.5 million, although still a huge amount of money for a very early, but small (7.2 x 5.7 inches) painting.

Opportunities for Artists:

Deadline: March 15, 2003. The David Rockefeller Center for Latin American Studies at Harvard University in Cambridge, MA is currently seeking portfolios and/or slides and resumes from artists who do work related to Latin America, the Iberian Peninsula in Europe, or Latinos in the U.S.

Work from all styles and traditions, except for freestanding sculpture and installations, will be considered. Open to all artists with interests in Latino/Latin American/Iberian issues. Latino/a artists and artists from Latin America and Europe (Spain and Portugal) are particularly encouraged to apply. The Center will select a limited number of artists to exhibit for the 2004-2005 academic year. Artists may submit a maximum of 10 slides with SASE for return.

Work cannot exceed 70 lbs. Only hanging work that is properly framed, wired, and ready to hang will be considered.

Send to:
Jose L. Falconi, Art Forum Coordinator
DRCLAS Latin American and Latin Art Forum
Harvard University
61 Kirkland Street
Cambridge, MA 02138

For my view on "Latino" art visit Cultureflux.

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For Photographers:

Deadline February 1, 2004. Alexia Foundation for World Peace: Annual Photography Award of $15,000 is offered for the production of a proposed project. The Alexia Foundation seeks to "provide the financial ability for a photographer to produce a substantial picture story that furthers the foundation's goals of promoting world peace and cultural understanding."

For more information contact David Sutherland at dcsuther@syr.edu or on the web at Alexia Foundation.

Last year, local photographer Stefan Zaklin from Arlington, Virginia was one of the three finalists. Zaklin also won first prize in Poynter's Magazine Portrait competition with this image.

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And this is really an interesting one...

Creative Art Technologies is looking for original Pop Art style art work and images to license and reproduce digitally in the form of oil paintings, murals, and corporate art - artwork and images in the style of Warhol, Lichtenstein, Max, etc. They are looking for original Pop Art artwork owned completely by the artist only.

All artwork must meet copyrights standards prior to being used. Artists retain the copyrights of their work. Royalties are paid in accordance with each agreement. For more information on their licensing program and where to send a sample of your work contact Creative Art Technologies (561) 832-8055, e-mail: info@catstudios.com or visit their web site. Full information will be sent to artists whose samples are of interest. They are also looking for digital artists to convert photographs and portraits to a pop art style.

Molly Rupert, from Warehouse Gallery passes that she has a group show now until December 15 titled "Artex: Off the Clock." It's work created by artists who support themselves by working in the fine arts community.

There are 22 artists included and I particularly like Brad Rudich, whose daytime job is exhibit preparation, installation, and nearly every aspect of artifact care and handling for most of our area museums. I own one of Brad's pieces that I bought at last year's Art-O-Matic.

Warehouse Gallery, Theater and Coffee Bar is one of the really great cultural assets in our area, and they've been one of the anchors of the revival of the Shaw area.

The Jackson Art Center is hosting their Open Studios next Sunday, December 7 from noon to 5 PM. They are located in the historic Jackson School opposite Montrose Park and near Dumbarton Oaks. There is ample street parking nearby. Food, wine and soft drinks will be served. For further info contact Sue DuFour (301) 986-1386 or Liz Naden (301) 424-9440 or visit their website.

Faith Flanagan organizes MUSE, which is a monthly art salon at DCAC. Each session is an opportunity to talk about contemporary art at a monthly get-together. Each salon features a discussion with a member of the local arts community, followed by a chance for audience members to show slides or samples of their work.

The next MUSE is December 7, 2003 at 7:30 P.M. when the guest will be Anne Corbett, Executive Director, Cultural Development Corporation. A new MUSE will be organized the first Sunday of each following month. For more info email Faith at salon@dcartscenter.org.

Can't wait to see this: In 1946 Salvador Dalí did a cartoon for Walt Disney titled “Destino." It was never finished until recently, when computer-generated images finished the last few frames. Read the entire story and see some clips from the cartoon at NPR.

Also lots of good images from the cartoon here.

The former Art Editor for the British newspaper The Guardian discusses how and why a newspaper should have a high commitment to supporting the arts.

The interesting point in this article by Ian Mayes is that fact that he discloses that between the Guardian and the Observer (owned and run by The Guardian), they employ about 60 art critics backed by a similar number of editors and subeditors!

And they made a deliberate effort to provide arts coverage in spite of the fact that "...the commitment is not simply or primarily a commercial one. In terms of revenue for the paper, many areas of the arts would not pay for the coverage."

I would guess that our own Post, which has a daily circulation of around 600,000 printed papers, and gets around two million hits a day for its website, and owns several other newspapers, is probably about twice the size of the Guardian newspapers.

Does anyone want to count the number of Post critics and see if they employ or use more or less than the Guardian?

Linda Hales takes a look at the Freer Gallery's "Mr. Whistler's Galleries: Avant-Garde in Victorian London," which opened a few days ago. This is a "different" show in the sense that the Freer has attempted to re-create two famous Whistler London shows -- "Arrangement in White and Yellow" (1883) and "Arrangement in Flesh Colour and Grey" (1884) -- to show how Whistler revolutionalized the then standard rules of displaying art and set a new style for exhibiting artwork in gallery shows that is still in use to this day.

Some people think that Whistler's unorthodox use of acrid colors was perhaps due to the fact that he may have been partially color blind.

Artists looking for studio space should contact The Blue Elephant Art Center. They are a cooperative artist studio/gallery in Frederick, MD featuring over 3000 sq. ft. of gallery spaces and 10 studio spaces. Two full studios and one shared studio are available now.

Cost is $200 a month for the full studio and $100 for the shared studio, all utilities included. Studios are roomy and have large windows. Group and solo shows at the Blue Elephant are available for all members. Currently on exhibit is a Blue Elephant group show. Please send contact information (name, address, phone, email), some images of your work and one page statement of work and artist intent to Brian Slagle, Blue Elephant, 4a W. 5th St., Frederick, MD 21701 or call him at 301-663-7809. Email address is blueelephantart@aol.com.

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Deadline: Wednesday, December 17, 2003
Touchstone Gallery on 7th Street is having a call for artists for its 6th Annual juried competition. The show will be curated by my good friend Joe Shannon, easily one of the best painters in our area. Joe, who is a retired curator from the Hirshhorn Museum and Sculpture Garden and currently teaches at the Maryland Institute College of Art. He is also a reviewer for Art in America and writes art related stories for The Washington Times and sometimes also for the Post.

Prospectus can be downloaded from the gallery website, or send a SASE to Touchstone Gallery, 406 7th St., NW, Washington, DC 20004. For further information contact Camille Mosely-Pasley, Director, Touchstone Gallery, 202-347-2787, or info@touchstonegallery.com.

Last night was opening night for the four Canal Square Galleries in Georgetown. It was pretty good, with around three hundred people showing up over the three hour period.

Parish Gallery had a particularly interesting photography show, which featured some very arousing photographs by Alex Downs. It's rare to see an erotic photography show in Washington, and Downs manages to capture several highly sensual photographs of women while also investigating SM imagery.

We have a show of new figurative assemblages by Katie Dell Kaufman, who teaches at the Corcoran.

No matter how hard I try, I just don't get this guy and I now I am puzzled as well as to why the chief art critic of the New York Times Michael "Dia" Kimmelman, suddenly likes him so much.

Kimmelman writes that "Mr. Currin is among other things a latter-day Jeff Koons, trafficking in lowdown humor, heartless kitsch and ironic smut, while offering up dollops of finesse, beauty and brains. The combination is disorienting and, at its best, thrilling."

I'm disoriented by the review! Not in a million years would I have speculated that the same critical mind that loves the minimalist nothingness of most Dia:Beacon artists, would also find John Currin "thrilling."

If you like Currin - do you also like Lisa Yuskavage?

Live and learn.

Just back from gallery hopping around the Third Thursday downtown area galleries.

After the galleries, Kate and I enjoyed our favorite tapas at Jaleo. My favorite Spanish tapa is cazon, which is shark with Alioli. I just love it with that great bread that they serve in Jaleo. I fell in love with Cazon while I lived in Andalucia in the the 1980s. I also really liked "San Jacobo" tapas back then, but I have yet to find it in any of the area's Spanish restaurants.

Today was "Galleries" focus day in the Post and Jessica Dawson, like she does usually on the 3rd Thursday of the month, did a series of mini-reviews of several area galleries, including one vanity gallery. I've seen several of these shows and from the lot of six, my pick is Jeff Spaulding at G Fine Art.

Tomorrow I'll be at the Canal Square Galleries in Georgetown for the 3rd Friday openings from 6-9 PM.

In response to the whole issue of nude paintings causing a "controversy" in our Bethesda gallery, photographer Forrest MacCormack emails me a link to his favorite local nude in a public art collection.

Just like Forrest, I think that Ron Mueck's giant is a superb example of the diversity of the human body and the amazing range of emotions it can extract from us.

Opportunites:

Deadline December 19 - Juried Art Show and Auction to benefit The National Center for Children and Families.

This is a call for artists for a live and silent auction to be held March 13, 2004 at BAPA's Imagination Stage in Bethesda, MD. NCCF is a private, nonprofit agency with an 88-year commitment to serving families in the national capital area. NCCF's residential programs serve homeless families, victims of domestic violence, and vulnerable adolescents. Auction proceeds to be split 50/50 between artists and NCCF. For more information or to download submission guidelines, please visit their web site at www.nccf-cares.org. For questions, call 202-270-8822.

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Deadline January 15, 2004 - Liquitex Excellence in Art Award.
Awards totaling over $14,000 in cash and products will be given to artists demonstrating skill and creativity in the use of acrylic paints. Open to residents of US and Canada. Entries must be postmarked on or before January 15, 2004 and be received by January 26, 2004. Tel:
800-445-4278 or visit: www.liquitex.com.

Reminder: Today is the third Thursday of the month, and thus the Third Thursday extended hours by the downtown area galleries. See locations and details here.

And tomorrow is the third Friday of the month, and therefore the four Canal Square Galleries in Georgetown will have their new show openings from 6-9 PM. Openings are free and open to the public and catered by the Sea Catch Restaurant.

Last night the Channel 7 news at 6 PM had the story about the "controversy" caused by our current exhibit of Caroline Danforth and Scott Hutchison.

See the video of the newscast here.

It was a bit over dramatized with "battle lines" drawn over an exhibition that essentially features a lot of large female nudes. There were also some really ignorant comments by some of the "public" interviewed in the story. Some of the more eloquent responses (from the public) were never used.

What goes for shocking in NYC and what goes for shocking in the DMV are two different things.

Our current exhibit of Caroline Danforth and Scott Hutchison paintings has raised the ugly issues of nudity and art and complaints and censorship.

Because of the visibility of the Bethesda Gallery, Scott Hutchison large nudes have apparently offended some people and we're apparently being complained about. This morning a Channel 7 news crew came and interviewed Catriona and will air a segment about the whole issue at 6 PM tonite.

Our landlord supports us, and so do some of our neighbors, but perhaps this is as good an opportunity as any to discuss this show from the perspective of what goes for "shocking" in the Washington area is still the human figure.