I'm rushing around today - trying to tie some loose knots in closing a house for me. Check later...

I've been asked to serve as a juror for the 2004 Ida F. Haimovicz Visual Arts Award. It is always an honor in being asked to jury artists, and jurying artwork is one of the best ways to learn not only about the diversity of art, but also about the interesting manner in which art selection committees work.

Museum Exhibition Opportunity for Artists...

Deadline May 1, 2004

The Contemporary Crafts Museum and Gallery in Oregon is accepting applications for its 2005 exhibition schedule. In order to be considered for a solo exhibition, please submit: Cover letter stating your interest in a solo exhibition; Current Resume; Artist Statement; 10-20 slides; SASE for return of slides.

The Exhibition Planning Committee meets twice a year to review portfolios and schedules are usually completed one to two years in advance. Please forward applications to:

Lisa Conte
Exhibition Coordinator
Contemporary Crafts Museum & Gallery
3934 SW Corbett Avenue
Portland, OR 97239

Just when you think there's nothing new in art...

I received an email from British artist Martin Allen. In the email, Mr. Allen points me to an Ebay page, and once you go to that page, the page itself is the art!

In other words, the Ebay page is a work in progress, and by visiting the page, all visitors help to change and create the work of art by changing the Andale counter at the bottom of the page.

Allen writes:

"You are bidding to purchase this page - my latest one-off REALITY ART piece, (which as I have already said, you are actually helping to create just by reading this!) The starting price is 1 penny - with no reserve - and the postage and packing is free, anywhere - worldwide.".

I think this is smart and new, and not only pushes the definition of art - just when we thought it couldn't be pushed any further - but also employs the "anything is art" postmodernist mandate to his own interpretation.

Well done to Martin Allen!

Opportunity for artists...

Deadline May 13
Creative Partners Gallery has openings for exhibitions for 2005. The next jurying of work will be May 13. If interested please request a prospectus by calling 301/718 8520 or 301/493 8830.

For Women Photographers...

Deadline: July 1, 2004

Women In Photography International (WIPI) announces an international call for entries for virtual * visual : people - places - things, an international juried online photographic exhibition of works by female photographers.

Deadline for entries is 1st July 2004 midnight PST. Exhibition will run from August 1- October 1, 2004 at this website.

Prizes will be awarded for Best of Show, People’s Choice, and Best Professional (USA and Foreign) and Amateur (USA and Foreign). Open to all female photographers using any photographic process.

Entries must be submitted as digital files via the online form available here.

For complete entry guidelines visit this site.

Robert Hughes, perhaps the world's most influential art and eloquent art critic, recently wrote that Lucian Freud's new exhibition proves he is Britain's greatest living artist.

Statements like that are (of course) very subjective and attract immediate responses pro and con. I think that, as brilliant as Lucian Freud is, he wouldn't be my choice for the UK's greatest living artist - maybe number two. My top choice would be David Hockney.

But that's not the point of this posting. It got me to thinking... who would be our area's greatest living artist?

It seems a silly thought at first, and falls dangerously close to provincializing artists to a region or city or whatever. But it is an interesting and subjective question - loaded with close calls and ways of answering it.

There are a few of artists whose names float around as soon as this unanswerable question is asked... Manon Cleary, Joe Shannon, Anne Truitt...

But the answer, in my opinion is Sam Gilliam.

And yet, incredibly enough, this artist has never had a museum retrospective in his long, illustrious career, although there's currently one in the works and as soon as I have confirmation and dates, I will pass it along.

Bad things galleries do to artists: Unethical galleries will take in a piece of artwork by an artist, and when the price is discussed, the gallery says: "What's the price?" and the artist says: "$1000" The gallery nods OK and the artist leaves, knowing that if sold, he'll get $500 (most galleries in the DC area charge 50% commission (in NYC some are as high as 70%). The gallery then sells the piece, but for $2,000, sends the artist a check for $500 and pockets the extra $1,000. That is why artists should insist on having a contract with a gallery, and the contract must specifically address that the artist will get 50% of the actual sale price.

Bad things artists to do galleries: A reputable gallery gives an artist a show, and goes through all the various expenses associated with doing so (rent, electricity, staff salaries, publicity, ads, post cards, opening reception catering, etc.) So far the gallery has put forth a considerable investment in presenting the artist's works. An interested novice collector meets the artist at the opening and expresses interest (to the artist) in buying some of his artwork. The artist, wishing to stiff the gallery for their commission says: "See me after the show and I'll sell it to you directly and save myself the gallery commission." This is not only unethical, but it's also guaranteed to ruin the artist's reputation in the city, as these things always come out in the wash, and soon no gallery will exhibit any work by this artist.

People who know me well, know that I am an absolute and devoted fan of Camille Paglia. In my prejudiced opion she's one of my contenders for the title of "Most Brilliant Human Being Alive On the Planet."

Passion aside, she has a brilliant essay that should be a must read for anyone interested in the arts and/or education, and especially for anyone who curates, organizes, teaches, or writes about the arts. The article is an expanded version of a lecture delivered at a conference, "Living Literacies: What Does it Mean to Read and Write Now?," at York University, Toronto, Canada.

It is titled The Magic of Images: Word and Picture in a Media Age and here's an insightful paragraph:

"Post-structuralism and postmodernism do not understand magic or mystique, which are intrinsic to art and imagination. It is no coincidence that since postmodernist terminology seeped into the art world in the 1980s, the fine arts have receded as a major cultural force."

Go read it now.

Our art scene is just bursting with activity!

There's a great profile of artist Mark Clark in this weeks Washington City Paper. Can't read it online, as WCP does not archive - so go get the paper while it's out this week. Mark Clark is in the middle of a really interesting project to document his neighbors. Mark is the brother of Michael Clark, who runs MOCA in Georgetown, and who I am told fell a few days ago and broke his shoulder.

Tonite is the Bethesda Art Walk from 6-9 pm featuring 14 downtown Bethesda galleries and studios.

Studio Gallery will jury for new artists on Thurs, April 15, 2004, at 6:30pm. $35 jury fee. For info, call Lana Lyons, Director, at 202-232-8734.

Austrian Photographs (The Estate of Inge Morath. Curators: Kurt Kaindl and Brigitte Blueml) Reading by Honor Moore: "The Photographer and the Poet: A Friendship" is opening Thursday, April 15, 2004 7:30 pm at the Embassy of Austria. At the opening of the exhibit, American poet, Honor Moore, will read poems about Inge Morath and talk about their mutually inspiring friendship. The exhibition will be on display until June 10, 2004, weekdays from 10:00 am to 4:00 pm at the Embassy of Austria, 3524 International Court N.W., Washington, D.C. 20008 (Van Ness Metro Stop). RSVP for opening reception required: (202) 895-6776.

Mark Jenkins has a nice review of Muriel Hasbun in the Weekend Section of today's Post. Hasbun, who teaches at the Corcoran College of Art, has "Memento: Muriel Hasbun Photographs," an exhibition at the Corcoran Gallery of Art. Hasbun, who is from El Salvador, represented her country at the last Venice Biennale. She is represented locally by Conner Contemporary. One of my pet peeves with the Weekend section is their lack of attention to DC art galleries. Their reviews, by a huge percentage, concentrate on museum shows, often repeating a review that the Style section critics have already covered. I really wish that Weekend section editor Joyce Jones was a bit more receptive (or firm) in letting her "On Exhibit" writer also write about DC area art galleries. Either Michael O'Sullivan (who is now reviewing movies) or Mark Jenkins (who is now freelancing the "On Exhibit" column on Weekend) are well-versed and quite knowledgeable about our area's artists and galleries, so c'mon Joyce!

The 2004 Senior Thesis Exhibitions at the Corcoran are on until May 17, 2004. They consist of a series of ten, week-long, rotating exhibitions featuring photography, fine art and graphic design produced by members of the Corcoran graduating class, grouped by major. They are at the Hemicycle Gallery of the Corcoran. I will soon be swinging by to look at the current exhibit and will discuss it back here.

Here's an early look at at book that I am working on on the subject of Cuban baseball. Have a couple of publishers interested, but still shopping.

How readable is art writing?

Thanks to Terry Teachout: Golden Rule Jones has run 17 arts blogs through an on-line tool that tests Web sites or WORD documents for "readability."

According to the creator of the tool in question, "The Fog index has been developed by Robert Gunning. Its value is a school grade. The "ideal" Fog Index level is 7 or 8. A level above 12 indicates the writing sample is too hard for most people to read."

DCARTNEWS received a Fog Index of 12. That means that you'd need at least a high school education to read and understand my writing. Just for fun I ran some other area art critics and writers through it and in order of easier readability (from requiring less education to read to requiring more education according to the Fog Index):

Tyler Green in Modern Art Notes: 9.7

Joe Shannon, Art in America DC critic: 9.9

Jessica Dawson's review today: 11.3

Ferdinand Protzman in the Post: 11.9

Michael O'Sullivan review in the Post: 12.2

Paul Richard in the Post: 12.5

Mark Jenkins in the Post Weekend: 13.6

Blake Gopnik's last review in the Post: 13.7

Sidney Lawrence in Artnet.com: 13.7

Louis Jacobson in the City Paper: 14

Claudia Rousseau in the Gazette: 14.3

Joanna Shaw-Eagle in the Washington Times: 14.5

J.W. Mahoney, Art in America DC critic: 15.2

And at a whoopingly unreadable 19.3:

A Glenn Dixon review in the City Paper: 19.3

The Gazette newspaper (which is owned by the Washington Post) has an article on the subject of the tremendous success of the Bethesda Art Walk.

We're described as showing "bold and sometimes bawdy work." Can't recall the last time I've seen a gallery described as "bawdy."

I do share Elyse Harrison's concerns that one problem with the Bethesda Art Walk is that there are a few too many decorative, chain galleries on the "walk" - the type of galleries that sell decorative art and also do exorbitant framing to tack onto their "gyclees on canvas" reproductions of artists well-worth their owner's desperate resell attempts at Ebay.

The next Artwalk is tomorrow, Friday April 9, from 6-9 PM. See you there.

In the Post, Jessica Dawson takes off her gloves and puts artist Leith Eaton in her place. Eaton claims that her work is a new kind of "ism" and Jessica doesn't buy it - I agree with Dawson. This is a very good review that shows that art criticism can and should have teeth - and when intelligently applied, as in this review, it shows passion and opinion! Leith Eaton is at Foxhall Gallery through April 17, 2004.

Dawson also reviews one of my favorite DC area painters: Sheep Jones at Target Gallery. Jones' work at Target Gallery is a significant, if not huge, departure and new direction for Jones, whose work had previously concentrated in giving the viewer a sort of subterranean look at vegetables and roots. The new work opens a new path for this talented painter as we enter a dark and interesting door in her artistic discourse. I also agree with Dawson in Jessica's recommendation that Sheep lose the verbiage in her paintings.

Sheep Jones, is the Friends of the Torpedo Factory 2003 Artist of the Year. Washington printmaker Lou Stovall selected Jones as recipient of the award.

File this one in the "Stupid Things People Do" category.

Why do these Hellboy movie stills remind me so much of (OMIGOD has he already been forgotten?) Matthew Barney's stuff?

Volunteer Opportunity

The Bethesda Fine Arts Festival is currently looking for volunteers to help assist artists and patrons at this year's inaugural festival.

The event, with over 120 artists from all over the country, is expected to attract thousands of art lovers to downtown Bethesda, and will be held on Saturday May 15 from 10am - 6pm and Sunday May 16 from 10am - 5pm. For more information, contact festival Director, Catriona Fraser at CFraser@Bethesda.org or call 301/718-9651.

Washington Post photography critic Frank Van Riper has a good essay on the rekindling of his own art by his teaching of a photography course.

I've always noted that the best way to get your creative juices flowing is by being around artists, in fact art students are often the most fearless and enthusiastic, and enthusiasm and passsion about the arts is contagious.

Call For Erotic Artists...
Deadline: May 1, 2004

Juried show: Art @ Large, a New York City Erotic/Figurative Art Gallery, has a call for erotic artists. Juror: Grady T. Turner, New York based art critic, curator and author of "NYC Sex: How New York City Transformed Sex in America." All media and orientations in Erotic Art, Nudes, Sexuality - demure to explicit. Best of Show to receive solo exhibition in 2005. Send SASE for Prospectus to:

Art @ Large
630 Ninth Ave #707
New York NY 10036

Or download via web: www.artatlarge.com

When everything becomes art...

Cory Arcangel is a New York-based artist who hacks Nintendo game cartridges and then changes their images and sounds under the name BEIGE. His piece Super Mario Clouds v2k3 (2003) is in the 2004 Whitney Biennial. Arcangel kept a diary for NYFA Current detailing the periods just before and just after the opening of the Whitney Biennial on March 9, 2004. Read it here.

Another new art venue in town...

Celebration of Women: Vision and Movement, curated by Gerald Malitz opens Thursday, April 8, 2004, with a reception from 6:00 - 9:00 pm at the new Pepco Art Center: Edison Place Gallery. This new space has been in operation since November 2002 and this exhibit will help launch it as another great addition the DC arts scene.

For more details, visit the exhibition website here. The show includes 81 pieces by 23 area artists. Included in the show are Susanne Carmack, Gloria Cesal, Victor Ekpuk, Patsy Fleming, Elsa Gebreyesus, Mina Hanig, Ahmed Kachmar, Barbara Kerne, Sofia Kifle, Sharon Killian, Lu Lan, Stephanie Lane, Susan Makara, Ruth Marcus, Andrea P. McCluskey, Leslie Oberdorfer, Muatasim Omer, Anna Otchin, Dot Procter, Anastasia R. Simes, Lida Stifel, Patricia Underwood and Helen Zughaib.

This coming Friday, April 9th is the second Friday of the month and thus the Bethesda Art Walk from 6-9 pm featuring 14 downtown Bethesda galleries and studios: paintings, sculpture, photography, pottery, jewelry and mixed media. Participating galleries showcase artwork created locally, nationally and internationally. Enjoy free refreshments. Art Walk attendees may walk throughout downtown Bethesda’s streets or take the free shuttle that will stop at each individual gallery. For more information, please visit www.bethesda.org or call (301) 215-6660.

We will have a group show of contemporary realism, featuring work by New York painters David FeBland, John Jacobsmeyer and Laurel Wells, plus work by our own area's John Winslow, Chawky Frenn, Heather Neill and others. We'll also have European artist Zigymantas Augustinas, a prizewinner in the 2002 BP Portrait Prize at the National Portrait Gallery in London.