A couple of weeks ago I went to the grand opening of Baltimore's newest art gallery, Light Street Gallery. Two area photographers, Danny Conant and Grace Taylor will have work in The Male Nude Group Show, the gallery's second show, which opens May 8, 2004 with an opening reception on May 15 from 5-10 PM.

That same night, Conner Contemporary hosts the opening reception and return to DC of acclaimed New York based media artist Leo Villareal, whose first show at Conner I reviewed and was quite impressive. Reception from 6-8 PM.

And the night before, on May 14, Marnin Art on 7th street is hosting an opening reception for Giuseppe Maraniello, who is an Italian artist who lives and works in Milan and in Europe. Reception 6 - 8:30 PM.

And G Fine Art, which is operating out of a temporary space while their new space on 14th street is finished, has a group show opening on May 7th, 2004 from 6:30-8:30pm. The show includes work by gallery artists and others. Artists in the show will be Noah Angell, Iona Rozeal Brown, Astrid Colomar, Linn Meyers, Maggie Michael, Team Response, Jose Ruiz, Luis Silva and Jeff Spaulding.

NY Times reports that Lawrence Rinder, curator of contemporary art at the Whitney Museum of American Art for four years, has resigned to become Dean of graduate studies at the California College of the Arts in San Francisco.

Rinder was just in town over the weekend.

Washington area artist Stuart Gosswein's letter to the Sunday Arts in yesterday's Washington Post discusses the important fact that the salvaged facades of the World Trade Center - which in many people's opinion, including mine, became the key symbol of the 9/11 attack - are to be "chopped up and displayed in an underground museum" rather then re-used in a final WTC monument, as it was originally envisioned.

And Stuart has thus started a campaign to reassemble the facades around the Tower footprints. For more information or to help, contact:Stuart Gosswein at (202) 783-6007, ext. 30 or email him at sgosswein@aol.com

Tomorrow I'll be at the Celtic Festival and Highland Gathering of Southern Maryland .

This is the kind of review that gets written, when elitists write the reviews.

Popularity doesn't always mean bad.

But when the critics and high art curators ignore an artist (as they have with this British self-taught ex-miner) and yet that artist nonetheless becomes famous, and rich, and then strikes huge auctions prizes at Sotheby's in the world of high art - the critics (now proven wrong by their own standards) have to spout theory and ignorance to desperately attempt to prove that they are still right.

Comparing Vettriano to Damien Hirst or Tracey Emin is perhaps the stupidest comparison that I have ever read and shows breathtaking ignorance of the power of the Saatchi PR machine to "create" those artists as opposed to a poor ex-miner from Scotland rising through the maze of modern art, while being ignored by the arts establishment, to become the best-selling artist in the world and now a secondary art market name to reckon with!

And so what if his paintintgs are overtly sexual, or overtly romantic, or overtly fill-in-the-blank.... perhaps he's been painted into a corner because there's no irony in his works, but just the honest brush of a working class, smoking, womanizer, hard drinking Scot who could give a fuck as to what an art critic thinks about his paintings.

By the way... the Vettriano painting that sold at Sotheby's for £744,800 (that's over $1.5 million) was sold by the artist in 1991 for a mere £3,000!

But don't cry for Jack, as apparently, the royalties from all the posters and postcards and other crap made from the painting earn him about half a million dollars a year!

Keep them cooking Jack!

Opportunity for artists...

The League of Reston Artists has a call for artists for its 11th Annual Juried Fine Arts Exhibition.

This exhibition will feature $1,500 in prize monies, including the $500 Jo Ann Rose Award in honor of the LRA's past president, Jo Ann Rose.

Ms. Trudi Van Dyke, the brand-new Director of the Torpedo Factory (and former director of Ellipse Arts Center, will serve as juror for this exhibition.

This call for entry is limited to a maximum of three works of art in any 2-D media from each artist. The entry fee for LRA members is $20 ($25 at the door) and $25 for non-members ($30 at the door).

All entries must be post marked by May 28, 2004. The entry form can be downloaded from the LRA's website. Send completed entry form to:

LRA
PO Box 2513
Reston, VA 20195

New Museum Show Opening...

The Art Museum of the Americas is hosting an opening reception for ABCDF: portraits of a city - (Contemporary Photography of Mexico).

The opening reception is on Thursday, April 29 at The Art Museum of the Americas (201 18th Street, N.W.). For more information, please call (202) 458-6016, or e-mail gsvitil@oas.org.

Museum hours following the opening are Tuesday-Sunday, 10 AM-5 PM.

I've written before on the subject of race and art and also on the stupifying American notion of Hispanics and/or Latinos - a totally made up "ethnicity" from a widely diverse set of nations made up of immigrants from all over the world (just like us in the USA).

And there's an art show coupled with a thesis project by George Washington University student Christina Hayes that underscores my beef with this force-fed notion of "Hispanicity."

The exhibition is called "Walking to their own beat: Afro-Cuban Musicians and the Black Identity." It consists of an exhibit by photographer Nestor Hernández dedicated to the contributions of Afro-Cuban music and its musicians, both in Cuba and in the Washington DC metropolitan area. The exhibit compliments Hayes' thesis project and should be an interesting one, as Hernandez is without a doubt one of Washington's great photographers, and who has been pursuing and discovering his 50% Cuban bloodlines with an artistic ferocity that can only kindle great results.

Nestor was part of "De Aqui y de Alla," our 2003 exhibition of Cuban artists from Cuban and the Cuban Diaspora around the world.

The exhibit has an open reception this coming Thursday, April 29th, 2004 at 6 pm. It's at the Latin American Youth Center, located at 1419 Columbia Road NW,Washington DC 20009 (202) 319-2225.

For more information, contact: Christina Hayes at (202) 448-0581 or email her at chayes@gwu.edu

Jessica Dawson reviews one of her favorite art venues in today's Post. Read it here.

Heard from Kathryn Cornelius that the Georgetown University Festival of Fine Arts got off to a good start.

I've been swamped with a house closing and now the exhausting task of moving.

Don't forget that MAP's Free-Hung Exhibition starts hanging art tomorrow.

The below info thanks to Malik Lloyd of Find Art Information Bank

Government Opportunities for Artists

For years now in the Washington DC area, and perhaps in yours as well, there has been this commercial on cable TV about free money available from the US Government. Although I never gave much credence to the ad, the man featured in the commercial has always amused me.

He dons a suit, a throwback to the Joker seen in the "Batman and Robin" TV show. He is Matthew Lesko and walks on the Washington Mall excitedly declaring that the government is giving away free money--to get a better job, to begin a new career, to get an education, to start or expand your own business, etc. Most people, like me, however, amused probably view his claims with a little suspicion. Since I like being amused, his ads usually capture my attention. The catch is to purchase his book and a person's life could change for the better.

Recently, I borrowed this book from a friend "creatively" titled "Free Money to Change Your Life." Actually, I discovered that there is information beneficial to artists. For example, it includes the amount of grants that state arts programs award annually, as well as contact information for each state art agency.

The chapter, "How Artists, Designers, and Photographers Can Get Freelance Government Contracts," list artists whom received contracts along with the amount of the contract. Nearly thirty government agencies utilize freelance artists. The Department of Labor hires outside art contractors to do editorial illustrations, book cover designs, stationery and newsletters. The U.S. Postal Service employs freelance artists to support many of their projects, including posters, brochures, and stamps. The Food and Drug Administration contracts graphic artists and designers for editorial illustrations, exhibit designs, posters and photographic projects. The U.S. Geological Survey awards about $100,000 in graphic arts contracts annually. Even the IRS gets in on the act, spending approximately $650,000 annually on contracts with various artists. Not only do we learn the types of artwork agencies use, but the book provides gives step-by-step instructions on how to obtain freelance work from the government, including contractual points of contact and application deadlines.

In addition, there is information on how to obtain contracts in video production and voiceovers as well as for freelance writers and editors.

Based on the information read, I would say that his book is an excellent start for anyone considering freelancing for the government. However, with a $60 price tag, I am pleased that I borrowed "Free Money to Change Your Life." I was informed by a friend that "Lesko is a sharp and funny guy who has made a living for at least 20 years by compiling government information buried in public documents and enthusiastically sharing it with people in a way they can really use it."

The original documents aren't secret, they're just boring. I think Lesko would be delighted if someone saved $60 on his book by borrowing it from the Government - from the local public library.

You can also order the book from Amazon.

Some think it's cheesy when DC does it, but every major city is doing it... Anyway.... New York City has a call for artists for a public art project....

Big Apple Fest: Artists to Decorating Oversized Apple Sculptures.

Deadline: May 1, 2004

Big Apple Fest is inviting artists to submit designs for decorating more than 300 oversized apple sculptures that will be on display throughout New York City this summer as part of an art project that has been well-received in many other cities (such as DC and LA) and which benefits charities in Gotham.

There are two versions of the 4-foot diameter apples: opaque fiberglass, which allows the artist to decorate the skin of the apple; clear acrylic, which allows the artist to create a 3-D image inside the apple as well as decorate the exterior. Apples sponsored by corporations, civic groups, cultural institutions, and other organizations and designed by professional artists and school children, will be on display from mid-August through mid-October.

Professional or amateur, youth, or adult-all are welcome to create imaginative designs, celebrating the international spirit of New York City. Artists whose designs are selected for exhibition will be paid a $1,500 honorarium. After the conclusion of the exhibit, Sotheby's will hold a live auction of the Big Apples; a portion of the proceeds will benefit the Police Athletic League, City Harvest, and the NYC & Company Foundation.

For more information, including artist submission requirements and sponsorship opportunities, contact the managing director, Jon Clay, at 212-599-0409 or visit the website at www.bigapplefest.com.

Call for Proposals...
From Find Art
Deadline: May 1, 2004.

The Hoyt Institute of Fine Arts is reviewing exhibition proposals for their 2005-2006 season. Solo and Collaborative Exhibitions, 6-8 week exhibitions. Open to US resident artists 21+ of Mid Atlantic States including PA, OH, NY, NJ, MD, DE, and Washington DC. 30% Commission. Insurance. Send SASE for a prospectus to:
Bob Karstadt
The Hoyt Institute of Fine Arts
124 E Leasure Ave.
New Castle PA 16101
724-652-2882

P.S. A lot of these announcements (and more) can be delivered to your email address (free) by just signing up for them. To sign up.... visit: Find Art

Wanna go to an opening tomorrow?

Then head to Georgetown to Hemphill Fine Arts, where George has "Vote" - a show of Presidential Campaign Photographs featuring work by Abbas, Bob Adelman, Eve Arnold, Cornell Capa, Raymond Depardon, Burt Glinn, Erich Hartmann, Hiroji Kubota, Constantine Manos, Wayne Miller and Alex Webb and also "The Hole Shebang" - with Eduardo Del Valle and Mirta Gomez's works on the subject of the Florida Ballots from the 2000 Presidential Election.

The opening is from 6:30 - 8:30 PM, tomorrow, April 21st. See you there and don't forget - if you want to write about/be part of/know about the "DC art scene" then you have to do things like actually go to galleries and not just look them up on the internet...

Salvador Dali once said: "If you can't paint well, then paint big."

It's about photograpy, but size matters when it comes to art. Read the NY Times on the subject.

I call it acreage art.

Acreageism...

Opportunity for artists...

April 22-24 - All artists are welcome to join Maryland Art Place (MAP) for its 8th Annual Free-Hung Exhibition, Silent Auction, and Gala Out of Order.

All 2-D and 3-D artwork is welcome, as well as jewelry, ceramics, media, etc. One original work per artist with maximum dimensions of 5’ x 5’. Work must be ready to hang. MAP provides all hardware for installation. Work must be priced to sell!

Proceeds will be split 50/50. Hanging dates and times: 48 Straight Hours (beginning 9am Thursday, April 22, ending 9am Saturday, April 24). $10 for participating artists. For more details: Visit their website or call 410-962-8565.

Ferdinand Protzman, the Washington Post's former galleries critic will discuss his new book and sign copies at Fraser Gallery Bethesda on Sunday, April 25, 2004 from 1-3 PM as part of the Bethesda Literary Festival.

The book is Landscape : Photographs of Time and Place and signed copies will be available at the gallery.

Among the photographers included in the book are masters like Ansel Adams and Alfred Stieglitz, along with contemporary photographers, such as Richard Misrach and Sally Mann.

Richard Polsky on Why Some Artists Never Make It Big.

Henry Allen, the Washington Post's Pulitzer-prize winning critic (and one whom I wish would write more often about the visual arts) has an exceptional article in today's Sunday Arts discussing salon-style hanging and the Renwick's Grand Salon.

A few years ago I curated a huge show for the Athenaeum in Alexandria. It was "Survey of Washington Area Realists." We hung nearly 200 artists in that beautiful Greek building - it was a terrific show that showcased the work of nearly every painter in this region, both well-known and emerging working in a realist style. It was (and remains) the Athenaeum's best-attended exhibition.

It was a massive undertaking to fill that space, floor to ceiling with work, but in the end it was such an impressive sight, that I truly understand Allen's words in today's piece.

The Soviet Socialist Republic of Montgomery County, which is apparently already one of the highest per capita taxed counties in the entire United States, and also has the highest income tax allowed under the law, and without a doubt one is of the richest counties in the country, still cannot find enough money to fund everything that is on the slate, and not enough money to fund the Arts and Humanities, of course.

Leave it for private enterprise to come to the rescue of the Arts and Humanities in one of the nation's richest counties. The county's Commissar and his Politburo has proposed an Arts and Humanities Partnership Fund, which would require the already heavily-taxed private sector to match county dollars.

Well, they have: Mr. John Hendricks, Founder and Chairman of Discovery Communications, Ms. Cheryl Kagan, Executive Director of the Carl M. Freeman Foundation and Bill Rickman, Jr. have pledged their support for the $2.5 million proposed Arts and Humanities Partnership Fund. Mr. Hendrick's and his wife Maureen pledged $1,000,000 and the Carl M. Freeman Foundation pledge their support of $100,000 toward this effort.

I applaud them, but still question why one of the richest and highest taxed counties in the entire country (and they've already maxed out what they can legally tax residents' incomes), still operates at a deficit when it comes to the arts. I also want to know: where's your contribution Lockheed Martin? Where's yours Comcast? Where's yours Chevy Chase Bank? And so on with many of the County's giant (and rich) corporations.

And although the county has a well-run Arts and Humanities Council, political shananingans common to these Soviet-style county/states still happen - even when it comes to the Arts.

Both the County and its wealthy residents, and its many wealthy corporations should be ashamed that in one of the nation's richest counties there's not a single major visual arts center (although theatres seem to be popping up all over the place).

This is especially shameful in the Bethesda-Chevy Chase-Potomac trangle - one of the highest concentrations of income-earners in the world, and yet not a single true Visual Arts Center anywhere in that area, and yet Rockville has one and so does Germantown.

The Blackrock Center for the Arts in Germantown is an interesting example of perhaps how to worm your way into county funding. It was initially established as a non-profit, private organization and built with a loan from Sandy Spring Bank.

It apparently almost immediately ran into funding problems (which at least to me means that they irresponsibly decided to build it before they had the funding to actually run it) and immediately went to the Montgomery County Politburo (I mean Council) for help.

So essentially, a private non-profit organization decided that Gaithersburg needed this Arts Center, applied and received a loan, built the Center, and then faced fund-raising difficulties that threatened to shut down the newly opened center right from the start.... follow me so far?

So then the staff of the Center cries for help from the Montgomery County Council, who then votes to purchase the Center and although BlackRock will remain a private organization, the county will own the building and assume maintenance costs, similar to an arrangement with Strathmore Hall in North Bethesda (and no, this beautiful house is not what I mean as an "visual arts center").

If I am wrong about any of the story so far, I welcome a clarification from either the Politburo or BlackRock executive director Nancy Petrisko.

So, Potomac-Chevy Chase-Bethesda: Do you get the model to follow?