New BLOG

Colby Caldwell, whom I interviewed for ArtsMedia News recently, has a new BLOG called Notes from the Fieldhouse. Visit him often.

The Thursday Reviews

Nothing in the WaPo.

In the City Paper, Louis Jacobson has a superb review of André Kertész at the NGA. I am a big fan of "intimate-sized" photography, and dislike Teutonic, poster-sized photos so much in vogue in museum exhibitions these days. Jacobson writes:

These negatives were roughly 2-by-2-and-a-half inches, and the resulting works—sometimes cropped further by the artist’s steady hand virtually demand that visitors to the National Gallery put their noses up against the glass.

The constraints of these photographs’ tiny proportions demanded something of Kertész, too: a fealty to clear composition.

Jacobson also reviews Don Reichert at the Canadian Embassy’s Art Gallery and is then puzzled in his review of the Domestic Policy printmakers' group show at District Fine Arts.

The City Paper also has an excellent profile and discussion of Jonathan Blum's portrait show at Market 5 Gallery by Mike DeBonis. Elsewhere in the CP, Kara McPhillips has a tidbit on Trish Tillman and Bridget Lambert at Warehouse Gallery. Kara also reveals that someone once offered (her boyfriend) a bag of coke in exchange for her.

In the Gazette, Tracy O'Dowd reviews "H2Art" at the Carroll Arts Center, and Dr. Claudia Rousseau reviews Pyramid Atlantic's 25th anniversary exhibition, now at the District's Edison Place Gallery.

At MAN, Green discusses Toulouse-Lautrec and Montmartre at the NGA.

At DCist, Kirkland reviews Prescott Moore Lassman at the Fisher Gallery (and gets in somebody's "most loathsome" list in the process).

In The Washington Examiner (in page 5) there's an article about J.W. Bailey's i found your photo project.

Gallery openings this weekend

Tomorrow is the third Friday of the month (but today is not the third Thursday), and so the five Canal Square galleries will have our extended hours and new shows. The extended hours are from 6-9PM, and the openings are catered by the Sea Catch Restaurant. The five galleries are Anne C. Fisher, Alla Rogers, Fraser, MOCA and Parish.

We will have Washington's best Sangria plus the bizarre digital photographic manipulations of New York digital artist Viktor Koen, who will be making his DC debut. More work by Koen here.

Also tomorrow, Dan Steinhilber has his first solo exhibition at Numark Gallery with a reception from 6:30-8PM. Steinhilber had his DC debut a few years ago at MOCA in Georgetown, and since then has certainly become one of our best-known artists, and this should be a terrific exhibition. Steinhilber is slated for a solo exhibition at the Contemporary Arts Museum in Houston next year, to be curated by Valerie Cassel Oliver. He has also been invited to a residency and commissioned to create a site-specific installation for an exhibition at the Mattress Factory in Pittsburgh next year.

On Saturday, Brooklyn artist Sylvan Lionni returns to Fusebox which has Sylvan Lionni: Stadia in their main space and Tim Rollins + KOS: Freedom Works in their project space, opening with a reception from 6-8PM. The exhibitions runs through May 21, 2005.

Go to an opening this weekend.

Back from Aggieland... this week's DCist Arts Agenda is here.

More later... I seem to have a lot of emails on something published by former Style section editor Gene Robinson in the WaPo this week. Will look at all that later.

Airborne Today

Heading West to College Station, Texas to do some lekturin' in Y'All country.

More later...

Kirkland on Lassman

J.T. Kirkland debuts on DCist with a terrific review of Prescott Moore Lassman's current exhibition at the Fisher Gallery.

Kahlodiscovery

A two-year renovation project at the home-turned-museum of legendary Mexican painter Frida Kahlo has uncovered a vast wardrobe of previously undiscovered clothing and other valuable artifacts, Oscar Arana reports on ABC News.

Commonly known as the Blue House because of its indigo external paint job, Kahlo and her husband, famed muralist Diego Rivera, lived in the home in the Mexican capital's fashionable Coyoacan neighborhood until her death in 1954.

Rivera turned it into a museum four years after his wife's death, but it wasn't until work to restore private areas began last summer that officials found the 180 articles of clothing which included traditional Mexican dresses depicted in Kahlo's famous self-portraits, as well as shoes, shawls, and pre-Hispanic jewelry that belonged to her.

Opportunity for Artists

Deadline: May 2, 2005.

Downtown Frederick Partnership is looking for artists to submit their ideas about creating an interactive, temporary piece of public art to be created and/or displayed during their First Saturday Gallery Walk on June 4, 2005.

Artists must submit a completed application including photos, sketches etc. of their idea for the public art piece by May 2. The artist will receive $500 to cover the cost of materials and payment for producing the art piece.

For more information please contact Kara Norman at the Downtown Frederick Partnership Office at 301-698-8118 or email them at mainstreet@DowntownFrederick.org.

What was the best thing before sliced bread?

George Carlin

Congratulations

To area artist Laura Amussen, whose Void/Filler II recently opened at the Urban Institute for Contemporary Arts in Grand Rapids, Michigan.

This site-responsive piece continued the dialogue, began in Void/Filler first shown at the old Elizabeth Roberts Gallery, of loss, emptiness, yearning and desire. Dancer Andrea Workman choreographed and performed a modern dance in response to this piece.

Wanna Go To An Opening Today?

"The Light I Saw," a black and white photography exhibit by Karen Keating at Multiple Exposures Gallery, inside the Torpedo Factory Art Center, in Old Town Alexandria, VA, Studio #312 is on exhibit until May 1, 2005 with an opening reception today, Sunday, April 10, from 2-4pm.

Multiple Exposures Gallery is open daily 11am-5pm.

The 6th annual Bethesda Literary Festival will be held Friday, April 22 through Sunday, April 24, 2005 throughout downtown Bethesda's art galleries, bookstores, restaurants, arts organizations and venues and retail businesses.

The festival will bring together novelists, poets, journalists, nonfiction writers and children's authors and illustrators who represent the rich diversity of modern literature. The Bethesda Literary Festival also features essay contests, poetry slams, kids' and youth book parties and the 2nd annual Play In A Day.

On Saturday, April 23rd from 1-2PM we will host Alexandra Robbins, author of Quarterlife Crisis and its sequel Conquering Your Quarterlife Crisis and Jen Chaney, the Washington Post's DVD and movie columnist. Robbins and Chaney will join together to share their insight on modern day living.

And then, on that same day from 2:30-4PM, we will host authors Jim Grimsley (Comfort & Joy); Susan Leonardi (And Then They Were Nuns); Michael Mancilla (Love In The Time of HIV: The Gay Man's Guide to Sex, Dating, and Relationships); and Kathi Wolfe, a local poet. The authors and poet will offer a look inside gay and lesbian literature.

See ya there!

Juror

I'm jurying this art show next. Entries must be postmarked by May 31, 2005. There are $1500 in cash prizes.

Click here for details or send a SASE to:

League of Reston Artists
PO Box 2513
Reston, VA 20195

Sunday Artsilliness

Are there any editors awake at the WaPo?

Maybe I'm just too brittle by now, but does this belong in an art criticism column?

Finch is a slight 42-year-old, with a feathery crop of short blond hair that's thinning on top. His eyes are a pale, watery blue, and they tend to look away as he explains himself, rather shyly, to a stranger. He's dressed in worn khakis and Adidas (but not the trendy ones that scenesters wear). An old white T-shirt reveals surprisingly well-muscled arms: They hint at time spent at the gym, and are the only sign of an artist's narcissism in a man who might otherwise be almost any kind of junior academic.

It's All Good

Our current Lida Moser: 50 Years of Photographs at our Georgetown gallery has become (by far) our best-selling photography show ever, thanks in part to great reviews in the Washington Post, the Washington City Paper, On Tap, and soon in The Morning News, but mostly due to Lida Moser's spectacular eye over the last 65 years or so.

Even the mighty Christie's is coming by next Wednesday (last day to see the show) to look at the exhibition.

Wanna Go to an Opening Today!

Scott Lassman has an opening artist's reception today from 1-3 p.m. for his solo photography exhibition entitled "Domesticated Animals" at the Fisher Art Gallery in Alexandria, Virginia.

The Fisher Gallery is located on the upper level of the Rachel M. Schlesinger Concert Hall & Arts Center.

Also last night, at Warehouse Gallery, Trish Tillman and Bridget Lambert opened a collaborative show titled "Love Me Lose Me".

According to Trish, "Love Me Lose Me" consists of "solo and collaborative fabric and print installations based on themes of getting attention when it is unwanted, vs. looking for attention that isn't there. Confrontational issues are touched upon regarding anger/relationship turmoil, sexual exploration and sexual abuse, as well as the coping mechanisms that we fall into to get by."

The exhibition runs until May 8.

Another Opportunity for Artists

The Center of the Washington DC Center for Gay, Lesbian, Bisexual and Transgender People (GBLT) Community Center is currently seeking artist to participate in an exhibition over the month of June. The art should reflect their experiences as a member of Washington's GLBT community. The exhibit will take place in the Center.

There will be special events open to the public during the month that will draw a large number of people into the space to view the art.

Interested artists should submit proposals for participation to Scott Billings at scott@brotherhelpthyself.org.

Opportunity for Artists

The Greenbelt Community Center Art Gallery in Greenbelt, MD, part of the Greenbelt Recreation Department Arts Program is currently seeking artists for exhibitions between July, 2005 and June, 2006.

Apply before May 27 for best chances. No residency restrictions apply. The gallery hosts professional-level exhibitions of contemporary art in an educational community setting.

Proposals may be submitted by individual artists, groups, or curators. Artwork may deal with serious content but must be appropriate for a public building with an intergenerational audience. Preference will be given to artists who are interested in leading one or more paid workshops or other community-oriented program in conjunction with their exhibition.

Send a letter articulating your concept for the exhibition, identifying the contributors, and describing a related workshop or public program (if any) which you would like to produce. Also enclose: photo cd (preferred) or slides (no limit); resume for each contributor; sound or video recording if applicable; documentation of past community-oriented projects if available; and padded return envelope with postage.

Send materials to:

Nicole DeWald
Arts Coordinator
Greenbelt Community Center
15 Crescent Road
Greenbelt, MD, 20770
For more information, call 240-542-2057 or email Nicole here.

The Power of the Web (local Bloggers do good)

J.T. has a solo show coming, G.P. is on CNN, Green will be curating a gallery show, and that living word-processing machine known as J.W. Bailey, strikes again.

Congrats to all!

The Thursday Reviews

Jessica Dawson has an excellent piece about A Proud Continuum: Eight Decades of Art at Howard University, an exhibition that I was not aware was taking place, and which sounds superbly interesting.

Dawson also writes about David Adamson Gallery's move while she looks at Victor Schrager's book still lifes and four landscape prints by William Christenberry.

And in an unexpected orgy of Thursday visual arts coverage, the usually visual art-stingy WaPo also offers a magnificent profile on area photographer John Gossage, whose last book is by Bethesda-based Loosestrife Editions, which produces beautiful photography books.

This profile of Gossage is extraordinary not only in the sense that it profiles a very important (and very good) area visual artist, but in the sense that it is there (in Style) at all. I hope that it signifies a course correction change by the Style section's new editor (Deb Heard), in doing for visual artists what the section already does for local musicians, dancers and actors.

In the City Paper Louis Jacobson has a very good review of our current Lida Moser exhibition in Georgetown.

Elsewhere in the WCP, Bidisha Banerjee has an excellent review of Prof. Peter Charles at Irvine Contemporary; a show which I quite liked as well.

The CP again comes through with a superb artist profile, in this case by Adam Mazmanian about Alexandria artist Mike Lowery.

In The Gazette, Karen Schafer discusses The Baltimore Watercolor Society 2005 Mid-Atlantic Regional Watercolor Exhibition at Strathmore Mansion.

In The Georgetowner, Gary Tischler reviews Faces of the Fallen.