DCist Arts Agenda

The DCist Arts Agenda is here.

Rousseau on Glass

Dr. Claudia Rousseau, art critic for the Gazette newspapers, reviews our Compelled by Content group glass exhibition at Fraser Bethesda.

Compelled by Content has become one of our most-reviewed shows ever, as well as one of our best-selling, and I think it is a seminal indicator of a new direction that glass is taking; away from the vessel and the decorative, and towards the narrative and context-driven.

Curators

"The rise of curators and "super-curators" hasn't come out of the blue. Twentieth-century modernist conceptions of art-making presupposed the need for a class of specialist professionals to mediate between "advanced", "challenging" artists and lay gallery-goers. In the past decade or so, however, the balance of power has tipped so emphatically towards curatorship that many canny artists have opted to reinvent themselves as part- or even full-time curators."

Read the whole article by Rachel Withers here.

Corcoran's Director Quits

David C. Levy resigned yesterday as president and director of the Corcoran Gallery of Art. The Corcoran's board of trustees have also suspended the museum's longstanding efforts to build a new wing designed by architect Frank Gehry.

Read the WaPo story here.

Seven Update

This week I'll will try to re-visit all 20,000 plus slides in the WPA/C registry for "Seven.".

I'm continuing to attempt to bring together some of DC's most visible and recognized names, together with artists who (I feel) deserve a bit more recognition and/or exposure.

Deadline is June 10. Submissions details here.

Borf outed?

According to comments in DCist, famed DC street artist BORF is about to be highlighted (no pun intended) in a WaPo article.

Jenny Vee tracks and photographs Borf (and his magic marker).

An Englisman Opines

On Gopnik, the Corcoran and Photography...

Read it here

At Reston today and tomorrow!

I'll be at the Northern Virginia Fine Arts Festival today and tomorrow.

The festival averages around 80,000 visitors in two days and features nearly 200 artists from the US, Canada and Mexico.

Directions here. I'll be in booth 603 - See ya there!

Weil on the Corcoran

Corcoran Fiscal Mess: Blame Management not the Building

By Rex Weil

David Levy describes the Corcoran Gallery of Art as more like a church than a business (Washington Post 5/20/05). Insensitive types who insist on examining the books just don’t understand.

Is it Levy’s contention that churches don’t need strategic plans, sound budgets, fair employment practices and transparent accounting procedures?

In fact, the Corcoran’s director wants it both ways. After all, he hauls in a CEO salary in the neighborhood of $300,000, while most of his employees makes less that $50K and the vast majority far less, with few or no benefits. Obfuscatory accounting practices -- that would make Enron execs blush -- have bled the Corcoran College to make the Museum look healthy. Sounds more like a business to me -- just not a very good one.

Levy’s strategic plan: Treat your major constituencies (members, students, employees and faculty) with contempt and buy your way out of problems with a celebrity building. Well, it might have worked, but it hasn’t. As the Corcoran’s new Board Chairman learned recently "support for the Corcoran is 'superficial.'"

Meaning (I suppose), that, although everyone would like to see the Corcoran succeed, most people (a) just don't feel like they have a stake in it; and/or (b) are disappointed with current management. Let’s face it: practically everybody in Washington knows someone who has left the Corcoran in frustration or disgust. (I left in December, 2004 after teaching there since 1996). That’s bound to have a major snowball effect in terms of community support.

What Levy has apparently failed to grasp from the beginning: You have to build support from the bottom up with good programs and good relationships. Build the base – with satisfied, dedicated employees, enthusiastic students and their proud families, members invested in ambitious programming, and a committed long-term faculty advancing the institution. Those folks are, in turn, your best fundraisers.

Instead, (according to the Washington Post), the Corcoran has spent over 22 million on the Gehry addition. One way or another, a good deal of that 22 million has come out of the hide of students and their families, employees, faculty and admission paying visitors in poor facilities, shameful employment practices and dreary programming. All in all, the institution’s core constituencies are bitter and alienated.

It didn’t have to be that way. The building was not a bad idea. But running the institution into the ground with the idea that the Gehry magic would eventually save the day – that was a very bad idea, indeed.

The Gehry building can only come to pass as a reward to the institution from committed, grateful constituencies for work well done over a long period of time. No, it is not going to pay for itself by generating new money from new visitors. Like the Hard Rock Café – every city will have one. Of course, the tour buses will slow down and point it out. What’s inside the building is the important part. That’s the part the Corcoran has neglected.

New management might still be able to make a case for the building. David Levy can’t.

Bulisova Opening

In spite of the rain, a fairly good Georgetown opening (and also one in Arlington) for Gabriela Bulisova.

And Ukrainian Television was in Canal Square covering the event and interviewing Catriona Fraser about Bulisova's photographs detailing the long lasting effects of the Chernobyl disaster upon a huge area of Europe and a large, forgotten segment of the Ukranian people.

Bulisova's exhibition is on until June 15, 2005.

Art in Transition

Art in Transition opens with art from members of artdc.org at a space in Takoma Park on Eastern Ave. See details here.

The reception for the artists is this Saturday the 21st at 6pm!

DCist on Gehry

Mike Grass over at DCist has started an interesting comment thread on the whole Corcoran and Gehry issue.

DCAC Opening Tonite

Jefferson Pinder curates Superstition at DCAC and it opens tonite with a reception for the arists from 7-9PM.

The exhibition features Leslie Berns, Kyan Bishop, Stephanie Dinkins, Brandon Friend, David Krueger, Gina Lewis, Michael Platt, Christopher Randolph, Wilfredo Valladares and Adam White.

Jefferson Pinder selected artwork from those ten artists that deals with ritual and mystery. Each artist "seeks to personally define superstition, from mundane everyday rituals, to the transformative power of spiritual growth from artistic practices that form a passionate connection to the world."

Georgetown Openings

Tonight the five Canal Square galleries in Georgetown will have the new openings and/or extended hours.

We will have the DC solo debut of Gabriela Bulisova, who was the Best of Show winner at the 2005 Bethesda International Photography Competition.

The openings start at 6PM and go through 9PM. They are catered by the Sea Catch Restaurant and are free and open to the public.

This Week's Reviews

In the WaPo today, Michael O'Sullivan reviews "Close Up in Black: African American Film Posters," on view at the International Gallery of the Smithsonian's S. Dillon Ripley Center.

Yesterday in the WaPo, Jessica Dawson mini-reviewed our group glass show in Bethesda, as well as Kehinde Wiley's sold out show at Conner Contemporary and also "Rebecca Kamen: Meta" at the Emerson Gallery, McLean Project for the Arts as well as Elisabeth Lescault at Creative Partners Gallery.

In the City Paper, Louis Jacobson reviews Willy Ronis at Kathleen Ewing Gallery. Also in the CP, Joe Dempsey reviews "Collector's Choice" at Zenith Gallery. And the other Mark Jenkins reviews Gina Denton's installation at Flashpoint.

At the Gazette, Adam Karlin reviews the current group show at Harmony Hall. His colleage, Karen Schafer reviews "Portraits of Life" at the Technical Center at Montgomery College in Rockville.

At Thinking About Art, Kathleen Shafer reviewed Viktor Koen at our Georgetown space. And it was also reviewed by Alexandra Silverthorne at Solarize This.

At Drawer, Warren Craghead reviewed Kirkland's solo debut show at the University of Phoenix Northern Virginia Campus.

In The Georgetowner, John Blee reviews Woong Kim at Addison/Ripley.

Best Bet

The Washington Blade has the Tim Tate-curated "Compelled by Content" as their Best Best of the week.

Compelled by Content is at our Bethesda gallery until June 5, 2005.

Hot Pick

The Washington Times has the Tim Tate curated "Compelled By Content" exhibition currently at our Bethesda gallery selected as their "Hot Pick" of the week.

No Gehry?

"Hazel said he and fellow trustee Paul Corddry approached President and Director David C. Levy earlier this week and suggested he offer his resignation"

The above is from a WaPo article by Bob Thompson and Jacqueline Trescott on the financial woes of the Corcoran and possible suspension of the Gehry effort, which according to the story, could come as early as Monday, when the board is scheduled to discuss a new strategic plan for the Corcoran.

Read the story here.

Campello on Ichiuji

Both Bailey and Jenkins have expressed their thoughts on Melissa Ichiuji's Stripped non-performance. And I am thankful to them for adding their thoughts and words to our cultural soup.

Personally, I was both excited and pleasantly surprised by Ichiuji's project before it started; it showed a maturity and intelligence years ahead of most "art students."

And as the project developed, I visited her Live Update Website, and then eventually drove by the Corcoran, found a Doris Day parking spot right next to the building, and gawked at Ichiuji and the loads of tourists shouting questions and her and at each other.

Regardless of how it ended, I for one, applaud her courage, her ideas, her involvement, and above all, her ability to (as an art student), leave a strong footprint upon our art scene.

Bravo Melissa!

Bailey on Ichiuji

The Postmodern Art Joke of Suffering

By James W. Bailey

The jokes in the world of high art often write themselves. Indeed, we were recently treated to the rare spectacle of an immensely funny postmodern art joke with artist Melissa Ichiuji, as reported in the Washington Post article, "Calling a Halt to Suffering for Her Art."

Ichiuji, who was suppposed to stand in the semi-buff in front of the Corcoran Gallery of Art for 36 straight hours, was forced to call a 14 hour early halt to her "non-performance" piece "Stripped" after nearly collapsing from heat exhaustion from excessive exposure to the balmy weather as enhanced and amplified by the unnatural elements of Washington, D.C. concrete and asphalt.

Mrs. Ichiuji supposedly shed herself of the excesses of her life (Starbucks, NetFlix, Whole Foods, Politics and Prose, those types of things I guess) in an attempt to explore something about who she really is outside of the unnatural products that she takes into her body and mind.

We are told in this supremely funny high profile Washington Post article that her only company prior caving in to upper middle class reality was a homeless man who lay down nearby to watch Mrs. Ichiuji struggle through her "non-performance" in all her sunburned and diarrhea-stricken agony – no doubt the homeless man could identify with that low profile real life struggle.

We’re also told Mrs. Ichiuji tried to contact her husband for emergency rescue from her plight. Apparently, her husband never bothered to return the desperate messages that were left on his cell phone. It’s also reported that one of the other luxuries in life that Mrs. Ichiuji swore off for her art was sex – I guess that might help explain the husband’s failure to respond to those text messages.

Although her husband is a banker, poor Mrs. Ichiuji, apparently penniless (I guess her sports bar didn’t have a change holder), was forced to thumb a ride in a cab back to the modern comforts and conveniences of her home. That must have been an interesting cab ride. One can easily picture Mrs. Ichiuji, half-starved, jumping out of the cab at every delicious chain restaurant in the District begging the management to freely inhale at will from the salad bar.

Now, nobody loathes postmodern art theory and theorists more than I do, but I just can’t help but deconstruct Mrs. Ichiuji "Stripped" to discover a greater truth and meaning about her project. There's a remarkable parallel between her self-imposed bodily denials leading to her near collapse and the refusal of a banker to assist her with the similar bodily denials (usually state enforced against the will of the child and their parents) that are found among hundreds of millions of impoverished children throughout the world and the refusal of the World Bank to assist them.

But unlike Mrs. Ichiuji, those kids don’t have a cell phone to call a high ranking bank official, let alone the ability to hitch a ride in an air-conditioned cab to a safe, cool and well-stocked abode.

James W. Bailey
Experimental Photographer
Force Majeure Studios