Richards on Color
The WaPo's former Chief Art Critic checks in with an interesting article on colors, reproductions and what happens to colors over time.
Read the article here.
Saturday, April 01, 2006
Friday, March 31, 2006
Bad at Sports
Bad at Sports is a podcast about surviving as an artist. It's a professionally produced art show that has quickly gained popularity among artists, hipsters and the top curators of the arts.
Bad at Sports shows a ground-level view of the visual arts from the perspective of practicing mid-career artists. It's anti-intellectual, but streetwise, and it combines to create a show that is very lively and funny.
The conversations and interviews often begin with the meaning behind the art, or the logistics of the project, but the discussion will eventually veer in the direction of the person's career path, their opinions of art scene, and their own personal goals, aspirations and frustrations.
They've had correspondents from London, New York, L.A. and San Francisco, and would now love to hear some art voices from DC.
They ask that interested people check out an episode first, because there's a very specific tone to the show, and if you don't get a sense of what the show is like, someone could easily make an audio file that's not a match for them.
Check them out here.
Wanna go to an opening tonite?
"From Sea to Shining Sea" at DCAC - Opening Reception is tonight,Friday, March 31 from 7-9 pm.
Curated by Ori Z. Soltes and assisted by Cara Ober. Featured artwork includes that of DC artists Craig Cahoon and Steve Cushner.
CP Blog
Hey! The Washington City Paper has a new online blog!
It's titled City Desk and can be read here.
Hopefully some of their art writers will emulate what some of their theatre critics have already done with area plays and start pushing some visual art shows... go Jeffry, go Lou!
Jacobson on Photography
Louis Jacobson reviews our current photography show in the City Paper. Read the review here.
Micro-Monumental
Can a sculpture the size of a kitchen matchbox have monumental impact? Kristen Hileman, Assistant Curator at the Hirshhorn Museum and Sculpture Garden, who a couple of years ago juried one of our best art competitions in years, has chosen 47 tiny sculptures from a field of 90 entries submitted by artists from Baltimore and Washington, Philadelphia and New England for a coming exhibition at Flashpoint.
This unusual collaboration of four regional sculpture groups (Washington Sculptors Group, Baltimore’s Sculptor’s Inc., in collaboration with the Philadelphia Sculptors Group and New England Sculptors Association.) is a "microcosm of the world of sculpture in 2006, exemplifying the diversity of artists, their materials and themes in the Northeastern United States."
Micro-Monumental is at Flashpoint Gallery April 6 to May 27, then travels to Xavier University Art Gallery in Cincinnati, Ohio for the International Sculptors Conference: June 20 through July 22, 2006. The Artists' reception at Flashpoint is April 20, 6-8pm and the Juror’s talk is that same night at 7pm.
Thursday, March 30, 2006
Tapedude in the Morning News
The Morning News interviews Tapedude Mark Jenkins. Read the interview here.
DC Shorts Film Festival
The DC Shorts Film Festival showcases short films from around the world, followed by moderated discussions with filmmakers.
The annual festival seeks films 20 minutes or less, with a special cash awards for first-time, women and local (Washington DC area) filmmakers. They also screen specially selected films at the Canadian Embassy as part of a community arts event.
Filmmakers attending DC Shorts enjoy relaxed parties, city tours, free housing, meals and transportation. Most importantly, they get the opportunity to meet and learn from other filmmakers—an experience that comes from a showcase dedicated to short films and the people who make them.
Festival Name: DC Shorts Film Festival
Festival Address: 916 G Street NW, Studio 203, Washington, DC 20001
Phone: (202) 393-4266
E-mail: info@dcshorts.com
Website: www.dcshorts.com
Upcoming Festival Dates: Sept. 14-21, 2006
Upcoming Call for Entry Deadlines: June 30, 2006
Festival Contact (not for publication): Jon Gann, 202-393-4266, or email him at jon@dcshorts.com
After Effects
Just a reminder that the first night of the three part WPA/C Media Series, entitled "After Effects," curated by the fair Kathryn Cornelius will take place tonight, March 30th, from 7-9pm in the Corcoran's auditorium.
Details here.
Text at GRACE
Yesterday some of the artists participating in the second iteration of TEXT, which opens on Saturday from 6-8PM in the beautiful new spaces of the Greater Reston Arts Center, installed their work.
The exhibition brings back all but one of the original Text artists from Seven.
The artists in this iteration of Text are Molly Springfield, Mark Cameron Boyd, Michael Janis, Victor Ekpuk, Denise Wolff and Tim Tate.
Originally, J.T. Kirkland was part of the first group of Text artists, and part of the original proposal to GRACE; however, JT got selected for a well-deserved solo show that immediately follows Text at GRACE and we all thought that it would be better for Kirkland to go solo and thus I replaced him with Tate. Kirkland's opening at GRACE is Saturday, May 13 from 6-8pm.
For this version of Text, all artists have created mostly new work, and the very busy Molly Springfield, who has been having a spectacular 2006 so far, has a digital slide show of her "Notes" for this version of Text.
The exhibition opens this coming Saturday, April 1st with an opening catered reception from 6-8PM. Then we will have an artists' talk the next Saturday, April 8 starting at 7PM. Direction to GRACE are here.
See ya there!
Lassman's Cockroach Girl
Alexandra Silverthorne over at Solarize This has an interesting posting on the terrific photograph by Scott Lassman titled "Girl with Cockroaches" that is currently part of our Bethesda International Photography Exhibition.
The photo has attracted a lot of attention, and as Alexandra points out, there are various merit and creep factor reasons for some of the attention. I have also overheard some discussion by gallery visitors, and even answered a few questions about the photo.
Here's some background:
- The cockroaches are real and are not superimposed on top of the little girl's body.
- Not only are those huge suckers real, but they are Madagascar hissing cockroaches, so they make noises as well!
- The roaches are the pets of the little girl.
- One of them was recently lost in a hotel room in New England. I don't know about you, but I'm skipping visiting New England for a while.
Aother darker (and ignorant) set of comments overheard (just the usual handful of two or three idiots), have been a few folks who have been offended by the nudity of the little girl in the photo. I have zero patience for people who see something bad or sinister or morally wrong with nudity, and have very vocally challenged the "commenters" about the fact that perhaps there is something wrong with "them" in seeing something bad about a happy little girl resting on the grass, with a huge smile as her repulsive pets tickle her tummy, simply because the photo implies that she's in the buff.
It's an excellent photo and a great deal as well by the way... it measures 17x11 inches and it is matted in a white pH-balanced acid free mat and framed under glass in a black metal moulding frame to 32.5 x 20.5 inches and sells for $600. Call the gallery at 301/718-9651 if you are interested.
Wednesday, March 29, 2006
Rousseau on Photography
Dr. Claudia Rousseau, the art critic for the Gazette newspapers reviews our current Bethesda International Photography Competition show in today's paper. Read the review here.
Rousseau notes that:
The fourth annual Bethesda International Photography Competition coincided with the publication of a national art magazine cover that features the headline "Photography: What’s Hot" — both a question and a statement.You can see the exhibition online here and you can read the rest of Dr. Rousseau's review here.
What is hot in photography these days? Art photography is more popular than ever. Collectors are willing to spend large sums, more than a million dollars in a recent auction, on individual prints. A look at the work of the competition winners now at the Fraser Gallery in Bethesda also indicates that traditional photography is still healthy — despite Kodak’s 2005 announcement that it would no longer manufacture black and white printing papers.
Tuesday, March 28, 2006
Jamison Opens at Irvine
Susan Jamison's long awaited solo opens at Irvine on April 6 with an opening reception from 6-8PM.
Jamison's had a tremendous 2005. For starters, I selected her for the Seven exhibition, where Martin Irvine discovered her amazing works and signed her up.
And Irvine Contemporary has done wonders for Jamison. She was taken down to Miami for scope, where I am told she sold out; she was also at Irvine's highly successful New York adventure recently.
And now Susan will make her DC solo debut in the front gallery of Irvine's space on Connecticut Avenue, while Robert Mellor takes up the rear gallery with a show of new work.
Both exhibitions will run from April 6 through May 5 with an opening reception with the artists on Fri. April 7 at 6 PM. Jamison and Mellor will also give gallery talks about their work on Sat. April 8 at 2 PM.
Monday, March 27, 2006
Tale of two Jacks
Jack Boul Does The Art League
When I picked up the list of artists selected by juror Jack Boul for the Art League’s monthly juried exhibition, I was pleasantly surprised to read one of the shortest and most to-the-point juror statements that I’ve ever read.
Boul’s statement:
"In a recent review of the contemporary art at the 2006 Whitney Biennial, the reviewer said: ‘The state of our nation’s artists is grim.’Bravo Jack!
After selecting the show at the Art League, I disagree. Artwork is not in crisis. It is alive and well at The Art League. And I find it refreshing!"
Boul reviewed 591 entries and selected 128 for the exhibition. His top award went to a very painterly oil by Nancy Tankersley titled Kitchen Pas de Deux. It is one of the rare times that I’ve agreed with a juror. It’s an intelligent and well-crafted painting. I also quite liked a pastel by M. McGurk titled "Corner Booth" that shows a Hopper-like, aloof blonde beauty, immersed in her own icy world of loneliness.
Sexy in a different way was M. Mitsuyasu's photograph titled "Night Blooming Cereus Portrait 16" and Jackie Saunders' always superb watercolor entry titled "Elena, Elegant." I also liked Isil Ozisik’s masterful wet-on-wet watercolors series "Rain." I know of no one in our area that can paint Washington, DC better than Ozisik.
But let me tell you about the piece that took my breath away."Pippy Takes a Ride" is a magnificent oil portrait by Edward J. Reed, who goes by Ted, and who teaches portrait painting at the Art League in Alexandria.
In this work, Reed captures that immensely difficult wisp of essence that makes a portrait change from a painting of a person to a portrait of a person.
He has not only captured the pretty-girl quality of the model (who is one of the most popular and talented Art League models around), but also managed to catch her presence and spirit. This is just not a painting of a deeply sensual woman dressed in tough biker gear; this is a work of art that steals a little bit of the soul and presence of the model and embeds it in the oil and medium and visual weight of the work.
WOW!
I was absolutely hypnotized by the work, and on a second and third view of the work, I noticed a clever hanging of the works around it. Right below the painting was a very sexy black and white photograph of a woman’s curled toes. The photograph is lined up directly below where Pippy’s legs end.
"Did you know?" I asked the gallerist at the Art League, "that those toes are the toes of the same model who posed for Pippy?"
The gallerist glowed. "Yes!" she smiled, "that’s why I put them there."
Jack Rasmussen does Target
While I was in Alexandria I dropped by the Target Gallery to see the show juried by my good friend Jack Rasmussen, Director and Curator of the Katzen Arts Center. He juried a show titled "Stretched Tight," with a fascinating set of works and artists, and like any group show, some superb selections and a dud or two.
The piece that took my immediate attention on the first go-round was Brent A. Holland’s "Self-Portrait," a gorgeous oil on panel work that reminded me of the hard-core grittiness of harsh realists such as Gregory Gillespie was.
I also like Pat Goslee’s continuing exploration of the vast, moist world of odd, sensual vaginalism in an encaustic work titled "In Her Synaptic Gap."
Three works by Cara Ober were awarded the Best in Show by Rasmussen, and were all three intelligent choices.
Another piece that I liked was Anna Davis’ "Back to the Cradle," another one of her bright paper-on-canvas-that-look-like-mosaics works.
The dud in the show (in my opinion) was Laura Yang’s "Untitled 533" which was a fair enough of a painting, except that I’ve seen this sort of "quickie" Marsley-like thing a million times over the last few decades, and it never worked for me the first time, and not this millionth time.
Overall it was a top notch show, a nicely-done juried job by Jack, and another good exhibition by Target, which continues to do well thanks to a well-developed juror pool that uses the best in our area to select work for the gallery each month.
Silverthorne reviews
Alexandra Silverthorne continues to take an in-depth look at our current photography exhibition.
Overall review here.
Review of Aleksei Pechnikov here.
Review of Lee Goodwin here.
Sunday, March 26, 2006
Art Deal of the Week
My third pick is this intelligent New York photograph by American photographer Chris Davis.
It is titled "New York Niche" and the photograph measures 28x19 inches and then it is matted in a white pH-balanced acid free white museum mat and framed in a black metal moulding under plexiglass to a framed size of 36x24 inches. Photo is signed by the photographer. The price (including frame): $200. That's an incredible deal for this large photo.
To buy it call 301/718-9651 or email the gallery.
Artwork Needed for Charity Auction
The National Gay and Lesbian Task Force is soliciting for artist donations for a silent auction held at the 17th annual DC Leadership Awards at the Omni Shoreham on May 6, 2006. All proceeds from the Leadership Awards benefit the National Gay and Lesbian Task Force Foundation.
In exchange for your donation, you will receive a listing in their program and public acknowledgement of your gift during the auction. Participation in the Silent Auction is an amazing opportunity to promote your art to a highly desirable target audience, as well as provide support to a wonderful cause.
For further details, including deadlines and pick-up/drop off information, please visit www.thetaskforce.org. If you would rather have a form faxed, emailed or mailed to you, and for other inquiries, please contact David Swanson at dswanson@thetaskforce.org.
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