Senju Murals to go to Philly

Hiroshi Senju, one of Japan’s most revered and internationally acclaimed contemporary artists, showed 27 murals (syohekiga) at Japan’s Yamatane Museum of Art through March 4. The works, however, are ultimately bound for the United States. On May 1 of this year, the murals will be installed on the fusuma (sliding doors) and tokonoma (writing hall) alcove at Shofuso (“Pine Breeze Villa”), the Japanese house and garden in Fairmount Park [Philadelphia].

Read the A&A story here. Senju also is donating all copyrights from sales of reproductions of the murals to support the preservation of the Pine Breeze Villa.

A ton of comments

The WaPo's James V. Grimaldi, who has been reporting on the whole Smithsonian's Lawrence Small developments, had a live chat earlier today and there are a lot of good questions and some amplifying answers on this issue.

Read the archives here.

Congrats!

To the superbly talented DC area artist Adam Fowler, who will be having his first NYC solo at Margaret Thatcher Projects opening next Friday, March 29, 2007 with a reception from 6-8PM. The exhibition runs through May 5, 2007.

Fowler has been doing superbly since the WPA/C's "Seven" exhibition, where his work was included prominently. His drawings were featured in Selections Fall 2005 at the Drawing Center and this past year, Fowler's work was included in The New Collage show at Pavel Zoubok Gallery in New York.

Opportunity for Artists

Deadline for submissions May 14, 2007.

Vox Populi, a nonprofit artist collective located in Philadelphia, is currently accepting submissions for VOXXOXO. The exhibition will run from July 6 through July 28, 2007 and is being juried by Sheryl Conkelton, Director of Tyler School of Arts' Exhibitions and Public Programs, and Kirby Gookin, art historian, critic, curator and public artist.

Artists of all media are invited to submit 3 to 5 examples of completed works. All submitted works must be available for exhibition. Complete applications must include:

1. 3 or 5 images
a. Slides must be labeled with name, title and orientation dot positioned at bottom right hand corner.
b. CD-R: Images saved at 72 dpi resolution on CD-R, sized at 8"x10." Please label each image lastnamefirstname_1.jpg and so forth. CD-R submissions must be accompanied by a printout of images on one 8.5" x 11" sheet of paper.
c. Video: You may submit 2 minute clips of each submitted piece or we will view the first 2 minutes of each submission. The work must be submitted on DVD (NTSC).

2. Completed VOXXOXO submission form (found on their website at www.voxpopuligallery.org).

3. Current resume and artist statement.

4. SASE

5. $20 entry fee for 3 submissions; $30 entry fee for 5 submissions. Please make checks payable to Vox Populi. Do not send cash.

For more information, please visit their website at www.voxpopuligallery.org or call 215-238-1236.

Grants for Artists

Deadline: June 1, 2007

The Harpo Foundation is accepting proposals for grants funding. The Harpo Foundation supports artists that are unrecognized by the field. This applies to all artists whether emerging or further along in their careers. Proposals to the foundation can take the form of installations, public interventions, personal projects, residencies, and under certain conditions, exhibitions. Proposals should include a project description, examples of the artist's work (in digital format) and a resume. A detailed budget breakdown is not necessary, however grant will usually not exceed $10,000. For more information, please contact the Harpo Foundation at 305.442.8242 or email harpofl@earthling.net.

Job in the Arts

Executive Director: Cecil County Arts Council, Inc. - Maryland

CCAC is Cecil county's umbrella cultural organization and awards grants to school and nonprofits presenting arts programs. It has a two-person full-time staff, including E.D.; $92K budget from state grant funding, dues, corporate support and fundraising.

Qualifications: Commitment to community outreach; ability to maintain, nurture and inspire membership; knowledge of art-related issues; managerial, grant writing and fundraising experience; outstanding communication, presentation, public relations skills; experience in working with a board of directors.

Qualified applicants can expect a salary starting at $38,000-$41,000. Benefits: health and dental coverage, retirement, paid vacation, holiday, sick, personal time. Send resume, cover letter , references to:

Personnel Committee
CCAC
135 E. Main St.
Elkton, MD 21921

Or email copy of resume to maggie.creshkoff@gmail.com.

Congrats!

To DC area ubercollector Fred Ognibene, whose home was just featured in "At Home" magazine, in an article featuring loads of artwork and discussion on the (mostly) DC area artists that Fred collects.

Smithsonian's Lawrence Small Resigns

Just received from Roger Sant, Chair, Executive Committee, Smithsonian Board of Regents

At 12:30 this afternoon, Regent Patti Stonsifer and I will participate in a news conference to announce that we have accepted the resignation of Secretary Lawrence Small, effective immediately. At the same time, we will announce that Cristian Samper, currently director of the National Museum of Natural History, has been named by the Regents to serve as Acting Secretary of the Smithsonian Institution, also effective immediately. We also have asked Sheila Burke to continue as Deputy Secretary and Chief Operating Officer. We appreciate her strong leadership, particularly during these past months.

Although the past few weeks have been difficult for us all, we believe that the important work of the Institution will continue and we hope you share our optimism for the future.

A search committee for a new Secretary will begin immediately under the chairmanship of Alan Spoon, a member of our executive committee.

We thank you for your hard work and dedication.

Below is the text of the news release distributed today and available shortly on PRISM and newsdesk.si.edu. Also, the news conference will be available through Windows Media Player at mms://live01.si.edu/sicastle.

Roger Sant

Chair, Executive Committee
Smithsonian Board of Regents

Update: The press release is here.

Update: WaPo picks up the story (revised once since the intial 1PM posting, which cited a Congressional leak instead of the press conference) here. According to some of the comments, this too appears to be Pres. Bush's fault.

Carrie Ann Baade at the Delaware Center for Contemporary Art

Carrie Ann Baade: "Virtues and Vices - Surreal Portraits of the Commendable and Contemptible" opens on March 30, 2007 at the Delaware Center for Contemporary Art in Wilmington, but the opening reception is Friday April 13th, from 5 to 9pm (includes a musical performance by the Absinthe Drinkers at 8pm) and then there's an artist's lecture on April 4th, from 12 to 1pm at the DCCA.

It's no secret that I love narrative work that also uses historical references, and thus I am really looking forward to seeing this talented artist's work, which is new to me. More later.

Gopnik in a kilt

The WaPo's erudite Oxford-trained, chief art critic pens an interesting review (which has already caused some comment flaming) on the current exhibition "Italian Women Artists From Renaissance to Baroque," at the National Museum of Women in the Arts.

But my issue with the review are not the possible historical inaccuracies in the article, but this statement:

"Who and what you are matters to what your actions mean to others. My wife wears a skirt, and no one notices; if I did, I'd have to claim McGopnik blood to get away with it."

McGopnik!!!!

McGopnik!!!

"Whas like us? Gie few an thur aw deed"

First of all, Scots wear kilts - not skirts... and "Mc" is generally the Anglicised version of the Irish Celtic form for "son-of," while "Mac", not "Mc", is the is true Scottish Gaelic form, and thus what Gopnik should have written to make his point.

So he meant "MacGopnik."

I know it's pedantic, but ...

Phoebe Washburn at ICA

A new Ramp Project by Phoebe Washburn goes on view this spring at the Institute of Contemporary Art (ICA) at the University of Pennsylvania. The 12th in a series of temporary works commissioned for the ramp, Washburn’s project can be seen April 20-August 5, 2007.

"Using massive amounts of collected scrap wood, Phoebe Washburn transforms ICA’s ramp by constructing an environmental installation that is both accumulative and regenerative. Working on site off of the existing architecture, she turns the windowed ramp into a makeshift terrarium/aquarium. Viewers wander amidst a variety of water plants and underwater scenes housed in fish tanks nestled in a darkened wooden tunnel. These miniature living landscapes are sustained by pumps and other necessary accoutrements in this green environment."

Every season ICA commissions an artist to create a new site-specific temporary installation for the ramp that links the first and second floor galleries. A transitional space, the ramp is 52-foot long and is visible from the street through architecturally-scaled picture windows on the building’s facade. This project is organized by Elyse Gonzales, Assistant Curator.

Call for 2007 MFA Graduates in the Mid-Atlantic Region

Deadline: April 14, 2007

"New Art Examined III" is a call for 2007 MFA graduates by the Arlington Arts Center in Arlington, Virginia. All Masters of Fine Arts candidates who will receive their degree in the 2007 calendar year from institutions in Virginia, Washington, D.C., Maryland, Pennsylvania, Delaware and West Virginia are invited to submit work. Artworks in all media will be considered.

You can download the prospectus here or call the Center at (703) 248-6800.

Rousseau Reviews

Dr. Claudia Rousseau, writing in The Gazette, wraps up three Greater DC area exhibition (all in suburban Maryland) into one neat column as she reviews Tim Tate at Fraser Gallery, "Token" at Pyramid Atlantic, and the National Society of Arts and Letters Career Awards Competition at Heineman-Myers Gallery.

Read the reviews here.

Job in the Arts

Arlington County in Virginia is looking for a Public Arts Curator. Salary Range: $45,905.60 - $75,899.20 annually.

All applicants must submit an online application (unless the job announcement states otherwise) for each position for which they wish to apply. The application must be submitted prior to 11:59 pm on the posted closing date.

To apply online go to www.arlingtonva.us/pers, click on CURRENT JOB OPENINGS, scroll down the alphabetical list of job titles and click on the one in which you have an interest. The link to the employment application (APPLY) is found on each job announcement. Once completed, your application information remains in the system for you to review, edit and submit for future Arlington job openings.

Wanna go to a Baltimore opening this afternoon?

"Of Doors & Keys" at the Norman and Sarah Brown Art Gallery, (Weinberg Park Heights JCC at 5700 Park Heights Avenue, Baltimore, MD) has an opening reception this afternoon, Sunday, March 25, at 3:00 pm. The exhibition is curated by Claudine Davison, the gallery director.

SAAM Commissioner James F. Dicke II on SAAM

One of the Smithsonian American Art Museum's commissioners, James F. Dicke II (who as I recall is from Ohio?), is not only a respected artist (his work is actually in SAAM's collection and represented locally by The Ralls Collection in Georgetown), and an ubercollector, but also puts his money where his mouth is, and is very much an involved and hands-on commissioner.

Dicke has responded to the Smithsonian report parts that relate to the SAAM with this comment on Eyelevel:

The 30 Commissioners of the Smithsonian American Art Museum applaud Director Betsy Broun’s inspired leadership and the terrific work of the museum’s talented and dedicated staff over the past seven years. Under trying circumstances of a multi-year “dark house,” frequent budget cuts, and several staff moves, this team shepherded a $278 million dazzling renovation project. They conceived and created two wholly innovative public conservation and collections study centers that are models for museums everywhere. The collections are handsomely installed in elegant galleries, “telling the story of America” with nuance and insight, in a way that has delighted visitors from around the world. Terrific collaboration with the National Portrait Gallery makes the two museums complementary in wonderful new ways.

During the same period, the contemporary program was enhanced with two new curators, an artist’s prize, endowments, and many exciting acquisitions. The same great SAAM leadership and staff undertook the largest touring exhibition program ever by an art museum – more than 1,000 artworks in 14 shows to 105 museums. The museum’s fabulous staff created award-winning programs in distance learning, K-12 education, new media technologies, and publications. The research resources for American art at SAAM include the biggest American art pre-doctoral fellowship program anywhere, the leading academic journal in the field, and more than 1 million research records in searchable online databases. SAAM’s branch museum, the Renwick Gallery, continues to present a full exciting program of exhibitions and collections.

It was SAAM staff that conducted the nationwide research defining how the museums might benefit from covering the open-air courtyard. A SAAM Commissioner provided the funds for the international architectural competition that selected Lord Norman Foster for the project. Director Betsy Broun was on the 5-member selection panel and subsequent Oversight Committee.

It’s quite a lot to manage and a stellar record of success that would distinguish a museum three times its size. SAAM and Betsy are outstanding within the Smithsonian complex and indeed in any context. Our entire Board of Commissioners is proud to be part of this great accomplishment and to have so generously supported it. Our regret is that the External Reviewers conducted their study while the museum was a construction site and apparently lacked information about any of these accomplishments. We wish they had invited comments from those who know the museum well.

James F. Dicke II, SAAM Commissioner

I applaud a commissioner willing to gets his "hands dirty" as Dicke has, and regardless of how one feels about what's right or wrong about SAAM, he does deliver some valid points that now have introduced some questions into my mind about the depth of information and facts gathered (or not) by the external commission charged with the Smithsonian report, other than the obvious points about security, morale, leaks, etc.

Dicke's comments seem to imply (and Mr. Dicke correct me if I am wrong), that the investigators did not talk to the SAAM commissioners.

If this is correct, then I am curious to find out (while I work my way through the 51 pages of the report): did they talk to any of the commissioners of any of the museums?

Did they talk to the "non-contributing board" of the National Museum of African Art?

I'd love to hear more from more of the commissioners from the various Smithsonian Institution's museums on this subject.

Bailey on the Smithsonian Institution and Lawrence M. Small

I'm always open to hearing what other voices say about visual arts issues in our area, and below is an opinion piece by The Right Reverend James W. Bailey, which once again testifies to my worn-out warning: never piss off Bailey.

An Open Letter To The American Taxpayers Calling For The Immediate Firing Of Lawrence M. Small, Secretary of the Smithsonian Institution

by The Right Reverend James W. Bailey

Like many across the country, I am beyond being merely outraged over the reported wasteful spending by Lawrence M. Small, Secretary of the Smithsonian Institution, as well as the reports of his stratospheric salary and ridiculous reimbursements for so-called “living expenses.”

For this Small should be fired.

For pressuring the former Smithsonian inspector general to drop her audit of Small's financial shenanigans, he should be fired, investigated and indicted.

It is incredible to me that the taxpayers of this nation have been paying a king ’s ransom salary to Small - apparently to embellish his home and office with seriously overpriced ego-building furniture - while the very man in charge of the Smithsonian Institution has allowed some of its key infrastructure to seriously deteriorate to the point of being a national embarrassment.

Perhaps the greatest outrage is what Small has allowed to happen at the National Museum of African Art, as detailed in the a 51 page report that examines the near none existent management practices of Small:

“There has been a longstanding lack of visionary leadership at the museum. The director’s protracted illness, the absence of either a deputy director or chief curator, and curatorial departments that are either understaffed or underperforming, contribute to the present discouraging situation. Staff and trustee morale is dangerously low.”

It’s bad enough for the serious appreciation of African Art when the chief art critic for the Washington Post, Blake Gopnik - when recently writing about African Art, Gopnik demonstrated an unbelievable condescending arrogance that attempted to mask his profound lack of understanding and appreciation of the importance of African Art – pens a critique that almost bordered on being xenophobic.

Now, on top of that serious art critical injury, we understand some additional reasons why the National Museum of African Art, while under the missing leadership of Small, has been allowed to slide down the high art cultural ladder to such a low level of appreciation and importance.

It is outrageous that in the nation’s capital, a place that is 62% African-American, that the richest country in the world has allowed such an important museum to falter. If for no other reason, Lawrence M. Small should be immediately fired for what he has allowed to happen to the National Museum of African Art.

Unfortunately, all of the museums and galleries under the umbrella of the Smithsonian Institution are subject to being painted by the same brush of scandal that has come to light over the self-serving actions of its leader. Just like one rotten apple cop on a police force taints all the good cops as well, so it has come to this for many within the organization of the Smithsonian Institution.

That’s a shame.

Actually, it’s worse than a shame. It’s a national tragedy. The so-called nation’s attic is supposed to represent something more than being a mere slush fund to realize one man’s conceited, arrogant and shallow vision of Home Improvement.

Since the American taxpayers are the ones who have been paying for Lawrence W. Small to dither away our cultural patrimony, the American taxpayers should be the ones to have the right to immediately fire Small for his outrageous actions and inactions.

James W. Bailey

O'Sullivan Scores

Many time before I've stated here that in my opinion, the WaPo's Michael O'Sullivan is the best art critic working the Greater DC area scene.

Not only does O'Sullivan have his fingers on the pulse of the art scene itself, but he also seems to be one of the few DC area art critics who gets around to a lot of different galleries and spaces and does not fall prey to the well-known critic flaw of returning to a favorite few spaces over and over.

But it is his knowledge of the inner ticking of the DC area art scene and artists that allows him to write such an insightful piece as the one in today's WaPo. Read that piece here.

Trashball

Last year I noted that DC area artist Chris Goodwin had started a blog called Trashball! that documents some of the stuff that he finds (much of it in his part-time job driving a dump truck) and transforms into an art project.

Today Rachel Beckman in the WaPo has a nice profile on Goodwin and his art project, including a nice video online. Read and see it here.

Kudos to Beckman and visit Trashball! often!

Wanna go to a DC gallery opening tomorrow night?

Randall Scott Gallery has a special exhibition of unique furniture by Josh Urso through March 31st, 2007 and the artist reception is tomorrow night, March 23rd from 6pm-9pm.