Art Akwukwo Check Rip-Off Identified

The emails listed below are in the order in which they arrived to me. This is the classic art ripoff known as the Akwukwo check scam. As you all know, whenever I get one of these, I like to have fun with the thief. See my previous encounter with Louie The Fish here. All misspellings and English and writing errors have been left as received:

From: stone.123@live.com
To: lennycampello@hotmail.com
Subject: INQUIRY ON YOUR ARTWORKS
Date: Wed, 27 Feb 2008 06:55:45 -0600

Hello ,
My name is Stone Martins . I am 46 yr old American by birth, catholic by faith . It is my pleasure to have come across your beautiful Artworks while searching through Google. I am planning on presenting some Artworks for my Wife's Birthday which is coming up soon. She is an addict of Artworks and i want to present her one of your beautiful artworks as a surprise gift on her Birthday .

I want you to help me to choose from your Numerous Artworks the one that will really make a woman more than happy if presented with such Selection.

My prince range is $1,200.00USD - $1,500.00USD. I will really appreciate your effort in doing this and i want you to keep your good work up.

I will be glad if you can process my request in a timely manner . You can call me anytime on this number +447031838823 ..

Cheers,
Stone Martins.

Note the hesitant English for a Harvard man; and my response to him:

From: lennycampello@hotmail.com
To: stone.123@live.com
Subject: RE: INQUIRY ON YOUR ARTWORKS
Date: Wed, 27 Feb 2008 15:35:40 +0000

Thank you for your note.

I am very choosy as to whom I allow to own my works, as I have a very long wait list for them. Can you tell me more about you and your family?

Thank you,

The Lenster...

Unfazed by my arrogance, Stone responds very quickly:

From: stone.123@live.com
To: lennycampello@hotmail.com
Subject: RE: INQUIRY ON YOUR ARTWORKS
Date: Thu, 28 Feb 2008 07:03:12 -0600

Hello ,

Thank you for the email . I am a 60 year old University Don .. I retired from Harvard Business School and i have relocated to United Kingdom with my wife and we have only one son who is schooling abroad . My wife will be 50 years old come next month and i will like to present your beautiful artwork as a birthday gift . She loves Blue color . She also loves kids and shopping . We are happy family and fulfilled . I want you to get back to me and let me know the one you have chosen and it must be within my price range . I will make the arrnagment for the pick up once i have settled the payment ..

I want you to get back to me as soon as possible. Thank you

And so he has bitten and now I can have some fun with him:

From: lennycampello@hotmail.com
To: stonemartins1@hotmail.com
Subject: RE: INQUIRY ON YOUR ARTWORKS
Date: Thu, 28 Feb 2008 14:46:51 +0000

Sounds like a very nice family, but I told you that I am choosy, so I need to know a few more details:

1. What other pieces of artwork do you own?

2. Who was your favorite faculty member at Harvard?

3. Who is your favorite artist?

4. Are you prepared to have me choose which piece of my art I will possibly allow to live in your house?

Let me know soonest.

The Lenster
PS - I will be raising my prices soon by the way - so hurry!

Nothing deters this guy, he responds within minutes:

From: stonemartins1@hotmail.com
To: lennycampello@hotmail.com
Subject: RE: INQUIRY ON YOUR ARTWORKS
Date: Thu, 28 Feb 2008 10:22:35 -0500


Hello,

We have one Painting at the moment and the painting is more Abtsract . My favourite Artist is Don Moen . I was a consultant to Harvard on Contract , so i didn't have faculty member .. You can go ahead and choose for us .. Thank you and keep in touch

More demands from my part:

From: lennycampello@hotmail.com
To: stonemartins1@hotmail.com
Subject: RE: INQUIRY ON YOUR ARTWORKS
Date: Thu, 28 Feb 2008 15:57:04 +0000

Sounds good...

It will take a least one week for me to concentrate and meditate on which work of art will align best with your wife on her birthday.

Here's what I need for you to do:

1. Get $1500 in cash - US Dollars, package it carefully and double bagged and FEDEX it to my art dealer. That will cover a work of art plus shipping and insurance to you.

2. Email me you shipping address and contact number.

3. Once I receive the cash I will send you the work.

4. Once you receive the work, you must take a photo of it once it is framed and send it to me, as I must approve of the framing.

The Lenster

He then gives the ripoff mechanism:

From: stonemartins1@hotmail.com
Sent: Thu 2/28/08 4:03 PM
To: F. Lennox Campello (lennycampello@hotmail.com)

Thank you for the quick email . I will like you to have the payment so that you can go ahead and start the work soonest .. I want you to open www.freequickwire.com and click on Request for Payment and enter the exact amount of $1,500 ... Email me once you have done this . Thank you.

And I send him back the conversation killer:

From: lennycampello@hotmail.com
Sent: Thu 2/28/08 4:07 PM
To: stone Martins (stonemartins1@hotmail.com)

No, no... using technology to receive payments for my work "dirties" the process and makes me anguish over the whole issue of selling my work. I would be unable to create if I had to do such things...

No, no... just send US dollars directly... even then I have to have someone open the FEDEX package and meditate over the whole transaction and commodification of my art before I finally decide to go through with it.

My art is more valuable than money.

Cash.

That was the last that I heard from Stone.

Be careful out there...

Marilyn Banner at Ratner Museum‏

During the month of March 2008 Banner will be showing 36 of her recent encaustic paintings at The Dennis & Phillip Ratner Museum in Bethesda MD. These will include the work that she did during her recent month-long residency at the Virginia Center for the Creative Arts (VCCA). Two other wonderful artists will be showing work there also: Joyce Ellen Weinstein and Pilar Jimenez.

The opening reception is Sunday March 2, 2008 1:30 - 3:30.

Peace Now Online

Anne Marchand has created an online album of show images for the Peace Now! Exhibition currently at Warehouse in DC. See the images here.

Howard Mehring at Osuna Art

My good friend (and the Greater DC area's remaining Cuban-American gallerist) Ramon Osuna has work by Washington Color School giant Howard Mehring at Bethesda's Osuna Art through April 5, 2008.

Philly Openings

There are three solo exhibitions at The Print Center opening tomorrow: Orit Hofshi, Bill Scott and Janet Towbin. ‏These exhibitions bring together the work of three celebrated printmakers. The works by Israeli artist Orit Hofshi are epically scaled woodcuts of isolated figures in desolate landscapes. (Orit Hofshi’s exhibition is co-sponsored by the Consulate General of Israel, Philadelphia, as part of the celebration of the 60th anniversary of the State of Israel.) Bill Scott, known for his lyrical abstract paintings, will be represented by a new series of etchings never before exhibited. Janet Towbin’s "masterful approach to line is evident in the repeating, virtually obsessive patterns featured in her etchings." Date is Thursday, February 28; Gallery Talks by the Artists: 5:00pm and Reception: 5:30-7:30pm.

Gallery Joe a show of drawings by Christine Hiebert titled "Search" - this is Hiebert's third solo show at Gallery Joe. The exhibition opens on March 7 and runs through April 26, 2008. Hiebert has exhibited widely both in the US and abroad, most recently in "Live/Work: Performance into Drawing", Museum of Modern Art, New York. She is known for both her drawings on paper as well as her temporary blue tape wall drawings, which have appeared on the walls of institutions such as the Pinakothek der Moderne, Munich, Germany, The Drawing Center, New York, and Krannert Art Museum, Champaign, IL among others. Also showing is James Nelson... "Head of a Girl (in play)" opens on Friday, March 7 and continues through April 26, 2008. This show appears in the Front Gallery and runs concurrently with the show of drawings by Christine Hiebert in the Vault Gallery.

Projects Gallery has assembled a variety of national and international artists, for "Child’s Play," as an opportunity to re-examine the perceptions and artifacts of youth. Artists include: Elizabeth Bisbing, Ross Bonfanti, Jim Brossy, Elaine Erne, Tom Judd, Frank Hyder, Jennifer Layzer, Darrel Morris, Krista Steinke, Jaime Treadwell, Caleb Weintraub, and others. Child’s Play opens First Friday, March 7 with a reception from 5-8 p.m. and continues through March 29, 2008. The reception is free and open to the public. A Philadelphia chapter of Amnesty International will be hosting a bake sale during the reception.

Rebekah Templeton Contemporary Art has "The Truth About Maximilian," an exhibition of new paintings, collages and installation by Todd Keyser. "The Truth About Maximilian" opens on Thursday, March 13, 2008 with an opening reception from 6-9 pm. The show closes on Saturday, April 19, 2008.

A Chair in Hell

A Chair in Hell, Charcoal on Paper, c.2008, 2.25 x 5.5 inches by F. Lennox Campello

Mary Coble this Friday

Please join one of my favorite performance artists, Mary Coble and Hirshhorn curatorial research associate Ryan Hill for a gallery talk on the artist's work Note to Self currently on view at the museum.

Mary Coble, Note to Self


Mary Coble, Note to Self
Friday, February 29th at 12:30pm
Hirshhorn Museum and Sculpture Garden - lower level

New Aussie Art Prizes

The Queensland Government says:

"two new prizes will make the state a leader in contemporary art."

Premier Anna Bligh has told Parliament the Government will award a $75,000 prize to an artist who uses new media technologies. The Gallery of Modern Art will invite candidates to apply. The Government will also offer a $25,000 scholarship for an emerging new media artist.

"These awards combined are worth $100,000 and will be Australia's most significant award in new media," Ms Bligh said. "As a national award it will build Queensland's reputation as a leader in contemporary art."

Bailey, Bailey, Bailey...

He's at it again... read Bailey here.

Intended to Provoke: Social Action in Visual Culture[s]

The Fifth Annual Visual Culture Symposium, “Intended to Provoke: Social Action in Visual Culture[s]” will take place at George Mason University on Thursday, March 27, 2008 and I have been invited to participate.

I will be discussing the emergence of a significant number of visual art blogs at the turn of the new century. This emergence was almost immediately ignored by both the mainstream media and the fine arts world. Just a few years later art blogs not only challenge the mainstream media in the reporting and discussion of the arts, but often lead the way in in-depth announcement, discussion, imagery and promulgation of socially challenging, subversive or political art, as well as presenting historically bound street art, such as graffiti and street installations to worldwide audience.

In this presentation I will discuss the emergence of visual art blogs and offer examples of how blogs have taken over the lead from other sources and venues, as the leading proponent, critic and publicist for art intended and created in order to provoke. The presentation includes discussion and examples of work from artists from places such as Cuba and Iran, which was only recognized and discovered by a worldwide audience through those artists’ own illegal blogs or discussion of their work in other blogs or through the process knows as the “blog roll.”

Questioning accepted literary styles, the visual art bloggers also became part of the social reaction towards established art criticism, and in a way also provided a way to criticize and dissect the critic him/herself. I draw on a variety of widely read visual art blogs to establish bloggers initial discordance and break from formal art criticism and reporting conventions and the eventual alignment of many of them with the same conventions as their influence grew. As a visual arts multi-political and international force they now wield a powerful impact on what is considered an “intentionally political work of art,” such as the Abu Ghraib paintings by Colombian artist Fernando Botero or the chalcography etchings by Cuban artist Sandra Ramos Lorenzo.

The day-long Symposium is being held at the Johnson Center Cinema at George Mason’s Fairfax Campus. The day will end with a reception in the art gallery on the first floor of the Johnson Center, Gallery 123.

Schedule - "Intended to Provoke:Social Action in Visual Culture[s]"
March 27, 2008
George Mason University

9:00 – 9:30a.m. Introduction & Video

9:30-11:00a.m.
Panel 1:
1. Robles & Stein (Community Art)
2. Wolpa (Visual Culture education)
3. Cohn (Design School)
4. Campello (Art Blogs)

11:15a.m. – 12:15p.m.
Panel 2:
1. Derr (Walking/Chance)
2. Namaste (non-violent intervention)
3. McCoy (bodies in China)

12:30 – 1:00p.m.
Dance Performance

1:00 - 2:00p.m.
Panel 3:
1. Johnson (Crises & the everyday)
2. Greet (Ecuador)
3. Campbell (culture jamming)

2:00 - 2:15p.m.
Mark Cooley and Art Exhibit Selections

2:15 – 3:15p.m.
Panel 4:
1. Clements (childbirth)
2. Slavick (R&R/altered images & things)
3. Okunseinde (Fugitives)

3:30 – 4:15p.m. Keynote/Debate

4:30 – 5:30 p.m. – Art Exhibit/Reception

Artists' Websites: Zoe Strauss

Philly-based photographer Zoe Strauss was one of the few bright presences in an otherwise bleak 2006 Whitney Biennial. She's one of the coolest photographers working in the nation, and you can own her work for as little as five dollars a photo!

Visit her website here.

Wanna go to a DC opening on Thursday?

How about the National Society of Arts and Letters’ 2007 arts competition?

Washington DC’s Nevin Kelly Gallery will host a traveling exhibition of works by the winners of The National Society of Arts and Letters’ 2007 arts competition. The 2007 competition was open to young artists ages 18 to 29 working in water media on paper. Local artist Jenny Davis, a previous exhibitor at the gallery, won this year’s $10,000 national first prize for her watercolor “Portrait of Tess.” The winning painting and works by the winners of 18 other local chapter competitions who competed for the top prize will be on display. The gallery will host an opening reception at 1517 U Street, NW on Thursday, February 28, from 5:30 until 7:30 pm. The public is invited.

The NSAL was established in 1944 as a non-profit, philanthropic, volunteer organization of art professionals, art educators and patrons of the arts. Its mission is to encourage and assist promising young artists through scholarships, career support and arts competitions. NSAL’s competitions rotate annually through six categories: fine art, dance, drama, literature, music and musical theater. The 2007 competition was NSAL’s first painting competition in 20 years (the 2008 competition will focus on voice). As winner of the Washington, DC Chapter’s local competition, Ms. Davis, was invited to Tempe, AZ in May 2007 to compete with other regional winners for the top prize: the $10,000 Nicholson-Nielsen Memorial Award. Jenny’s watercolor “Portrait of Tess” captured the award.

“We are very pleased to have been asked to host this very impressive exhibition and to welcome Jenny Davis back to our gallery,” says gallery director Nevin J. Kelly. “This exhibition provides an ideal fit with our goal of introducing talented emerging artists to the local art community.”

Other regional winners whose works will be on display (and the NSAL chapters whose competitions they won) include Carrie Tompkins, (Birmingham), Maureen Forman (Bloomington), Vanessa Monot (Boca Raton), Ryan Rocha (Central Illinois); Erin Saladino (Clearwater-Tampa Bay), Alfred Perez (El Paso), Tawni Shuler (Greater Arizona), Morgan Canavan (Greater Chicago), Danielle Trejo (Evanston), Will Anderson (Kansas City), Gerren Dugger (Kentucky), Amber Carraway (Little Rock), Adrian Lyjak (Mid-Michigan) Mattias Lanas (New Jersey), Kelsey Berkley (North Florida), Mark Bush (Ohio River Valley), Thommy Controy (Pittsburgh) and Timothy Rusterholz (Virginia-North Carolina).

Christine Bailey's new inventions

"After the mini-controversy stirred up over artist Christine Bailey's exhibition of faux Cara Ober paintings at a downtown office building last month, we were eager to check out Boundary Crossings, the current show at School 33 Art Center that Bailey curated.

The show presents three artists -- Ariana Wol, Nadine Freund and "the international digital collective" A.N.N.A. -- who, on closer inspection, all turn out to be creatures of Bailey's own fertile imagination. During a phone conversation yesterday it only took a little prodding before she admitted that the show's trio of "artists" are, in fact, completely fictitious identities invented by her."

More details here.

By the way, that's the Sun's art critic, Glenn McNatt, who blogs in a Sun blog for the paper's critics.

27th Annual WPA Art Auction

The Washington Project for the Arts (WPA) has announced the 27th Annual Art Auction Gala to be held Friday, March 7, 2008 from 7:00 pm until midnight at the Katzen Arts Center at American University, 4400 Massachusetts Avenue, NW, Washington, DC.

The 2008 WPA Art Auction Gala is a full evening of activities that include a cocktail reception, seated dinner, a silent auction of more than 130 original works of art, and an art party. Held in the rotunda of the veautiful Katzen Arts Center at American University, this event draws young collectors, art enthusiasts, established and emerging artists, as well as leaders from the regional corporate, social and cultural communities.

Artists selected for the exhibit this year include painters, sculptors, illustrators, photographers and street artists, from Greater Washington, DC, New York, Philadelphia, Australia, Italy, and Russia.

Attendees each receive a bid number to vie for the original works of art featured in the auction, which have been selected from the following group of curators:

- Heather Darcy Bhandari, Curator and Artist Manager, Mixed Greens, NYC

- Andrea Douglas, Curator, Collections and Exhibitions, University of Virginia Art Museum, Charlottesville, VA

- Sarah Kennel, Assistant Curator, Department of Photographs, National Gallery of Art, DC

- Erin Chase Mackay, Principal, Chase Contemporary Art Consulting LLC, DC

- Dennis O’Neil, Director, Hand Print Workshop International, Alexandria, VA (who brought a ton of Russians to the auction)

- Marc and Sara Schiller, Wooster Collective, NYC

- Emily Smith, Curatorial Fellow, Modern and Contemporary Art, Virginia Museum of Fine Arts, Richmond, VA

- JD Talasek, Director, Exhibitions and Cultural Programs, National Academy of Sciences, DC

- Kathryn Wat, Curator of Modern and Contemporary Art, National Museum of Women in the Arts, DC

Some of the DC area artists selected for the 2008 Art Auction Gala include: Amy Lin, Maxwell MacKenzie, Foon Sham, William Christenberry, Steven Cushner, Eric Finzi, Bridget Sue Lambert, Joseph Mills, Renee Stout, Scott Hutchison, Akemi Maegawa, and Noelle Tan and many others. For a complete list of artists please visit www.wpadc.org and for Reservations and information: www.wpadc.org or contact the WPA office at 202.234.7103.

The preview for the gala is this coming Thursday, Feb. 28th, from 6-8:30PM; click on the below image for more details.

See ya there!

Art for Obama is tomorrow

Art for Obama III takes place tomorrow at Heineman Myers in Bethesda starting at 6:30PM.

Details and directions here.

S.548

Congressional alert: The artist deduction bill (S.548) would give artists the right to deduct the fair market value of their work when donating it to a charity.

Right now artists and artisans can only deduct the material costs of creating their work.

Please follow the link below and support this bill. It allows you to fill in and send on-line to your congressmen.

Click here.

Identities in extremis

Last week my desktop, after many faithful years finally gave up the ghost; a new one has been ordered.

Yesterday we drove down to DC to visit Glass3 in Georgetown - a gorgeous exhibition that once again shows that Washington, DC area artists are doing and creating something new in the genre. If you don't believe or understand my words to this effect over the years, go visit the exhibition and you'll see what I mean -- It stands out to the most casual observer. DCist has reviewed the show here and Heather Goss immediately picked up on the visual revelations of a three city international exhibit; let's see if the WaPo and the WCP get it.

Then we also wanted to see, and did swing by the opening for the talented new minimalist works by Akemi Maegawa at Irvine Contemporary. Akemi used to be my wife's neighbor in Bethesda for many years, and we walked away from the Irvine show with our second Maegawa original!

We then planned to swing over to Heineman Myers in Bethesda for their 10PM-10AM art party. We did get there eventually, but around 1AM, because we had an unplanned DC incident when we returned to our car. Heineman Myers was packed to the gills at 1 Am and still packed at 2:30AM when we left; full of music and dancing and booze.

In all the old movies, when the main character drives somewhere, he or she always finds a prime parking spot close or right in front of wherever they are going. I call this curious Hollywood effect "Doris Day parking," since in all of her movies she always managed to drive right up to and park right in front of wherever she was going.

So we had found an almost Doris Day spot on our visit to Irvine Contemporary, about a block away, almost corner of P Street and Kingman Place, in a nice, quiet residential neighborhood one block away from busy 14th Street, and right under a bright street light.

When we got back to the car around 9:30 PM, the rear passenger window had been smashed in and my laptop and my wife's travel bag were gone.

And so was my remaining computer, and my back-up to the dead desktop, which now has to make a visit to the expensive PC surgeon to see if they can somehow reclaim its files from its tired innards.

DC Police Officer Negron was on the scene within ten minutes, and in my mind has given the DC police department a huge positive checkmark in my book. He was friendly, helpful, made us feel a little better and was very detailed. We were also surprised when a crime scene expert then showed up (Officer Negron had called him) and did a CSI routine on the scene, including looking for fingerprints, etc.

I am thankful and impressed by the professionality, but more than anything else I want and need that damned computer back!

"They usually pawn it," said Officer Negron.

My laptop is useless to most people. Unless you are able to defeat 128-bit double encryption, no one will be able to log on without my 16 character alphanumeric password.

But, who knows, maybe pawn shop owners have the help of seedy SysAdmin experts who can bust through anything, and I suppose that you can always wipe out the computer OS and reload a new Windows OS and start from scratch.

But if any of you see a veteran (3 years at least) dark gray Hewlett-Packard laptop with a Verizon Wireless Card sticking from the left side port, anywhere around the 14th Street corridor, in a pawn shop or anywhere else... give me a shout.

Things happen for a purpose, and one reaps what one sows, and maybe I shouldn't have busted Mr. Molinari's window when I was a kid playing basketball in our backyard in Brooklyn and my shot went really wide.

Life moves on and I will go through hell over the next few weeks with a new desktop and a new laptop and waste weeks trying to reorganize my Virgo life; and calling all the credit bureaus, and the social security administration, etc. as inside the PC bag were also 4-5 really important pieces of ID cards for various things.

That worries me more than the loss of the laptop.

"In the worst case scenario," said Officer Negron, "those can be sold and used to start bank accounts, credit card applications, etc."

Identity theft; but life moves on and so does that window-smashing thief.

Motherfucker....

Proposing a new art fair model

There is a sense of art fatigue brewing in the art world. Read on a little background below and then read a new art fair model that I am proposing.

If you're jonesying because artDC got cancelled, you should consider attending the Baltimore Fair for Contemporary Prints and New Editions, which is an interesting deviation from the most common art fair model - which is usually led by a commercial entity such as a gallerist or art dealer-- since it is a project of the Baltimore Museum of Art.

The Baltimore Fair for Contemporary Prints & New Editions is presented by the BMA's Print, Drawing & Photograph Society. Proceeds from the fair are used to acquire contemporary works on paper for the BMA’s collection.

BMA invited 12 galleries, dealers and presses for this biennial weekend fair, offering drawings and prints, photography and digital images - so it's more than just prints.

Participants:

Center Street Studio, Milton, MA
Dolphin Press & Print, Baltimore, MD
Gallery Joe, Philadelphia, PA
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
Goya Contemporary & Goya-Girl Press, Baltimore, MD
Harlan & Weaver, Inc., New York, NY
Jungle Press Editions, Brooklyn, NY
Jim Kempner Fine Art, New York, NY
Maryland Institute College of Art, Baltimore, MD
Pyramid Atlantic, Silver Spring, MD
Solo Impression, New York, NY
Charles M. Young Fine Prints & Drawings LLC, Portland, CT

---

A new art fair model

The other important thing to remember, as I mull, chew and refine a "new" art fair model to replace the existing art fair model, which seems to work well in Miami and New York, but not so well in the West coast, and as we have seen, not at all in the capital region, is the marriage of a legitimate art entity (a museum) with an art-for-sale process as a means to raise funds.

The seeds for this model already exist in the DC region with the Smithsonian Craft Show, now in its 26th year.

Considered by many to be the finest craft fair in the world -- and from the many artists that I have spoken to over the years -- one of the best places to sell fine crafts as well, this prestigious and highly competitive juried exhibition and sale of contemporary American craft will take place from April 10 through April 13, 2008.

It takes place at the National Building Museum in Washington, DC and it includes one-of-a-kind and limited edition craft objects in 12 different media: basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art and wood.

There are 120 exhibitors in this year's show including emerging artists and master craftsmen, 39 of whom are first-time participants. Twelve of those selected were also first-time applicants to the show. All were chosen by a panel of expert jurors from a highly competitive field of close to 1,400 applicants.

So we have a model for printmaking in Baltimore and a model for crafts in DC that has been working for 26 years.

See where I'm going?

Can we envision the Smithsonian American Art Fair?

The Smithsonian American International Art Fair would dramatically expand the business model of the Smithsonian Craft Fair to a Mall-wide, or even citywide art fair anchored and guided by the Smithsonian Institution, and possibly either (a) spread throughout the various accommodating spaces at the various SI locales around the National Mall or even (b) in temporary art spaces, booth or containers on the open spaces of the National Mall itself!

The latter is not as big of a deal as it sounds. The National Mall already hosts a spectacular variety of outdoor events on the Mall spaces where complex display spaces are temporarily built, secured and just as quickly dismantled, grass re-seeded and by Monday the Mall is back to normal. For art, all we need is protection from the weather and security.

Perhaps even a combination of "free" (to the public) set of exhibitors (maybe out on the Mall) coupled with a paid admission set of exhibitors inside SI spaces -- or just make them all free to the public?

Details... details...

This new fair model would be open to both commercial art galleries and art dealers, as well as to art schools, and (and here's the key "and") to individual artists and cooperative artist-owned galleries.

Size matters.

Would 1200 galleries, dealers, schools and artists in a mega, new-model art fair raise some interests from art collectors to come to DC for a long weekend in May? It would if it attracted 60,000 visitors to the fair instead of 10,000 (like artDC attracted).

Are you aware that in May the Bethesda Fine Arts Festival in nearby Bethesda attracts 30-40,000 people to the streets of Bethesda for this artist-only street fine arts fair? or that also in May the Northern Virginia Fine Arts Festival attracts the same number of people to the streets of the Reston Town Center to buy art from individual artists? Both Bethesda and Reston have two of the highest median household incomes in the US.

And I am told that the Greater Washington, DC region has the second highest concentration of multi-millionaires in the world. The money is here - the key is to get the disposable income crown in touch with the art. Both Bethesda and Reston manage to accomplish this one weekend a year.

Do not, under any circumstances assume that these are "street fairs" where teddy bears, country crafts and dried flowers are sold. These are both highly competitive fine arts outdoor fairs where artists from all over the nation come to and compete for spots because artwork sells well. I have seen $80,000 worth of sculptures sell to one collector in Bethesda and a painter with a price point of $17,000 sell out in Reston. Do not let the snobby attitude of the high art world affect your preconception of what these two street art fairs are like; go visit one this coming May and open your eyes.

And because of them, and because of the success of ABMB, we know that given a certain critical mass, people will come out to an art fair.

The primary key for art dealers to have interest in an art fair is sales (and also exposure to new collectors, museum curators, etc.), but mainly sales. If you are a British gallery, by the time you get yourself and your artwork to Miami Beach, you're in the hole a whole bunch of Euros; if you don't sell anything (like it happened to a British gallery in artDC and an Israeli gallery at another fair), chances are that you won't return to that fair.

But increase the public attendance numbers exponentially, and Economics 101 tells you that sales will also increase exponentially.

And unlike the hotel-deprived artDC location at the Convention Center, I am told by DC's tourist gurus that the National Mall is already a magnet location where visitors, regardless of where they are staying around the Greater DC region, flock to during their visits to the capital.

Since two major Greater DC area street art fairs already exist in May in the Greater DC area, we can even consider aligning the weekends so that both Reston, Bethesda and the The Smithsonian American International Art Fair all take place on the same weekend! Offer free bus service between Reston and Bethesda and the National Mall for collectors to hop around during the fair weekend, and a public buzz alignment will begin to happen.

The Smithsonian American International Art Fair starts on a Thursday through Sunday and both Reston and Bethesda continue to run on Saturday and Sunday.

And the The Smithsonian American International Art Fair is focused as a major fundraiser for the cash-hungry SI. A formula of booth prices + perhaps a 5% commission on all sales (both tax deductible for American galleries) would take care of temporary Mall booth construction, reseeding of grass, and booth construction inside SI venues and still yield a nice chunk of cash for the SI.

If there's commercial success and high public attendance, soon we'd see some satellite hotel fairs popping up all over DC and its easy-to-get-to suburbs; the Corcoran will jump on the bandwagon right away. ABMB had 22 fairs all over the place last December.

I think that this "new" model could (and eventually when someone does it will) challenge Miami Beach -- and yes, I am aware that DC in May is not Miami in December -- but I also think that the District's own museums and public attractions trump Miami's anytime, so the District has something different to offer the potential collector who may be considering attending a new art fair in a city (like DC) that also offers him/her some other cultural and visual attractions besides good weather and nice beaches and sexy Cubans.

DC art commisioners... Smithsonianos... DC city fathers and mothers.... call me! Let's work this out before I offer my idea to Philly!

Update: My good friend Fernando Batista adds a new element to the above model, and an important element that only a Washington art fair weekend can add: include the Embassies! It's brilliant! In addition to all the above events taking place, the fair could also align with shows at 15-20 embassy galleries around DC. The embassies would showcase one (or a group) of their national artists, and then the fair would really have an international flavor, and the beginning seeds of a mini-Venice.

DC is a small city; it's fairly easy to set up transportation between the embassies and the Mall. In fact, some embassies could probably set that up themselves.

Artists Websites: Dana Ellyn

Winning Smile (Barack Obama), 18"x18" - acrylic on canvas by Dana Ellyn
Dana Ellyn is one of the District's hardest working and most talented artists. She is currently exhibiting in the Peace Now! show that opened tonight at the Warehouse Gallery in DC.

Artists' Websites: Richard Vosseller

"Captain Ahab Model" 1/16th scale - wood, chipboard & glue, 13.5" x 9" x 40" by Richard Vosseller
Richard Vosseller is a member of the faculty at the School of Art and Design at Montgomery College, MD where he is an assistant professor. He's having a solo show at the Black Rock Center For the Arts June 11th to July 11th, 2008. The opening is Saturday, June 21st.

Visit his website here.