Opportunity for young female photographers

As part of its 80th anniversary celebration, the Inter-American Commission of Women (CIM) of the Organization of American States (OAS), in coordination with the Art Museum of the Americas (AMA), invites all 11 to 14 year old girls from OAS Member States to participate in the Photography Contest “When I Grow Up…”

This competition aims to capture the vision young girls have about their future: their dreams, their personal and professional ambitions, and what they imagine that their world will be like when they reach adulthood. Through their photographs, the girls will reflect the evolving changes in gender stereotypes due to women’s empowerment. Moreover, they will illustrate how the new generations assess the progress achieved by women regarding their role in society and what is still to be achieved by young women such as themselves when they grow up…

Click here for terms and more information about the contest.

Opening Ceremonies Blues

I watched the Beijing Olympics opening ceremonies last night, and while admiring the spectacular artistry and synchronization of 2008 humans on the field doing all sorts of unbelievable things, slowly this sort of mental connectivity to the Berlin Olympics from decades ago began to emerge.

When the Chinese soldiers goose-stepped to raise the Chinese flag, and the Chinese children representing the 50-odd ethnic groups in China began singing the Chinese national anthem while doing a curious arm salute to the anthem, at least for me the Olympic connection between Nazi Germany and Communist China was cemented in an odd way.

By the time that the ceremonies got to the part where China, perhaps one of the world's worst human rights offenders, and a nation who is destroying its own environment at a brisk pace, does the bit on the future of the planet, global warming, peace, etc. I was a way beyond skeptical about the heavy handed, sometimes hypocrythical messaging of the opening ceremonies.

Let's just get the competitions going, shall we?

The Chinese Art Market

In all this foment, the contemporary art scene is somewhat at a standstill. Yes, new records are being set for contemporary Chinese works at every successive Sotheby’s and Christie’s auction. And every foreign visitor to Beijing, art aware or not, now has to walk around “798”, the chic factory café and gallery area, formerly a wonderfully anarchic artist community. And it seems that “millions” are being made by all concerned within this bustling, over-heated art market. But the art itself isn’t moving. The big five names are all producing exactly the same cartoonish works they have done for years, because that is what sells. Every new artist who arrives on the scene produces not-so-subtle variants of that same work because that is what sells. And even reproduction specialists have switched from copying Degas, Monet and Rembrandt, to producing “genuine” Wang Guangyi, Zhang Xiaogang and Yue Minjun knockoffs, because…

Read the Art Newspaper article here.

Olympic Predictions

The Olympics start tomorrow - we'll be watching avidly and predict that:

Several Chinese athletes whom no one has ever heard of, will win gold medals in some arcane sports that no one watches.

An American sprinter, favorite to win a medal, will pull a muscle in one of the qualifying rounds.

Sullen-looking Russian female gymnasts will battle it out with very young Chinese gymnasts who never smile either, but somehow manage not to look sullen.

Cuban boxers with years and years of "amateur" experience will beat up on everybody.

Skinny African-born long distance runners will run for a variety of non-African nations - where they are now citizens - and sometimes still lose to someone still running for Kenya.

Because of the way that she looks, Americans (and only Americans) will wonder in silence how come Dara's last name is "Torres."

Some nation which has never won the FIFA World Cup will nevertheless win the Olympic gold medal for soccer.

The United States better win the gold medal in basketball or someone is getting their butt kicked.

The Franz and Virginia Bader Fund

Deadline: September 15, 2008

The Franz and Virginia Bader Fund welcomes applications from visual artists aged 40 years or older, who live within 150 miles of Washington, D.C. and can demonstrate that they have the potential to benefit as artists from a grant.

The Franz and Virginia Bader Fund does not, however, accept applications from filmmakers, video artists, and performance artists. In 2006 the Franz and Virginia Bader Fund awarded three grants totalling $50,000.

The deadline for applications is September 15, 2008. Application forms may be downloaded from the fund's web site: www.baderfund.org or may be requested by sending an email to grants@baderfund.org or by sending a request to:

Bader Fund
5505 Connecticut Avenue, NW #268
Washington, D.C. 20015

Wanna go on an art tour in DC?

On Saturday, August 9th at 11a.m., artist Craig Kraft and my good friend and art collector and founder of Pink Line, Philippa Hughes, will give a tour of the Foggy Bottom Outdoor Sculpture Exhibit – sharing their unique points-of-view with the audience.

"We are so excited about having both Craig and Philippa lead the tour," says Jill Nevius, Arts in Foggy Bottom organizer. "We think this will make for an informative and lively conversation about art."

The tour will begin at the corner of New Hampshire Avenue and I Street NW (a few blocks from the Foggy Bottom Metro) and there will be a reception to follow at the Watergate Gallery. You can download the brochure here which shows the pieces in the exhibit with a map of the neighborhood.

Wanna try for a book?

Deadline: September 5, 2008.

The Center for Documentary Studies/Honickman First Book Prize in Photography is a biennial prize offering $3,000 in grant money, inclusion in an exhibition, and most importantly, the publication of a book of photography, published by Duke University Press in association with CDS Books of the Center for Documentary Studies at Duke University. To learn more, go to this website or send an SASE to:

CDS/THF First Book Prize in Photography
Center for Documentary Studies
1317 West Pettigrew Street
Durham, NC 27705

East of the River

Anacostia River that is, and "East of the River" is the title of the exhibition by Anacostia's 's Honfleur Gallery, as it celebrates its Second Annual East of the River Exhibition, opening 7pm on August 9th 2008. Site specific installation, photography, painting, mixed media sculpture, collage, prints, drawings, written & spoken-word and functional craft demonstrate the broad range of the works in the show. Exhibitors range from emerging to seasoned professional artists.

Artists in East of the River include: Randall C. Holloway, Stephen James Terrell, Kerry Richardson, Kamala Subramanian, Douglas Eatmon, Martha Jackson Jarvis, Matthew Mann, Dominic Bracco, Sherry Ways, Anne Bouie, Marcia Greene, Fred Joiner, Malik M. Lloyd, Bruce McNeil, Lance Wiggs, Wesley Clark, Brian Martin, Kerry Richardson, Amber Robles-Gordon, Beatrice Martin, Craig Vaughn, Howard Fleming, and Gilbert Trent. The exhibit was juried by Carl Cole (Ward 8 Commissioner, DC Commission for the Arts and Humanities), Kim Ward (Director, Washington Project for the Arts), Juanita Britton (Anacostia Art Gallery), Andrea Hope (ARCH) and Briony Evans (Honfleur Gallery).

The East of the River opening reception is on August 9th at 7pm. The exhibition is on view from August 12th to September 19th, 2008.

Art Auction Fundraising Tips

Enough said here.

How's Norfolk going to handle this?

If Norfolkians were offended by a work of art depicting female breasts, how are they going to react to the Aug. 23 "National Topless Protest Day"?

U.S.-based organization www.GoTopless.org claims that women have the same constitutional right as men to go bare-chested in public. What's more, the group is encouraging women nationwide to rally bare-chested in public on Aug. 23, the date selected for the organization's "National Protest Day."

"As long as men can go topless, women should have a same and equal right," said Rael, spiritual leader of the International Raelian Movement and founder of GoTopless.org. "Otherwise, men should also be forced to wear something that hides their chests."

Raelians consider a National Protest Day necessary because women who go topless in U.S. public places are currently arrested, fined, humiliated and treated as criminals.

"Women should go topless and rally publicly in great numbers on August 23 to protest that despicable treatment and exercise their rights," said San Diego resident Nadine Gary, a Raelian guide and one of the event's principal organizers. "We encourage all women's groups and individuals to join us at these rallies. Together, with peaceful femininity but unshakable determination, we'll protest this gross inequality in the law. We'll demand that our right to go topless be recognized in accordance with the 14th Amendment of the U.S. Constitution, and that all state laws be amended to reflect that right."

For more information about National Protest Day, visit www.GoTopless.org.

New Herndon, VA Gallery

Start making plans for your Labor Day weekend and plan to visit the new ArtSpace gallery during its grand opening event: "Paint Herndon" over labor day weekend (August 29th - Sept 1st).

Nationally recognized and regional painters are coming to town to compete for cash prizes. There will be an Artist's Award Event Monday Sept 1st at 6:00pm.

Wanna go to a DC opening this week?

"Turning the Page" has a reception this Thursday from 5-7PM. It is a virtual exhibit featuring the work of James W. Bailey, Cleve Overton, Kevin Kepple, and Michael Fitts. All of the artists were chosen from the previous WPA's Artist Directory and the ArtFile Online.

Curated by Jessica Granda and Lexi Kirsch.

Alison Sigethy

DC area artist Alison Sigethy is not only a very talented artist, but also a world-class kayaker, and currently Alison is part of a team kayaking across Arctic Canada to raise awareness and create community action in response to global warming.

You can keep track of Alison's progress in her blog here or read the official expedition blog here.

Allison was not too successful in fund-raising ahead of time, so she's deeply in debt from this trip. If you'd like to help out, any amount would be sincerely appreciated. Donate here or buy some artwork here.

Another "collector" horror story

The very talented DC area artist Cindy Ann Coldiron read my post on the collector horror story and then she sent me the following note:

Your story on the art sale and shipment reminded me of a long ago incident that occurred to me.

In this case I was on the buying side and the artist/painter had no role in it.

I was a young new attorney to the area and read that the Haitian embassy was having a painting exhibit/sale with part of the purchase price going towards charity. I really loved the exhibition photo that appeared in the Washington Post - it was a brightly colored cat in the tall grass - and thus I made a point to attend .

When I walked in I was handed a very clear list of instructions explaining the process for purchasing a piece of art. One was told not to remove any painting from the wall but to pay first and then let a staff member remove it after the purchase was done.

I paid $500 for the piece but when the staff member went to get the painting, it was not on the wall. She began to run around the room looking to see if anyone had it. She eventually found that an older gentleman had it in his possssion and this gentleman was rather displeased that he had to give it back.

She almost had to pry it from his hand!

I then looked some more around the room at some of the other art while she quickly wrapped it up and then I left with my purchase.

I was about a block away from the embassy when I had a feeling that I needed to look and check the painting. I unwrapped it and I saw that there was a big hole that had been punched/pushed through it.

Clearly the "gentleman" had punched his thumb through the painting (I guess he thought that if he couldn't have it, neither could I).

I took it back and they promptly refunded my money.

I guess that this shows that pettiness occurs at all levels.

Best Regards,

Cindy Ann Coldiron

Norfolk breasts cover-up hits mainstream media

The Virginian Pilot covers the whole "breast cover-up" at a Norfolk gallery. Read the story here and a second Pilot story is here.

Read the Portfolio Weekly story here.

Collector Horror Story

Protagonists: Single mother artist who has been making her living as an artist for the last 25 years while raising a child and a multimillionaire couple from the West Coast who have made millions as land lawyers.

At a well-known art fair, after haggling on the $2400 price, and because they claim to be collectors, the rich couple get a 10% discount from the artist and then the couple buys an original oil painting from the artist. They want the work shipped to Los Angeles, and the artist refers them to the professional shipper at the fair.

Then the multimillionaire couple complains about the shipping fee by the professional packers, and the artist offers to pack the work after the fair is over and ship it to them at a lesser cost. They agree (and save $100 in the process) and agree to have the artist charge the shipping fee to their credit card.

The artist packs the painting - which is an oil on board - by bubble wrapping it and boxing it and then she sends it via UPS to the couple in LA at a cost of $150.

The painting arrives at LA and then the artist receives a call from the wife, stating that there are some "scratches on the back of the painting" and "can she ship it back to the artist" so that the artist can fix them - remember that this is a painting on board, and the artist had painted the back of the painting a flat black to seal in the board... the back of the painting.

Even though this has zero effect on the visual integrity work, after the artist has the wife describe the damage, which the wife clearly describes as "scratches on the back," the wife also discusses making a claim against UPS for damage in shipment.

The artist asks if the box is damaged in the shipment and the wife says no, so the artist tells the wife that if the bix wasn't damaged, then the scratches could not have happened during the shipment process, and that it's probably some slight scratches from shipping the work back and forth to the fair and maybe even from hanging it, and that it doesn't affect the work, but that she will fix it anyway, by painting over the scratches on the back. She asks if there are any damages to the front and is told no.

So the couple ships the work back to the artist, using the artist's DHL account at a cost of $100 to the artist.

When the painting arrives, the artist is horrified to discover that a whole corner of the painting has been broken, and it is not in the box, a sure sign that the piece was broken before it was re-packed and sent back to the artist.

She calls the couple and the wife tells the artist that it was probably broken in transit and that the artist should make a claim against DHL. When the artist points out that the broken corner piece is not inside the box, the wife then changes the story and insists that the painting had originally arrived to them in the same condition when the artist shipped it from the fair.

The artist then reminds the wife that the wife had described initially the original damage as "scratches" on the back of the piece, and even reminds the wife that they had discussed the front of the painting and the wife had stated that there was no damage on the front.

Caught in the lie, the wife retracts her statements and says that she's "not an artist" and thus couldn't describe the damage. She also says that her interior decorator is now a witness that the painting had arrived broken.

The artist tells the wife that she has three witnesses that the painting had not been broken when bubble wrapped and boxed, and since the shipping box showed no exterior damage, and since significant force was needed to break the board (such as dropping it from a height or stepping on it), logic indicated that the damaged had occurred after the painting arrived at LA.

Wife ceases communicating and then later calls the artist and tells her that she's put a stop payment on the credit card charge.

What I think happened: The painting arrived, possibly with some minor scratches on the back of the board. The wife being the asshole that she proved to be, wanted them fixed. At one point when the artist (on the first conversation on the issue) asked what the big deal was if the scratches were on the back, and was told that when they had hung the painting on the wall, they could see the scratches -- the painting has a base that floats the board away from the wall -- indicating that they had hung an OK painting on the wall at least once. Then at some point the painting was dropped by the couple and the corner broke, or more likely, the laid it flat on the floor and then accidentally stepped on the floating corner and broke it -- it takes a lot of pressure to break this board.

Then, instead of being good people, they decided to screw a single mother artist out of $2100, plus $150 shipping to LA plus $100 shipping back to the artist.

Multifuckingmillionaires who this weekend will probably go to their place of worship and pretend to be good, decent people.

On behalf of all artists in the world: fuck you!

New Art Prize

The West Collection in Philadelphia, is in the process of launching a new prize called the West Prize which will award $125,000 to ten different artists internationally.

Further information on the prize can be viewed at www.westcollection.org.

Not my fault...

In the last three or four weeks I have been home less that two days in a row... thus the lightness of posts.

Still on the road by the way, and heading to California soon...

FotoWeek DC Call For Entries‏

Today, FotoWeek DC issued a call for entries to the first annual FotoWeek DC Photography Competition, as part of its mission to establish itself as the "nation’s premier photography festival."

The first annual FotoWeek DC celebration will take place between November 15 and November 22, 2008. In addition to the photography competition, FotoWeek DC will feature gallery openings, lectures, educational workshops, portfolio reviews, book signings, and special offers on photographic services and merchandise from local area retailers.

The FotoWeek DC Photography Competition is open to all professional, amateur and student photographers in the District of Columbia, Maryland and Virginia and will feature over $37,000 in cash and prizes, including a $5,000 cash award for Spirit of Washington, DC, and will culminate in a gala awards ceremony and dinner to be held at National Geographic’s Headquarters in downtown DC on Saturday, November 22. National Geographic is one of the principal sponsors of FotoWeek DC.

The FotoWeek DC Photography Competition will recognize, highlight and honor the most talented professional, student and amateur photographers across the metro DC, Virginia and Maryland area, celebrating their achievements in the community of their peers through submissions of work in six categories. Competition finalists will have their work displayed at the FotoWeek DC Gallery and Welcome Center in Georgetown.

Prominent professionals in photography will serve as jurors, including uberphotographer Joyce Tenneson (with tons of DC area roots and one of the world's leading fine arts photographers), my good friend and the Corcoran Gallery of Art's photography curator Philip Brookman, Pulitzer-prize winning photographer Deanne Fitzmaurice and many others.

For information on eligibility, entry fees, categories, entry requirements, prizes and deadlines, and the complete list of judges, please visit the FotoWeek DC website here.

This is a good thing; go forth and participate.

Read this

Washington Speaks