Glass Evolving Glistens

Cindy Cotte Griffiths reviews Glass Evolving at VisArts in Rockville.

There's a revolution in fine arts glass going on right now, and many of the guerrilla leaders are right here under our noses in the Greater Washington, DC area.

Go see this exhibition in Rockville (through Nov. 15) and then this Sunday go to the opening reception for this show at the Maurine Littleton Gallery in DC.

PMA names new photography curator

The Philadelphia Museum of Art has named Peter D. Barberie as its new curator of photography.

Barberie is currently a lecturer at Princeton University. He replaces Katherine C. Ware, who is leaving soon to become the new photography curator of the New Mexico Museum of Art.

Stonesifer at the Smithsonian

The Smithsonian Board of Regents yesterday continued to transform its operational structure by electing Patricia Q. Stonesifer, the former chief executive of the Bill & Melinda Gates Foundation, as the chairwoman of its board.

Read the WaPo article here.

Political art talk tomorrow in Arlington

The Arlington Arts Center, which is currently hosting the exhibit "Picturing Politics 2008," will have a discussion panel tomorrow titled "From the Gallery to the Street."

Josh Shannon, Welmoed Laanstra, and my good bud Kriston Capps will discuss political art and its impact. It all begins at 6:30 PM.

My question(s) to the panel: Is all contemporary American political art on the left wing of the political spectrum? Is there such thing as right wing political art?

More on the Dupont Underground

Yesterday I told you about a new DC initiative to turn the unused Dupont Circle underground into an art venue.

Heather Goss over at DCist has a great report on this exciting subject. Read it here.

Heather also has a great Arts Agenda update on openings and events going on; read that one here.

New DC arts organization

City Artistic Partnerships (CAP) has formed as an arts services organization dedicated to assisting and promoting artists in the Metropolitan Washington, DC area.

CAP’s initial focus will be on the visual arts, performance art, music, and live theater presented in a host of venues around the city.

CAP will host art events, underwrite staged productions, and maintain a website that will include a virtual clearinghouse of links to artists; services; artistic education and career development opportunities; available venues; sponsorships; and funding sources.

Founding Executive Director Matthew “Matty” Griffiths says of the new venture: “CAP will connect artists with vital resources needed to get their work out there. We live in a vibrant arts community, however many artists still need support and are often unaware of where to find it.”

CAP is the first arts services organization affiliate of American Community Partnerships (ACP), a national nonprofit that has developed partnerships in over 35 cities and states, and through those partnerships has provided living-wage career opportunities, and economic and community development benefits to low-income residents. With this new partnership, Griffiths plans to expand ACP’s reach through apprenticeships and career development in the artistic, technical and managerial aspects of various arts professions.

American Community Partnerships Executive Director Ed Gorman says, “There are many careers in the arts industry available to artists and non-artists alike. Matty and CAP understand that, and we are very excited to have them as a new partner.”

I like this

"The Arts Coalition for Dupont Underground announces a campaign to re-open the Dupont Underground as an exhibition and event space for the arts community.

A consortium of galleries and arts organizations, the Arts Coalition for Dupont Underground, is seeking a long-term lease from the city and funding from a variety of sources to re-condition the old station and its tunnels as an exciting new addition to a constellation of galleries in the District. Uniquely sized and centrally located, the new space is large enough to accommodate up to 3000 people and will provide a critical new social space to catalyze efforts to revive the Dupont Circle area and put the District back on the cultural map of the nation."

The contacts are Julian Hunt, jhunt@huntlaudistudio.com, 202/986-1182 and Adam Griffiths, agriffiths@wpadc.org, 202/234-7103.

Opportunity for Artists

Deadline: October 1, 2008.

No fee!

Carroll Community College and the Innovators Combating Substance Abuse Program at the Johns Hopkins University School of Medicine are pleased to issue a Call to Artists whose work will be selected to appear in the nation’s first regional Art and Addiction exhibition (November 2 – December 12, 2008).

The purpose of this exhibition is to provide a stimulus to change the way America views addiction by using the visual arts to put a human face on addiction and recovery. Creativity and artistic expression play a significant role both in recovery and in raising awareness of the personal toll caused by substance abuse and addiction. Organizers of this event believe that art can help bridge the gap between addiction science and the human experience of addiction; providing insights that will complement the science of understanding and treating addiction.

Artists are invited to submit original artwork on the theme of drug addiction and recovery (drugs include alcohol, tobacco, illegal or prescription drugs). Please note that eligible artists (within 75 miles of Carroll) who entered the Innovators’ National Art and Addiction Book and Exhibition Call in March of 2008 will automatically have their art considered for this show. Deadline for submission is October 1, 2008.

Show information and submission forms may be downloaded from the Carroll Community College website: www.carrollcc.edu or by mailing a self addressed, stamped envelope to:

Maggie Ball
Visual Art Department Chairperson
(Attention: Art and Addiction Exhibition)
Carroll Community College
1601 Washington Road
Westminster, MD 21157

For more information contact Maggie Ball at mball@carrollcc.edu or (410)386-8256.

Studios available at VisArts at Rockville

In the new Rockville Town Center... 188 square feet, about $400 per month. They are searching for painters, ceramic artists and fiber artists at this time.

See their application on line: www.visartscenter.org or call 301-315- 8200 for additional information.

New at the Carnegie

Carnegie Museum of Art Chief Curator and Curator of Fine Arts Louise Lippincott and Deputy Director Maureen Rolla have been appointed acting co-directors of Carnegie Museum of Art, effective November 3, 2008. The pair will fill the leadership role after the departure of Richard Armstrong, The Henry J. Heinz II Director for Carnegie Museum of Art, who was recently named director for the Solomon R. Guggenheim Foundation.

Campello Reviewed

Ahh... not me but my daughter Elise again.

Read it here.

Symposium: Painting in the 21st Century

On Saturday, September 27, 2008, from 10 am - 5 pm The Phillips Collection in DC will host a Symposium titled Painting in the 21st Century.

Participants:

Yve-Alain Bois
Institute for Advanced Study, Princeton

Spencer Finch
Artist, Brooklyn, New York

Jonathan Fineberg
University of Illinois, Urbana-Champaign

Blake Gopnik
The Washington Post

Suzanne Hudson
University of Illinois, Urbana-Champaign

Dorothy M. Kosinski
The Phillips Collection and Center for the Study of Modern Art

Leng Lin
Pace - Beijing

Joseph Marioni
Artist, New York City

Stephen W. Melville
Ohio State University

Laura Owens
Artist, Los Angeles

Andrea Pollan
Curator's Office, Washington, DC

Richard Shiff
University of Texas

Elisabeth Sussman
Whitney Museum of American Art

Gordon VeneKlasen
Michael Werner Gallery

I find it curious that Blake Gopnik, a well-known acolyte for the "painting is dead" mafia is part of the panel(s). Of course, Gopnik's erudite words could be the Hannity to the Colmes of the panel's central idea. Details here.

Artists Websites: Claire Watkins

"Flock of Needles" (Needles, thread, magnet and rotating motor), in a private collection in Great Falls, Virginia
VCU graduate Claire Watkins, now living and working in NYC, made some brief appearances in the Greater DC area a few years ago on her way to NYC and all of her work was snapped by savvy collectors and her prices have skyrocketed since then and later this year will make her London solo debut.

“The digestive system turns food into eyelashes. I am in awe of the minutiae and delicate actions that make up everyday life. The machines I build reflect this awe and wonder.

My work is intimate, curious and mesmerizing in its gestures. The translation of energy is both a functional and conceptual part of my work. The circular motion of a motor is translated into a gesture that turns peacock feathers into entomological creatures. With movement, I make machines that become creatures.”

- Claire Watkins

And what enviable art creatures they are! Watkins has become a sculptural master of barely discernible movement and fluid energy. Not just the energy caused by the mystery of magnetism, but the new visual discoveries that happen when she marries her assemblies, installations and machines to the magnetic dance of the rotation of the planet as it travels through the Universe.

This fascinating artist's work deliver iron filings that move and dance both to the rhythm of the magnetic poles as well as the flight of our planet through the cosmos; two unepected forces to find driving a piece of art.

The effects of electricity have been curious since its discovery and capture, and electricity also has a powerful visual presence in Claire Watkins work, traveling through metal, lights, wires, motors, lights, microcontrollers and those fascinating city drawings that are today’s circuit boards. Electricity becomes a foundation for her art as she exposes its invisibility and dual citizenship in various incarnations.

Electricity drives her rotating magnet as it in turn commands a harem of needles to dance to the tune of magnetism choreographed by the movement of the Earth. Electricity rearranges her iron filings as they torture us with their minute steps across the metal boards of her acid surfaces. Electricity lights up her filaments as she captures light to create sculpture from photons.

The digestive system turns food into eyelashes and Claire Watkins turns hidden forces into visible art.

Visit her website here.

Black Artists of DC and Obama

“Legacy of Hope Open Studio Exhibitions” is the title of the event that BADC will be hosting with proceeds to support the Obama campaign.

To the left is "Ascension" by DCAN contributor Rosetta DeBerardinis; this piece is in the massive Krensky Collection.

BADC will host a one day “open studios” show and sale of their members’ work in order to raise funds to support Democratic Presidential nominee, Barack Obama and forty DC/Baltimore area artists (with original work that ranges in style, includes all media, and showcases techniques extending from the ancient to the innovative) will open their studios to the public on Sunday September 28, 2008 from 11:00 am -- 5:00 pm to help raise money for the Obama campaign.

The public will be able to purchase original paintings, prints, wearable art, textiles, jewelry, ceramics, photography, sculpture and much more while supporting the campaign. Twenty percent of sales proceeds will be donated to the Obama campaign in the name of the art purchaser.

Details here and to learn about each artist and locate their studio on a map, go here.

Heinz Prize

Ann Hamilton, a visual artist known for her eye-popping installations including paper-sucking machines and a weeping wall, is among the winners of the Heinz Family Foundation's Human Achievement Awards.

Hamilton, 52, a professor of sculpture at Ohio State University in Columbus, won the $250,000 cash award for wildly creative installations that often use items culled from flea markets and warehouses...

The Heinz Award is the latest major prize Hamilton has won. She received a $500,000 ``genius grant'' from the John D. and Catherine T. MacArthur Foundation in 1993. She won fellowships from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts...

In 1999 she was chosen to represent the U.S. at the 48th Venice Biennale...

Read the story here.

Last day for DC Arts Expo

Sunday, September 21, 2008, noon - 6 pm
Washington DC Convention Center Expo Hall D
801 Mount Vernon Place NW, Washington, DC
General Admission Tickets $10.00

Expo is open to the public all day today and closes at 6PM. View the works of over 100 fine artists and galleries from across the country. Enjoy seminars, spoken word and live performances throughout the day. At 2pm, the house will really be rockin’ with the inspirational voices from three different local choirs.

Noon – Doors Open
1pm – Seminar “State of the Art World in America” featuring art collector Paul Jones
2pm – Battle of the Gospel Choirs competition
6pm – Doors Close

Glass Revolutionaries at Maurine Littleton

Michael Janis, Allegra Marquart, and Tim Tate will open at Maurine Littleton's power gallery in Georgetown with a rare opening reception to meet the artists on September 28, 5-7PM.

As far as I know, these are the first local DC area artists picked up by Littleton in the many years that her gallery has been in business and their subsequent national success represent an interesting example of what happens when a recognized power gallery in a particular field brings some attention to an emerging or mid career artist

The exhibition goes through October 18.

Airborne



Heading to Miami... more later. Some posts have been already scheduled for the next few days.

DC Arts Expo opens to the public today

The Washington DC International Arts Expo opens to the public this morning. View the works of over 100 fine artists and galleries from across the country. Enjoy seminars, spoken word and live performances throughout the day. In the evening, attend two special events benefiting local arts programs, Life Pieces to Masterpieces and the Washington Project for the Arts.

Saturday, September 20, 2008, 10am - 9pm
Washington DC Convention Center Expo Hall D
801 Mount Vernon Place NW, Washington, DC
General Admission Tickets $10.00

10am – Doors Open
12Noon - Opening Ceremony with performance from singer David Kirton
1pm - Seminar “Art Talk with the Experts” Special guests’ speakers’ artists James Denmark and Paul Goodnight
2pm - Seminar “Art Collecting 101" with Atlanta-based art historian and collector Paul Jones
3pm – The Collective Collaboration Student Mural Presentation
10pm-1am - The After Hours Xperience

The Collective Collaboration Student Mural Project, 3pm - 4pm
Washington DC Convention Center Expo Hall D
Making its inaugural debut, The Collective Collaboration Project joins students from various arts programs across the country to present their original mural designed with the theme in mind, “Artists Are Colorless.” The goal of this project is to not only engage the creative mind of our next generation of fine artist, but to teach them how to work together no matter their creative differences. A cash award will be presented to the school with the best mural.

An Intimate Evening of Art, 6pm - 9pm
The Park at 14th Street, 1101 14th Street, NW
Tickets $100 with proceeds to Benefit Life Pieces to Masterpieces

The After Hours Xperience, 10pm-1am
Washington Convention Center, Expo Hall D Main Stage
Tickets $15 with proceeds to benefit Washington Project of the Arts

Hosted by 88 and X Culture TV, late night owls and the party people will be in the house to “xperience a 21 century art happening for the mature!” A fast-paced inspired and inspiring event that brings artists off the canvas, out of their studios and into a live-action, multi-media environment.

Travolta

Click here to find out a happy story on what artwork is in John Travolta's new yatch.

By the way, Elena Maza, the artist in this case, also writes political/Cuban op-ed pieces here.