Weekend duties

Tomorrow night: Meet the various artists selected for the Strathmore Fine Artist in Residence Program Mentorship. Those artists are:

Minna Philips (drawing/installation)

Wilmer Wilson IV (mixed media/installation)

Brittany Sims (painting)

Solomon Slyce (photography)

Saturday & Sunday: Review the work by the 43 artists from all over the USA and Scotland who have applied to the Torpedo Factory Art Center's Visiting Artists Program of one, two, or three-month residencies between June 1 and August 31, 2011 - then select about a dozen for the residencies.

Tonight: Mirror art at ARTiculate Gallery

There's a cool upcoming exhibition opening tonight at VSA's ARTiculate Gallery. The show, "Reflections" was inspired by local artist Bob Benson and his work at the American Visionary Art Museum.

Benson worked with the artists in the ARTiculate Program (which provides artistic and vocational training to youth and adults with special needs) to create "mirror art" using glass-cutting techniques in a variety of styles, and the artists have created a unique body of work.

The opening will take place tonight Thursday, March 10th between 5:30 and 7:30pm at the ARTiculate Gallery, located at 1100 16th St NW. The reception will be free, open to the public, and light refreshments will be served.

WCP's last word on Fraser Gallery closing

For Catriona Fraser, the Fraser Gallery’s decade-and-a-half run in Georgetown and Bethesda ended on a simple note: “Nobody was buying any artwork from me.”

Case in point: the 10th Annual International Photography Competition, one of the gallery’s best-known feature exhibitions, which just closed at Fraser’s remaining outpost in downtown Bethesda.

The work is affordable, with most of it priced under $500. The work has been seen: The opening reception, Fraser says, was “heaving with people.” And the work is good: Washington City Paper called the exhibit “impressive.”

Yet Fraser did not make a single sale. And so on March 1, following several Bethesda galleries that have recently met the same fate, Fraser Gallery announced it is closing at the end of the month.

Read the article by Kriston Capps and Lou Jacobson here.

Update: Here's the whole text of my email to the CP in response to their request for input:

When my then wife Catriona and I opened the first Fraser Gallery in 1996 in Georgetown, our first two shows almost sold out, we got a huge article in the Washington Post, and I recall Kate and I saying, "WOW, this is gonna be easy."

It wasn't and as we learned, building an art gallery required not only an immense amount of hard work, but also realizing that it is a labor of love, and that more often than not, your finances are getting by (if you're lucky) by the skin of your teeth. Our mantra always was: "the artists get paid first, then the bills."

Catriona was 24 years old when we opened Fraser in Georgetown in 1996; perhaps the youngest ever gallery co-owner in DC history, and she applied herself to the task of co-running Fraser gallery with a ferocity and gusto that was a key ingredient to Fraser's success over the next 15 years.

In my opinion we established a very distinct gallery presence from day one. When we announced that we would focus on contemporary realism - which we described back then as "realism with a bite" - and photography, every one told us that we'd be closed within a year, and that first year, in spite of the great success of those two initial shows, was very tough and more often than not we were using our financial backers (Mr. Visa and Mr. Mastercard) to pay the artists and the gallery's bills.

But a presence we did establish, and we'd get reviewed 4-5 a year in the Post and 1-2 a year in the Times and it seems like every other month in the City Paper (ahhhh... the good ole days), and in spite of the fact that we stayed tightly focused on our gallery focus, we kept doing better and better each year, and continued to argue against the "norm" that only the almost 100-year-old genre of abstraction was "contemporary" for a cutting edge gallery. What abstraction was instead, we felt, was "safe" and perhaps even easier to sell. Try looking at a Chawky Frenn painting for a while - hard to sell, but deserving of a two-page spread review in the New York Times.

We also began to add focus and presence to a whole new set of local artists. Both Erik Sandberg and Andrew Wodzianski (now well-known DMV artists) received their first solo shows at Fraser, while both of them were still MFA students. And Tim Tate's first solo show (which sold out) was also at Fraser... where he went on to have multiple solos over the years.

We also focused a lot of time on photography, and "rediscovered" Lida Moser's wonderful archives of her amazing photography from the past 60 years. Other noted photographers such as Maxwell MacKenzie, Joyce Tenneson, etc. also had multiple solos at Fraser.

A decade ago, almost by accident we decided to put together a show focusing on Cuban artists, and as result eventually we brought to the DC area some of the best contemporary Cuban artists in the world, usually giving them their first solo shows in the US or DC and placing many of them in US museums.

Fraser was also a leading online pioneer, and to this day has the most extensive online presence of any DMV gallery, with nearly 15 years of archived shows and artwork. As I recall, when we opened in 1996, we were only one of 2-3 DC galleries with a website! A few years later we became one of the charter dealers for Sotheby's during their online ventures and by 2001 we were the second largest Sotheby's online dealer in the world. A lot of DMV artists (including myself) owe their secondary market record to that joint venture between Fraser and Sotheby's.

When the art fairs came into vogue, Fraser was also one of the first galleries to start doing them, perhaps only after the now-closed Fusebox Gallery. To this day Fraser brings its artists to fairs in New York, Boston and Miami, still one of less than 5-6 DMV galleries that take the huge financial risk of doing an art fair.

I left Fraser in 2006 and Catriona has been running the gallery alone since then. For reasons that only she knows, we haven't spoken since, even though we had remained partners until the day of my last show at Fraser in August of 2006 (which the City Paper covered in a huge article). I don't know her reasons for closing the gallery, but I wish her the best in her future endeavors.

This is a huge loss for the cultural tapestry of the DMV art scene. Fraser, for all intents and purposes, was the only remaining art star in Bethesda, as other galleries have been closing in the last few years. The opening of the Bethesda gallery in 2002 made us feel like we had accomplished what no one else had ever done successfully in DC: run two galleries at once, which we did until 2005 for three glorious years of 24 shows a year to organize, curate, hang and publicize.

With the loss of Fraser, Bethesda also loses a champion in the visual arts. It was through the hard work and influence of Fraser Gallery that the Trawick Prize and the Bethesda Painting Awards were created; still the two largest individual art awards in the region. It was through the hard work and influence of the Fraser Gallery that the Bethesda Fine Arts Festival - the highest ranked outdoor fine arts show in Maryland and one of the top 100 such shows in the nation - was created.

And with the loss of Fraser, and ins spite of critics always trying to tell a gallerist how to do his/her business, the sharpest eye in representational art with a bite and social commentary goes away.

Ten years of my life don't go away, because the memories of all the great art, all the great artists, and all the great openings (the DMV will definitely miss that famous Fraser sangria) will live with me forever.

Call me if you'd like to chat about anything else...

Cheers,

Lenny

This coming Saturday, March 12, "Material World" opens at artdc Gallery in Hyattsville

The group show, curated by Stephen Boocks, deals with artistic media & how it relates to the artist's work - why does the artist choose that medium to make their artwork? Does the material support the work or does it get in the way? Do all elements work in concert with each other? And how do they achieve their own balance?

A number of familiar DMV artists are featured - from the 100 Washington, DC Artists book: Marie Ringwald & Michael Janis and from the Sondheim Prize shortlist - JT Kirkland and Hamiltonian Projects Fellow Katherine Mann.

Also featured are the very talented paper artist Sherrill Gross and painter Matthew Langley.

Material World
artdc Gallery at The Lustine Center
5710 Baltimore Avenue
Hyattsville, Maryland 20781

Opening Reception Saturday, March 12 from 6 to 8 p.m. Two artists talks will be held: Michael Janis and Marie Ringwald on Saturday, March 19, and Matt Langley on Saturday, April 2.

Click here to jump to the gallery website.

DCist Exposed

One of the most awesome photography shows of the year, the fifth annual DCist Exposed Photography Show will be at Long View Gallery, running March 15 to 27, 2011.

Out of over 1,000 individual entries, 43 winning images were selected by a panel of judges to be included in this year's DCist Exposed exhibit.

According to the organizers, this year's opening reception "will be twice as awesome, since we’re holding twice as many: Tuesday, March 15, and Wednesday, March 16 from 6 to 10 p.m." This year’s sponsor is Yuengling (America's oldest brewery and makers of the gorgeous Black & Tan beer), and they will provide a selection of their beers, including their Lager, Light Lager, Bock spring seasonal, and the hoppy Lord Chesterfield Ale and DJ Sequoia is back to spin tunes. Wine, soft drinks and hors d’oeuvres will also be provided. Tickets are $10 in advance at Eventbrite, with limited $15 tickets at the door.

To celebrate their 5th anniversary, DCist and Ten Miles Square have produced a special edition magazine featuring the winning photographs from all five years. The issue can be purchased online at MagCloud for $27.50, which comes with a digital version, or at Long View Gallery during the receptions for $25.

Long View Gallery is located at 1234 9th St. NW, just a few blocks from the Mt. Vernon/Convention Center Metro. All photographs displayed at DCist Exposed will be for sale at prices well below traditional gallery shows to encourage new art patrons. Regular gallery hours are Wednesday-Saturday, 11 a.m. to 6 p.m., and Sunday, 12 to 5 p.m.

Opportunities for Artists

Deadline: April 11, 2011 (4 pm)

McLean Project for the Arts has a call out for Strictly Painting 8, which will be juried this year by Civilian Art Project's Jayme McClellan.

Details and entry forms here.

The more things change...

"At the height of the Washington Color School's popularity, Washington and New York art elites inhabited the same circles. Reed recalls meeting the abstract painter Robert Motherwell at an opening. Motherwell was married to Frankenthaler but was accompanied by Lisa Fonssagrives, the world's first supermodel, who was married to iconic photographer Irving Penn. "He moved in great feminine circles," Reed says.

But financial success eluded the artists. The Jefferson Place Gallery that supported so much of the Color School's work closed in 1975. The '80s were a bitter period for Washington art dealers, but the pressures on Reed did not change much for the worse. "It was always difficult. I have to sell. It's curious. I'm just about poverty level. Here I am this famous artist," Reed says.

He doesn't say whether the spotlight would have shined on Washington longer had a collector base emerged to support its painters."

The more they stay the same... Kriston Capps has an excellent piece on Paul Reed, the last of the Washington Color School painters; read it here.

Critical mass

A critical mass is about to occur between many art organizations.

Target Gallery, in partnership with Habitat for Humanity, is sponsoring an outdoor exhibition of artist-made nests created by local arts groups. The event will take place just outside of Washington, DC at the Torpedo Factory Art Center along the waterfront of the Potomac River in Old Town Alexandria from Sunday, April 10 through Sunday, May 15, 2011.

The goal is to inspire people to look more closely at their own habitat. Coinciding with Earth Day and Mother’s Day, they hope to increase environmental awareness and encourage care for the planet that we all call home. They will also highlight Habitat’s work for building decent and affordable homes.

All nests will be composed primarily of natural renewable resources like leaves, twigs and driftwood, as well as recycled or re-purposed materials. The intent is to do no harm to the natural environment or wildlife, and everything will be removed at the end of the exhibition. Nest sites will include docks, decks, tree stumps, outcroppings of rock, and selected trees.

Free maps will guide visitors on a nest spotting walking tour, along the waterfront, through a park, into the Torpedo Factory and ending at Target Gallery, where the exhibition Nest can be seen.

What Does Home Mean to You? The public will be invited to participate in the building of a large community nest installed on the main floor of the Torpedo Factory, right outside the Target Gallery. They will provide long strips of paper for the public to answer the question “What does home mean to you?”

They will then be invited to weave their paper into the nest structure. The strips of paper will be for sale for $1 with all proceeds going to benefit the Habitat for Humanity of Northern Virginia.

To learn more, or donate to fund this project and make it a reality, visit this link.

American Contemporary Art magazine

The current issue of the magazine is out and I have a two page spread on pages 28-29 which cover a few key DMV area shows. Read it online here.

Little Havana Drinks

They don't call it Little Havana for nothing.... the last time that I was in Miami for the MIA Art Fair in January, I dropped by a local bodega for some pastelitos and a medianoche sandwich, and when I opened the cooler to get a cold drink I was amazed by the selection being presented:


Check out the "Cuba Herbal Energy Drink" can... heee heee... only in Miami...

More on Fraser Gallery closing

Jordan Edwards in the Gazette has some more insights into the recent and shocking announcement that one of the DMV's major art galleries, Fraser Gallery will close.

Read it all here. Just as I predicted, in a smart move, the owner will continue to do art fairs as a private online dealer.

I wish her the best.

Lenny-o Video

From the recent awards ceremony at Gallery West...

Mirror art at ARTiculate Gallery

There's a cool upcoming exhibition opening at VSA's ARTiculate Gallery. The show, "Reflections" was inspired by local artist Bob Benson and his work at the American Visionary Art Museum.

Benson worked with the artists in the ARTiculate Program (which provides artistic and vocational training to youth and adults with special needs) to create "mirror art" using glass-cutting techniques in a variety of styles, and the artists have created a unique body of work.

The opening will take place on Thursday, March 10th between 5:30 and 7:30pm at the ARTiculate Gallery, located at 1100 16th St NW. The reception will be free, open to the public, and light refreshments will be served.

Postconceptualism: The Malleable Object at UMD


The Opening Reception of Postconceptualism: The Malleable Object is on Thursday, Mar. 10, 2011 from 6:00 to 8:00 pm. They also welcome your presence at the Panel Discussion with Artists & Curator on Thursday, Mar. 17 beginning at 6:00 pm.

The Stamp Gallery is located on the first floor of the Adele H. Stamp Student Union-Center for Campus Life, at the University of Maryland, College Park. The gallery is free and open to the public Mondays-Thursdays 10:00am – 8:00pm; Fridays 10:00am – 6:00am, and Saturdays 11:00am – 5:00pm. For more information visit the gallery’s website or call (301) 314-8493.

Lest we forget

"Their struggle is your struggle," he told the ballroom crowd of former Marines and local business people. "If anyone thinks you can somehow thank them for their service, and not support the cause for which they fight - our country - these people are lying to themselves. . . . More important, they are slighting our warriors and mocking their commitment to this nation."

Kelly is the most senior U.S. military officer to lose a son or daughter in Iraq or Afghanistan. He was giving voice to a growing concern among soldiers and Marines: The American public is largely unaware of the price its military pays to fight the United States' distant conflicts. Less than 1 percent of the population serves in uniform at a time when the country is engaged in one of the longest periods of sustained combat in its history.

Read this moving piece by Greg Jaffe in the WaPo.

DC Art Map

I just checked the DC Art Map over at artdc.org and it keeps growing by leaps and bounds.

Check it out here and add your info to it.

Wave of arrests

With an eye on what's going on in the Islamic nations, and the oncoming demise of the Great Socialist People's Libyan Arab Jamahiriya's (Lybia's full name) nasty dictator, the nasty dictators in our own continent are not taking any chances.

According to the Cuban Commission for Human Rights, more than 390 pro-democracy activists were arrested by the bloody Castro regime in February 2011.

In other words, 390 arrests were identified and documented in one-month alone. There may have been many more unknown arrests.

It's clear the Castro brothers are not taking any chances that this spark of rebellion against heavy-handed governments may spread to their 52-year-old reign in Cuba.

DeBerardinis Shoes

Visual artist and sometimes contributor Rosetta DeBerardinis will launch her first line of hand-painted shoes and accessories on April 15th at Lucinda Gallery in Federal Hill in Baltimore.

We wish Rosetta much success with her new line.

Lucinda Gallery is located at:

929 South Charles Street
Baltimore, MD 21230-4037
(410) 727-2782

Erotica 2011

Wanna do something different tonight? Here is the schedule of activities for MOCADC's Erotica 2011 show.

Fri Mar 4 Opening Reception (6 pm to to whenever)
- Live Tattoos by Artist Redz
- Tattoo & Piercing Contest
- Body Painting - Audience Participation

Fri Mar 18 Galleries 1054 Open House 6 to 10 pm

Fri Mar 25 DMV Nude (Sponsored by DMVIFF)
- Call to reserve space 202.342.6230

Fri Apr 1 Closing Party - 6 pm to whenever
- Body Painting Demo - 2 models - 6:30
- Models Perform Geture Poses on stage under Blacklight - 7:30
- Body Painting - Audience Participation

Tonight in Philly: Little Treasures – Big Rewards

The role of small works of art has, in modern culture, been delegated to the “minor works” category. They become overlooked, poorly appreciated and frequently labeled as good choices for a holiday show to generate a few sales. They have also been the subject of shows where size is all that matters, i.e. all works will be postcard size, measure 12”x12”, etc. Historically, the role of small works has been very different. The Mona Lisa is perfectly sized for a good holiday show, as is Edvard Munch’s “The Scream.” Many of Rembrandt’s great portraits would also qualify, and the finest works ever done by Rubens would neatly fit into a child’s knapsack. The creation of small works for many artists has been a device where the improbable becomes possible, an idea is tried or a risk is easily taken.

“Little Treasures – Big Rewards”assembles a group of artists all deliberately working in the small format. For Elizabeth Bisbing, the diminutive scale is her forte, where her collages take on the grandeur of Renaissance masters. For others, such as Vivian Wolovitz, whose large works easily command the viewer in any gallery space, in recent time she has found a rich and varied voice in the pocket size, creating a deep space for the gravity of her painted atmosphere. Alex Queral continues to push the envelope incorporating recycled phone books. Ross Bonfanti utilizes concrete to warm the heart and surprise the senses. Susan B. Howard combines the political with the fanciful, sending a powerful message in a seemingly sweet package. Craig Cully reminds us of the Dutch master Franz Hals with his dazzling Hershey candies, while Caleb Weintraub demonstrates that the sweet world of contemporary children is a troubled place due to the modern obsession with war game technology. Frank Hyder demonstrates the experimental arena of the small works with examples from his perdido and rhythm series. F. Lennox Campello brings us his relentless salsa seasoned social commentaries, invigorating pencil and paper into a sword and shield bent on righting injustice wherever it is found.

In “Little Treasures – Big Rewards,”Projects introduces Canadian realist, Matthew Schofield, working in a diminutive scale using images from his childhood experiences. Zoe Spiliotis makes a debut with a formal spin on geometric linear explosive abstractions. Debra Van Tuinen from Portland, Oregon, serves up sensuous sky-like images made in encaustic that appear to be mixed with air. Projects also introduces Marcelo Suaznabar, a Bolivian artist currently living in Toronto, whose surrealistic vision presents a world where nothing is as it should be but often is more appealing than how things are. Amy Orr arrives for the first time at Projects with her imaginative up-cycled transformations, while E. Sherman Hayman returns with selections from her coffin series, loaded with meaning and too good to bury. This group exhibition puts the emphasis on the rewards, not the ruler, and packs a real punch.

“Little Treasures – Big Rewards”will be on display at Projects Gallery in Philadelphia from March 4 - 26, 2011. There will also be an artist’s reception First Friday March 4th from 5 - 9 p.m. The reception is free and open to the public.