Thumbs down!

Subject: The Trawick Prize: Bethesda Contemporary Art Awards
Date: Thu, 3 May 2012 09:21:49 -0400

Dear Artist,

On behalf of the Bethesda Arts & Entertainment District and the 2012 Trawick Prize Jury, I would like to thank you for entering The Trawick Prize:  Bethesda Contemporary Art Awards.  Our panel of jurors was honored to have the opportunity to review the creative and exciting work from a vast selection of area artists.

We received entries from more than 350 artists and the jury spent numerous hours reviewing images before making some very complicated decisions. We truly appreciate your time and talent; however, your work was not selected.

As a reminder, the jury consisted of Dawn Gavin, artist and Associate Professor in Drawing and Foundations at the University of Maryland, College Park; B. Kelly Gordon, Associate Curator at the Hirshhorn Museum and Sculpture Garden; and N. Elizabeth Schlatter, Deputy Director and Curator of Exhibitions at the university of Richmond Museums.

We thank you for your interest and hope you will consider applying to next year’s competition when a different panel of judges will select the finalists and winners of The Trawick Prize.  Additionally, if you are a painter, we encourage you to apply to the Bethesda Painting Awards next year, where a distinguished panel of judges will also award $14,000 to select regional painters.

We wish you the best of luck in your future artistic endeavors.

Sincerely,

Catriona Fraser

Chair

The Trawick Prize: Bethesda Contemporary Art Awards

 And I will apply again next year... because they are right: new panel equals new set of eyes,

Open Studios Next Saturday

On May 12th, over 120 Gateway Arts District Artists will open their studios to the public. Visitors are invited to interact one-on-one with local artists, see their work, and explore their studios, during this annual event. To learn more, visit www.gatewayopenstudios.org.

Produced by the Gateway Community Development Corporation, Open Studio Tour is the premier arts event of the Gateway Arts District. This year's tour features:

• A guided tour of select studios 
• Live performances at Joe's Movement Emporium and the Mount Rainier Artists' Lofts
• A trunk show featuring artists from the Hyattsville Community Arts Alliance at ArtDC 
• Artists Reception/Opening and Studio Tour After Party at the 39th Street Gallery 

   LOVE, LOSS & LIPSTICK:  Caryl Burtner & Taliaferro Logan

• ArtWorks: Local Art Matters Show and Reception

 Saturday, May 12, 2012, 12 Noon - 5 pm - Opening Reception & Tour After Party, 5:30 - 8 pm

Taking a chance

 Los Angeles conceptual artist John Baldessari discusses how he brought slides of his early text paintings from gallery to gallery all over Manhattan and faced rejection at each one, until Michael Findlay offered him a place in a group show - which was the artist’s first ever New York showing and his second gallery show ever!

“The problem for any dealer is to be the first person to take a chance on an artist,” Mr. Baldessari said. “Most dealers wait for someone else to take a chance and then they poach from the other gallery. It’s very difficult to go out on a limb for an untested artist..."
 -  John Baldessari

Details here.

Prizewinners!

I recently had the honor and pleasure of reviewing a lot of gorgeous artwork for the Capitol Hill Art League's May juried competition. As usual, this is hard but rewarding work.

 The opening reception for this exhibition and my juror's talk is on Saturday May 12 with an opening party 5-7pm and the juror's talk at 5:30pm.

The award winners are:

First Place:  Sonia Robed, Jacqueline Saunders,   Watercolor 

Second Place: Candice No. 100, John Reef, Pigment PrintThird Place: Slumber Party, Fierce Sonia, Photo on Acrylic
Fourth Place: Koan Run, Latex on Wood, Patricia Goslee

Honorable Mention Awards:
Galadi, Russ McIntosh, Digital Photo Illustration
Birth of an Island, Tati Valle-Riestra, Watercolor
 

Sonia Robed, Watercolor by Jacqueline Saunders

Candice No. 100, Pigment Print by John Reef

Slumber Party, Photo on Acrylic by Fierce Sonia

Juror's Comments

The Business of Art Workshop

The Business of Art Workshop –  A Professional Development Series for Visual Artists

Panel Presentation: The Inside and Out of Creating a Great Art Portfolio

Saturday, May 5, 2012; 3-5pm

Free. 

Join Tosha Grantham, Philippa Hughes, Christina Marsh and John Yeh as they discuss what makes a portfolio great and not-so-great. Hear what makes them look twice or not at all, what they've seen that works, and where trends are going. Discussion to be moderated by Alonzo Davis.

Advance Registration Required

http://smartlink.pgparks.com/smartlink

SMARTlink #883815

Brentwood Arts Exchange - exchanging ideas through art.

A Facility of the Maryland-National Capital Park & Planning Commission

@ Gateway Arts Center

3901 Rhode Island Avenue

Brentwood, MD 20722

301-277-2863/ tty. 301-446-6802

arts.pgparks.com

Supermoon next Saturday

Get your cameras and peepers ready: the full Moon will be up to 14% larger and 30% brighter than others during the year. The reason for this phenomenon is that the Moon becomes full on its closest approach to Earth on May 5, 2012, also known as the perigee full Moon, and Cinco de Mayo Luna in Mexico (I just made that up).

Geek details here.

Tonight at Morrison House

WHAT:  “The story behind the 100 Artists of Washington, DC book” - Morrison House Presents: F. Lennox Campello, Author

DESCRIPTION:  Author F. Lennox Campello discusses his controversial book, 100 Artists of Washington, DC, and provides insights into the selection process, the publication of the book and the subsequent eruption of controversy in the Greater DC area art scene.

WHEN: Tuesday, May 1, 6 to 8pm

WHERE: Morrison House, 116 South Alfred Street, Alexandria, VA 22314

INFO: Morrison House: www.morrisonhouse.com / Phone: 703-838-8000

ADMISSION: Free admission (Food and drink available for purchase)

Scrapping the artists

Here's the story: There's a 1.6-acre property adjacent to the National Institutes of Health Open Space in Bethesda. The initial proposal by developer Patrinely Group of Houston, Texas included 25 percent "moderately priced dwelling units and about 2,000 square feet within the main building for an arts incubator, which would have offered studio and exhibit space for emerging artists." That all went away when the condo market collapsed in Bethesda and now StonebridgeCarras, which purchased the site about a year ago, has a new proposal:

The vacant Trillium lot could be home to 360 luxury appartments and a grocery, if plans are approved by the Montgomery County Planning Board on Thursday.

And first thing to go in the StonebridgeCarras proposal: The arts incubator.

How does the Greater Bethesda-Chevy Chase Chamber of Commerce feel about that?

 “We really support that,” said Ginanne Italiano, executive director of the Greater Bethesda-Chevy Chase Chamber of Commerce. “It’s not the whole concept that the other organization had, but I think this is going to be an even better concept.”

Yeah Ginanne, another grocery store is an even better concept than an arts incubator. After all, there are only about a dozen or more grocery stores in Bethesda and ahhh... zero affordable space for artists and nothing even remotely close to an arts incubator, and most Bethesda area art galleries have closed in the last couple of years; thank you for your moral support.

Good move StonebridgeCarras (nice artsy name!) and let DC Art News be the first to welcome to Bethesda, yet another Safeway, or yet another Giant, or considering the artsy name of the developer, perhaps another Whole Foods.

Makes my head hurt.

Read the Gazette story by Jessica Ablamsky here and read the developer's news release here.

Around Town

That busload of San Francisco art collectors visiting the DMV is out and about town today. They started with a pep talk this morning (at the home of a most gracious Chevy Chase art collector) and then headed out to the District to visit art studios, artists' homes and galleries.

They were last seen visiting Flux, Red Dirt and the WGS and all of those artists' studios in that area.

Collatz Conjecture and Art

I'm probably only one of a handful of people on the planet who has an Undergraduate degree in Art as well as a degree in Mathematics and a Master's in Artificial Intelligence.

As such, I'm always thinking about ways to explore Math in Art... Hidden in the shadows of most of my drawings (shadows cast by bodies as well as shadows in the bodies themselves) are often to be found other figures and clues, and just as often mathematical equations, progressions, theorems, conjectures, etc.

One recurring and fascinating issue to me, buried in the shadows of a drawing that I sold last week in New York is the Collatz Conjecture:

Take any natural number and let's call it n.

If n is even, then we divide it by 2 to get n / 2.

If n is odd, then we multiply it by 3 and add 1 to obtain 3n + 1.

Repeat this division/multiplication indefinitely (and this is where "indefinitely" becomes an issue, as the British say).

The Collatz Conjecture is that no matter what number you start with, you will always and no matter what the starting number is, eventually reach 1.

This conjecture property has also been called "oneness."

Can art help represent this? I don't know - that's why I bury them in the shadows of the drawings and not try to solve them per say; but often it is the drawings themselves that trigger the specific mathematical clue/issue being associated with the piece.

At Morrison House on Tuesday

WHAT:  “The story behind the 100 Artists of Washington, DC book” - Morrison House Presents: F. Lennox Campello, Author

DESCRIPTION:  Author F. Lennox Campello discusses his controversial book, 100 Artists of Washington, DC, and provides insights into the selection process, the publication of the book and the subsequent eruption of controversy in the Greater DC area art scene.

WHEN: Tuesday, May 1, 6 to 8pm

WHERE: Morrison House, 116 South Alfred Street, Alexandria, VA 22314

INFO: Morrison House: www.morrisonhouse.com / Phone: 703-838-8000

ADMISSION: Free admission (Food and drink available for purchase)

Roberto Rodriguez and the Cuban Jewish All Stars

The Jewish Music Festival is featuring a very special act this year:  

Roberto Rodriguez is a true innovator whose artistic vision synthesizes Cuban and Jewish music into an entirely new creation that breathes joy and melancholy. Born in Havana and raised in Miami, the percussionist and composer’s groundbreaking music explores his cross-cultural roots and influences, melding his native Cuban music with contemporary genres of world, Sephardic, pop, jazz, electronic and classical music.

 Details here.

Opportunity for Artists

Deadline: July 8, 2012

A national juried exhibition of emerging artists, ages 16-25, with disabilities. Sustaining / Creating asks emerging artists to showcase work that illuminates innovative viewpoints on sustainability and contemporary creativity. Beyond its scientific definition, sustainability references notions of responsibility and stewardship of our natural world in all facets of human interaction–from the environmental to the cultural. Sustainability indicates the capacity to endure.

Submitted artwork should illustrate these thematic ideas, which may be achieved through broad, abstracted references or detailed personal creations. Your submission might also reflect your experience of living with a disability and its role in shaping or transforming your art.

This exhibition is presented by the Kennedy Center for the Performing Arts’ VSA & Accessibility Office and Volkswagen Group of America, Inc.

Details here

The Scream

The frenzy around the imminent auction on May 2 of Edvard Munch’s The Scream at Sotheby’s in New York is reaching a peak here in Europe, where predictions abound that it will break the record price paid for a work of art at auction: $106.5 millions two years ago for Pablo Picasso’s “Nude green leaves and bust.”

Read the story here.

You knew this was coming...

 Minnesotan Dan Lacey is most famous for his paintings of celebrities and politicians with pancakes on their heads (or with pancake breasts, or pancake eyeglasses, or pancake anything else). But a wad of money, not a stack of pancakes, is the centerpiece of his latest work: A portrait of Mitt Romney, mostly naked and in the process of getting nakeder. The 8-by-10-inch acrylic painting, which Lacey recently completed over the course of four hours in the passenger seat of a PT Cruiser while he and his wife ran errands, is currently up for auction on eBay

Read the whole story here.

Not the first time that taking the clothes off a politician is a fun thing for an artist to do... eight years ago Kayti Didricksen's nude portrait of President Bush became the most downloaded image in the internets and my own Obama Agonistes now sits in a private collection in Miami Beach.

About to hit the DMV

A couple of busloads of art collectors from all over the US is about to fly to DC (next week) and do some guided (not by me) studio and gallery visits.

One thing in common? A copy of "100 Artists of Washington, DC."

More later...

Celebrity Sighting

Actress Lucy Liu came by my booth at the Affordable Art Fair earlier today. She was with an assistant and they asked for a card.

Later the assistant returned (a really nice lady) and bought one of my drawings.

Saturday at AAFNYC

The constant crowds continue as the good weather stays in NYC and based on what I saw today, it looked like many galleries were moving artwork.

Jeannette Herrera continues to have a brilliant NYC debut as today she sold another four paintings! Also closed the deal and sold Judith Peck's largest piece in the show... and also sold two of my pieces, including the very cool second version of "Eve Sees Her Face for the First Time" - a digital-embedded piece.

Friday Report

Today the Affordable Art Fair was once again well-attended. I sold six of my drawings, including the first sale of the "new" series of digital-embedded components (I sold "A Woman Refusing to See Men").

After the show closed at 9PM, I walked to the parking garage on 32nd Street, drove back to 35th and started trolling for a parking spot near the loading dock. This is so that on Sunday I could have an easier time taking all the artwork down from the 11th floor to the street without having to compete for the two loading dock spots with a hundred vans and trucks. After a while I got a Doris Day parking spot right next to the dock and headed back to the hotel, exhausted but mission accomplished!