We Don’t Need Monet—We Need Money!

Gentry liberals—university profs, cutting edge art mavens, foundation executives—like to think of themselves as the key, leading members in the blue coalition. But as the money runs out and the civil war heats up, there’s a tendency to throw the gentry liberals under the bus. This has been happening for years now when it comes to the battles over university education in states, as funds for higher ed keep getting cut back. The fight over paying pensions versus hanging on to Van Goghs brings this tendency to the fore.

Read the whole piece here.

Art Scam Alert!

Ignore emails from this mutant trying to rip off artists...

From:	JUSTIN LIND (justin0lind28@gmail.com)
Sent:	Mon 8/05/13 8:06 PM
To:	lenny@lennycampello.com

Hello . How long does it take you to ship out if an order is completed with you ? . Kindly email me your current website so that i can pick my choice of order for you to quote me . I love your handwork . Thanks

Keep it this way!

Who needs the Hirshhorn Bubble when we got this new asskicking Washington Monument?

The WM is looking both like some Medieval weapon as well as a super-modern glass and lights and steel brutal sculpture -- and also like some new Christo and Jeanne-Claude art project - in fact, making all their previous projects looking a little lame by comparison.

I say, let's keep the Monument like this!

Who's with me?

Opportunity for Artists

Deadline: August 16, 2013

 

John Paradiso, artist and curator for the 39th Street Gallery, and Tim McLoraine, artist and independent curator based in the Gateway Arts District, invite emerging and established artists to participate in the Jewel Box Pop Up group exhibition during the month of September.  

 

The Jewel Box is a 2300sf former jewelry store located at 3104 Queens Chapel Road in Hyattsville, MD.  The Jewel Box will advertise and promote the exhibition and host an Opening Reception and other programming during the run of the show.  

Approximately 25 artists will be selected and be given a 10' section of wall (Art-o-Matic style) with 4' of floor space.  We also encourage 3 dimensional works to be displayed throughout the space. 

If interested, please send contact information and 3 work samples (or link to your online portfolio) by August 16th to jewelboxpopup@gmail.com

Deferral at the Corcoran

Starting August 7 and lasting for four days, the Corcoran Gallery of Art and College of Art + Design presents Deferral, a site-specific performance by Mary Coble that addresses the Food and Drug Administration’s policy of refusing blood donations from men who have had sex with men since 1977. 

The performance is the latest in the NOW at the Corcoran series – the Gallery’s contemporary art program dedicated to showcasing the work of emerging and mid-career artists. NOW Performance addresses issues central to the local, national, and global communities of Washington, D.C. 

Over four days, Coble and her collaborators encode the curtains of an anatomical theater—formed by hospital curtains in the Corcoran’s Atrium—with text and images from blood donor campaigns, regulations, and debates. The artist writes using her own blood, drawn onsite, while her collaborators work with thread as a stand in for their “illegal” blood. 

Over the course of the performance, their actions create an increasingly tangled web, enveloping and impeding their shared space while reclaiming the image of the male hero. 

Deferral is a reaction to the U.S. Food and Drug Administration policy of refusing blood donations from men who have had sex with men (MSM). The FDA’s deferral policy started in 1983, and since 1992 the FDA has permanently deferred MSM donations, explaining: “A history of male-to-male sex is associated with an increased risk for the presence and transmission of certain infectious diseases, including HIV…” 

Non-monogamous heterosexuals who have knowingly engaged in intercourse with an HIV/AIDS-positive partner are subject to a one year deferral before they may donate blood. 

For Coble, Deferral is a commentary on the FDA policy and marketing slogans from blood donation campaigns that laud donors as “heroes” and as “special” while calling those who do not donate “wusses.” According to Coble, “gay men are never allowed to be heroes.”

Connecticut Avenue as canvas

It’s not every day that a busy sidewalk on Connecticut Avenue becomes an artist’s concrete canvas, but the Golden Triangle Business Improvement District (BID) is doing just that with its “Explore Our Neighborhood in Chalk” project, Monday, Aug. 5 from 10 a.m. to 6 p.m. (If it rains, the project will be moved back each day Aug. 6-8 until the weather permits.)

 

The chalk mural will be drawn by Whitney Waller who will transform the Connecticut Avenue Overlook into sidewalk scenery for commuters, office workers and tourists to enjoy. The Connecticut Avenue Overlook is located at the top of the Golden Triangle in the semi-circle above the underpass, near Dupont South Metro Station.  

 

Whitney Waller, of Virginia Beach, is currently a Bachelor of Fine Arts student at the Corcoran College of Art + Design.  She teaches for the Corcoran’s Aspiring Artists and Camp Creativity programs. She is also one of the Corcoran’s Summer Saturdays chalk artists, as she recreates gallery pieces on the front steps. She has previously studied at the New Orleans Academy of Fine Arts.

 

Waller will use chalk to recreate iconic destinations that are located within the 43 blocks of the Golden Triangle neighborhood, including the National Geographic Museum, St. Matthew’s Cathedral, the Heurich House Museum and the Tiny Jewel Box, located in a historic building on Connecticut Avenue.

 

While the chalk art project is temporary, the Golden Triangle BID has other permanent public art displays that have made the central business district one of the city’s most vibrant commercial areas. Last year, the BID unveiled the second phase of the Connecticut Avenue median, complete with colorful plants and a display of lights, pattern and movement programs that change the avenue into a magical scene at night.

 

“This chalk art project is part of the Golden Triangle’s ongoing effort to create interest and add texture and excitement to Connecticut Avenue,” said Leona Agouridis, executive director of the Golden Triangle Business Improvement District. “We’re using this chalk art project to showcase our treasured buildings, special events and numerous services. Our public art program is another way we’re promoting vitality in this neighborhood.”

Go to this opening tonight!

The Washington Project for the Arts announces The Art of the Super Hero – Revisited, a group exhibition organized by Lenny Campello exploring our cultural fascination with masked men and caped crusaders. 

The artists included in the exhibition approach their topic with a mix of levity and seriousness, using the figure of the superhero to explore issues of identity, immigration, and the struggles of daily life.  

The Art of the Super Hero - Revisited features photography, painting, and mixed media work by F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzon, and Andrew Wodzianski. 

The exhibition opens with a reception in the Capitol Skyline Lounge on Friday, August 2, 2013 from 6-8pm and runs from Friday, August 2 through Sunday, August 25, 2013. 

Friday, August 2 – Sunday, August 25, 2013
Opening Reception: Friday, August 2, 6-8pm
   at the Capitol Skyline Hotel , 10 I (eye) St. SW, Washington, DC

Participating Artists: F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzón, and Andrew Wodzianski

ABOUT HOTHOUSE
Hothouse is a new series of exhibitions, installations, and events organized by Washington Project for the Arts and taking place in the Capitol Skyline Hotel Lounge. Created as a way to provide new opportunities for WPA member artists and forge new connections within DC’s creative communities, Hothouse will present member-initiated programming on a regular basis.

ABOUT WPA

Washington Project for the Arts (WPA) is an independent, nonprofit 501 (c)(3) organization whose mission is to serve as a catalyst for contemporary art.  WPA supports artists at all stages of their careers and promotes contemporary art by presenting exhibitions, issues, and ideas that stimulate public dialogue on art and culture.www.wpadc.org.

Opportunity for Artists

Deadline: May 1, 2014

The Battle Creek Education Society, in support of the Calvert County Division of Natural Resources, is pleased to issue a Call to Artists to submit artworks inspired by the natural world of Southern Maryland. 

The exhibition, “Nature’s ARTcade,” will be held June 7 – June 29, 2014, at Flag Ponds Nature Education Center on the western shore of the Chesapeake Bay. 

Artist entry forms and show information may be found at www.calvertparks.org/ARTcade. Prize monies for this exhibition will total $2,000. 


The curator for this exhibition will be Dr. Margaret Dowell, artist and adjunct professor of art at the College of Southern Maryland. Prize jurors include Jayme McLellan, artist, educator, curator and founder/director of Washington DC’s Civilian Art Projects, and Tom Horton, former environmental editor for the Baltimore Sun and author of several books about the Chesapeake Bay. 


Deadline for submissions is May 1, 2014. Questions may be directed to Anne Sundermann, Executive Director, Battle Creek Nature Education Society: anne@calvertparks.org, 301-204-4730.

Donate to Bike to the Beach

I donated to Bike to the Beach to support Autism awareness and research.  Did you know that:

• Autism affects 1 in 88 children and 1 in 54 boys
• Autism costs a family $60,000 a year on average
• Autism receives less than 5% of the research funding of many less prevalent childhood diseases
• Boys are nearly 5 times more likely than girls to have autism
• There is no medical detection or cure for autism.

A friend of mine is participating in this event -- to support his ride and help in bringing awareness to the fastest-growing serious developmental disability in the U.S. click here.

Wanna be part of a museum show?

Extreme Exhibit Makeover at the Sandy Springs Museum

The Extreme Exhibit Makeover is a process of creating new exhibits in the museum through the collaboration of professionals from different fields – history, art, exhibit design, and so on – and a member of the local community.

The process involves identifying experts in various fields who will be placed on one of two teams.  Each team will consist of a historian, an artist – either a visual artist or an exhibit designer – a curator, and a member of the public.  Working collaboratively, each team will come up with an idea for an exhibit that focuses on an aspect of local culture and its historic roots.  The teams will have three months to conduct the background research, select artifacts and photos, create graphics, and design the exhibit.  At the end of three months, the teams will be brought together to install their exhibits on the same day.  The exhibit installation will be open to the public who will vote on the “people’s choice” winner.

The purpose of this project is to reinvigorate the museum with new exhibits; to get new people involved in the museum; to get new perspectives on local history; to make the exhibit process more contemporary by incorporating pop culture (“extreme” reality shows and team competitions) and social media (by posting frequent behind-the-scenes updates); and to incorporate a performance art aspect by allowing the public to watch the installation.

The museum will launch this program in September and plan to have the exhibits ready for installation by January.  A $200 stipend will be paid to each participant. Help fund the Extreme Exhibit Makeover - Click here!

If you are interested in participating, please send the information below by August 25, 2013 to Allison Weiss at aweiss@sandyspringmuseum.org

• A letter explaining why you want to be part of this program and what skills you bring
• An example of something creative that you have done
• Your resume

This week: The Art of The Superhero Opens

The Washington Project for the Arts announces The Art of the Super Hero – Revisited, a group exhibition organized by Lenny Campello exploring our cultural fascination with masked men and caped crusaders. 

The artists included in the exhibition approach their topic with a mix of levity and seriousness, using the figure of the superhero to explore issues of identity, immigration, and the struggles of daily life.  

The Art of the Super Hero - Revisited features photography, painting, and mixed media work by F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzon, and Andrew Wodzianski. 

The exhibition opens with a reception in the Capitol Skyline Lounge on Friday, August 2, 2013 from 6-8pm and runs from Friday, August 2 through Sunday, August 25, 2013. 

Friday, August 2 – Sunday, August 25, 2013
Opening Reception: Friday, August 2, 6-8pm
   at the Capitol Skyline Hotel , 10 I (eye) St. SW, Washington, DC

Participating Artists: F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzón, and Andrew Wodzianski

ABOUT HOTHOUSE
Hothouse is a new series of exhibitions, installations, and events organized by Washington Project for the Arts and taking place in the Capitol Skyline Hotel Lounge. Created as a way to provide new opportunities for WPA member artists and forge new connections within DC’s creative communities, Hothouse will present member-initiated programming on a regular basis.

ABOUT WPA

Washington Project for the Arts (WPA) is an independent, nonprofit 501 (c)(3) organization whose mission is to serve as a catalyst for contemporary art.  WPA supports artists at all stages of their careers and promotes contemporary art by presenting exhibitions, issues, and ideas that stimulate public dialogue on art and culture.www.wpadc.org.

New Acquisitions at the NGA

The National Gallery of Art has acquired dozens of new paintings, sculptures and drawings, including its first paintings by 17th-century Dutch Golden Age painter Cornelis Bega and 19th-century French artist Jean-Léon Gérôme. The works were approved by the National Gallery of Art’s board of trustees in May and acquired with private money and donations. Among the other acquisitions were two sculptures by Robert Smithson, ambrotype self-portraits by the photographer Sally Mann, and a Florentine wax relief attributed to 18th-century sculptor Massimiliano Soldani-Benzi.

Details here.

Art traded for smiles

Bren Bataclan watched from behind a tree as a young couple approached the fountain in Dupont Circle and studied a small square object leaning against the base of the monument. From his hiding spot, he could see the woman reach down with empty hands, then stand back up clasping a canvas. The duo held a brief conference, their mouths moving but their words too faint for Bataclan to hear. Finally, they reached an agreement that pleased Bataclan: The woman walked off with the artwork, grinning broadly.

The painting was Bataclan’s eighth giveaway of the day and the 114th since he set out this summer on a cross-country expedition supporting his SmileyB project. More important, with this canvas, he released two more smiles into the world.

“I like to help others, and in my own small way, I’m doing that,” said the 44-year-old Boston-based artist.

Read the whole article by  Andrea Sachs in the WaPo here.

Swiss Freeports Are Home for a Growing Treasury of Art

They come for the security and stay for the tax treatment. For as long as goods are stored here, owners pay no import taxes or duties, in the range of 5 to 15 percent in many countries. If the work is sold at the Freeport, the owner pays no transaction tax, either.

(Via) Read this cool article in the NYT - the interesting thing is that I believe that there are several "off-the-grid" such locations around the world, including a massive one just outside of Boston... cough, cough.

Job in the Arts

 Deadline: August 10, 2013

 

The Brentwood Arts Exchange is in need of experienced instructors to teach comic book making for teens, painting and drawing classes for teens and adults and are requesting proposals from individuals interested in teaching those subjects.  Classes should run for 4 or 6 weeks, and be held in the afternoon (for teens) or evening hours (for adults).  Include a class outline and a materials list in your proposal.

 

They're always interested in hearing good ideas.  If you would like to send a proposal on other art related classes and have experience teaching, they will accept those as well.

 

Send to Frannie Payne, Brentwood Arts Exchange, 3901 Rhode Island Avenue, Brentwood, MD 20722 or send to FrannieD.Payne@pgparks.com

Art and Labor in the US

How are artists who have been systematically denied fair wages and access to basic services like healthcare and unemployment protections gaining access to those things today?

Even after reading this article by Alexis Clement, I'm not sure who the systemic denier is/are, but I suspect that (like everything else) it is Bush's fault (not Bush The First, he's now a good guy, but Dubya)... Details here.

Alexis Clement will be facilitating a class on this subject (cough, cough), titled Rights, Demands, and Radical Reimaginings: Art and Labor in the US at the Hyperallergic offices starting August 27. Registration info is here. Hyperallergic readers can get $15 off with the code HYPER.

Art Scam Alert

Beware of this mutant who is currently trying to scam artists and galleries:

From: Gregory Butler <gregbutlergroups.llc@gmail.com> To: Sent: Tuesday, July 23, 2013 10:17 AM

Hi, 

My name is Greg, I recently visited your website and found your Work of arts to be appealing. I am very impressed with it and would be interested in purchasing it for my new apartment I am moving into this month. Please do provide me with the price and details if it is available.

 

Greg

New "Who's a Washingtonian?" Grant

Proposals Due: Sunday, September 1, 2013

Funding Amount: $5000

Match Required: 1:1; cash or in-kind  

Details here.

Head StART in ART program

Visual and performing artists are needed for residencies for the Head StART in ART program for the 2013-2014 school year. Residencies will take place at the Ellicott City Head Start Center or the Tubman Head Start Center in Columbia. Artists seeking a residency must have experience working with children; experience with pre-K is preferred. The performing artist residency will conclude with performances by the Head Start children. The visual artist residency will conclude with the completion of an art project for display at their Head Start Center or individual projects for students to take home. Applications are available online at www.hocoarts.org or at the Howard County Center for the Arts, 8510 High Ridge Road, Ellicott City, MD 21043. The deadline for proposals is August 15, 2013.

 

The Howard County Arts Council coordinates, administers, and funds Head StART in ART, with additional funding from Isadore and Bertha Gudelsky Family Foundation, Inc. and a grant from PNC for the 2013-2014 school year.  HCAC selects the artists and works closely with them and the Head Start staff to create a thematic program.

 

In FY2000, the Howard County Arts Council developed a partnership with the Ellicott City Head Start Center to establish an artist-in-residence program.  This partnership, Head StART in ART, provides the children with an in-depth, hands-on artistic experience they might never have otherwise and ensures them access to the arts.  Participation in such a program during the formative years can have a significant impact on a child’s future appreciation of and involvement in the arts and may also advance language and learning skills.

Jenkins checks in

I know that I've said this before, but the WaPo's Style art critic Mark Jenkins has really brought a fresh, new perspective to the WaPo's coverage of DC visual arts and is a huge improvement over his predecessors.

Read his current set of reviews here.