Monday, April 27, 2015
Sunday, April 26, 2015
Call for Artists: The Writing on the Wall
Submission Deadline: Tuesday, May 5, 2015
The Painting Center is pleased to announce the exhibition, The Writing on the Wall, running from June 23 through July 18, 2015. Highly publicized by the gallery, and with both a print and digitally archived catalog and an essay written by the artist Karen Schiff, this exhibition will feature a diverse group of artists who are exploring text-based art. Visual art that incorporates writing engages the viewer on multiple fronts, with letters, numerals or scribbles that bridge the divide between mark making and narrative meaning. Historical examples like Egyptian hieroglyphs or Chinese calligraphy have often served more than a single purpose, including decorative, mundane and the profoundly ritual. From Cy Twombly and Jasper Johns to On Kawara and Jenny Holzer, exceptional artists have long grappled with the signification of words and numbers, which have proven fertile ground in a broadening range of contemporary art. In Mira Schor’s representations of language, Michael Scoggins’ ‘assignments’, the documentary artscapes of Loren Munk as well as graphic novels, ‘zines and the explosion of street art that started back in the day of autographical graffiti tags, we sense the synergy that occurs when text is more than just a caption to the image. We invite representational and abstract artists working in a variety of media to submit work that includes text, numerals or any form of writing. This exhibition will be juried by Susan Post, Colleen Randall and Patricia Spergel on behalf of The Painitng Center Membership.
Exhibiton Dates: June 23- July 18, 2015
Saturday, April 25, 2015
Art Scam Alert!
From: Jena Gilbert <jenagilbert@outlook.com>
To Whom It May Concern:
Could you please confirm i can place an order with you for few artworks, i am located in Northern Ireland and i know the difficulties encountered shipping internationally. I have a reliable courier company am registered with, they pick up and deliver anywhere in the world, they handle pick up and delivery arrangement so shipment shouldn't be an issue. I can email the artwork as i don't place order on websites and payment will be completed in full once you confirm my purchase order with a quotation.
Kindly let me know when you are in office and ready to take my artwork purchase order.
Sincerely yours,
Mrs Gilbert
Hinckley Pottery Holds 24th Annual Student Show May 3rd
Hinckley Pottery, which has been a vibrant center for pottery-making in the Washington area for more than 40 years, will be holding its 24th Annual Student Show at its studio in Adams Morgan on Sunday, May 3rd, 2015.
Twenty-six experienced students will display a year’s worth of artistry for sale to the public. The potters work in stoneware and porcelain and incorporate more than 30 different glazes available at the studio ranging from vibrant blues and greens to ochre and rust earth tones.
The show will feature platters, bowls, mugs, vases, teapots, and other vessels, and all of the pottery is meant to be used and enjoyed. Visitors are invited to come and meet the potters, enjoy delicious food, and find one-of-a-kind, handmade gifts for housewarmings, Mother’s Day, graduations, weddings, and everyday use.
This is the studio’s only group show of the year and emphasizes the variety of surface design and silhouette that each potter brings to the clay. “The student show is a fun social occasion and a great opportunity for the public to see a wide array of great pots at very reasonable prices. As a participant I'm always impressed by the quality and variety of the work on display" says Hinckley Pottery Student Peter Rivenberg.
During the show, visitors can get information about classes at Hinckley Pottery. The studio offers classes every day of the week for students of all levels to learn and practice wheel-thrown pottery.
Student and show participant, Emma Dumain remarks, “The student show is a once-a-year chance to see what over two-dozen diverse potters can produce out of the same clay, with the same glazes, under the same instructors. All of us at Hinckley Pottery love seeing what our colleagues have been working on over the past 12 months, and we love the opportunity to show the public what Jill Hinckley students are all about.”
What: Hinckley Pottery Student Show
Date: Sunday, May 3rd, 2015
Location: 1707 Kalorama Road NW, Washington DC
Time: 12 p.m. to 5 p.m.
Facebook:https://www.facebook.com/hinckleypottery
Obamas over the years
"Young Obama" (Detail) Charcoal, circa 2008 In a private collection in North Carolina |
"President Obama as The Batman Charcoal, circa 2014 (10x10 inches framed) In a private collection in Washington, DC |
"Obama as Atlas" Charcoal, circa 2006-2014 Framed to 20x16 inches (Updated Yearly) |
"Eyes of Obama" Charcoal, circa 2014 (Framed to 5x7 inches) In a private collection in Miami |
"President Obama Walking to His Right" Charcoal, circa 2014 (10x20 inches framed) |
"President Obama Looking to his right" Charcoal, circa 2014 (Framed to 10x10 inches) |
"President Obama Walking to the Left" (Detail) Charcoal, circa 2014 (10x20 inches framed) |
Friday, April 24, 2015
The immense shame at the University of Maryland
"The Muslim Students Association at the University of Maryland started a petition requesting that the school pull the screening of American Sniper. In the petition, the group stated that the film “perpetuates the spread of Islamaphobia and is offensive to many Muslims around the world for good reason.”
Ironically enough, the group also requested that students “exercise their freedom of speech” by signing the petition to remove the film from campus." - Amy Lutz
In response to the petition (which apparently gathered 318 signatures), the screening was cancelled, or (as described by the University's Student Entertainment Events), "postponed... after meeting with concerned student organizations. SEE is choosing to explore the proactive measures of working with others during the coming months to possibly create an event where students can engage in constructive and moderated dialogues about the controversial topics proposed in the film."
This, no matter from which angle it is examined, is nothing but brutal art censorship, and not only does the Muslim Students Association at the University of Maryland now joins the notorious club of North Korea, Cuba, China, etc. in using suppression techniques in shutting down something that they oppose (for whatever reason), but more concerning, it shows an absolute lack of understanding and immense intellectual dishonesty by these Muslim Terps for the common American values of freedom of speech, inclusion, discussion and constructive engagement, rather than brutal suppression.
The issues that Muslim Students Association at the University of Maryland has with American Sniper may be valid to some of its members and certainly at least 318 people on the Maryland campus, but their demand is not only disturbing and very scary, but also a complete failure at understanding how they could have pursued an acceptable course of action to express their views on the film without the brutal boot of censorship.
Muslim Terps could have held a protest outside the film screenings, they could have authored an opinion piece in the school's paper, they could have held discussions on the issue, etc. These are all constructive and acceptable means to express a difference of opinion about a film, a work of art, or anything else that draws out more than one pro/con opinion.
But the real shame here, the disturbing and reprehensible side to this story, is how the University appears to have folded in this case, rather than using this issue as a constructive teaching event to show all 318 censors, how differences of opinion are handled in free speech societies.
Shame on you Maryland.
What can we do? Express your opinion respectfully to:
Dr. Wallace D. Loh
President
University of Maryland
1101 Main Administration Building
College Park, MD 20742-6105
Phone: 301.405.5803
Email the President: president@umd.edu
ARTPRIZE Announces Jurors for the 2015 Grand Prize and Category Awards
The 2015 Juried Grand Prize ($200,000) winner will be chosen by a panel of three jurors that includes Franklin Sirmans, department head and curator of contemporary art at the Los Angeles County Museum of Art (LACMA); Chicago-based artist Michael Rakowitz; and Brooklyn-based artist Wangechi Mutu.
The five Category Awards ($12,500 each) recognize one outstanding work in each of the four artist entry categories (2-D, 3-D, Time-Based & Installation) plus one venue for outstanding curatorial presentation. These awards will be selected by: Indianapolis-based curator, creator and host of The Art Assignment (PBS Digital), Sarah Urist Green (3-D); Los Angeles-based Senior Programmer of Sundance Film Festival and curator of New Frontier at Sundance, Shari Frilot (Time-Based); New York-based editor and art critic, Robin Cembalest (Installation); and Cincinnati-based curator at the Contemporary Arts Center, Steven Matijcio (Venue). The 2-D juror will be announced at a later date.
Exhibitions Director of ArtPrize, Kevin Buist, said, “We chose to work with jurors who are not only experts in their field, but also bring a distinct point of view. The public vote functions as an aggregate of thousands of opinions, and we’ve designed the juried awards to operate as a foil to that populist approach. The jurors’ job is not to ferret out the objectively ‘best’ artwork, instead they’re charged with finding works that are surprising, masterful and relevant from their expert perspective.”
Since expanding in 2010 to include both public and juried awards, ArtPrize has sought to use its unique parallel awards structure – splitting the $500,000 purse evenly between public vote and juried awards – to spark lasting dialogue about public and art world perceptions of art. The participation of the jurors also presents the opportunity for leading curators, critics and institutional representatives to engage the public in their distinct and diverse viewpoints, pointing out new frameworks for interpreting and viewing art and encouraging a conversation around what makes art impactful and significant. Previous years’ jurors have included Theaster Gates, Jerry Saltz, Susan Sollins, Mel Chin and Anne Pasternak, among others.
The first weekend of the competition, September 26–27th, jurors will assess the entries within their respective categories, each selecting a shortlist of five entries. The 20 total finalists will then move on to the Grand Prize jurors’ selection.
On Monday, September 28th, the Category Jurors will reveal each of their 20 category finalists during the ‘Jurors’ Short List’ event, broadcast live on NBC’s Grand Rapids affiliate, WOOD TV8. Category and Grand Prize winners will be officially announced at the ArtPrize Awards on October 9, 2015 at 9 p.m. EST.
ARTIST REGISTRATION AND GRANT DEADLINES
Artist Seed Grants, supported by the Frey Foundation, are available for a second year at ArtPrize to offset the cost of especially ambitious and challenging entries for ArtPrize Seven. Awarded on the basis of financial need and artistic merit, and determined by the ArtPrize Arts Advisory Council, 25 grants of $2,000 each will be announced shortly after the May 20 deadline. Apply for your grant after registering online.
Artist registration for ArtPrize Seven is currently open. Visit artprize.org to complete your Artist Registration before midnight, June 4th.
ABOUT ARTPRIZE
ArtPrize is an international art competition, open to any artist and decided by public and juried vote. It invites artists to try out new ideas on a large and diverse population of people. It seeks to broaden the critical dialogue around contemporary art by awarding the world’s largest art prize. Two, $200,000 awards are decided by public vote and expert jury, and an additional $100,000 in prizes is awarded to the top entries in each category. Registered artists and venues connect online at artprize.org and agree to present the artwork for public display during the 19-day event. The public voters use mobile devices and the web to distribute their awards, while a group of international art experts determines the winners of the juried awards. ArtPrize 2014 included 1,536 entries representing 51 countries and 42 U.S. states and territories. ArtPrize 2014 attracted more than 400,000 active participants. Since its inception, individuals of all backgrounds have cast more than 2.4 million votes for public art.
Thursday, April 23, 2015
Dotted Line Project's first one...
"We are having an art protest 4/30. I was hoping to ask you to gather up as many people as you can to come to this. I have a very small art opening at cove, and using this art opening to stage to press conference, to show that art nurtures the community. Frustrated with the closing of Artisphere, No ICE inDc and the Corcoran; trying to show the media, the governments, that actually cutting back of the arts is not the way to have a world-class community!!! I'm going to have an open mic, for about to talk about support, A pop-up Photo Booth, to post sefies, on FC site, and I would really like it if you get help you get this word out."
Barbara Januszkiewicz
Some 2013 drawings and watercolors
Adam and The Lilith Watercolors |
"Adam and The Lilith" Watercolors |
"Adam Begging God" Charcoal |
"America Desnuda" Charcoal In a private collection in Italy |
"America Desnuda II" Charcoal In a private collection in Canada |
"Batman Agonizes" Charcoal In a private collection in New York |
"Cut" Watercolor In a private collection in Miami |
"Drunk" Watercolor |
"Woman Being Lowered from Heaven" Charcoal |
"Fading Away" Charcoal In a private collection in New York |
"Female Nude (Back)" Watercolor In a private collection in Florida |
"Female Nude (Leaning)" Watercolor In a private collection in Argentina |
"Female Nude (Back)" Watercolor In a private collection in North Carolina |
"Gym Rat" Charcoal |
"Hassid" Charcoal In a private collection in New York |
"Cernnunos" Watercolor |
"High Heel Shoes III" Charcoal In a private collection in New York |
"High Heel Shoes II" Charcoal In a private collection in New York |
"High Heel Shoes IV" Charcoal In a private collection in New York "High Heel Shoes" Charcoal In a private collection in New York |
"Hippie" Charcoal |
"Pictish Princess (House of the Asp)" Charcoal In a private collection in Florida |
"Woman Being Lowered from Heaven" Charcoal |
"The Batman Naked" Charcoal In a private collection in Holland |
"John The Baptist" Charcoal In a private collection in New York |
"The Last Copy of The Constitution" Charcoal In a private collection in Miami |
"Gams" Watercolor In a private collection in New York |
"Love Slave II" Watercolor |
"Love Slave"Charcoal |
"Seated Male Nude with Tattoos" Watercolor In a private collection in Florida |
"Seated Male Nude" Watercolor In a private collection in Florida |
"Spiderman Naked" Charcoal |
"Woman Bowing Down to Life" Charcoal |
Wednesday, April 22, 2015
Luce Artist Talk with Molly Springfield
How does the email art scam work?
All the details here.
Tuesday, April 21, 2015
cove Hosts Art Reception: Barbara Januszkiewicz
Sunday, April 19, 2015
Call for painters
Saturday, April 18, 2015
Call for Math Art
Friday, April 17, 2015
Artists & Makers Studios Expanding
Thursday, April 16, 2015
CRAVE III Micro-Granting Dinner a Boost to Local Arts Innovators
Zofie Lang opens Saturday at NVCC
Certain narratives, such as those in fairy tales, have existed for millennia and maintain a grip on our collective imagination. They are refreshed and reiterated, showing up in popular culture in both familiar and novel ways; similar themes also emerge across cultures and generations. Using photography, digital photomontage, and found object assemblage, Zofie Lang’s work reconstructs these narratives visually by extracting their key elements. Zofie examines the underlying meaning of narratives, including the fairy tales she remembers her Polish grandmother telling her as a child and literature that has inspired her. Her assemblages creates new layers of meaning, consisting of a mix of nostalgia and contemplation of our present popular culture.The gallery is located at NVCC, Alexandria Campus, in the Schlesinger Center, 915 East Campus Lane, Alexandria, Virginia 22311 (your GPS will tell you it's at 3001 N Beauregard Street. Don't be alarmed: it is the same place, just a different mailing address). There is a campus parking garage just across the street.
If you need help getting there, please text or call 443-310-3076.
For more information, please check out this link.
You can also rsvp here.
Wednesday, April 15, 2015
Tuesday, April 14, 2015
Brooklyn Hit With Anti-Hillary Street Art
The signs appear to be a riff on a group of supporters calling certain words often used to describe Clinton as sexist. Words such as 'secretive,' 'ambitious,' and 'entitled.'See more pics and read story here Unless the posters are being put up by Native American Senator Elizabeth Warren's supporters, it is quite rare to see the vast right wing conspiracy employ art to drive political points home. The even vaster left wing nuthouse, on the other hand, is quite good at using art for this purpose.