USS Kitty Hawk "Big Wave"

This is why is takes a special kind of backbone to make an American sailor (and a metal lady of the sea)... And what's that helo doing there?

Does anyone know where the love of God goes. When the waves turn the minutes to hours… –Gordon Lightfoot, “The Wreck of the Edmund Fitzgerald" 

This Saturday: Meet the Artists' Closing Reception!

Show Dates: March 11 - April 23, 2016 

MEET THE ARTISTS CLOSING RECEPTION: Saturday, April 16, 2:00-6:00 pm

At 1429 Iris Street NW, Washington, DC 20012

ZENITH GALLERY Hours: Wednesday-Saturday, Noon-6 PM 

Featuring: Kim Abraham, Jan Paul Acton, Doba Afolabi, Mason Archie, David Bacharach, Andrea Barnes,  Bert Beirne, Harmon Biddle, Francesca Britton,  Lenny Campello, Katie Dell-Kaufman, Renee duRocher, Elissa Farrow-Savos, Patty Porter Firestone, Richard Fitzhugh, Robert Freeman, Carol Gellner-Levin, Cassandra Gillens, Julie and Ken Girardini, Margery Goldberg, Stephen Hansen, Len Harris, Chris Hayman, Philip Hazard, Tony Henson, Frank Holmes, David Hubbard, David Jackson, Hubert Jackson, Robert Jackson, Peter Kephart, Gloria Kirk, Joan Konkel, Michael Madzo, Chris Malone, Paul Martin Wolff, Donna McCullough, Hadrian Mendoza, Davis Morton, Reuben Neugass, Carol Newmyer, Tom Noll, Keith Norval, Katharine Owens, Emily Piccirillo, Alison Sigethy, Gavin Sewell, Sica, Ellen Sinel, Bradley Stevens, Charles Taube, Jennifer Wagner, Marcie Wolf-Hubbard, Mary Voytek, Curtis Woody, Joyce Zipperer and more!

Spitoidal Mucasoids

Spitoidal Mucasoids: When you brush your teeth, and then spit out the saliva + toothpaste mixture, and do not rinse it down the drain with water. Later on, as it dries up and becomes impossibly hard to chip away, it becomes a spitoidal mucasoid.


Try to Google that... I've just invented it.

Still astounding...

Even after all these years, the work of DMV artist Alexa Meade still astounds me...

Opportunity for Artists

Deadline: May 2, 2016


This is an Open Call for proposals for an exhibition in the summer of 2016 at Alexandria's Target Gallery.


This call is open to all artists from North America working in all visual media. Proposals for exhibitions by both individuals and groups will be considered. The jurors this year are Phil Hutinet and Victoria Milko.

Apply here. 


Target Gallery 105 N. Union St. Alexandria, VA 22314

Art in the New Plutocracy

Art is no longer the mere status symbol it was in the age of Morgan. Instead, as Cohen’s exploits show, art has become an instrument for generating wealth and political influence in the interests of an audacious plutocracy. In this sense, we are indeed being ruled by art in a way we have not been before, and its price now comes at a direct social cost.

Read the article here. 

DMVers: Go to Emulsion Opening Tomorrow!

You wanna know the definition of a hard working artist? 

DMV artist Judith Peck! 

She has work in three shows opening this Saturday, April 9 --- Emulsion 2016 at Gallery O on H in Washington, DC, at The Walker in Kansas, and the inaugural show at the Lemon Tree Gallery in Cape Charles, Virginia! 

Go Judith!

And now UVA wants to censor art...

And now it is UVA's turn to try to censor some artwork...

Some members of the University of Virginia community want a piece of art—a mural—censored, altered, or completely painted over because it depicts students and professors partying together.  

The behaviors of the fictional characters in the painting would likely violate Title IX, said UVA music professor Bonnie Gordon, a vocal critic of the mural, in an interview with newsplex.com. 

Details here. 

Campello at auction

Check it out here!

Artists' Websites: Rosemary Feit Covey

New website for one of the DMV's most talented artists!

Visit it here.

Jessica Chambers at ND of MD University

Downton Abbey Paintings

Like the Downton Abbey TV series? You you gotta see DMV area artist Marsha Stein's series of paintings on the subject.

See them here.

Gallery censored by landlord in Lafayette, LA

Nicole,
You have to take down the nude pictures you have in your gallery. Part of the agreement to rent you the space was to not display nude pictures.

So begins the email received by artist Nicole Touchet, an email "signed by a project coordinator with Property One Inc., the company that manages Gordon Square, the historic hotel-turned-office complex at the Jefferson-Vermilion intersection in the heart of Downtown. The UL Lafayette alumna had opened her eponymous gallery, Gallerie Touchet, in a small side space facing Vermilion Street 11 months before, hosting exhibitions of up-and-coming local artists including her own work."


Many times in the past I have taken the side of "he who owns the walls" when these sort of issues come out.


However, in this case, as this article points out, the "condition" (No. 5 on Touchet’s lease with Property One) doesn't say anything about nudes, unless Property One thinks that Touchet's loosely painted nudes are so hot that they'd cause a fire:

Lessee warrants and represents to Lessor that the Leased Premises exclusive of common area shall be continually used and occupied only for the purpose of general office use. Lessee shall conduct its business and control its agents, employees, invitees and visitors in such a manner as is lawful, reputable and will not cause any nuisance or otherwise interfere with, annoy or disturb any other tenant in its normal business operations or Lessor in its management of the Building. Lessee shall not commit or suffer to be committed, any waste on the Leased Premises, nor shall Lessee permit the Leased Premises to be used in any way which would, in the opinion of Lessor, be hazardous on account of fire or otherwise which would in any way increase or render void the fire insurance on the Leased Premises or Building.

A lawyer might say that the lease says that the space will be "used and occupied only for the purpose of general office use," but then again, Touchet had used the space as a gallery for 11 months and Property One didn't complain.


In any event, she plans to close the gallery (her lease is up), but I wanted the prudes at Property One know that their ignorant, outdated, and assholish actions have been been heard in the nation's capital region and will forever be part of their footprint in Al Gore's Internet for now on.

Teresa Oaxaca at The Art League

Many years ago, I was at the old Washington Post building meeting with the then WaPo Chief Art Critic. He was going through dozens and dozens of postcards and letters (this was at the dawn of the email age), and he'd glance at them, and then drop them into a waste basket... there was a 99% rejection rate at first glance. I sat there, a little hypnotized by the sad reality of the event.

Years later, after having written about DMV area artists for almost three decades, like most art critics, writers and symbiots of the visual arts, I am also now bombarded with emails, news releases, post cards, letters (yep! old fashion snail mail) and other assorted paraphernalia designed to let me know that an artist is showing somewhere.

And like most people and that former WaPo art critic, time management is a delicate issue, and thus over the years I’m fairly sure that I’ve actually only seen about 1% of the shows that I have actually been interested in, or which have caught my attention.

A while back, one of those shows which snared my interest was an embassy show by a “new” – or at least new to me – artist whose work (at least online) seemed to be quite good.

 It wasn’t just that it “looked” quite good because of the subject matter (it did), or that it looked like the artist had some really good painting skills (it did), or even because it was eye catching in a different frequency from most works (it was) that I would usually be exposed to.

And thus, I decided to pay a visit to this embassy show (these days it involves arranging for baby sitters, planning the drive, and there's very little room for error, etc.), and to say that the work at the embassy show floored me is an understatement.

In fact, it forced me to put my nose close to the canvas; it forced me to step backwards and far away to see how the tight compositions worked together; and it even scratched my inner eye and forced me to look around to ensure that I hadn’t been transported to the past, or perhaps to the future of contemporary realism.

Teresa Oaxaca was the artist, and her paintings and etchings were the subject that dazzled my eyes, seduced my imagination, punched the solar plexus of my mind, and filled my curiosity with inquiries about all that revolved around the paradox-filled universe of this "new to me" artist.




"Pursuit" ​ by Teresa Oaxaca

Oil on canvas with artist-made frame

​28"x28"

Oaxaca... and this is clear to the most casual observer, and even clearer to someone who has seen the works of thousands and thousands of painters, is an artist with formidable painting skills.

Her energetic brushwork and fearless attitude towards an aggressive employment of color should be the first chapter in the lesson book to anyone aspiring to pick up a brush and apply anything to a canvas.

Look at the apple in "Pursuit."

It's not the brilliance of the fruit that makes it sing with erotic gusto; in fact it is too shiny - it is like a waxed fruit, prepared to sensualize the first bite by first decorating the visual senses.

It is not its stylized perfect shape, also designed to capture our human check points from the times that we shared the planet with Neanderthals and Denisovans.

It is in fact, those two delicate touches of white paint on the fruit, and it is also the manner in which the cloth caresses the fruit.

Oaxaca’s paintings and prints are at first sight a prism focusing the refracted colors back in time; or are they? To the fantasist, they could also be the work of an artist who has been traveling from a Victorian era to the present; or is it a future time traveler, bathing in the luxuries of the Baroque period, sending us her impressions from her latest voyage to the past?

Whatever the answer, the DMV gets an expanded opportunity to see her work, as her second solo exhibit at The Art League in Alexandria, “Misfits”, will be on view April 6-May 1, 2016.

According to The Art League’s news release, the show “explores the themes of clowns and dolls, human effigies, and painted faces, integrating human emotions and passions with allegorical storytelling. Oaxaca’s style has greatly grown and evolved since her first solo exhibit at The Art League in 2010. She’s interested in breaking the boundaries of traditional realism, and is succeeding through her choice of subject matter, compositional choices, and painterly style.”

Since I’ve just discovered this painter, I have no idea what her first solo show was about, but I suspect that it was but a bridge to her most recent work. Make no mistake, this is an artist who is deeply embedded in the world that she depicts through her art; she lives in that world.

“My work is about pleasing the eye. I paint light and the way it falls. Simple observation reveals beauty, which I often find in the unconventional. Because of this, I have learned to take particular delight in unusual pairings of subject matter,” she notes.

In that previously discussed apple, there are hours of work, but it is the final two applications of white which seal the deal.

"Laughing Queen" by Teresa Oaxaca
Oil on canvas with artist-made frame
 60" x 40"

Oaxaca’s compositions are described as spontaneous. “When a person comes to me, they occupy a space in my mind. Arrangements form from there until I excitedly see and conceive the idea for the piece. The design is both planned and subconscious. For this reason, I surround myself with Victorian and Baroque costumes, bones, and other things in which I find fascinating. I want subject matter to always be at hand, always around me.”

All of Oaxaca’s paintings will be shown within unique frames that the artist designed, built, and painted herself. She feels that the individually designed frames truly complete the one-of-a-kind piece.

Do not miss this show... More later.


Update: Ms. Oaxaca will be doing a demo in the Art League Gallery on the 13th and they will be live streaming on their YouTube channel: https://www.youtube.com/watch?v=_ZYoRm8aY5w

Tim Vermeulen opens in LA

Congrats to DMV artist Tim Vermeulen, whose solo show Alphabet, (inspired by the 1727 New England primer) opens April 9 at the George Billis Gallery in Los Angeles. 

 

Tim Vermeulen, J. Job Feels the Rod, Yet Blesses God. 2016, oil on panel, 19 x 23 inches framed

 You can see the show online here.

Ladybird

In NYC? Come visit us at the Affordable Art Fair, booth 1.54

"Ladybird" 2016 by Lauren Levato Coyne
Colored pencil on blue toned paper
11" x 9"

Cars I've owned

Fiat X1/9 (1977-1985)
Citroen Palas (1982-1985)
Seat (1982-1985)
Saab 900S (1985-1997)
Lada (1989-1992)
Dodge Caravan (1996-1998)
Ford Windstar (1998-2005)
Chrysler Town & Country (2005 - ?)

Reds

In NYC? Come visit us at the Affordable Art Fair, booth 1.54

"Reds" Oil on Linen, 14,11 inches by Rory Coyne

Did President George W. Bush release a new series of dog portraits?

They almost fooled me with the below news release - a very clever April's Fool prank by Artfinder... it was when their CEO started referring to Dubya as "George" that I smelled a prank!

Following the high profile exhibition of his work at the Presidential Library and Museum in Texas in 2014:

Artfinder is delighted to announce that George W. Bush will join the site as an artist from 1 April 2016. To mark the occasion, George has released a new series of technicolor dog portraits, including a Scottish Terrier, in homage to his dog Barney, who sadly passed away in 2013. The portraits will be on sale from midnight GMT 31 March.

George W. Bush comments:

“I wanted to make sure the last chapters of my life were full, and painting, it turns out, has helped occupy not only space but opened my mind.  

Dogs are a subject close to my heart, and frankly they make better subjects for portraits than politicians, who are all very much alike. I am delighted to have been accepted to join Artfinder’s vibrant community of 6,000 artists around the world.”

Jonas Almgren, CEO of Artfinder comments:

 “We have long been admirers of George’s work and are delighted to see him join the site. Our mission is to create a world of art for everyone – and we anticipate George’s pieces being incredibly popular.”

Artfinder is the largest global marketplace for original art, connecting over 500,000 subscribers worldwide with 180,000+ pieces of art from 6,000 artists. 

To view Bush’s Artfinder shop please visit: https://www.artfinder.com/george-bush

Update: Artfinder actually has a pet portrait painter who has joined them - Arizona based Alicia VanNoy Call a.k.a Dawg Art - she is the one behind these canine portraits.

Here's a link to her Artfinder shop: www.artfinder.com/dawgart

Spring exhibits at the American University Museum at the Katzen Arts Center

Spring exhibits at the American University Museum at the Katzen Arts Center are open April 2 through May 29, 2016.


Popular and critically acclaimed Washington artist, Kevin MacDonald, gets a posthumous career retrospective in Kevin MacDonald: The Tension of a Suspended Moment. Created out of unorthodox materials like coffee and tea, representational paintings, lithographs and silkscreens, capture unpeopled interiors, still-lifes, industrial landscapes, and cubist and surrealist representations of daily life. At the time of his death from cancer in 2006, MacDonald, 59, was at the height of his artistic powers and planning an ambitious body of work related to the shared, unwritten, and personal history of Silver Spring, Maryland, where he had spent most of his life. MacDonald’s work is in the permanent collections of The National Gallery of Art, the Hirshhorn Museum and Sculpture Garden, The Phillips Collection, the Smithsonian American Art Museum, The Metropolitan Museum of Art, and the Baltimore Museum of Art.


Coinciding with the retrospective of Kevin MacDonald, the Alper Initiative for Washington Art (AIWA) presents Twisted Teenage Plot. Besides being an excellent artist, MacDonald also played in bands, most notably Twisted Teenage Plot. Twisted Teenage Plot will showcase the work of visual artists who played in bands in Washington in the late 70s and early 80s, including Dick Bangham, Michael Baron, Jay Burch, Kim Kane, Clark Vinson Fox (aka Michael Clark), Steve Ludlum, Michael McCall, JW Mahoney, Michael Reidy, Robin Rose, Judith Watkins Tartt, and Joe White. Sound recordings, posters, videos, and memorabilia are also featured.

Free Parking, a new series of salon-style conversations, will host its second session in the AIWA space on the museum’s first floor at 5:30 p.m., Thursday, May 5. AU Museum Curator and Director Jack Rasmussen will lead a review of the life and art of musicians in 1970s and 80s D.C. The event, free and open to the public, features special guests Bill Warrell and Michael Olshonsky. RSVP is required: www.tinyurl.com/Alpertickets.


William Dunlap: Look At It – Think About It is a survey exhibition of paintings, works on paper, constructions and sculpture by the artist from the 1970s through the present. Both found and fashioned objects reflect Dunlap’s interest in the narrative tradition in visual arts and modernist concerns with remote association and conceptualism. The exhibition coincides with the release of Dunlap’s book of short stories, Short Mean Fiction, Words and Pictures (Nautilus Press).   


Elsewhere: Southern Constellations is the third exhibition in Transformer’s four-part ‘Do You Know Where Your Art Comes From?’ series, presented in partnership with American University Museum. Southern Constellations profiles the work of Elsewhere Museum and Residency and highlights a curatorial initiative to extend experimental practices and creative networks in the South.


Elsewhere Museum and Residency is an artist-run non-profit contemporary art organization set in a former thrift store in downtown Greensboro, NC. Six artists, born or based in the Southern United States, are brought to the living museum and residency each year to create new site-specific works that explore the museum, its collection and communities. Connecting a regional network of experimental artists and arts spaces, Southern Constellations considers the conditions and context for experimentation in the south, as well as the resources that sustain and engage practitioners in the region. Victoria Reis, executive & artistic director of Transformer, is curator, in collaboration with Tim Doud, associate professor of art and coordinator of the Visiting Artist Program at American University.


MASTER OF FINE ART FIRST YEAR AND THESIS EXHIBITIONS features the work of Master of Fine Art candidates in American University’s Department of Art. The First Year MFA exhibition will run April 2 through 20, and the MFA Thesis exhibition will run from April 30 through May 29.