Rebecca Coles and Amy Genser

Rebecca Coles and Amy Genser
Opening Reception - Friday, November 8, 6:30-8pm
Show Dates - November 8 - December 31
RSVP at the Facebook Event Page

Long View Gallery
1234 9th St NW
Washington, DC 20001

Rebecca Cole’s work currently focuses on the reinvention of entomological cataloging, display and the assemblage of shapes. Each shape is hand drawn and then intricately hand cut from carefully selected paper, focusing on recycling a medium that would otherwise be discarded and lost. She dissects small details of color, imagery and text into silhouettes that are then re-sculptured, pinned and encased. Rebecca’s aim is to transform an every day object into a piece of work that invites the viewer to see beyond its original source.

Amy Genser plays with paper and paint to explore her obsession with texture, pattern, and color. Evocative of natural forms and organic processes, her work is simultaneously irregular and ordered. She uses paper as pigment and constructs her pieces by layering, cutting, rolling, and combining paper.

Andrew Wodzianski is a Fanboy

Andrew Wodzianski in

Andrew Wodzianski is a Fanboy 

in Open Gallery at Montgomery College 

Takoma Park/Silver Spring Campus

In my spectacularly informed opinion, Andrew Wodzianski is one of the most talented and best painters in the DMV. The man can paint, and he can also canvas-deliver his ideas, and interests better than anyone who I know.

The Open Gallery presents Andrew Wodzianski is a Fanboy, featuring the work of Andrew Wodzianski from November 13, 2019 – January 10, 2020.  Andrew Wodzianski’s work depicts self-portraits utilizing a variety of media representing identity roles. An Artist Talk will be held on November 20th from 1:30 – 2:30. A reception will be held on Thursday, December 12 from 6-8 P.M. The events and exhibition are located at the Morris and Gwendolyn Cafritz Foundation Arts Center of Montgomery College on the Takoma Park/Silver Spring Campus. For more information, visit http://cms.montgomerycollege.edu/arts-tpss/exhibitions/. Free and open to the public.

Andrew Wodzianski is a Fanboy represents a ten-year retrospective of self-portraiture wherein Wodzianski has intentionally concealed his identity. Instead of introspective depictions of the human condition, Wodzianski reveals little of his true self. Whether a painting, photograph, or performance, each work is another layer of artifice. When viewed as a collection, an inkling of personality begins to materialize. Through an amalgamation of late 20th Century adolescent Americana, identity roles and contradictions and complexities can be gleaned. There is much left unexplained, but two things are certain; Wodzianski is clearly a pop culture fanatic and a self-described man-child. He is a fanboy.

About the Series:

This is the 3rd show of this year’s themed exhibition series, Self, which invites artists to explore contemporary ideas of Self Portraiture by engaging with the self through either representational or conceptual means.

About the Artist:

Andrew Wodzianski is an artist from Venango County, Pennsylvania. He holds an MFA from Maryland Institute College of Art and has exhibited widely as both a painter and performance artist, including the (e)merge art fair Washington, DC, Aqua Art Fair in Miami, and SCOPE NYC in New York. His interest in humor, satire, and popular culture permeates all his media. Says Andrew: “At parties, I tell trapped guests that I’m an interdisciplinary artist working in crocodile tears, puppy dog tails, and magpie chatter. I immediately assure them I’m not being literal. Collecting those materials from the animals would be cruel! Instead, I stress the supplies are silly metaphors for my constant exploration into falsehood, adolescent nostalgia, and appropriation. I shun adulthood, with most of my days spent embracing popular culture references introduced to me prior to 1989. I may create with diverse mediums, but I’m always reflecting on my fantastical youth with generous sprinkles of both reverence and satire.”

About the Open Gallery:

The Open Gallery’s exhibitions complement the academic programs of Montgomery College's Department of Visual and Performing Arts while bringing art to the community. As part of the Silver Spring arts community, exhibitions focus on current pieces by working artists. The gallery is on the ground floor of The Morris and Gwendolyn Cafritz Foundation Arts Center on the west side of the Takoma Park/Silver Spring Campus. The center is located off Georgia Avenue at 930 King Street. Parking is available in the West Campus Garage, located immediately behind the center.

Contact: KatherineKnight, 240-567-1461 katherine.knight@montgomerycollege.edu

Gallery Website:      https://www.montgomerycollege.edu/academics/departments/visual-performing-arts-tpss/index.html

Gallery Address:     The Morris and Gwendolyn Cafritz Foundation Arts Center - 930 King Street, Silver Spring, MD 20910

Call for proposals

Deadline: Feb 1, 2020

BlackRock Center for the Arts is now accepting exhibition proposals for solo, group and themed exhibitions to be presented in our gallery spaces in 2021 and beyond. Visual artists, curators, and coordinators of artist collectives and organizations who are over the age of 18 and live or work in Maryland, Washington, DC, Virginia, West Virginia, Delaware and Pennsylvania are encouraged to submit Exhibition Proposals. 

BlackRock is a nonprofit arts center which presents changing exhibitions of contemporary art by both emerging and established artists working in all media, to include site-specific installations, video and other time-based media, performance, new technologies and experimental forms.

Details here.

Bootcamp for artists is tomorrow!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall

Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all Prince George’s County artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few. 

The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media


17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Harmony Hall
10701 Livingston Road 
Fort Washington, MD 20744

Inaugural issue of the Journal of the Arts and Special Education (JASE)

JOURNAL OF THE ARTS AND SPECIAL EDUCATION (JASE)

Volume 1, Issue 1

The inaugural issue of the Journal of the Arts and Special Education (JASE) is published by the Council for Exceptional Children (CEC), Division of the Visual and Performing Arts (DARTS) and the John F. Kennedy Center for the Performing Arts. JASE is a peer-reviewed open-access scholarly journal that is now available on the CEC-DARTS and the Kennedy Center websites free of charge.

JASE content includes four types of articles that span art forms (visual art, performing arts, music, and media) and include a resource review, research and practitioner papers, policy history paper, and an editorial introduction. The  premier issue contains a paper detailing the history of actions and advocacy that lead to the creation of DARTS, an evaluation of a community program offering a multi-genre arts program for middle-school students with autism, a review of resources for teacher development in music education for students with disabilities, and a description of three research-based programs to teach drama that focus on students’ social-emotional, behavioral, cognitive, and linguistic outcomes. 

The audience for JASE includes special education teachers, teaching artists, arts therapists, occupational therapists, visual art teachers, music teachers, dance teachers, and performing arts teachers. These professionals work in public schools, community programs and institutions, museums, colleges, and universities.

This first issue of JASE is dedicated to the memory of Dr. James Catterall, who embraced accessibility and creativity for all, and whose work has inspired so many researchers, practitioners, and policy makers.

DARTS is a division of the Council for Exceptional Children (CEC), an organization dedicated to the education and advocacy of individuals with exceptionalities and their families.

Bootcamp for Artists this Saturday!

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall in Laurel, MD. Harmony Hall is at 10701 Livingston Road, Fort Washington, MD 20744.

Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few.

The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

This seminar usually books very quickly, so I'd recommend that you RSVP as soon as possible! It is open to ALL artists - not just PG County residents!

Background: As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.


Harmony Hall

10701 Livingston Road

Fort Washington, MD 20744

Superfine DC Opens Tonight!

Superfine! DC opens tonight at Dock 5 at Union Market on Halloween night. 

All the details of the fair here! 

LOCATION
Union Market
1309 5th Street Northeast
Dock 5 Event Space
Washington, DC 20002    MAP

I asked Alex Mitow, Director of Superfine! a few questions about the fair, DC and the DMV art scene:

What were your "lessons learned" from the inaugural DC art fair?

To be frank, I think the biggest lesson learned was a really positive one. We always had high hopes and expectations for DC as a market for the kind of art collecting experience we provide, but we were blown away by how excited and supportive the overall DC community was. We and our exhibitors learned not to pre-judge a city's taste in art and to really challenge the local market in terms of content, since a lot of works that veered towards risqué and very, very contemporary sold extremely well at last year's fair. DC's taste in art is as diverse as the city itself.

How many returning galleries and artists do you have in the second iteration of the DC art fair?

Around 40% of 2018 galleries and artists returned for 2019 and based on early renewal rates we're expecting 60-80% renewal for 2020. We expect booths at the 2020 fair to be nearly sold out by the end of 2019's fair. There are a lot of our favorites from 2018 who couldn't participate this year due to travel or other obligations, but will be returning in 2020. 

The Greater Washington DC area (known locally as "the DMV - for District, Maryland, Virginia") has one of the highest concentrations of wealth in the world, and a vibrant local art scene complimented by a terrific museum presence, and yet commercial art galleries and artists struggle to survive. As you acquire lessons and experiences in various cities doing the art fairs, what is your take on what's the "missing" part in the DMV art scene?

Honestly, we agree 100% with you on DC as a city that has the wealth, income, and interest to support a vibrant art scene. DC is a very viable market that's been overlooked by the big fairs. As I mentioned, our educated bet on DC last year paid off and we've doubled down on our investment into the city and the fair, which is our top-producing fair in the United States, by not only adding to the number of exhibitors but also bulking up our programming for this year's fair to include Superfine! X - an installation program featuring DC artist District Dodger, along with curated experiential works by artists selected by Philadelphia's Paradigm Gallery, and an interactive WunderCube co-designed by Sean Christopher Ward, one of our most frequent exhibiting artists (he hails from Wichita.) Hearkening back to my earlier point, I really think a key is not underestimating the diversity of potential collectors and their tastes in a city as vibrant as DC. We are also huge proponents of a transparent and inclusive art market which is something that I believe all of our exhibitors share with us, and even from what I've seen over the past year there have been a ton of amazing things going on in DC that share and promote our values -- with results that follow.

Can you highlight three exhibitors at the 2019 fair?


I'm always thrilled to work with Nina O'Neill at Monochrome Collective. She's done some amazing projects of her own in DC this year and is a fierce artist advocate (with great fashion sense to boot!) and I'm looking forward to her booth this year, which is focused on sculpture -- primarily by DMV artists including Gary Kret, Stefanie Lifshutz, Monroe Isenberg, and Michael West. 

Reach Beyond by Scott Hutchison

Oil Painting on Aluminum

17.5 x 29"

Scott Hutchison is another returning DMV artist, and I'm unabashedly in love with his surreal compositions. Lastly, New York artists Chloe Cockburn and her husband Marc Scheff are presenting a duo booth in DC's fair. They're a valued part of the Superfine! family and Marc also created a unique archival print that'll be gifted to our early bird Master Pass buyers. It's really neat how Superfine! has begun to turn into a family affair - we also have a mother and daughter sharing a booth (Phoebe and Caralena Paterson) and I'm excited to see how their unique styles play off of each other.

Opportunity for Artists

Calamity

Deadline: November 25, 2019. 

The Moon Gallery at Berry College welcomes up to three submissions to be considered for inclusion in Calamity, a juried exhibition with work that references the history and legacy of the Holocaust. Artists working with drawing, ceramics, painting, sculpture, printmaking, photography, or mixed media are encouraged to apply with work that reflects on how the Holocaust is remembered 70+ years later; responds to the current era of ignorance and denial of the Holocaust; confronts the rise of antisemitism; or counters manifestations of hate and intolerance by providing solace to the suffering. 

The Moon Gallery at Berry College performs a unique role in the region—located halfway between Atlanta and Chattanooga—by providing innovative exhibitions and programming that often responds to the pressing issues we face today. With exhibitions like Calamity, students taking classes in the Art Program are supported and the local community is enriched. 

There is no fee to enter. 

Additional information and a link to submit work can be found here: https://www.berry.edu/juriedexhibition Contact Brad Adams with questions at: badams@berry.edu 

Free Bootcamp for Artists this Saturday!

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That six hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve also discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

The seminar will be offered this coming Saturday, November 2 at Harmony Hall, 10701 Livingston Road, Fort Washington, MD 20744 - courtesy of PG County and fully free to all artists - and lunch is included!

In its six hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media

17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Boot Camp for Artists Seminar this Saturday

The Artists’ Boot Camp

Saturday, November 2nd, 10am-4pm , in the John Addison Concert Hall of Harmony Hall

Harmony Hall Arts Center presents Mr. Lenny Campello’s seminar, “The Artists’s Boot Camp”, open to all Prince George’s County artists, 16 and up.  Mr. Campello is the Greater Washington D.C. area’s pre-eminent art dealer, critic, consultant and blogger as well as artist. He designed his seminar to deliver information, data and proven tactics to artists, and to allow them to develop and sustain a career in the fine arts. Some of the topics that he will cover are, creating a resume, creating a body of work, selling your art, juried shows and news releases, just to name a few. 

The seminar is free and lunch is included. Seating is limited so please call 301.446.3251 or email stuart.diekmeyer@pgparks.com to register and provide lunch preference.

This seminar usually books very quickly, so I'd recommend that you RSVP as soon as possible! It is open to ALL artists - not just PG County residents!

We'll discuss:

As many of you know, for over a decade or so I have been teaching a course for artists and arts professional, that course, for the last few years has been known as “Boot Camp for Artists.”

That seven hour seminar, which has been taken by over 2,000 artists and arts professionals from all over the Mid Atlantic is designed to deliver information, data and proven tactics to allow artists to develop and sustain a career in the fine arts.

In the past, I’ve discussed the importance of artists having their work at the various art fairs held around the world, most notably during Art Basel Miami Beach (ABMB) week in the Greater Miami area.

Presentation is a huge part of an artist’s professional life, and more often than it should be, presentation is a detractor and takes away from the artwork.

Why am I discussing that here? Because before you start exploring the various ways to get your artwork invited to the “big dance” during ABMB week, as an artist you should be ready to play with the big dogs when it comes to all the tools of the trade needed to set foot in a world-class art fair.

It is not unusual for me to step foot in a gallery and see artwork which (at least from a presentation point of view) is “not ready” for primetime… this is getting to be rarer and rarer as galleries struggle to survive, but still there.

In its four hour format, the seminar covers a wide range of structured issues, including the below list, but essentially artists should at least be aware and explore:

1. Materials – Buying materials and strategies for lowering your costs, where and how to get it, etc.

2. Presentation – How to properly present your artwork including Conservation issues, Archival Matting and Framing, Longevity of materials, a discussion on Limited editions, signing and numbering, Prints vs. Reproduction, discussion on Iris Prints (Pros and Cons).

3. Creating a resume – Strategy for building your art resume, including how to write one, what should be in it, presentation, etc.

4. Juried Shows – An Insider’s view and strategy to get in the competitions.

5. How to take images of your artwork

6. Selling your art – A variety of avenues to actually selling your artwork, including fine arts festivals, corporate acquisitions, galleries, public arts, etc.

7. Creating a Body of Works

8. How to write a news release

9. Publicity – How to get in newspapers, magazines, etc. Plus handouts on email and addresses of newspaper critics, writers, etc.

10. Galleries – Discussion on area galleries including Vanity Galleries, Co-Operatives, Commercial Galleries, Non-profit Art spaces, etc.

11. How to approach a gallery – Realities of the business, Contracts, Gallery/Artist Relationship, Agents.

12. Fine Art Fairs – Discussion and advice on how to sell outwork at fine arts festivals, which to do, which to avoid, etc.

13. Resources – Display systems and tents, best juried shows and ones to avoid.

14. Accepting Credit cards – How to set up your art business.

15. Grants – Discussion on how to get grants in DC, Regional and National, including handouts on who and where and when.

16. Alternative Marketing – Cable TV, Local media


17. Internet – How to build your website at no cost, how to establish a wide and diverse Internet presence.

Harmony Hall
10701 Livingston Road 
Fort Washington, MD 20744

Wanna buy a real Frida Kahlo drawing?

Check this one out soon at auction in Sotheby's...

Munch's Spaniel?

11th Annual International Drawing Discourse Exhibition

Deadline: December 1, 2019. 

The University of North Carolina Asheville announces a call to artists for a juried art exhibition, January 17 - February 21, 2020 at the Holden Gallery at Warren Wilson College in Asheville, NC. $2,000 in awards. 

Juror: William Beckman. In effort to support the breadth in contemporary drawing, media is open to any traditional or experimental drawing media welcoming both two or three-dimensional works, video and/or installation. Size is open to works that can fit through a standard set of double doors, 10'3" ceiling height and up to 42' for both floor and wall space. 

Open to all artists who are 18 years of age or older. All work must be original, completed in the past two years and cannot have been exhibited at UNC Asheville before. It is at the Juror's discretion to choose single or multiple works from each artist's submission. $30 for one image, $5 each additional image up to 6 images max (total $55 for 6 images). 

For more more info., go to: https://artist.callforentry.org/festivals_unique_info.php?ID=7143  Contact: tbeldue@unca.edu or call 828-252-6845. https://art.unca.edu/ 

A Salvador Dalí work stolen in broad daylight!

On Sunday, a Salvador Dalí work valued at $20,000 was stolen from Dennis Rae Fine Art, a gallery near San Francisco’s Union Square. The work, titled Burning Giraffe, is a hand-colored etching the great Surrealist executed in the 1960s. The etching was resting on an easel in the front of the gallery when it was stolen. Security camera footage showed the perpetrator walking down the street with the framed work under his arm after leaving the gallery.

Read the story here. 

Join Nueva Vida in the fight against breast cancer

Tonight, Saturday, October 19th, local, national and international artists will join Nueva Vida in the fight against breast cancer through a silent art auction at the Art Museum of the Americas. Approximately 66 artists from 19 different nationalities will be exhibiting over 100 pieces of art with a variety of styles and mediums, such as sculpture, painting (abstract and figurative), photographs, installation and digital media. 

 

This is a wonderful opportunity to acquire quality pieces under the retail price while simultaneously benefiting a good cause. Proceeds will benefit Nueva Vida, a unique organization helping the underserved Latino community in the Washington DC Metropolitan Area. Nueva Vida’s free cancer programs ensure that, among other activities, 1,444 disadvantaged Latinas receive cancer screenings every year.

Below is a link to the online catalogue because art is the language of health and our artists have touched their souls in creating their work.

To view the catalogue please click on this picture.

Call for artists

Chronicles of the African American Journey Through Fiber Arts

Deadline: October 31, 2019. 

The Montpelier Arts Center in Laurel, Maryland is accepting submissions for fiber-based artwork for an upcoming exhibition titled Chronicles of the African American Journey Through Fiber Arts. The theme revolves around the lives of African Americans and the journeys they have taken to arrive where they are today. Artwork may include processes related to quilting, felting, sewing, beading and more. The exhibition runs, January 11, 2020 - March 1, 2020. 

The exhibition is open to artists 18 and older who reside in the United States. Artists should include a bio and artist statement with current contact information to be considered and may submit up to three pieces of artwork. Please include title, date, materials, dimensions, price, and at least one detailed image of the artwork. There is no entry fee. Artists’ whose work is chosen for the exhibition are responsible for dropping off and picking up artwork and/or postage and handling of delivery and return of their work. Montpelier Arts Center retains a 25% commission for any sold artwork. 

Submissions can be made through the online Submittable platform at: https://montpelierartscenter.submittable.com/submit You can find more information about the Montpelier Arts Center at arts.pgparks.com.

Call for Prince George’s Artists

I am pleased to share with and encourage you to apply to PG's newest call for entries and exhibition opportunity for Prince George’s County artists. This call is for Perspective: Prince George’s, the 2020 Annual Prince George’s Exhibition in Annapolis.  

This call is open to all artists who are 18 years of age or older who live, work, study, or have a studio in Prince George’s County, Maryland. Due to the nature of the exhibition space, only two-dimensional artworks that can be safely installed on hanging cables will be accepted. However, new for this year's exhibition, artists working in 3-dimensions; such as free standing sculpture, ceramics, found objects or any other medium or material that is molded, cast, carved, or assembled are also encouraged to submit high quality photographs of their work for consideration in this exhibition. If selected, a high quality print of the main face of the 3-dimensional work will be displayed in place of the piece. It will be the artist’s responsibility to print and frame the piece for display.

The exhibit will be at the Lowe House Office Building in Annapolis, MD from January 6 to April 6, 2020. All works to be included in the exhibition will be selected by Arts and Cultural Heritage Division staff with a focus in showing a broad range of artwork.

Click here for the flier that contains information for the exhibition and the application process.

All works for consideration must be submitted online at: 
m-ncppc.submittable.com. Please send any questions to Stuart Diekmeyer at stuart.diekmeyer@pgparks.com or Sara Caporaletti at sara.caporaletti@pgparks.com.

Nueva Vida Auction

During “Breast Cancer Awareness Month” local, national and international artists will join Nueva Vida (New Life) in a silent art auction and benefit cocktail reception (VIDART) honoring breast cancer survivors and caregivers. 

Nueva Vida is a 20-year-old support health network for Latinas with cancer. VIDART will be held at the renowned Museum of the Americas (AMA) in Washington, DC the evening of October 19th.

The below two pieces on broken bisque will be on the auction block. Bid for them here.

Eve Running Away from Eden

Frida Kahlo in Clouds

Curated by Irene Clouthier and Shanti Norris.

https://www.eventbrite.com/.../vidart-silent-art-auction.

For 2015auodel

2015auodel: Please send me a note to lennycampello@hotmail.com

Do this today!

Sunday, October 13, 2pm.

Lecture: Art with a Twist

Montpelier Art Center at 9652 Muirkirk Rd, Laurel, MD

Join me as I take a fun walk through art history that culminates in contemporary art where I will discuss the work of some DC area artists and our regional art scene, and answer questions.

Lecture is free and open to the public.