Good news for women artists

Nasher Sculpture Center announces the formation of a new fund for the acquisition of work by women artists: the Kaleta A. Doolin Acquisitions Fund for Women Artists. Established with the generous seed gift from the foundation named for author, artist, and arts patron Kaleta A. Doolin, the fund will provide an initial $750,000 toward the purchasing of work by women artists, helping substantially grow both the Nasher Sculpture Center’s collection of work by women artists and, with a keen focus on living artists, its contemporary art holdings.

Details here.

Adam Bradley and Sarah Wegner at Harmony Hall

Guerrilla Framing Technique number one

Me: Custom framing is expensive!

You: Everybody knows that!

The average price for custom framing around the DMV is brutal - and sometimes complicated (or made complicated by frustrated designers posing as framers or artists who have seen too many Rococo framing in museums.

Unless you're Frida Kahlo, generally speaking, the job of a frame for a work of visual art is first and foremost to protect the art.

Period.

And in the 21st century, and most of the 20th, the simpler the better; the less noticeable the frame, the more that the art is noticed.

If you have plenty of shekels, then a good framer will do a great job.

For the vast majority of artists, a frame should not cost as much as repairing your transmission.

You: Can you get to the guerrilla technique part already?

Most artwork is done on geometric substrates; even if you cut paper or stretch your own canvas, most of the times it is either a square or a rectangle; ovals went out ages ago; in fact they were never really in.

In the USA, these art substrates come in standard sizes that apply not only to the substrates (paper, canvas, board, wood, etc.), but also to mats, frames, and glass.

Thus, if you work on a standard size substrate to start with, you're almost home, because then you can eliminate the middle man to getting your work on a wall: the custom framer.

An 8x10 substrate will fit into an 11x14 pre-cut mat and into an 11x14 pre-cut frame; and 11x14 substrate will fit into a 16x20, a 16x20 into a 20x24 and so on.

Around the DMV, both Ikea and AC Moore's have ridiculously affordable prices for acceptable, minimalist frames. With AC Moore's if you sign up for sales alerts, you'll be bombarded with coupons (the best one is their 25% off for your purchase - including sales items; otherwise you get their 55% off regular price coupon emailed to you every 30 seconds).  Practically every frame at Ikea is a minimalist frame, but be careful because many of them are European size standards, which are different from US; however, Ikea frames generally come with acid-buffered mats, with is a nice "bennie" to have.

By the way, if you need a lot of frames in the same size - let's say two dozen frames, then I suggest that you find the ready made frame that you like and that will accommodate tour work (this usually works for photographers), turn it over and see whoo makes the frame and then contact the manufacturer (if it's in the USA) and see if they will sell you the frames directly. There's usually a minimum order to "qualify" for this option, and thus situations may vary according to your needs.

If you want to do artwork in other than standard sizes, then more power to you, and framing just got a little pricier, but there's also a technique.

First find a ready made frame that is bigger than your odd shaped artwork and visualize the artwork inside the frame. If the proportions are agreeable to you -- let's say you have a rectangular work which can be matted with both sides and top the same and bottom "heavy" - that is perfectly acceptable.

Once you have the frame, go to a framer and have them cut you a mat that has the outside dimensions of your frame and have them cut a window that fits your work. Now you are only paying them to cut a custom mat, rather than paying them to do that as well as creating a custom frame and glass from scratch. It should reduce your costs by about 80%.

Then just bring your matted work home, pop it into the frame and as the Brits say: "Bob's your uncle."

Plenty more techniques later...

A Celebration of Glass

A Celebration of Glass 

September 4–27 at the Glen Echo Park Popcorn Gallery Artists Reception Friday, September 4, 6:00–9:00 p.m. 

Join the Art Glass Center artists for A Celebration of Glass in the Glen Echo Park
Popcorn Gallery this September. Curated by Mary Wactlar, Sherry Selevan, and Virginia Hughes, the show includes more than 90 works that celebrate the art of glass in sculpture, wall hangings, vessels and jewelry. 

Twenty-two Art Glass Center artists have created pieces that explore the endless possibilities of the medium. The works embrace rich surface textures as well as deeply tonal glass, while the artists’ visions range from graceful organic visions and exciting geometrics to images of nature. 

The Art Glass Center is a school, resource center and gallery for kiln-formed glass serving the Washington metropolitan area for more than 30 years. The Popcorn gallery is open Saturdays and Sundays, noon–6 p.m. 

7300 MacArthur Boulevard
Glen Echo, MD 20812
301.634.2273 
www.artglasscenteratglenecho.org 
info@artglasscenteratglenecho.org

Studio Available October 2015

Deadline: Sept. 15, 2015

Studio Available October 2015

AVAILABLE STUDIO INFORMATION 

Studio is 215 sq. feet.

• Rent is $405 per month, inclusive of all utilities.
• Artists are required to be in the space during retail hours of Wed. - Sat., 12-6pm and during the monthly Bethesda Art Walk.
• Artist has 24/7 access to Studio B and their personal studio space.
• Artist may sell artwork and there is no commission taken on artist sales.

SELECTION
Members of the Bethesda Arts and Entertainment District and arts professionals will review the applications and select the Studio B artist. If necessary, an interview may be requested. Applicants will be notified about whether their applications have been selected. Bethesda Urban Partnership will perform credit and criminal background checks and execute leases with the tenants. Once maximum occupancy is reached, applicants will be placed on a waiting list until a studio becomes available. 

TO APPLY

Complete this application and submit the following:

• Curriculum Vitae (CV)
• Artwork Samples
• Proof of Income
• Proof of Identity
• $30 fee per applicant for credit and criminal background checks

QUESTIONS? Please email artist@bethesda.org.

Click here for the secure application.

Request for Proposals

Request for Proposals: IMPACT at GREEN SPRING STATION

Application Deadline: Saturday, August 15, 2015

Are you an artist that enjoys working with unusual materials? Then this opportunity might be for you!

 

MAP, in partnership with Green Spring Station, is seeking an artist or artist team to create an original temporary indoor installation comprised of items donated by Green Spring Station merchants. Items may include: resistance bands/dumbbells, bras, nighties, pjs, hair products, blow-dryer, dresses, tennis racquets and balls, boxed stationery, journals, guest books, calendars, sample event stationery, children’s books, wooden toys, and candy. The resulting sculpture does not need to incorporate all materials.

The selected artist/artist team will receive a $1,000 stipend to cover the cost of additional materials and labor. Installation is scheduled to take place between October 1 and November 13, 2015.

The full RFP can be downloaded here.
This call is open to all Maryland-based artists and is free to apply.

High line

Official US Navy photo of me being highlined from USS Thorn to USS John King somewhere in the Med in the early 1980s. My boss, then Commodore Jeremy Boorda (DESRON 22) used to love to highline sailors, and in this instance I was delivering a FitRep to the CO of USS John King (as well as a box of donuts and some Intel reports) - if you zoom in you can see my bearded face and a cheap stogie between my lips... cough, cough...

Enigmas of Cuban Spanish

Anthony T. Rivas starts his entertaining "Enigmas of Cuban Spanish" by noting that "Non-Cuban Spanish speakers have occasional trouble understanding fast Cuban speech. While less educated Cuban speakers can be difficult to understand, as with speakers of other dialects of Spanish, better educated speakers of Cuban Spanish can also exhibit speech sounds typical of "careless" or relaxed speech." 

Ahhh... my own experience, especially around the DMV (where most "native" Spanish speakers are from Central America, and in my neighborhood from Argentina), is more like a perplexed look... this chart (from his research) exemplifies the nuances, even within Cuba, of Cuban Spanish.

Old Oriente Province	Rest of Cuba	English Meaning
cutara	chancletas	slippers
papaya	fruta bomba	papaya
balance*	sillón	rocking chair
balde	cubo	bucket
rallado, rasco-rasco (Matanzas)	granizado (Bayamo and Santiago)	ice cone
macho	lechón	suckling pig
pluma, llave**	faucet	tap
túnico*	vestido	dress
hallaca	tamal	tamale
guineo	plátano (fruta)	banana
fana	fanoso	good-for-nothing/cheapskate
tienda ***	bodega	grocery store

* Also used in Camagüey Province
** "Pluma" and "llave" coexist in Camagüey Province.
*** In Havana, "tienda" with no modifier denotes a clothing store.